Crosby, Stills, Nash & Young
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C E L E B R a T E
T h e L a w r e n t i a n VOL. XCV IIN O. 24 LAWRENCE UNIVERSITY. APPLETON. WISCONSIN 54911 FRIDAY MAY 4. 1979 CELEBRATE... ’7 9 ! Stephanie Howard, Oreg air balloonists who will race on If you’re hungry, stop at the stage. Some “oldies but goodies” workship, an exhibition by the Griffin and a whole crew of Saturday and Sunday, May 12 Cafe Mudd and grab something to will mix with more progressive Lawrence fencing team, a group Lawrentians have been busy for and 13. The balloons will take off eat—but that’s not a l l . Besides jazz: LUJE, Mike Minnick and game activity, and a kitemaking the last four months working on from the Banta Bowl and are the international foods, you will group, the Doug Segal band, the and flying workshop. CELEBRATE! ’79. Howard says, expected to attract millions to the be able to relax to the Robin Reed Campus Life Jazz band and the Artists and craftsmen from all “Celebrate means more to me Lawrence Campus. The rally has Puppet C om pany , The Im- Appleton West Jazz Band. over the state will line the than life itself,” and Griffin been generously sponsored by provisational Theatre, the sounds The Campus Green will play campus. Watercolors, pottery, claims it means even more than 7-Up, Thilmany Paper Com of the Daybreak Singers, and the host to four dazzling displays of jewelry, leatherworks, and that to him. pany, Copps, and Air Wisconsin. mystifying feats of LU’s own frisbee showmanship by a woodcrafts are a few of the Because planning began so When your eyes have tired Bruce Hetzler. -
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Bl4s, Or How Cern Sets the Stage for Teenage Scientists
Issue No. 41-42/2015 - Monday 5 October 2015 CERN Bulletin More articles at: http://bulletin.cern.ch BL4S, OR HOW CERN SETS THE STAGE FOR TEENAGE SCIENTISTS Launched in 2014, the Beamline for Schools (BL4S) competition allows high-school students BREAKING THE RULES between 16 and 18 years old to run a real experiment at CERN’s PS accelerator (go to: http:// cern.ch/go/6xts). For two years, students and schools worldwide have risen to the challenge This week it’s the turn of heavy-ion physics to and taken part enthusiastically in the competition. To ensure that it runs smoothly and take the spotlight as the Quark Matter 2015 enjoyably, over 100 CERN people work behind the scenes. The Bulletin lifts the curtain. conference takes place in Kobe, Japan. This is the year’s most important conference for the ALICE collaboration, but there have also been many results presented by ATLAS, CMS and LHCb. (Continued on page 2) In this issue NEWS BL4S, or how CERN sets the stage for teenage scientists 1 Student teams from Greece and the Netherlands – the winners of CERN’s frst Beamline for schools competition – came to CERN Breaking the Rules 1 to work on their experiments using a test beam. Guido Altarelli (1941 - 2015) 3 LHC Report: Cloudy with sunny spells 3 Turning young high-school students into University (Turkey), worked on preparing the ENLIGHT envisions its future 4 real physicists who use a high-energy beam, experimental environment for the students. “It Monitoring underground movements 4 set up an experiment and deal with data was a fantastic opportunity, getting hands-on Two generations of klystrons reunited 5 acquisition and analysis, is no game. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
Big Sur for Other Uses, See Big Sur (Disambiguation)
www.caseylucius.com [email protected] https://en.wikipedia.org/wiki/Main_Page Big Sur For other uses, see Big Sur (disambiguation). Big Sur is a lightly populated region of the Central Coast of California where the Santa Lucia Mountains rise abruptly from the Pacific Ocean. Although it has no specific boundaries, many definitions of the area include the 90 miles (140 km) of coastline from the Carmel River in Monterey County south to the San Carpoforo Creek in San Luis Obispo County,[1][2] and extend about 20 miles (30 km) inland to the eastern foothills of the Santa Lucias. Other sources limit the eastern border to the coastal flanks of these mountains, only 3 to 12 miles (5 to 19 km) inland. Another practical definition of the region is the segment of California State Route 1 from Carmel south to San Simeon. The northern end of Big Sur is about 120 miles (190 km) south of San Francisco, and the southern end is approximately 245 miles (394 km) northwest of Los Angeles. The name "Big Sur" is derived from the original Spanish-language "el sur grande", meaning "the big south", or from "el país grande del sur", "the big country of the south". This name refers to its location south of the city of Monterey.[3] The terrain offers stunning views, making Big Sur a popular tourist destination. Big Sur's Cone Peak is the highest coastal mountain in the contiguous 48 states, ascending nearly a mile (5,155 feet/1571 m) above sea level, only 3 miles (5 km) from the ocean.[4] The name Big Sur can also specifically refer to any of the small settlements in the region, including Posts, Lucia and Gorda; mail sent to most areas within the region must be addressed "Big Sur".[5] It also holds thousands of marathons each year. -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
