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Title Creator bib. number Call Number Twenty‐four exercises :for the flute (in all major and minor keys), op. 33 Joachim Andersen. MT345 .A544 op. 33 F57 Georg Philipp Telemann herausgegeben im Auftrag der Gesellschaft für Musikalische Werke Musikforschung. M3 .T268 Jeux :sonatine pour flute et piano Jacques Ibert. M242 .I12j Trois pieces en courte‐pointe,pour flute et piano Jacques Chailley. .b27393860 M242 .C434 T 65 Aria for flute and piano,op. 48, no. 1. .b27394268 M242 .DF656 op. 48, no. 1 Quartett, D‐dur, für Flöte (Oboe), Violine, Viola (Horn) und Violoncello, op. VIII/1. Hrsg. von Walter Upmeyer. .b27982981 M462 .S783 op.8 no. 1 Sonatine Es‐durfür Cembalo (Klavier), 2 Flöten, 2 Violinen, Bratsche und Bass hrsg. von Fritz Oberdorffer. .b27996517 M722 .B116s E b maj. Concerto for flute and chamber orchestra, or flute and piano,MCMXXXXII op. 35 [by] Robert Casadesus. .b28016798 M1021 .C334 op.35 Sinfonien für Kammerorchester:E‐moll. Hrsg. von Raymond Meylan. Symphonies for chamber orchestra. .b28020832 M1105 .S286 S5 no.4 Concertino pour flute et orchestre a cordes, ou piano Antonio Szalowski. .b28037613 M1106 .S996 C74 Joh. Seb. Bach auf Grund der Ausgabe der Bachgesellschaft bearbeitet von Ausgewahlte Arien für Alt :mit obligaten Instrumenten und Klavier oder Orgel Eusebius Mandyczewski. .b28068075 M2103.3 .B118 A6 alto Sonate pour piano et flute :op. 52 Ch. Koechlin. .b30264923 M242 .K777 op.52 Melody for flute and piano : op. 35, no. 1 Reinhold Gliere [edited with special annotations by John Wummer] .b4067082x M242 .G545 op. 35 no. 1 1946 6 canonic sonatas :for two flutes Telemann [edited by] C. Herrmann. M289 .T45 op.5 1956 Image :pour flute seule Eugene Bozza. .b47102433 M62 .B735 op. 38 1940 Serenade :op. 35 : for flute and piano Howard Hanson. .b48724968 M1141 .H251 op.35 1948 Mélodie :Dance of the blessed spirits (from the opera "Orpheus") Ch. W. von Gluck arranged by W. Barge. .b71322851 M244 .G58 O73 1956 Sonate pour flute et piano par Philippe Gaubert. .b71322875 M242 .G264 no.1 1918 Kantate Nr. 189, "Meine Seele ruhmt und preist" :(BWV 189) Joh. Seb. Bach [Continuo‐Aussetzung von Gunter Raphel [sic]]. .b71322887 M2104 .H63 M44 1960 Kantate Nr. 189, Meine Seele ruhmt und preist :(BWV 189) Joh. Seb. Bach. .b71322899 M2103.3 .H63 M45 1966 Cantabile and presto, for flute and piano Enesco. .b71322905 M242 .E56 C36 1950 Variations pour flute et piano sur un theme de Mozart par Reynaldo Hahn. .b71322917 M242 .H342 V37 1910 Il carnevale di Venezia :op. 78 Giulio Briccialdi transcribed and edited by Leonardo de Lorenzo. .b71322930 M242 .B85 op.78 1915 Ronde :pour flute et piano Emile Desportes. .b71322942 M242.D468 R6 1925 L'Apothéose de Lulli :concert instrumental sous le titre d'Apothéose composé a la mémoire immortelle de l'incomparable M. de Lulli : quatuor pour deux violons, violoncelle et piano Francois Couperin transcription par Georges Marty.