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Imes Alumni Newsletter
IMES ALUMNI NEWSLETTER 2015 Winter 6, Issue From the Head of IMES By Anthony Gorman Welcome again to the latest IMES Alumni Newsletter! As usual, this winter issue provides details of the IMES MSc and PhD graduations last November, always an emotional occasion for the department as well as for the graduating students themselves. The last months have been busy in the department with many enjoyable academic and social occasions. The Watt event in October which marked the 50th anniversary of Montgomery Watt’s inaugural lecture as Professor of Islamic Studies at Edinburgh stands out as a particularly memorable occasion marked by an impressive evening of lectures and a symposium the following day. Other highlights were a short series of seminars on Shi’ism (part of the larger IMES Research seminar series) as well as the programme of the Alwaleed Centre. As usual we feature a number of contributions from current and former students as well as coverage of the social activities of the postgraduate student body. One particularly impressive feature is the translation - into English and Slovene - of the poetry of Ashraf Fayadh by our PhD student Jona Fras. The History of IMES column is also dedicated to the student presence in the department. Since I have recently stepped down as Head of IMES I will also be vacating the post of Editor of the Newsletter. My thanks to all that have contributed to its production over the last three years, Professor especially to a series of fine Assistant Editors, Emese Lorencsics, Fayaz Alibhai, Farshed Kazemi Carole and, for her very capable work on this issue, Hester Gartrell. -
C O N T E N T S 34Th Fajr Film Festival 2 22 Movies to Compete in 34Th
مجله داخل پروازی هواپیمایی ماهان فجر Mahan Inflight Magazine Fajr Proprietor: Mahan Air Co. Managing Director: Mehdi Aliyari Central Office: Communication and International Relations Department, 4th Floor, Mahan Air Tower, Azadegan St., Karaj High- way, Tehran,Iran P.O.Box: 14515411 Tel: 021-48381752 Fax: 021- 48381799 Email: [email protected] Advertisement: Tel: (+9821) 24843 Fax: (+9821) 22050045 Cellphone: 09121129144 Email: [email protected] CONTENTS 34th Fajr Film Festival 2 22 Movies to Compete in 34th Fajr Film Festival 3 Top Rivals at 34th Fajr Film Festival 4 Nine foreign Plays to Compete in Fajr Festival 7 Fajr Theater Festival to Host 30 Special Int'l Guests 8 Top 100 Most Anticipated Foreign Films of 2016: #23. Asghar Farhadi’s The Salesman 9 34th Fajr Film Festival 1-11 February 2016 Tehran, Iran Fajr Film Festival is Iran's annual film festival, held every February from 1-11 in Tehran, Iran. The festival, started in 1982, is under the supervision of the Ministry of Culture and Islamic Guidance in Iran. It takes place every year on the anniversary of the Iranian revolution. Page 3 | Health Page 4 | Fajr 22 Movies to Compete in 34th Fajr Film Festival 22 domestic movies would compete in the biggest cinematic event of the country to be held in February. A total of 22 movies, including Bodyguard, 'Wooden Lollipop', 'The Dragon Enters', 'Lanturi' (literally meaning numpty), 'Being Born', 'The World Redemption', 'The Girl', 'Barcode', 'Anger and Hubbub', 'Cyanide', 'Scandal', 'Malaria', 'Breath', 'Blind Point', 'Midnight' and 'Inversion' compete in the section. Top Rivals at 34th Fajr Film Festival Films by famous young and veteran directors vie for the Crystal Simorgh awards at the 34th Fajr Film Festival next month. -
University of Florida Thesis Or Dissertation Formatting
VOICES OF A REBELLIOUS GENERATION: CULTURAL AND POLITICAL RESISTANCE IN IRAN’S UNDERGROUND ROCK MUSIC By SHABNAM GOLI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2014 © 2014 Shabnam Goli I dedicate this thesis to my soul mate, Alireza Pourreza, for his unconditional love and support. I owe this achievement to you. ACKNOWLEDGMENTS Completion of this thesis would not have been possible without the help and support of many people. I thank my committee chair, Dr. Larry Crook, for his continuous guidance and encouragement during these three years. I thank you for believing in me and giving me the possibility for growing intellectually and musically. I am very thankful to my committee member, Dr. Welson Tremura, who devoted numerous hours of endless assistance to my research. I thank you for mentoring me and dedicating your kind help and patience to my work. I also thank my professors at the University of Florida, Dr. Silvio dos Santos, Dr. Jennifer Smith, and Dr. Jennifer Thomas, who taught me how to think and how to prosper in my academic life. Furthermore, I express my sincere gratitude to all the informants who agreed to participate in several hours of online and telephone interviews despite all their difficulties, and generously shared their priceless knowledge and experience with me. I thank Alireza Pourreza, Aldoush Alpanian, Davood Ajir, Ali Baghfar, Maryam Asadi, Mana Neyestani, Arash Sobhani, ElectroqutE band members, Shahyar Kabiri, Hooman Ajdari, Arya Karnafi, Ebrahim Nabavi, and Babak Chaman Ara for all their assistance and support. -
