')X^s> !«_5fr_P_wV*S OPERATIC ANTHOLOGY &_S

Celebrated Arias, Duets, Trios, Quartets, and Quintets m Selected and Edited by Max Spicker Les Bayaderes, f. (1810) Ch.^. Catel Carmen, f. i. (1875) G. Bizet 103. Pleurez! mais chantez ma victoir^i"* 123. L'amour est un oiseau rebelle. Sop. . 124. " " " " " M.-Sop. 125. J«? dis, que rien ne m'epouvante. Sop. Beatrice di Tenda. i. (1833) X V. Bellini 126. " " " " " " Alto 127. Pres des remparts de Seville. M.-Sop. 104. Ah! non pensar che pieno. Jtf.-SoP- or Bar. 105. Ma la sola. Sop. or Mezzo-Sop. 12S. Pr«s des remparts de Seville. Sop. or v N. Tfeq. . i. (1836) N^ G. Donizetti 129. "Les triangles des sistres tintaient. 106. A si tremendo annunzio. . M.-Sop. or Bar. 107. Quando di sangue tinto. Duet. Tehor 130. Votrftvtoast, je peux vous le rendre. and . BarSO 108. Se vederla a me non lice. Duet. SOD. Vbtre toast, je peux vous le rendre. and Baritone. M.-Sop. \ x La Belle Arsene. f. (1773) P. A. Monsigny CavalleriX a Rustkana. i. (1890) P. Mascagni 105. L'art surpasse ici la nature. Sop. •v 132/. II caV^Uo sc'alpita. (Alfio's Entrance N. / \Song0\BarZ\. Belmonte und Constanze. g. (1782) 133. II cavaDo scalpita. W. A. Mozart 110. O wie will ich triumphiren. Bass. Le Cid.'f. (18.5-X \, ' J. Massenet 111. Welche Wonne, welche Lust. Sop. 134. Pleurez! pleurez, mes yeux. Sop. 112. Wenn der Freude Thranen. Tenor. 135. " " " " M.-Sop. 136. Plus de tourments. Sop. 113. Wer ein Liebchen hat. Bass. 137. " " " M.-Sop. Berenice, i. (1738) G. F. Handel 114. Se non ho l'idol mio. Alto. II Colonello. i. (1835) L. Ricci 115. SJ, tra i ceppi. Alto. 138. Al fin brillar. Sop, or M.-Sop. . i. (1836) G. Donizetti Crispino e la Comare. i. (1836) L. Ricci 139. Io non sono piu Annetta. Sop. 116. In questo semplice. Tyrolitnne. Sop. 140. Istorie belle. Sop. 117. Se crudele il cor mostrai. Sop. 141. Non ha gioja. Sop. 118. Ti vedo, ti bacio, terreno natio. Bass 142. Piero mio, c'e qui una frittola. Sop. Bianca e Falliero. i. (1819) G. Rossini Czar und Zimmermann. g. (1837) A. Lortzing 119. Della rosa il bei vermiglio. Sop. 143. Sonst spielt' ich mit Scepter. Bass Le Billet de Loterie. f. (1811) N.Isouard Damnation de Faust, g. (1846) H. Berlioz 120. Non, je ne veux pas chanter. Sop. 144. Dahin ist meine Ruhe. Sop. The Bohemian Girl. See . Dinorah. f. i. (1859) G. Meyerbeer

145. Ombr1 e legere. (Shadow Song.) Sop. Le Bouffe et le Tailleur. f. (1804) P. Gaveaux 146. " M.-Sop. 121. Conservez bien la paix du cceur. Sop. Don Carlos, i. (1867) G. Verdi Le Brigand, f. (1795) R. Kreutzer 147. O don fatale. Ten. or Sop. 122. Vastes forSts. Tenor. 147a. " " " M.-Sop.

