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Awards EDITION Showcasing 199 Phi Kappa Phi Award Recipients Across the Disciplines
Winter 2010 AWARDS EDITION Showcasing 199 Phi Kappa Phi award recipients across the disciplines Fellowships•Literacy•Study Abroad•Love of Learning•Scholar and Artist About Us Phi Kappa Phi Forum mission statement Phi Kappa Phi Forum, a multidisciplinary quarterly that enlightens, challenges Phi Kappa Phi Forum and Its and entertains its diverse readers, serves as a general-interest publication as well as a platform for The Honor Society of Phi Kappa Phi. Relationship with the Society Phi Kappa Phi Forum (Issn 1538-5914) is published quarterly by The Honor Society of Phi Kappa Phi, hi Kappa Phi Forum is the multidisciplinary 7576 Goodwood Blvd., Baton Rouge, La. 70806. quarterly magazine of The Honor Society of Printed at R.R. Donnelley, Phi Kappa Phi. Each issue of the award- 1160 N. Main, Pontiac, Ill. 61764. P winning journal reaches more than 100,000 active ©The Honor Society of Phi Kappa Phi, members as well as government officials, scholars, 2010. All rights reserved. Nonmember educators, university administrators, public and subscriptions $30 per year, domestic; private libraries, leaders of charitable and learned $45 outside the U.S. Single copies $10 each; $3.25 each for active, dues- organizations, corporate executives and many paying members. Periodicals postage other types of subscribers. paid Baton Rouge, La., and additional It is the flagship publication of Phi Kappa Phi, mailing offices. the nation’s oldest, largest and most selective all-discipline honor society, with chapters on more A note on content than 300 college and university campuses across The views expressed in this publication are not necessarily those of the staff the country. -
Download the Complete 2016-2017 Educational
Cost per person Activity Title Clientele Max. number Dates (taxes included) Adult $12.00 OUTDOORS Montreal – Points of View Student $7.50 30 Until January 22, 2017 Senior $10.00 HISTORY Adult $12.00 Wearing our Identity – THE NOTMAN HOUSE Student $7.50 30 Full Year LOVERS The First Peoples Collection NEIGHBOURHOOD NEW! Senior $10.00 90 MINUTES Adult $16.00 2016-2017 EDUCATIONAL Notman, A Visionary From November 4, 2016 Student $12.50 30 As part of the opening of the exhibition Photographer to March 26, 2017 ACTIVITIES PROGRAM Notman, A Visionary Photographer, the Museum Senior $14.50 is offering a tour of the Milton Park district, Adult $16.00 From March 9 to ADULT – CEGEP AND where you’ll see 51 Sherbrooke Street West, Fashioning Expo 67 Student $12.50 30 October 1, 2017 the home owned by celebrated photographer Senior $14.50 UNIVERSITY STUDENTS William Notman (1826-1891). The tour pays particular attention to the area’s architectural Adult $6.50 ADULT GROUPS Montreal, Our Story Student $6.50 30 Until January 22, 2017 heritage, its development and the various uses Learning English and French AND FRENCH OR of the buildings throughout history. Senior $6.50 ENGLISH LEARNERS Adult $6.50 Canada’s First Peoples Student $6.50 30 Full Year Learning English and French Senior $6.50 12 Adult $12.00 Montreal Soundscape Student $7.50 30 Until January 22, 2017 Senior $10.00 Adult $12.00 The Notman House Student $7.50 30 Full Year Neighbourhood Senior $10.00 THE GOLDEN SQUARE MILE, Adult $12.00 The Golden Square Mile, YESTERDAY AND TODAY Student $7.50 30 From April to November Yesterday and Today APRIL TO NOVEMBER Senior $10.00 90 MINUTES Education Behind Adult Package 60 Full Year the Scenes Student $150.00 Visitors take a tour of the Golden Square Mile Gracious Guests Senior $10.00 30 Full Year accompanied by a guide and equipped with a tablet and the MTL Urban Museum (MUM) Adult $12.00 application. -