Smoking Referendum Slated for Tuesday
College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 1992 Amicus Curiae (Vol. 2, Issue 8) Repository Citation "Amicus Curiae (Vol. 2, Issue 8)" (1992). Student Newspaper (Amicus, Advocate...). 80. https://scholarship.law.wm.edu/newspapers/80 Copyright c 1992 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers /{e!Qrin-of·tanking system proposed, page 4 AMBUCNSARSTLAWSCHOOL A Publication of The Advocate VOLUME II, ISSUE EIGlIT MONDAY, JANUARY 20,1992 TWENTY PAGES Smoking referendum slated for Tuesday By SUZANNE FITZGERALD versing the lobby, the current and ANDREW HERZIG policy is set by the undergradu The long-awaited, highly ate administration. It provides publicized smoking referendum that the lobby be the law school will be held on Tuesday, January smoking zone. Dopp feels that 21 from 10 a.m. until 5 p.m. in the existing arrangement violates the law school lobby. The loca the Virginia Clean Air Act tion was selected to give voters a (VCAA). She argues that the final opportunity to assess the air statute requires a reasonable non qUality before casting their bal smoking area and so the lobby, lots. While this referendum will as the sole means of access to all be non-binding, half of the stu areas of the building, ought to be dent body must participate in the smoke-free. voting before the administration The undergraduate adminis will reevaluate the policy. Stu tration, as well as the smoking dents must present their identifi contingency, contend that the cation cards to receive a ballot. -
Songs of the Century
Songs of the Century T. Austin Graham hat is the time, the season, the historical context of a popular song? When is it most present in the world, best able Wto reflect, participate in, or construct some larger social reality? This essay will consider a few possible answers, exploring the ways that a song can exist in something as brief as a passing moment and as broad as a century. It will also suggest that when we hear those songs whose times have been the longest, we might not be hearing “songs” at all. Most people are likely to have an intuitive sense for how a song can contract and swell in history, suited to a certain context but capable of finding any number of others. Consider, for example, the various uses to which Joan Didion is able to put music in her generation-defining essay “Slouching Towards Bethlehem,” a meditation on drifting youth and looming apocalypse in the days of the Haight-Ashbury counterculture. Songs create a powerful sense of time and place throughout the piece, with Didion nodding to the Grateful Dead, Jefferson Airplane, Quick- silver Messenger Service, and “No Milk Today” by Herman’s Hermits, “a song I heard every morning in the cold late spring of 1967 on KRFC, the Flower Power Station, San Francisco.”1 But the music that speaks most directly and reverberates most widely in the essay is “For What It’s Worth,” the Buffalo Springfield single whose chiming guitar fifths and famous chorus—“Stop, hey, what’s that sound / Everybody look what’s going down”—make it instantly recognizable nearly five decades later.2 To listen to “For What It’s Worth” on Didion’s pages is to hear a song that exists in many registers and seems able to suffuse everything, from a snatch of conversation, to a set of political convictions, to nothing less than “The ’60s” itself. -
CSNY: DEJA VU Berlinale Special CSNY: DEJA VU CSNY : DEJA VU Regie: Bernard Shakey