Order by number of the collection only. All numbers are published with English, in addition to the original text; 1. g. f. stand for Italian, German or French text. The numerals in brackets indicate the year when the was first performed. Ii______§Sj^_^ G. SCHIRMER E_fr NEW YORK imA/umf< «2_^ I T This composition, Price, 75 cents, in U. S. A. Le Pardon de Ploermel. (DINORAH.) Shadow Song. (Transposed from Original Edition for Soprano) English Version b)> NATHAN HASKELL DOLE. G. MEYERBEER.

Allegro Recit. (talking- to her shadow.) Voice « l nJ> i p p p p- ltj 1 J -j—^ J) J'' iB _ Al - Ions vi-te, prends ta le - con! Ha - te - toi d'ap ^ te, presto vie - niji stu - diar, le danze ed i ome, now hasten, thy les - son take! Dance and song- es £E____; Pian o. : v n •__EJ hi Allegretto ben moderato.(J.= 52) (Dinorah dances with her shadow.) ; j $ p P * r P' ^11 >< pren - drc danse et chan - son! can - ti vie - nia imp - - rar! say - ing-, best ef - forts make! 9> ? Hl> ' 1 »f 0 0 • m 0 0 S 1 W b*

dolce. H 3: *E__ __ ftJWj^* j) yj?) $ * m £ * s m • _ J=*E mm

$ B_B_____

10738 r Copyright,l89S,hy G. Schirmer,Inc. Printed In the V. S.A. leggiero.riero. _ >

Om - bre le ge re Qui suis mes Om - bra leg - gie - ra, non le n'an Thou shad-ow air - y, Here by my v P=J J^ J J J q & /I i—J S P dolce. ^ y y y y I

3=£E=5 ^^ * -U-PP P F IP P P P P P p pas,_ Ne t'en va pas! Non,non, non! Fee ou chi - me - re, Qui m'est si non tin - vo - lar, no, no, no, faiajo chi - me - ra, sei lu - sin - side 0 do not hide! No, no, no! Elf,sprite or fair- y, I pray thee,

rj p p f? 'ifl=fcg ? j> J) I J> .7 Ji i ,,11 Ijjp . ^ ^ che - re, Ne t'en va pas! Non,non, non! Courons en - sem - bie, J'ai pour, je ghie - ra,non t'in-vo - lar, no, no, no! Ombra a me ca - ra, corriamo a tar - ry, 0 do not hide! No, no, no, Wilt thou be - lieve me',Twoulddeeply m0 0 J JI JEJJJH§ J J

k=&9 0 ^ 10738 3^ -Q M P bP •f i i i J> • I jffi B «r I trem - bie Quand tu t'en vas_ Loin de £•« - ra, res - ta con me,— al mio grieve me If thou should glide Far a

r r r f r *

(she dances with her shadow.) ^^ f Ne t'en va pas! non tfin-vo - lar! ah, do not hide! jjf $%it

*—* „,. a tempo. m JJ •. p m _» * HH

(shHee pauses.pauses.); , i ij J) J Jl * p P p P ' * ^ J> A chaque au - ro - re Je te re - vois; Ad ogni au - ro - ra ti DO tro - car! Each morn - ing sees thee my heart re-joice;

(she dances with her shadow.) (she pauses.) i' I J> h B j p p p p r6 Ah! res - te enco re, Danse a ma voix! Ah! resta^an-co - ra, vieni^a dan-zar! e J_ Stay if it please thee, Dance to my voice! Jfl1f f ^ ,ff"f ff ff P ^^ m im 0 9 4=4* t 10738 Je veux chau - ter,. Ap - pro - che - toi! m'udrai can - tar; tfappressqji - me, ure, I'll smile, I'll play, Shad-oWj come nigh! Vm *=£* m ______^m

% 1 S 9 IP fcf I 1 M y y

i 0—k-w—I ' -w y y * m m i m Viens, re-ponds moi, chante a - vec moi! ris-pondi_a - me, can - la con me!. Hear me! re - ply! Sing as do I! _ ^F^f S I

-** *=* 1 -y—r- ±=± 1—7- pa i * i Allegretto animato. (J- = 98) (She sing's to the shadow.)