Monuments and Memories in Ontario, 1850-2001
FORGING ICONOGRAPHIES AND CASTING COLONIALISM: MONUMENTS AND MEMORIES IN ONTARIO, 1850-2001 By Brittney Anne Bos A thesis submitted to the Department of History In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September 2016) Copyright ©Brittney Anne Bos, 2016 ii Abstract Commemorations are a critical window for exploring the social, political, and cultural trends of a specific time period. Over the past two centuries, the commemorative landscape of Ontario reaffirmed the inclusion/exclusion of particular racial groups. Intended as static markers to the past, monuments in particular visually demonstrated the boundaries of a community and acted as ongoing memorials to existing social structures. Using a specific type of iconography and visual language, the creators of monuments imbued the physical markers of stone and bronze with racialized meanings. As builders were connected with their own time periods and social contexts, the ideas behind these commemorations shifted. Nonetheless, creators were intent on producing a memorial that educated present and future generations on the boundaries of their “imagined communities.” This dissertation considers the carefully chosen iconographies of Ontario’s monuments and how visual symbolism was attached to historical memory. Through the examination of five case studies, this dissertation examines the shifting commemorative landscape of Ontario and how memorials were used to mark the boundaries of communities. By integrating the visual analysis of monuments and related images, it bridges a methodological and theoretical gap between history and art history. This dissertation opens an important dialogue between these fields of study and demonstrates how monuments themselves are critical “documents” of the past. -
Le Montreal Repertory Theatre Et Les Théâtres D'art
Document généré le 1 oct. 2021 03:57 L'Annuaire théâtral Revue québécoise d’études théâtrales Le Montreal Repertory Theatre et les théâtres d’art Philip Booth Le miroir de l’étranger Numéro 13-14, printemps–automne 1993 URI : https://id.erudit.org/iderudit/041185ar DOI : https://doi.org/10.7202/041185ar Aller au sommaire du numéro Éditeur(s) Société québécoise d'études théâtrales (SQET) ISSN 0827-0198 (imprimé) 1923-0893 (numérique) Découvrir la revue Citer cet article Booth, P. (1993). Le Montreal Repertory Theatre et les théâtres d’art. L'Annuaire théâtral, (13-14), 59–74. https://doi.org/10.7202/041185ar Tous droits réservés © Société québécoise d'études théâtrales (SQET), 1993 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Philip Booth Le Montreal Repertory Theatre et les théâtres d'art Le Montreal Repertory Theatre fut fondé le 23 novembre 1929 au Victoria Hall de Westmount. La première œuvre montée par la troupe, une pièce à suspense de A. A. Milne intitulée The Perfect Alibi, est présentée le 26 mars 1930 sur une scène antérieure à la scène actuelle. -
2016-2017 Annual Report Mccord Stewart Museum
MESSAGE MARKETING FROM 04 AND COMMUNICATIONS 38 THE CHAIR OF THE BOARD McCORD MUSEUM 44 FOUNDATION MESSAGE FROM 06 THE PRESIDENT AND CHEF FINANCIAL EXECUTIVE STATEMENTS 50 OFFICER – MUSEUM COLLECTIONS FINANCIAL AND ACQUISITIONS 08 STATEMENTS 53 – FOUNDATION KNOWLEDGE AND RESEARCH 16 DONORS AND PARTNERS 55 CONSERVATION 18 2016 - 2017 59 EXHIBITIONS BOARD 20 OF TRUSTEES EDUCATIONAL AND CULTURAL 30 MUSEUM MISSION TEAM 60 PROUDLY PRESERVING MESSAGE 375 YEARS OF HISTORY FROM © Kevin Tsia © McCord Museum © McCord Tsia © Kevin MONIQUE JÉRÔME-FORGET THE CHAIR CHAIR OF THE BOARD OF TRUSTEES The year 2017 marks the anniversaries of three major the sustainability and success of our institution. With events in our history: Montreal’s founding in 1642, Cana- the help of her dedicated team of professionals, she is dian