Crosby, Stills, Nash & Young
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The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Crosby, Stills & Nash
Crosby, Stills & Nash Crosby, Stills & Nash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Crosby, Stills & Nash Country: US Released: 1969 Style: Folk Rock, Classic Rock MP3 version RAR size: 1429 mb FLAC version RAR size: 1946 mb WMA version RAR size: 1842 mb Rating: 4.3 Votes: 391 Other Formats: AIFF VQF FLAC ADX VOX MP4 DMF Tracklist Hide Credits Suite: Judy Blue Eyes A1 7:22 Written-By – Stephen Stills Marrakesh Express A2 2:36 Written-By – Graham Nash Guinnevere A3 4:43 Written-By – David Crosby You Don't Have To Cry A4 2:43 Written-By – Stephen Stills Pre-Road Downs A5 2:59 Written-By – Graham Nash Wooden Ships B1 5:22 Written-By – David Crosby, Stephen Stills Lady Of The Island B2 2:36 Written-By – Graham Nash Helplessly Hoping B3 2:37 Written-By – Stephen Stills Long Time Gone B4 4:17 Written-By – David Crosby 49 Bye-Byes B5 5:15 Written-By – Stephen Stills Companies, etc. Manufactured By – Atlantic Recording Corporation Published By – Gold Hill Music Published By – Siquomb Music Published By – Guerrilla Music Engineered At – Wally Heider Recording Studio, Los Angeles Pressed By – Monarch Record Mfg. Co. Mastered At – Longwear Plating Mastered At – Atlantic Studios Credits Art Direction, Design – Gary Burden Directed By [Direction] – David Geffen Drums – Dallas Taylor Engineer – Bill Halverson Lacquer Cut By – RG* Lead Guitar, Organ, Bass – Stephen Stills Other [Spiritual Guidance] – Ahmet Ertegun Photography By [Cover Photo] – Henry Diltz Producer – Stephen Stills, David Crosby, Graham Nash* Rhythm Guitar – David Crosby Notes Monarch pressing denoted by MO suffix on label matrices. -
CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. -
Master Document National Register of Historic Places Nomination Form
Master Document National Register of Historic Places Nomination Form The Burgess-Osborne Memorial Auditorium 1701 Wabash Avenue Mattoon, Illinois Prepared by Stephen A. Thompson Intrepid Consulting Services, Inc. April 2018 Executive Summary The following document is the master National Register of Historic Places (NRHP) nomination form submitted in a draft configuration to the Illinois State Historic Preservation Officer on 04 August 2017 for the 1953 Burgess-Osborne Memorial Auditorium (the Burgess) located at 1701 Wabash Avenue, Mattoon, Illinois. This NRHP document addresses the social and architectural significance of the Burgess and is an expansion of the 2013 Coles County List of Significant Places document generated for local landmarking of the Burgess. A related social sub-context addressed in detail in Appendix A of Section 8 is the role the Burgess played in the regional 1950s and 1960s pop music culture, with emphasis on the teen dances/concerts held at the facility and the bands that played there. The research of the associated contexts and the preparation of the nomination form were undertaken by Stephen A. Thompson of Intrepid Consulting Services, Inc., Carolyn Cloyd and Joyce St. Michael, members of the Coles County Historic Preservation Advisory Council, assisted with research and preparation of the National Register documentation. The Coles County Historic Preservation Advisory Council is an historic preservation advisory body under the Coles County Regional Planning & Development Commission, which reports to the Coles County Board. After thorough research and evaluation it has been determined that the Burgess is eligible for listing on the NRHP in that it: 1. Is locally significant under NRHP Criterion A, “…events that have made a significant contribution to the broad patterns of our history.” 2. -
1 MYNAH BIRDS by Nick Warburton Ambitious