Ah! J> IT- ti A i y l =£ f * i i f^f ///2_, L s y y j: y m-

10738 (as if listening- to the shadows voice.)

re-ponds! a - te! Ah! re - ply! T y y \ £=^y y 4E 7 y * * * V f /_? ^ « y • y y" jt y y , y y • A i F (to the shadow.)

c'est bienhion! 00 £#»/ Ah! 'tis well! a I .. .. ff .. . .1 . .. 1? • .. it.. .. a K K fe V y y r y -y—=E==y y y y ? t Ej

y y s y y y y y y jt I __= I i 5 r7

(to the shadow ) (as if listening to the shadow^ voice.) pp *__: «___ j^-^jJNpi ff re-ponds! « fe/ Ah!. re-ply! * T > >"? f y y | 1 , * V £ A PP y y $ y y 3 a—•—* £ ^*

(to the shadow.) (to the shadow.) (as if listening- JZZ Z f

nces t bienlien! "SI re-pondsre-nnnds!! va ben! Ah! <7 /./ Ah!. 'tis well! re-ply! y y _j_ =J^ f y y j = y y jt 3* j :_i: y y j: 1 T 10738 Listesso tempo, ma un poco piu mosso. (to the shadow.) to the shadows voice.)

bien! re _«'/ Ah! a well! re t m^^= ^ £ =¥=^ £ i H| «—• />/> ^ :J>"i -y—-y- ^^-T- g^g p tip (the shadow's reply.) (to the shadow.) PPimzrm :!fcil_uj;jft t #^%* ^ft* £ ponds! Sa WC'es t te! Ah! piy! tis q %2.J f, --i* 3? ._i£ f #* f J* !«n * £ stacc. ggj __P-J -7 fffl f M[ P v #p y ^^

8 (the shadow's (to fte ^,3 ^iS*™' «° tke shadow,) (to the shadow.) replyJ_ # ^ ^ pp^^LL^ f ^ _ ^-_ pp^ Hii p F p A m x p r bien!. p" topAh!. r Pe -' ponds!^ . *^ah! re '- ™ponds! ^ ben!- ah!. a te!- ah! a te! Ah! wellL Ah!. re - ply!- ah! re - ply! mI 3EEE£

5EE|E

(the shadow's (the shadow's (to the shadow.) reply.) p (to the shadow.) reply.) (addressing the shadow.) \^fK .r^K,-m^^ >'^P P P P P P P ah! ah!. ah! ah! ah! ah! ah! ah! ah! ah! ah!

P

10738 Tempo I. £_____

Om-bre le - Ah!_ ah!. ah!. ah!. Om-bra leg- Thou shadow ad lib. I I£S E 1 f col canto. 3___; & 1 -s- k

j J'JJP V i' V-[Jp p p p I rj-r J) J) I Jw i1 J>-g ge - re Qui suis mes pas, Ne t'en va pas! Non, non, non! Fe'e ou chi gie - ra, non te n'an - dar,-. non tfin-vu - lar— no, no, no! Fata^o chi air - y, Here by my side^_ 0 do not hide! No, no, no! Elf, sprite or

P P P P P P P !|P Ifcjf J1 J1 me - re Qui m'est si che re, Ne t'en va pas!_ Non, non, me - ra, sei lu - sin - ghie ra, non fin - vo lar, no, no fair - y, I pray thee, tar ry, 0 do not hide!_ No, no,

;i1 b . J> i j* i' ji) P_/J3 J> ^ ^ I'-CT p P p p non! cocou-ronu - rons en - sem - bie,. J'ai peurDeur,. jie trem - bie QuanOnand tnu tt'e_ n no! Om - bra si ca - ra, cor - riamo a ga - ra, res - ta con no! Wilt thou be - lieve_ me,'Twould deep - ly grieve me If thou should

10738 & zpnithii^hijFi s P i^p i'ip-y— r Pte vas Loin de moi!_ ah! ne ten va pas! me, al mio pie,— ah!. non fin vo - lar! glide Far a - way!. Ah!. ah, do_ not hide!-. Si ?ft ^i_*- y i# eg ^SJF^ £ ____ m