̦ .b71322966 M312.4.C856 A6 1957 Cantabile et presto, flute solo with piano accompaniment Georges Enesco. .b71323089 M242.E56 C36 1904 Sonate a trois pour deux flutes et piano J. B. Loeillet harmonisée par Alexandre Béon. .b71323090 M317 .L78 op.1 no.6 1911 La scuola del flauto :divisa in quattro gradi ed esposta in duettini originale e progressivi : per due flauti : op. 51. Hugues ed. riv. e corr. da Alberto Veggetti. .b71323120 MT342 .H896 op.51 1928 Trio in C‐dur für zwei Flöten und Basso continuo =Trio in C major for two flutes and basso continuo = Trio en ut majeur pour deux flutes et basse continue Pietro Nardini herausgegeben von Martin Gumbel. .b72301946 M317 .N37 Cmaj. 1960 Sonata in G major for two violins and piano (or violin, viola, and piano) Loeillet [realization of the figured bass by] Beon. .b72301958 M314 .L64 op.2 no.12 1950z Sonate pour deux violons et piano. NO. 1 par J.B. Loeillet harmonisée par Alexandre Béon. .b7230196x M314 .L64 op.2 no.12 1911 Parnassus, or, The apotheosis of Corelli :for two violins and piano Couperin [transcribed by] Marty [edited by Waldo Lyman]. .b72301971 M312.4.C856 P3 1957 Zwei Trio‐sonaten für zwei Violinen und Basso continuo G.B. Pergolesi herausgegeben von Th. W. Werner. .b72301983 M312.4 .G235 no.3 1954 Sonate g‐moll für zwei Violinen und Basso continuo Johann Rosenmüller herausgegeben von Ferdinand Saffe. .b72301995 M312.4 .R65 Gmin. 1955 Quintet for flute and strings David Van Vactor. .b72302008 M562.V35 Q5 1941 24 etudes techniques :pour flute seule, op. 63. Cah. 1, 2 Joachim Andersen. .b7230201x MT345 .A544 op.63 1957 Orpheus. Dance of the blessed spirits Gluck arranged for flute and piano by John Francis & Millicent Silver. .b72302021 M244.G58 O73 1962 Pastoral ode :for flute and strings, opus 40 Mabel Daniels. .b72302033 M1120.D36 P3 1940 Barcarola et scherzo :flute et piano Alfred Casella. .b72302598 M242 .C376 op.4 1921 Trio‐Sonaten Joh. Seb. Bach nach den Quellen neu herausgegeben von Ludwig Landshoff. .b72302604 M3.1.B118 L36 1936 Trio Sonaten von J.S. Bach herausgegeben von Friedrich Hermann. .b72302616 M3.1.B118 H4 1930 Bihari román táncok : (Bartók Béla biharmegyei gyüjéséböl) : hegedüre vagy mélyhegedüre vagy fuvolára és zongorára vagy klarinétra és zongorára = Rumänische Volkstänze : (aus der Sammlung von Béla Bartók aus dem Komitat Bihar) : für Violine oder Viola oder Flöte oder Klarinette und Klavier = Rumanian folk dances : (from the collection of Béla Bartók of the Comitat Bihar) : for violin or viola or flute or clarinet and piano Farkas Ferenc. .b72318636 M226.F37 B5 1970 Le calme de la mer :no. 3 de "Suite éolienne" : pour flute et piano par Tony Aubin. .b72318648 M244.A93 S83 1964 Scherzo for flute and piano by Francis Buebendorf. .b72318661 M242.B853 S3 1936 Concerto a 4 (a‐moll) für Alt‐BlockFlöte, Oboe (Tenor‐BlockFlöte, Violine), Violine und Cembalo (Klavier) Violoncello (Gambe) ad lib. Georg Philipp Telemann herausgegeben von Ilse Hechler. .b72318673 M422 .T454 TWV43:a3 1960 von Johann Joachim Quantz revidiert von Oscar Fischer Klavierstimme Sonata per flauto traverso 1 e 2 con basso nach dem bezifferten Bass von Otto Wittenbecher. .b72318685 M317 .Q3 QV2:8 1921 Rhapsody for flute and string orchestra James B. Hosmer. .b72318703 M1105.H77 R43 1937 Triosonate B‐Dur für zwei Flöten und Basso continuo =Trio sonata in B‐flat major for two flutes and basso continuo = Sonate en trio en si bémol majeur pour deux flutes et basse continue Johann Joachim Quantz herausgegeben von Günter Pistorius. .b72318715 