Zarif Holds Talks with Aoun Some Countries in Regard to Humanitarian Issues
‘Iranian refugees in Total inks major gas Infantino offers German experts restore 21516Australia not in 5 deal in Iran condolences after artworks at Tehran suitable condition’ Pourheydari passing museum WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y VelayatiVe ururgesg EuEurope to wowork for pepeace in MMideasti 2 16 Pages Price 10,000 Rials 38th year No.12693 Wednesday NOVEMBER 9, 2016 Aban 19, 1395 Safar 9, 1438 Citizenship Rights Charter awaiting thumbs-up: ZZarifarif holdsholds ttalksalks wwithith AAounoun presidential advisor EXCLUSIVE INTERVIEW POLITICS TEHRAN — Iranian The visit came days after Aoun desk By Maryam Qarehgozlou&Ali Kushki Foreign Minister was elected president. The post had Mohammad Javad Zarif who made a remained vacant for 29 months due Iran says it has finished a draft of the long-waited-for high-profile visit to Beirut starting on to rivalry between powerbrokers in Citizenship Rights Charter after it underwent a thorough Monday held talks with the newly-elected Lebanon. revision, now awaiting for an approval by the Majlis (Iran’s Lebanese President Michel Aoun as well Immediately after his arrival in Beirut, parliament), government, or cabinet. as the prime minister, parliament Speaker, Foreign Minister Zarif held talks with “An initial draft of the Citizenship Rights Charter was and Hezbollah chief. President Aoun. 2 drawn up just months after President Rouhani took office and made available to the public in November 2013,” Elham Aminzadeh, the presidential advisor on citizenship rights, told the Tehran Times on Monday. Aminzadeh said it took until now to come up with the first and second versions of the charter after having listened to public and expert opinions of a pool of resources. -
An Analysis of Iranian War Film Genres )1980 2013( with Niklas Luhmann’S Social Systems Theory
Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980_2013) with Niklas Luhmann’s Social Systems Theory Golnaz Sarkar Farshi* Received: 2018/01/15 Accepted: 2018/08/11 Abstract A close observation of Iran-Iraq war films in the Iranian society reveals that their genres have shifted in the course of the society’s evolution. This questions the category-based principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of Niklas Luhmann’s social systems theory. This theory abandons categorization in favor of functional differentiation and helps us observe Iranian war movies in their societal context. By taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in Luhmann’s theory, I shall find a pattern in the mentioned genre shift which is in turn punctuated by the Iranian society’s different stages of evolution. To do so, I shall rely on a qualitative, analytical and critical method. Keywords: film genre, identity, Iran-Iraq war, Niklas Luhmann, social systems theory, war film *. PhD student of Media Philosophy, Bauhaus-University Weimar. Email: [email protected]. .................................................................................Genre Shift and Identity Maintenance – An Analysis of Introduction within scientific jargon. The outcome of these The 8-year war between Iran and Iraq endeavors was to attribute a film’s genre was, like any war in any society, post factum to its formal qualities (western), its themes widely reflected on in the Iranian mass media: and motifs (war film, apocalyptic film), its from the TV documentary series Ravāyat-e main characters (doctor films, detective Fath1 to epics which illustrated the prowess of films) among other qualities. -
Pegah Ahmadi Was Born in Tehran in 1974. She Is
Pegah Ahmadi was born in Tehran in 1974. She is the author of three volumes of poetry, On the Ending G, Cadence, and These Days of Mine Are A Throat, an interweaving of modern Farsi and ancient Persian, in which she explores the history of cruelty against women in Iran, criticizing the Islamic religion and its influence on Iran’s social-political situation, published in 2002. That same year, she also published a translation of poetry by Sylvia Plath entitled Mad Girl’s Love Song, and collected, edited, introduced and published an anthology gathering the work of Iranian women poets, both historical and contemporary. Shortly after, she was banned from publishing poetry in her home country, except, in a limited manner, through online venues run by exiled Iranian writers. In 2009, following her involvement in the Green Movement’s demonstrations against Iranian President Mahmoud Ahmadinejad, she was threatened with imprisonment, and left Iran with the assistance of the International Cities of Refuge Network (ICORN), which placed her as a guest writer in the city-of-refuge site in Frankfurt, Germany. During her years in Frankfurt her long unpublished book, I Was Not Cold, translated into German by Jutta Himmelreich, was published by Sujet Verlag in Berlin. Ahmadi is in residence at Brown for the 2011-12 academic year. Born in Tehran in 1938, Bahram Beyzaie is a well known Iranian critic, researcher, teacher, playwright, stage director (and producer), screenwriter and filmmaker (director, producer and editor) who has written more than 35 plays and more than 50 screenplays, including feature films Downpour, The Stranger and The Fog, The Crowd, Death of Yazdgerd, and Bashu, the Little Stranger. -