MYNAH BIRDS By Nick Warburton Ambitious, charismatic and dripping in raw talent, Ricky James Matthews (b. James Ambrose Johnson, 1 February 1948, Buffalo, NY, US; d. 6 August 2004) didn’t take long to capitalise on his sharp looks, soulful voice and US navy uniform after he landed in Toronto in August 1964. Within weeks of his arrival, the young singer found himself fronting the aptly titled Sailorboys, a raucous R&B outfit that subsequently evolved into the Mynah Birds. Unbeknown to his musical cohorts, however, Matthews was a wanted man by the US authorities. His failure to report for active duty with the USS Enterprise and a fear of arrest had prompted the young singer to flee across the border. Interestingly, it was not Matthews’ first brush with the authorities, for as a teenager he had been arrested on several occasions for stealing cars. Indeed, throughout his career Matthews would have numerous run-ins with the law, culminating in a prison sentence in the mid- 1990s. While Matthews later enjoyed a string of hits for Motown Records in the late 1970s/early 1980s as funk star Rick James, little is known about his early life, particularly his involvement in the Toronto rock scene during the 1960s. And perhaps it would have remained that way had it not been for the fact that the Mynah Birds also briefly included Canadian rock legend, Neil Young (b. 12 November 1945, Toronto, Canada). Even so, it would be a gross oversight to view the group as merely a footnote to Rick James and Neil Young’s careers. -
Crosby, Stills and Nash: the Biography Free
FREE CROSBY, STILLS AND NASH: THE BIOGRAPHY PDF Dave Zimmer,Henry Diltz | 432 pages | 02 Oct 2008 | The Perseus Books Group | 9780306816154 | English | Cambridge, MA, United States Crosby, Stills & Nash | Biography & History | AllMusic The musical partnership of David CrosbyStephen Stillsand Graham Nashwith and without Neil Youngwas not only one of the most successful touring and recording acts of the late '60s, '70s, and early '80s with the colorful, contrasting nature of the members' characters and their connection to the political and cultural upheavals of the timeit was the only American-based band to approach the overall societal impact of the Stills and Nash: The Biography. The group Stills and Nash: The Biography a second marriage for all the participants when Crosby came together in Crosby had been a member of the ByrdsNash was Crosby the Holliesand Stills had been part of Buffalo Springfield. The resulting trio, however, sounded like none of its predecessors and was characterized by a unique vocal blend and a musical approach that ranged from acoustic folk to melodic pop to hard rock. By the time of their first tour which included the Woodstock festivalthey had added Youngalso a veteran of Buffalo Springfieldwho maintained a solo career. Four Way Streeta live double album issued after the breakup, was another number one hit. InCSNY re-formed for a summer stadium tour without releasing a new record -- nevertheless, the compilation So Far became their third straight number one. They followed with Daylight Again inbut by then Crosby was in the throes of drug addiction and increasing legal problems. He was in jail inbut cleaned up and returned to action, with the result that CSNY reunited for only their second studio album, American Dreamin CSN followed with Live It Crosby inand though that album was a commercial disappointment, the trio remained a popular live act; it embarked on a 25th anniversary tour in the summer of and released a new album, After the Storm. -
Mozart's Symphonic Miracles
mortality rates are high in the rock field these days. Even the Beatles-established a mere six years before Crosby, Stills, Nash, and Young- produced nearly twenty al- bums before the group announced a parting of the ways. For those who respond to the musical nourishment of- fered by CSNY, the probable death of this group teach Mozart's will continue on his own, one hopes) comes as a par- ticularly regrettable blow. Of the army of groups float- ing around this is the one we cannot afford to lose. But Symphonic Miracles considering the insensitivity of the music business, per- haps they can't afford to go on. Shortly after their first album (an instant hit, kicked Karl Böhm conducts the early works- off by its chart single Marakesh Express), Crosby, Stills, Pablo Casals explores and Nash took on a fourth member: singer /writer/ guitarist Neil Young, already in sympathy with Steve the six late masterpieces Stills from their time together in another group, Buffalo Springfield (in itself a stylistic forerunner of CSNY). Drummer /percussionist Dallas Taylor also appears on by Paul Henry Lang both albums. This group creates its existence not on stage but in the recording studio-yet another characteristic of today's musical climate (though most studio -created groups never approach the level this one has reached). Most or all of WHAT AN EXTRAORDINARY contrast Mozart presents on their material appears to be written and arranged in these new recordings: the budding classical symphony someone's smoky living room with the group gathered and its magnificent flowering! The term sinfonia or sym- tightly around one or two acoustical guitars. -