M317 .Q3 QV2:42 1987 Trio‐Sonate G‐Dur für zwei QuerFlöten (oder Violinen oder Oboen) und Basso continuo =Trio‐ sonata in G‐major for two transverse flutes (or violins or oboes) and thorough bass = Sonate en trio en sol majeur pour deux flutes ttraversières (ou violons ou hautbois) et basse continue Johann Joachim Quantz herausgegeben von Hugo Ruf. .b72318727 M317 .Q3 QV2:Anh.28 1957 Triosonate c‐Moll für zwei Flöten und Basso continuo =Trio sonata in C minor for two flutes and basso continuo = Sonate en trio en ut mineur pour deux flutes et basse continue Johann Joachim Quantz herausgegeben von Günter Pistorius. .b72318739 M317 .Q3 QV2:3 1987 Trio‐Sonate für Flöte, Violine und Basso continuo in G‐dur Johann Christoph Pepusch herausgegeben von Frank Nagel. .b72318752 M322 .P47 Gmaj. 1974 Triosonate, G moll, für BlockFlöte, Oboe und Basso continuo J. Chr. Pepusch herausgegeben von Walter Birke. .b72318764 M317 .P47 Gmin. 1939 Trio‐sonate für zwei Flöten und Basso continuo Johann Joachim Quantz herausgegeben von Günter Pistorius. .b72318818 M317 .Q3 QV2:Anh.15a 1972 Trio‐Sonate D‐dur, für Flöte, Violine (Flöte II, Oboe) und Generalbass Johann Joachim Quantz bearbeitet von Felix Schroeder. .b7231882x M322 .Q35 QV2:10 1963 Concertino pour flùte avec accompagnement d'orchestre, op.107 C. Chaminade. .b72546840 M1021 .C43 op.107 1902b Come into my garden :from the "Song of Songs" John La Montaine. .b72727615 M242.L16 C6 1978 Le merle noir :pour flute et piano Olivier Messiaen. .b72727627 M242.M471 M4 1952 Andante in C major, K. 315 and, Rondo in D major, K. Anh. 184 : for flute and piano Mozart [edited and provided with cadenzas by] Rampal. .b72727639 M1021 .M939 K.315 1965 Concerto in C major for flute and piano Pleyel edited and provided with cadenzas by Jean‐Pierre Rampal. .b72727640 M1021 .P59 B.106 1975 by A.E.M. Grétry revision, cadenzas, and transcription for flute and piano Concerto in C major for flute solo, strings, and 2 French horns by Arÿ van Leeuwen. .b72727652 M1021.G834 C6 1941 Joh. Joachim Quantz für Flöte und Klavier frei bearbeitet von Wilhelm Konzert G Dur Barge. .b72727664 M1121 .Q25 QV5:174 1900bz Johann Quantz [edited by Frances Blaisdell with cadenzas by Georges Flute concerto in G major :for flute and piano Barrère]. .b72727676 M1121 .Q25 QV5:174 1994b von Carl Philipp Emanuel Bach nach dem in der Hofbibliothek zu Wien befindlichen Autogramm frei bearbeitet, zum Vortrag eingerichtet und zum Sonate C dur für Flöte und Klavier ersten Male herausgegeben von Ary van Leeuwen. .b72727688 M242 .B116 H.515 1928 Sonata for solo flute in A major (with piano accompaniment) Johann Sebastian Bach edited by Bernard Goldberg. .b7272769x M242 .B118 S.1032 1976 2me sonate J.S. Bach. .b72727706 M242 .B118 S.1031 1939 Night soliloquy :for flute, piano & strings by Kent Kennan. .b7272772x M1020.K46 N5 1940 Divertimento für Flöte (Oboe), 2 Violinen, Viola und Violoncello Gerhard Maasz. .b72727731 M562.M118 D5 1955 Arioso Johann Sebastian Bach arrangement for flute by George Barrère. .b72727743 M244 .B118 S.1056 1943 Maurice Ravel transcription pour flute ou hautbois ou violon avec Pièce accompagnement de piano par Th. Doney. .b72727755 M244.R38 V6 1921 Sonate pour deux flutes, op. 75 Ch.Kœchlin.