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Trends in Contemporary Conscious Music in Iran Dr Malihe Maghazei LSE Middle East Centre Paper Series / 03 June 2014 Trends in Contemporary Conscious Music in Iran The views and opinions expressed in this publication are those of the author(s) and do not necessarily represent those of the London School of Economics and Political Science (LSE) or the Middle East Centre. This document is issued on the understanding that if any extract is used, the author(s) and the LSE Middle East Centre should be credited, preferably with the date of the publication. While every effort has been made to ensure the accuracy of the material in this paper, the author(s) and/or the LSE Middle East Centre will not be liable for any loss or damages incurred through the use of this paper. 2 Trends in Contemporary Conscious Music in Iran About the Author Originally from Iran, Dr Malihe Maghazei joined the LSE Middle East Centre as a Visiting Fellow in October 2012. She is a social historian of the Middle East who specialises in the contemporary history of Iran. She has taught history courses including World Civilization since the 16th century at California State University, Fullerton and Women in the Middle East at the University of California, Santa Barbara. Her research interests include gender and Islam, youth, culture, and intellectual movements in Iran. Dr Maghazei has researched various topics in both Persian and English including the dominant discourse of orientalism on Muslim women, the feminist movement in Iran and Iranian youth. Her publications include: ‘The Account of Creation in the Holy Scriptures: A Comparative Study between the Bible and the Qur’an’, Humanity, Tehran, 2010; ‘Islamic Feminism: Periphery or Growing Trend’, Groningen University, Centre for Gender Studies, 2012; and ‘Teens’ Life in Iran’ in Teen’s Life in the Middle East, Greenwood Press, 2003. -
Stablished in 2007 As an Important Part of the Iranian Cinema Industry
Stablished in 2007 as an important part of the Iranian Cinema industry. The purpose of the company is to provide a strong platform for the Iranian productions to have access to the international market. A main part of company’s focus is sales and distribution of film productions include features and TV/Web series. The company is also heavily involved in productions and international co-productions of various projects. Over nearly a decade we have collaborated closely with the International distributors from around the world and we have actively participated in most prominent International Film Festivals and Markets such as Cannes (Marche Du Film), MIPCOM, MIP JUNIOR, Berlinale and Venice. HONAR AVAL is currently producing and providing contents for the market of Entertainment, releasing titles in multiple media such as Theatre, Home Video, Digital Market, VOD/OTT platforms and TV Channels. We are proud that over the years we have been able to provide more than 2,000 titles for the general public, including special contents for children and young adults. Achieving the position of the country's top Home Video Company in 2015 and the country's top National Broadcasting Company in 2016, 2017, 2018, 2019 & 2020 which has been a testimony to the trust and love of our audience. Here are some of the titles from our 2020-2021 catalog. Web Series I Want To Stay Alive Mikhaham Zende- Bemanam (Original Title) Drama | Series | 2021 | IRAN | 20 Episode *45 Min Director: Sharam Shah Hosseini Producer: Mohammad Shayesteh Writer: Pouya Saeedi | Pourya Kakavand CAST Sahar Dolatshahi| Hamed Behdad| Pedram Sharifi| Babak Karimi | Ali Shadman | Bahareh Kian Afshar | Ezzatollah Mehravaran | Azadeh Samadi | Nahid Moslemi| Afsaneh Chehreh Azad | Mehran Ahmadi| Anahita Dargahi| Amir Noruzi | Maedeh Tahmasebi SYNOPSIS I WANT TO STAY ALIVE is a drama series which shows Iranian society’s condition right after the Iran & Iraq war, the time in which the Committee (a former law enforcement organization in Iran acting under the Ministry of Interior affairs) has the power beyond the law. -
Filmen Der Iranischen Diaspora Zu Sehen, Zugleich Grenzen Sie Sich Gegen Diese Aber Durch Individuelle Und Innova- Tive Ästhetische Verfahren Ab