Andantino quasi Allegretto. (kneeling to talk with her shadow, outlined on the turf beside her.) con gran'portamento d=A__=__ _ pm ^ Sais-tu bien_ qu'Hoel Non sai tu ctiHoel Dost thou know. Ho-el cresc. h i I M i>' > I ' Wp f r- T s=_ 3EEE ^^ F f di voce. H n J) EftN m^ ' 6 ,j>* ip p f ~rr ij^p Jir'"-p mai - - me?- Sais-tu bien. qu'Hoel ,%'# - - ma?. Non sai tu ctiHoel itia - loves. me!. Dost thou know Ho-el loves. te ^^^^^ *=t=t 1; > g ^^ r sus T f ^^ =_ I __a__ ±* ^=r ^ S ^Pf 5=? f i ?/« JP0C0 r = ^=fc __g -_ y i _ y J>^< it 10738 f V P molto cresc. jp naively. v\>___ p- pnn D1J g ?''p^ Dieu va pour tou - jours nos a - mours?_ Le sais

Tempo I. (a cloud passes over the moon, the shadow vanishes.) Sj* r^zri'p P ipg r pp iW /J> J* J> Msfe tu? le sais - tu? le sais - tu? Mais tu prends la fui-te! tu? il sai tu? il sai tu? Ma gia tu fascon-di know? Dost thou know?Dost thou know? But thou dis - appearest!

utJl > J> I J^ #-P-P P P £ J n_ i | | J Pour-quoi me quitter, Quand ma voix t'in-vi-te? Pour-quoi me quitter? per-che vuoi par-tir? ah! dimmi, ris-pon-di, per che vuoi partir? Wilt thou go a - way When my voice thou hearest? Wilt thou go a - wa}'? §_i tt i w £ i|__ 3 ^ P5 f \l? ^f (she searches for the shadow.) ^N*# P ir#tO . mJ :!£ £ £ Pour-quoi, pour-quoi me quit - ter?_ per- che, per- che vuoi par - fir?_ Wilt thou. wilt thou go a - way?.

=*$* j i * y—r ^_=_B B iI / _i # PR i 10738 10 (in a plaintive lone.)

t .ft,h.>-A1[iwr *p ii \. u^\\fyi'wrl^m La nuit m'en-vi - ron-ne! Je suis seule, he - las! Qui so -la so - let- ta, nei— buio— son gia! In darkness I fear me! 1, a - las, am a - lone! $ft\H m *E3E se mm ap * s«-• - 7> a /

molto moderato. string. 3 portando. (weeping.) t' ii '-N # ^X^>L v-^^-gv «19-

Ah! re - vien., sois bon-ne! Re- viens!_ re - viensL re - viens! A tor-nar faf-fret-la, deh vien!— deti vien!— deh vien! Ah! re-turn and cheer me, re - turn! re - turn! re - turn!

m ft £ » F "fi? 3 I

(a ray of moonlight causes the shadow to reappear.) =afwi1h joy) £ \% SE U *3? £ £ Ah!. c'est el le! ah!_ f c'est r»" - for na! ri- Ah!. I see it! ah!. I #Z P M t ty $^$^0 ,: _: ' i"E CCrecrCCfeife j>* * >• t^rfrjrM leggieramente. (threatening- the shadow.) y /. O- • .? P : 3 ji I P P^ n £ ^ el £le! Ah!. me - chan-te, me- chante, est- ce /or Ah!. in - gra - ta, co - si vuoi fug - see it! Ah!. thou cru - el one! cru - el, from «s_n £ £_£__£ SE E . ^f _£ /> V: p ? t t i—•:

10738 11

} ,J) J) ij }l }l IHS p p p p -T p I p yy^ ' * * " moi que l'on fuit? me- chan-te, me-chan-te, me - chante, est-ce moi que Ton gir,vuoi par-fir? in - gra-fa, in -gra-ta, in - gra-fa, co - si vuoi fug me dost thou flee? Thou cru-el one, cru- el one, cru- el, from me dost thou