Rhinoceros History
Rhinoceros History www.rhinoceros-group.com home visitors book rhinoceros story During the heady days of the 1960's, Elektra Records was the hub of some of the era's most the albums respected artists. Founded by Jac Holzman in New discography York in 1950, initially as a specialist in folk music, live dates Elektra's full-scale move into rock coincided with 1968-71 the emergence of the West Coast scene. By the end of the '60's, artists like The Doors, Love, Tim john finley Buckley and The Paul Butterfield Blues Band were interview 2002 producing records, which were garnering the label alan gerber considerable respect. interview 2001 A large part of this success was due to Holzman's danny weis skill in nurturing such talent, although it's true that interview 2001 he also greatly benefited from a gifted bunch of Revised and updated November 2002 danny weis producers and engineers, including the late Paul New images added April/October 2003 interview 1980 Rothchild. Rothchild (the son of a British john haeny businessman and an East Coast opera singer) had made a name for himself as The Doors' producer and as a result interview 2001 was given the latitude to pursue his own projects. The most ambitious of these was undoubtedly Rhinoceros, an ad- hoc assembly of talented musicians, who Rothchild initially dubbed 'Supergroup'. the daily flash Jon & lee & Although much of the credit for 'Supergroup' has been attributed to Rothchild, the role of his musical associate, the checkmates producer Barry Friedman (better known as Frazier Mohawk) was equally important during the group's early days. -
NME Dylan/Folk Rock Issue 2003
NICK DRAKE TIM BUCKLEY BOB DYLANBOB DYLAN INTERVIEWS, REVIEWS & RARE PHOTOS AND THE VOLUME 2 ISSUE 5 UK £ 5.99 & NASH STILLS CROSBY, FOLK ROCK BOOM 1964-1974 NEIL YOUNG JONI MITCHELL THE BYRDS CAROLE KING CAROLE MORRISON VAN STEVENS CAT DONOVAN TAYLOR JAMES DVD - EREDV519 Features the classic tracks 99.9F ˚, Marlene On The Wall, When Heroes Go Down, Left Of Center, Luka, Solitude Standing, Tom's Diner and many more. 2004 Includes bonus tracks from her concert DISTRIBUTED BY at the Montreux Festival in 2000. AVAILABLE AT eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LIMITED www.eagle-rock.com “FESTIVAL!” MURRAY LERNER’S CLASSIC FILM, originally released in 1967, is now on DVD for the first time. Filmed across four Newport Folk Festivals in the early sixties it combines live footage and interviews with the artists and with members of the audience. FEATURED ARTISTS INCLUDE BOB DYLAN • JOAN BAEZ • DONOVAN, PETER,PAUL & MARY • JOHNNY CASH, JUDY COLLINS and many more. EREDV499 DISTRIBUTED BY AVAILABLE FROM eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LTD www.eagle-rock.com Britain catches Dylanmania, Donovan versus Dylan, The Byrds fly in, Ramblin’ Jack Elliott reminisces, the great Protest Song debate, Barry McGuire heralds the ‘Eve Of Destruction’, Sonny & Cher conquer the charts, Simon & PAGES 6-39 Garfunkel forge sound out of silence Byrds banned in drug scandal, Dylan press deceptions and gig fracas, Simon & Garfunkel go “intellectual”, The Mamas And The Papas entertain The Beatles, Cat Stevens in “youth’s a drag” shocker, -
November 1982
VOL. 6 NO. 8 Cover Photo by Rick Mattingly CONTENTS FEATURES VINNIE COLAIUTA Occasionally, a lot of people will start talking about a certain musician—"Hey, have you heard...?" Most recently, Vince Col- aiuta has captured this kind of attention. First coming to promi- nence with Frank Zappa, Vinnie has gone on to make his mark on the L.A. studio scene. MD caught up with Vinnie, and probed the background of "the new guy in town." by Robyn Flans 8 BARRY ALTSCHUL Having the ability to combine such diverse influences as Dixie- land, blues and avant-garde into a cohesive style demands a strong underlying concept. Barry Altschul has such a concept, which he is able to articulate in words as well as in his playing. by Rick Mattingly 12 THE HISTORY OF ROCK DRUMMING Part V: The Final Chapter Photo by Lissa Wales by Scott Fish 16 BOB DISALLE A View From Toronto by Scott Fish 20 LIBERTY DEVITTO When Billy Joel decided that his New York-flavored music called