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  • The First Mirror Inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) 1

    The First Mirror Inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) 1

    The First Mirror inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) 1 Konstantinos G. Alevizos Abstract Johann Sebastian Bach had already elaborated the tool of double inversion, inside the Contrapunctus “in stylo francese” of the Art of Fugue. However, the counterpoint tool of double inversion is typical for the two later pairs of fugues BWV 1080, 12-13 a, b. After an examination of the global asset of the Contrapunctus 6, a particular attention is shown to the technique of inversion (mirror) in relation to fugues 12 and 13. Consequently a brief, but methodical, analysis succeeds to demonstrate the existence of totally symmetrical thematic phases inside Contrapunctus 6. The existence of double inversion inside an earlier Contrapunctus can indicate the level of premeditated elaboration in the whole work. Additionally, it could also suppose a parallel or contiguous time of the compositional process among the BWV 1080, 6, 12 and 13, which could re-impose a new examination of the correct order of the Contrapuncti. Keywords: analysis; Johann Sebastian Bach; fugue; inversion; mirror. Résumé Cet article veut démontrer que Jean-Sébastien Bach avait déjà élaboré l’outil d’inversion complète (miroir) à l’intérieur du Contrapunctus in stylo francese de L’art de la fugue (BWV 1080, 6). L’outil de contrepoint de l’inversion complète est typique pour les deux paires ultérieures de fugues BWV 1080, 12-13 a, b. L’existence de l’inversion complète à l’intérieur d’un Contrapunctus antérieur (en relation avec les deux paires postérieurs) peut indiquer le niveau de préméditation dans l’élaboration du matériau de l’intégralité du recueil, en particulier dans la mesure où la notion de progression de complexité technique est concernée.
  • MTO 3.4: Meeus, Music Theory and Analysis in France and Belgium

    MTO 3.4: Meeus, Music Theory and Analysis in France and Belgium

    Volume 3, Number 4, July 1997 Copyright © 1997 Society for Music Theory Nicolas Meeus KEYWORDS: theory, analysis, France, Belgium, Europe, conservatory, university, Schenker ABSTRACT: The organizers of the forthcoming Fourth European Congress for Music Analysis decided to devote one of its sessions to European traditions and usages concerning theory and analysis. Some of my ideas on this topic are developed, with special reference to societies for analysis, journals, music education, and the reception of Schenker in France. 1. Introduction 2. European Societies and the European Congresses for Music Analysis 3. Journals 4. Music Education 5. The Reception of Schenker 6. Semiology 7. Conclusion 1. Introduction [1.1] Theory and analysis have known a fast development in Continental Europe during the last twenty years. Yet, for many reasons, the situation here remains quite different from what it is in English speaking countries. After the Third European Congress for Music Analysis in Montpellier in 1995, Jonathan Cross commented on this situation in the Bulletin of the SMA (the British Society for Music Analysis) for May 1995. His comments led the organizers of the forthcoming Fourth European Congress (see below) to devote one of its sessions to discussing European traditions and usages. The present note stems from my own reflection in this context—and I claim sole responsibility for what follows. I will begin with considerations of the recent history of analysis and musicology, before turning to more fundamental matters. [1.2] The recent development of analytical studies in Continental Europe owes much to the personality of Celestin Deliege, who founded the class of analysis in the Royal Conservatoire in Liege (Belgium).
  • The First Mirror Inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) Konstantinos Alevizos

    The First Mirror Inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) Konstantinos Alevizos

    The First Mirror inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) Konstantinos Alevizos To cite this version: Konstantinos Alevizos. The First Mirror inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6). Revue musicale OICRM, Observatoire interdisciplinaire de création et de recherche en musique, 2020. hal-03161655v1 HAL Id: hal-03161655 https://hal.archives-ouvertes.fr/hal-03161655v1 Submitted on 7 Mar 2021 (v1), last revised 17 Mar 2021 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The First Mirror inside the Contrapunctus 6 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 6) 1 Konstantinos G. Alevizos Abstract Johann Sebastian Bach had already elaborated the tool of double inversion, inside the Contrapunctus “in stylo francese” of the Art of Fugue. However, the counterpoint tool of double inversion is typical for the two later pairs of fugues BWV 1080, 12-13 a, b. After an examination of the global asset of the Contrapunctus 6, a particular attention is shown to the technique of inversion (mirror) in relation to fugues 12 and 13.