Confederation in 1867, and Expo 67. It is also, I constantly promoting and increasing the profile of our believe, an ideal time to recognize the McCord Stewart two museums while maintaining their financial health. Museum’s vital role in preserving and disseminating our I would like to thank her and all of her colleagues; they OF heritage. Thanks to its vast collection, the Museum is the are a formidable team that successfully meets the many only institution that can truly illustrate major milestones challenges that can arise. in the evolution of our country, from pre-colonial times I would also like to express my sincere apprecia- to the present day. tion to the Quebec government and the Conseil des arts For example, within our walls is a first edition de Montréal, whose support, year after year, is essential of a rare volume published in 1632: Les voyages de to our success. -
Genealogy of the Norris Family
GE NE AL OGY O F THE NO R R I S FAM I L Y Two hundred c o pies of this b ook have been printed from type and the type then distributed . This c o py is number NIX O N GROS V E NOR NOR R I S O ATH A 4 ! RA 66 OH 1 97 H E N R Y !J N N , E , J N , FO R W H O M TH I S REC ORD O F H I S ANC ESTRY W ’ A S CO M P I LED A ND TO W H O M I T I S M OST AFFECT I ONAT ELY D ED I CATE D ANCE S TR Y AND D E S CE ND ANTS O F LIE UTE NDE NT JONATHAN AND TAME SIN ARKE NORRIS O F M A I N E I n a re the c o m lete 15 5 0 which given names , and more or less p records , from 1 905 - i to , of about twelve hundred persons , among whom are sixty n ne a - r of their ncestors , nine of their children , forty eight of thei r grandchild en , one hundred and nine of their great a fif of gr ndchildren , and one hundred and teen their great-great-grandchildren B Y THEIR GREAT-G RA NDSO N H E NRY M CCOY NORRI S O F N T O CINCI NA I , HIO T H E GR A F T O N P R E S S GE NE AL O GI CAL PU B L I SH E R S N EW YORK MCM V I LIB RARY of CONGRE S S Two Comes Received MAR 1 9 1906 right C r t 1 906 op y igh , , B Y TH E GR A F TO N E FA PR CE . -
WHITTAKER, Herbert, Setting the Stage. Montreal Theatre 1920-1949 (Montréal, Mcgill-Queen’S University Press, 1999), Xviii-276 P
Document generated on 10/01/2021 8:34 p.m. Revue d'histoire de l'Amérique française WHITTAKER, Herbert, Setting the Stage. Montreal Theatre 1920-1949 (Montréal, McGill-Queen’s University Press, 1999), xviii-276 p. Mireille Barrière Volume 55, Number 1, Summer 2001 URI: https://id.erudit.org/iderudit/005322ar DOI: https://doi.org/10.7202/005322ar See table of contents Publisher(s) Institut d'histoire de l'Amérique française ISSN 0035-2357 (print) 1492-1383 (digital) Explore this journal Cite this review Barrière, M. (2001). Review of [WHITTAKER, Herbert, Setting the Stage. Montreal Theatre 1920-1949 (Montréal, McGill-Queen’s University Press, 1999), xviii-276 p.] Revue d'histoire de l'Amérique française, 55(1), 149–151. https://doi.org/10.7202/005322ar Tous droits réservés © Institut d'histoire de l'Amérique française, 2001 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ haf_v55n01.qxd 23/11/01 11:02 Page 149 comptes rendus WHITTAKER, Herbert, Setting the Stage. Montreal Theatre 1920-1949 (Montréal, McGill- Queen’s University Press, 1999), xviii-276 p. Voici le témoignage d’un homme qui a influencé et observé la réalité théâtrale montréalaise pendant près de 30 ans, à la fois comme créateur et comme critique. -
Tonya Katherine Davidson