Neue Perspektiven der Medienästhetik Alena Strohmaier Medienraum Diaspora Verortungen zeitgenössischer iranischer Diasporafilme Neue Perspektiven der Medienästhetik Reihe herausgegeben von I. Ritzer, Bayreuth, Deutschland Die Reihe „Neue Perspektiven der Medienästhetik“ versteht sich als Brücken- schlag zwischen Ansätzen von Medientheorie und ästhetischer Theorie. Damit sollen ästhetische Qualitäten weder als determinierende Eigenschaften einer tech- nologisch-apparativen Medialität noch als Effekt dieses medialen Apriori begriffen sein. Stattdessen werden sowohl die Relevanz des Technologisch-Apparativen als auch die im Rahmen der apriorischen Konstellation sich entfaltende Potentialität an ästhetischen Verfahren ernst genommen. Die Frage nach medienästhetischen Qualitäten bedeutet demnach, die einem Medium zur Verfügung stehenden ästhe- tischen Optionen zu spezifzieren, um ihrer Rolle bei der Konstitution des jeweili- gen medialen Ausdrucks nachzuspüren. Dabei projektiert die Reihe insbesondere, entweder bislang vernachlässigte Medienphänomene oder bekannte Phänomene aus einer bislang vernachlässigten Perspektive zu betrachten. Weitere Bände in der Reihe http://www.springer.com/series/13443 Alena Strohmaier Medienraum Diaspora Verortungen zeitgenössischer iranischer Diasporafilme Mit einem Geleitwort von Prof. Dr. Ivo Ritzer Alena Strohmaier Marburg, Deutschland Zgl. Dissertation an der Philipps-Universität Marburg, 2018 ISSN 2524-3209 ISSN 2524-3217 (electronic) Neue Perspektiven der Medienästhetik ISBN 978-3-658-24605-1 ISBN 978-3-658-24606-8 -
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The Romance of the Indo-European Family: Globalatinization, Philology, and the Space of Christian Semantics by Navid Naderi Graduate Program in Literature Duke University Date:______________________ Approved: ___________________________ Wahneema Lubiano, Co-supervisor ___________________________ Walter Mignolo, Co-supervisor ___________________________ Fredric Jameson ___________________________ Bruce Lawrence Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2017 i v ABSTRACT The Romance of the Indo-European Family: Globalatinization, Philology, and the Space of Christian Semantics by Navid Naderi Graduate Program in Literature Duke University Date:______________________ Approved: ___________________________ Wahneema Lubiano, Co-Supervisor ___________________________ Walter Mignolo, Co-Supervisor ___________________________ Fredric Jameson ___________________________ Bruce Lawrence An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2017 Copyright by Navid Naderi 2017 Abstract This dissertation explores the idea of “history” as a general theory of meaning in its rapport with Christian political theology and its liquidation into the secular idea of a world divided into “familial,” “civilizational,” “national,” “racial,” and “religious” entities and collectivities. The author attempts to demonstrate that the relevance of historical meaning expands globally with Christian colonialism and imperialism, and that historicization ultimately amounts to racialization (“race” here standing as at once the most charged and the most neutral term of division that although is not one with “family”—as in “linguistic families”—“civilization,” “nation,” and “religion,” expresses best the common mode of theologico-political division that these modern signifiers are deployed to effect). -
Mohsen Namjoo
Asia Society Presents Mohsen Namjoo Saturday, September 7, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This performance is approximately 90 minutes with a 10 minute intermission ABOUT THE ARTISTS Mohsen Namjoo is a songwriter, singer, music scholar and setar player (traditional Persian lute). Born in 1976 in Torbat-e Jam, Iran, Namjoo began his musical training at the age of twelve, and studied Persian vocal technique with many great masters. He discovered the music of rock and blues in his late teens which had a huge effect on him. His musical style weaves a mosaic, mixing Persian music and poetry western rock, blues, and jazz to create something that is uniquely his own. Mohsen Namjoo is a true musical maverick, seamlessly blending the classical with the modern, the ancient with the contemporary. Yahya Alkhansa was born in Tehran in 1981. His first experience with music was playing tombak at the age of 9. At 16, he switched to a drum set. He has a bachelor of science in Metallurgy from Tehran Azad University. He moved to New York on September 2011 and studied advanced drum performance at The Collective School of Music. Alkhansa became involved with the post- revolution underground music movement in its early days, playing with bands like Sarakhs, O-hum and most notably, 127. He joined 127 on 2002 and has been a member of the band ever since, touring around the world with them. SET LIST 1- Ayene Am Man (New) 2- Zan Yar 3- Zolf 4- Sanama 5- Baroon (New) 6 - Taabe Banafshe (New) INTERMISSION 1- Improvisation 2- -
Historical Dictionary of Middle Eastern Cinema
Historical Dictionaries of Literature and the Arts Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keat- ing, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardi- son Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 25. Horror Cinema, by Peter Hutchings, 2008. 26. Westerns in Cinema, by Paul Varner, 2008. 27. Chinese Theater, by Tan Ye, 2008.