BS_2667:BS_ 23.01.2008 22:21 Uhr Seite 126 Berlinale 2008 CSNY: DEJA VU Berlinale Special CSNY: DEJA VU CSNY : DEJA VU Regie: Bernard Shakey USA 2008 Dokumentarfilm mit David Crosby Länge 97 Min. Graham Nash Format 35 mm, 1:1.78 Stephen Stills Farbe Neil Young Steven Colbert Stabliste Buch Mike Cerre Neil Young Kamera Mike Elwell Schnitt Mark Faulkner Ton Tom Fleischman Produzent L. A. Johnson Ausführende Produzenten Elliot Rabinowitz Steve Bing Produktion Shakey Pictures c/o Shangri-La Entertainment 1801 Ave. of the Stars #150 Stephen Stills, Neil Young, Graham Nash, David Crosby USA-Los Angeles CA 90067 CSNY: DEJA VU Tel.: +1 310 5537700 Fax: +1 310 5537707 Seit ihren ersten Auftritten in den späten 60er Jahren gelten Crosby, Stills, [email protected] Nash & Young als Sprecher ihrer Generation. Mit Songs wie „Ohio“ und „Find the Cost of Freedom“ waren sie in der Protestbewegung gegen den Weltvertrieb Vietnam-Krieg in den vordersten Reihen zu finden. Berühmt sind sie bis Fortissimo Films heute für ihre harmonischen Liebeslieder, aber ihren politischen Biss hat die Van Diemenstraat 100 NL-1013 CN Amsterdam Band niemals verloren. Tel.: +31 20 6273215 Der Dokumentarfilm des Regisseurs Bernard Shakey (hinter dem sich kein Fax: +31 20 6271155 anderer als Neil Young selbst verbirgt) zeigt Crosby, Stills, Nash & Young auf [email protected] ihrer „Freedom of Speech“-Tournee durch Nordamerika im Jahre 2006, bei der sie vor allem Songs aus Neil Youngs kontrovers aufgenommenem Album „Living With War“ im Programm hatten. Mit dabei war damals als „eingebetteter Reporter“ der Fernsehjournalist Mike Cerre – aus seiner Per - s pek tive zeigt der Film die Reaktionen des Publikums während der Kon zerte wie auch das Verhältnis, wie es sich zwischen den Konzertbesuchern und den Bandmitgliedern im Laufe der Tournee entwickelt. -
The Carmel Valley Historian
THE CARMEL VALLEY HISTORIAN A PUBLICATION OF THE CARMEL VALLEY HISTORICAL SOCIETY Volume 29, Issue 3 SEPTEMBER 2015 Old Days at the Valley’s “Carousel” Building By Elizabeth Barratt, CVHS Historian Long a favored local watering spot, the vintage tile-roofed Carousel building looks like a holdover from the last days of the Old West. A rustic walkway leads up to a pair of old-fashioned frosted glass doors that appear to have been there since 1895. They were actually purchased from a wrecking company that was demolishing an old house in San Jose. Brought to Carmel Valley in 1959, they were installed by Willard Fay, the best known and longest tenured (30+ years) of the Carousel building’s many past owners. Despite its nostalgic, other-era façade, the building dates to 1928. Its life as a restaurant began in 1932 when the widowed Clara Miller arrived in California with her nine- year-old daughter, Ruth, and opened the premises as the Carmel Valley Tavern. According to Ruth (now Ruth Peace, longtime Carmel Valley Historical Society member), she and her mother lived in part of the building. The rest was a restaurant serving lunch, tea and dinner. The front fireplace room was the main serving area, where a man named Jim served as the sole waiter. The back portion of the building was used for storage. Her mother ran the restaurant for about four or five years, according to Ruth. Clara met and married local realtor Herb Brownell and he later became one of the building’s lessors. Re- named The Carousel under subse- The Carousel Building, Now Will’s Fargo Restaurant —Photo by Dick Barratt quent owners, the restaurant’s festive theme included scalloped, tent-like canopies enclosing dining room banquettes and ribbon-decorated carou- sel poles encircling the bar. -
Crosby, Stills & Nash
Crosby, Stills & Nash Crosby, Stills & Nash mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Crosby, Stills & Nash Country: US Released: 1969 Style: Folk Rock, Classic Rock MP3 version RAR size: 1429 mb FLAC version RAR size: 1946 mb WMA version RAR size: 1842 mb Rating: 4.3 Votes: 391 Other Formats: AIFF VQF FLAC ADX VOX MP4 DMF Tracklist Hide Credits Suite: Judy Blue Eyes A1 7:22 Written-By – Stephen Stills Marrakesh Express A2 2:36 Written-By – Graham Nash Guinnevere A3 4:43 Written-By – David Crosby You Don't Have To Cry A4 2:43 Written-By – Stephen Stills Pre-Road Downs A5 2:59 Written-By – Graham Nash Wooden Ships B1 5:22 Written-By – David Crosby, Stephen Stills Lady Of The Island B2 2:36 Written-By – Graham Nash Helplessly Hoping B3 2:37 Written-By – Stephen Stills Long Time Gone B4 4:17 Written-By – David Crosby 49 Bye-Byes B5 5:15 Written-By – Stephen Stills Companies, etc. Manufactured By – Atlantic Recording Corporation Published By – Gold Hill Music Published By – Siquomb Music Published By – Guerrilla Music Engineered At – Wally Heider Recording Studio, Los Angeles Pressed By – Monarch Record Mfg. Co. Mastered At – Longwear Plating Mastered At – Atlantic Studios Credits Art Direction, Design – Gary Burden Directed By [Direction] – David Geffen Drums – Dallas Taylor Engineer – Bill Halverson Lacquer Cut By – RG* Lead Guitar, Organ, Bass – Stephen Stills Other [Spiritual Guidance] – Ahmet Ertegun Photography By [Cover Photo] – Henry Diltz Producer – Stephen Stills, David Crosby, Graham Nash* Rhythm Guitar – David Crosby Notes Monarch pressing denoted by MO suffix on label matrices.