University of Alberta Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa by Tonya Katherine Davidson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology ©Tonya Katherine Davidson Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This dissertation is dedicated to my parents Tom and Katherine Davidson. Abstract In this ethnographic study of the dynamic lives of a population of monuments in Ottawa, I argue that long after they have been unveiled, monuments are imbued with many capacities to act. Monuments inspire loathing or affection, and settle or disturb dominant understandings of place, nation, race, and gender. I suggest that monuments have these affective capabilities because they operate like ‘stone bodies’ in their urban environments. Additionally, spirited with a certain life-force, monuments have the ability to haunt, unsettling relationships between place, memory, and belonging. These affective charges of monuments are felt and expressed through articulations of imperial and colonial nostalgia, feminist and other activist mobilities and various articulations of patriotism. -
Fonds C 7-3 John Boyd Numbered Photographs
List of: Fonds C 7-3 John Boyd numbered photographs Reference File Item Title and Physical Description Date Ordering Information Code Code C 7-3 Hauling in his Christmas meat [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Red fox tracks on a fallen log. [duplicate of C 7-2-0-4- [189-] To view, order C 7-3, in 25] container B117468 1 photograph C 7-3 [Butterfly on a twig; not the same image as C 7-2-0-4- [189-] To view, order C 7-3, in 23] container B117468 1 photograph C 7-3 [Boys playing under a stone bridge] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 The joys of the summer breakers [shows children at [189-] To view, order C 7-3, in the beach] container B117468 1 photograph C 7-3 [Stormy sky over Queen's Park, Toronto] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 On the St. Clair River, S.S. "Tashmoe" [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Along Talford Creek [shows man fishing; duplicate of C [189-] To view, order C 7-3, in 7-2-0-4-65] container B117468 1 photograph C 7-3 [Rowing on an afternoon] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Chippawa Indian guide on a fishing trip [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Evening bass fishing at Kettle Point - Lake Huron [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 [An interesting fault line in a river bank] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 [Roman Catholic wooden church on hillside] -
Rica Philatelic Society BUYERS of GOOD COLLECTIONS
Vol. 37, No.3 MAY-JUNE, 1980 Whole No. 377 .,., _______ ~ Toronto Fancy Two's- page 42 D D Official Journal of The British North ~rica Philatelic Society BUYERS OF GOOD COLLECTIONS We are in the stamp business to buy and sell stamps, and offer any philatelic service which our customers may require. We are glad to appraise or advise. May we hear from you? ~torgt ~. Wegg Jltb. 36 VICTORIA STREET TORONTO, CANADA MSC 2N8 Telephone: (.4 l 6) 363-l 596-7 WE ARE CANADIAN AGENTS FOR ROBSON LOWE LIMITED, LONDON, ENGLAND PUBLIC STAMP AUCTIONS of CANADA and B.N.A. BRITISH COMMONWEALTH and FOREIGN Held at regular intervals Including: Choice individual items and sets collections and w holesale lots Catalogues of our next auction, upon request Catalogues and prices realized at $5.00 per calendar year (Ontario residents add 7% Provincial Sales Tax) CONSIGNERS We offer frequent auctions and competitive com mission rates. We will be glad to travel to pick up better properties. L.C.D. STAMP COMPANY, INC. Sheraton Centre Hotel • Mezzanine Suite 104, 100 Richmond St. W. Toronto, Ontario, Canada M5H3K6 Phone (416)862-8183 MEMBER: C.S.D.A., A.S.D.A. BNA TOPICS / MAY-JUN E, 1980 / 1 D D TOPICS OFFICIAL JOURNAL OF THE BRITISH NORTH AMERICA PHILATELIC SOCIETY EDITOR Whole No. 377 MAY-JUNE, 1980 Vol. 37, No.3 Derek Hayter EDITORIAL BOARD ISSN 0045-3129 Hon. Chairman: V. G. Greene Chairman: John H. M . Young MEMBERS Wm. H. P. Maresch Derek Hayter INDEX PROOF READER T. Kerzner Proposed Macdonald-Cartier Issue, 1914 3 Northern Canada's Dog Post ................. -