S i i m m * s i

Tempo I fil ? * > }> ni> I .JTp > nJ> J> i F^f fuit? Om - bre le re Qui suis mes pas,_ Ne t'en va ^•/r? to - bra leg r«, non te n'an dar,- non fin- vo - flee? Thou shad-ow air y, Here by my side,. 0 do not __,

Q -j j> j> i JM ^ > in ji p p p p i ejf p^^ pas! Non, non, non! Fee ou chi me - re Qui m'est si che - re, Ne t'en va /.-/r, no, no, no, fatqjo chi me - ra, sei lu - sin - ghie - ra, non fin-vo- hide! No, no, no! Elf, sprite or fair - y, I pray thee, tar - ry, 0 do not ^S m

t—« E

S •? J> J> i. o j ^ i>jj_ >T^ ^ r-'rj- p p p f pas! Non, non, non! Courons en sem- bie, J'ai peur, je trem-bleQuand tu t'en lar, no, no, no, Om-bra si ca - ra, cor- riam, a ga - ra, res - ta con hide! No, no, no! Wilt thou be lieve me'Twould deeply grieve me If thou should

10738 12 | Q j j 7EE^5£ I j i JT73 P B _»•»]! # vas_ Loin de moe! Ah!. ne t'en. va /«£,_ „/ »/?'o j»/^ ah.L #0/1! tf'wr glide Far a - way Ah,. ah, do. not

(she dances with her shadow.) * rail. stacc y _ p pas! P p p p p p i ? iaW P i I lar! La la la la la la la. g-o!

^m —— r • "• ii na f-* p leggierainente > *($[ if _^__»=» p m j. L f

y~-—=*^_ _E # "py ip pp ppp iPf Utf p i dan se! ^^^^^^^ ah!

____ S T-: ^iJJjj^ * P 3 $ t ^ I ^

10738 13 ifi res - te, reste a - vec re - sta, re - sta con tar- ry, tar - ry with ^%0 m 0 r 1' ^ £ 0 0 I i m ** !* £ fe** fe** §_; ¥ 1 S iP=* I

Allegro con spirito. (J. = 96) (dances with the shadow.) » j: r ^ moi! me! me! jll JttfNtf g j fffffff P , TJ «P , f * t E 1 CZI r=i i »=r ^__i" «P

yy^py^lJy^p^ |Jyff[J^^ Ah!_ ah! ah!. ah! ah!_ S tA^ « i i ** . «-« 1 *-* ff•* • •* # ET # # %^m j i a^aj ^^ Tll P cr Ur^'P *-• UXu;^^ ah!. ah!. T H . iJ =bT=f J •: TT=f ^F^ Iy y y y 10738 14

J _ J ___ZZ____jE

fP" • ti\£&\ iitiu ^^ _—•——afiS ah!. ah!

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3 a 3 3 3 3

5: ±=% 0 0 ____ s #-=—=-# mm ah! ah! ah!. 3. __ 3 3 ±=St • HI~* __2____#Hg ±

•0 0- -0-0 _ 0 3^ i—I t=t ^_tf <£ \> T T ' T IJJJAppp"^^ ah!.

I^ n ' a ' I i ' M I < yff i y PK y y

10738 15 §2) t •/ vrTrTr ^yppTj) p^ffp' pTTr ah! ah! ah! ah!

W~a 0 f 0 '••Tlftliii ii'iiid 3~^» •> T n ,!ii-^ 5 I i a_j _ 5 T y y f P ? y T apiacem ^fffTT^jf r i ^y y ^^ t »jflFlji»tifl% ah! ah! ah!. ah!. S i^^ SE_ f 3*~ Sf I? /. cresc. co/ canto. m p_; ia444#i4» f I 3 b3 "p y y gui; I'cjILCf^ g| ah! a

/?\ stacc. « tempo. "•^^J'COW p.;>>r ' j.Ol^VfMfft. j £ y y j. =3E ah! ah! ah! ah! ah! ah! ah! ah!. IT\ f , m, ff i ,/r a o 0 0 0 f f f

fej_ iT ^=y= r^As y g^_TPr[J S: i t

1=1=1 !=?=_ y j y 3 IPS I 10738