for New York musicians, drummer Liberty DeVitto became Photo by Tom Copi part of Joel's band, where he has remained ever since. Liberty talks about drumming for Billy, and about his various other studio ac- tivities. by Cheech Iero 24 WILLIAM F. LUDWIG, JR. A Candid Discussion by Dave Levine 28 Photo by Lissa Wales STRICTLY TECHNIQUE SOUTH OF THE BORDER COLUMNS Triplets With Paradiddles and Doubles Jopa: Old World Craftsmanship EDUCATION by Brent Brace 84 by Cheech lero 82 JUST DRUMS 122 UNDERSTANDING RHYTHM ROCK CHARTS The Eighth-Note Triplet "Touch and Go" by Nick Forte 32 by James Morton 90 PROFILES UP AND COMING ROCK 'N' JAZZ CLINIC COMPLETE PERCUSSIONIST Owen Hale Soloing On An Ostinato Bass Drum Introduction to Tabla by Scott Fish 76 by Ken Meyers 38 by Brian Knave 94 CONCEPTS RUDIMENTAL SYMPOSIUM NEWS Rudimental Positioning For "Can You Play Like John Smith?" UPDATE by Roy Burns 42 Set and Snare 116 by Mark Van Dyck. -
Neil Young from Wikipedia, the Free Encyclopedia
Neil Young From Wikipedia, the free encyclopedia Background information Birth name Neil Percival Young Also known as Bernard Shakey, Phil Perspective, Shakey Deal, Clyde Coil, Ol' Neil, Joe Canuck, Joe Yankee, Marc Lynch, Pinecone Young Born November 12, 1945 Toronto, Ontario, Canada Origin Winnipeg, Manitoba, Canada Genres Folk rock, country rock, experimental rock, heartland rock, hard rock, grunge Occupation(s) Musician, singer-songwriter, producer, director, screenwriter, humanitarian, entrepreneur Instruments Electric guitar, acoustic guitar, vocals, harmonica, piano, reed organ Years active 1960–present Labels Warner Bros., Reprise, Atco, Atlantic, Geffen Associated acts The Squires, The Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse, The Stray Gators, The Stills-Young Band, The Ducks, Northern Lights, Pearl Jam, Booker T. Jones, Leon Russell, Elton John, Pegi Morton Young Notable instruments "Old Black" Martin D-45 "Hank" Gretsch White Falcon Neil Percival Young, OC OM (born November 12, 1945) is a Canadian singer-songwriter and musician. He began performing in a group covering Shadows instrumentals in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield together with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash in 1969. He released his first album in 1968 and has since forged a successful and acclaimed solo career, spanning over 45 years and 35 studio albums, with a continuous and uncompromising exploration of musical styles. The Rock and Roll Hall of Fame website describes Young as "one of rock and roll's greatest songwriters and performers". He was inducted into the Hall of Fame twice, first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997. -
Allegories of Globalization: the United States in Recent Latin American Narrative Alex Conrad Holland Columbus, Georgia MHS
• Allegories of Globalization: The United States in Recent Latin American Narrative Alex Conrad Holland Columbus, Georgia MHS, Auburn University, 2003 BA, Columbus State University, 1997 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian and Portuguese University of Virginia May 2011 Directed by Donald Shaw i ABSTRACT This study examines the interplay of Latin American and North American culture in four novels by established Spanish American authors. Luisa Valenzuela’s Novela negra con argentinos (1990), El plan infinito by Isabel Allende (1991), Linda 67: Historia de un crimen (1995) by Fernando del Paso and José Donoso’s Donde van a morir los elefantes (1995) are each set in the United States of the late 1980s and 1990s. Though all of these novels are purportedly focused on individual relationships, pedaling around the theories of Fredric Jameson and Dorris Sommer I argue that these private romances are also figures for public, trans-national allegories. The love triangles always involve the choice, on the part of the Latin American protagonist, between a fellow Latin American and a North American partner who embodies the highlighted aspects of the surrounding culture. Given the timing of the production of these novels, with the centered promoters of globalization pushing the formation of a new world order in which the nation-state would play a significantly reduced role, these novels provide a counterpoint from the peripheral perspective and reveal the tensions and anxieties involved in integrating the global and the local without the mediation of the national level.