WILLIAM NOTMAN Life & Work by Sarah Parsons
WILLIAM NOTMAN Life & Work by Sarah Parsons 1 WILLIAM NOTMAN Life & Work by Sarah Parsons Contents 03 Biography 11 Key Works 34 Significance & Critical Issues 41 Style & Technique 48 Where to See 55 Notes 57 Glossary 62 Sources & Resources 67 About the Author 68 Copyright & Credits 2 WILLIAM NOTMAN Life & Work by Sarah Parsons William Notman arrived in Canada from Scotland in 1856 and swiftly established himself as Montreal’s most prominent photographer, with studio portraits forming the core of his work. Notman developed complex composite pictures for large groups and innovative techniques for creating winter scenes in his studio. Through his unparalleled combination of photographic and promotional skills, he was the first Canadian photographer to build an international reputation. Notman was still deeply involved in photography when he died in 1891 after a short illness. 3 WILLIAM NOTMAN Life & Work by Sarah Parsons GLASGOW EARLY YEARS The broad strokes of William Notman’s life could have anchored a Victorian novel. He was born March 8, 1826, in Paisley, Scotland, to William Notman and Janet Sloan. His father was a designer and manufacturer of woollen cloth; his paternal grandfather had been a dairy farmer. Young William Notman was the beneficiary of his family’s ambitious upward mobility. When he was a teenager the Notmans moved from the town of Paisley to the city of Glasgow. Although there are no known details of his schooling, it is evident that young William received a decent education, including training in painting and drawing. He had hopes of becoming a professional artist but was advised to join his father’s business, deemed a more stable line of work. -
Annual Report 2017
Lilly Endo wment Annu al Report 2017 Board of Directors N. Clay Robbins Chairman Daniel P. Carmichael Craig Dykstra William G. Enright Charles E. Golden Jennett M. Hill Eli Lilly II Mary K. Lisher David N. Shane Officers N. Clay Robbins Chairman, President & Chief Executive Officer About Lilly Endowment Sara B. Cobb Vice President for Education Lilly Endowment is an Indianapolis-based, private philanthropic foundation created in 1937 by three members of the Lilly family – J.K. Sr. and sons Eli and J.K . Jr. – through Christopher L. Coble gifts of stock in their pharmaceutical business, Eli Lilly and Company. Vice President for Religion Ace Yakey The gifts of stock remain a financial bedrock of the Endowment. The Endowment, Vice President however, is a separate entity from the company, with a distinct governing board, for Community Development staff and location. Ben W. Blanton Vice President, Secretary In keeping with the founders’ wishes, the Endowment supports the causes of & Legal Counsel community development, education and religion. The Endowment affords special emphasis to projects that benefit young people and that strengthen financial Peter A. Buck Vice President for Investments self-sufficiency in the charitable sector. Julie A. Siegler The Endowment funds programs throughout the United States, especially in the Vice President for Administration field of religion. A key priority of its founders, however, was to help the people of their Diane M. Stenson city and state build better lives. Accordingly, the Endowment maintains a special Vice President & Treasurer commitment to its hometown, Indianapolis, and home state, Indiana. Lilly Endowm ent Annual Report 2017 Towa rd aMea ningf ul Futu re 2 Executive Message 4 Community Development 11 Education and Youth 24 Religion 32 Finances & Grantmaking 33 Auditor’s Report 39 2017 Grant Approvals 58 Grant Guidelines & Procedures 60 Creating the Future e g a s s e M e In Spite of t he Di ffi culties v i t u c e x E hen they founded people’s lives.