Initiating the Oilfield Into Performance Disclosure
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Chapter 48 – Creative Destructor
Chapter 48 Creative destructor Starting in the late 19th century, when the Hall-Heroult electrolytic reduction process made it possible for aluminum to be produced as a commodity, aluminum companies began to consolidate and secure raw material sources. Alcoa led the way, acquiring and building hydroelectric facilities, bauxite mines, alumina refineries, aluminum smelters, fabricating plants and even advanced research laboratories to develop more efficient processing technologies and new products. The vertical integration model was similar to the organizing system used by petroleum companies, which explored and drilled for oil, built pipelines and ships to transport oil, owned refineries that turned oil into gasoline and other products, and even set up retail outlets around the world to sell their products. The global economy dramatically changed after World War II, as former colonies with raw materials needed by developed countries began to ask for a piece of the action. At the same time, more corporations with the financial and technical means to enter at least one phase of aluminum production began to compete in the marketplace. As the global Big 6 oligopoly became challenged on multiple fronts, a commodity broker with a Machiavellian philosophy and a natural instinct for deal- making smelled blood and started picking the system apart. Marc Rich began by taking advantage of the oil market, out-foxing the petroleum giants and making a killing during the energy crises of the 1970s. A long-time metals trader, Rich next eyed the weakened aluminum industry during the 1980s, when depressed demand and over-capacity collided with rising energy costs, according to Shawn Tully’s 1988 account in Fortune. -
Off the Record
About the Center for Public Integrity The CENTER FOR PUBLIC INTEGRITY, founded in 1989 by a group of concerned Americans, is a nonprofit, nonpartisan, tax-exempt educational organization created so that important national issues can be investigated and analyzed over a period of months without the normal time or space limitations. Since its inception, the Center has investigated and disseminated a wide array of information in more than sixty Center reports. The Center's books and studies are resources for journalists, academics, and the general public, with databases, backup files, government documents, and other information available as well. The Center is funded by foundations, individuals, revenue from the sale of publications and editorial consulting with news organizations. The Joyce Foundation and the Town Creek Foundation provided financial support for this project. The Center gratefully acknowledges the support provided by: Carnegie Corporation of New York The Florence & John Schumann Foundation The John D. & Catherine T. MacArthur Foundation The New York Community Trust This report, and the views expressed herein, do not necessarily reflect the views of the individual members of the Center for Public Integrity's Board of Directors or Advisory Board. THE CENTER FOR PUBLIC INTEGRITY 910 17th Street, N.W. Seventh Floor Washington, D.C. 20006 Telephone: (202) 466-1300 Facsimile: (202)466-1101 E-mail: [email protected] Copyright © 2000 The Center for Public Integrity All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information and retrieval system, without permission in writing from The Center for Public Integrity. -
How Rupert Murdoch's Empire of Influence Remade The
HOW RUPERT MURDOCH’S EMPIRE OF INFLUENCE REMADE THE WORLD Part 1: Imperial Reach Murdoch And His Children Have Toppled Governments On Two Continents And Destabilized The Most Important Democracy On Earth. What Do They Want? By Jonathan Mahler And Jim Rutenberg 3rd April 2019 1. ‘I LOVE ALL OF MY CHILDREN’ Rupert Murdoch was lying on the floor of his cabin, unable to move. It was January 2018, and Murdoch and his fourth wife, Jerry Hall, were spending the holidays cruising the Caribbean on his elder son Lachlan’s yacht. Lachlan had personally overseen the design of the 140-foot sloop — named Sarissa after a long and especially dangerous spear used by the armies of ancient Macedonia — ensuring that it would be suitable for family vacations while also remaining competitive in superyacht regattas. The cockpit could be transformed into a swimming pool. The ceiling in the children’s cabin became an illuminated facsimile of the nighttime sky, with separate switches for the Northern and Southern Hemispheres. A detachable board for practicing rock climbing, a passion of Lachlan’s, could be set up on the deck. But it was not the easiest environment for an 86-year-old man to negotiate. Murdoch tripped on his way to the bathroom in the middle of the night. Murdoch had fallen a couple of other times in recent years, once on the stairs while exiting a stage, another time on a carpet in a San Francisco hotel. The family prevented word from getting out on both occasions, but the incidents were concerning. This one seemed far more serious. -
Historical Studies Journal 2014
Historical University of Colorado Denver Colorado of University Studies Journal Spring 2014 . Volume 31 Historical Studies Journal Studies Historical A Double-edged Scalpel: Colorado’s Healthy Reputation and Its Tuberculosis Struggle The Classroom as a Colonial Institution: How Academic Curriculum was used to kill Native Culture in Federal Off-Reservation Boarding Schools, 1879-1928 Clutch Hitter: Frederico Peña’s Struggle to Bring Major League Baseball 2014 Spring to Denver in the 1980s Let’s Have a War: . Hardcore Punk vs. 31 Volume the L.A. Suburbs Historical Studies Journal Spring 2014 . Volume 31 EDITOR: Gregory Brill ASSOCIATE EDITOR: Darlene A. Cypser, Graduate Student ASSISTANT EDITORS: Julie Garton, Undergraduate Student Shay Gonzales, Undergraduate Student Bridget Norman, Graduate Student Thomas J. Noel, Faculty Advisor DESIGNER: Shannon Fluckey Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Pamela Laird, Ph.D., Thomas J. Noel, Ph.D. Department Chair American West, Art & Architecture, U.S. Social, Intellectual, Technology, Public History & Preservation, Colorado Public History, Business Kelly Palmer, Ph.D. Christopher Agee, Ph.D. Modern Europe and France 20th Century U.S., Urban History, Social Movements, Crime and Policing Stacey Pendleton, M.A. Cold War/US, Modern Britain Ryan Crewe, Ph.D. Latin America, Colonial Mexico, Carl Pletsch, Ph.D. Transpacific History Intellectual History (European and American), Modern Europe James E. Fell, Jr., Ph.D. American West, Civil War, Myra Rich, Ph.D., Emeritus Environmental, Film History U.S. Colonial, U.S. Early National, Women and Gender, Immigration Gabriel Finkelstein, Ph.D. Modern Europe, Germany, Alison Shah, Ph.D. History of Science, Exploration South Asia, Islamic World, History and Heritage, Cultural Memory Mark Foster, Ph.D., Emeritus 19th and 20th Century U.S., Richard Smith, Ph.D. -
Coming of Age: Initiating the Oilfield Into Performance Disclosure John Burritt Cm Arthur
SMU Law Review Volume 50 | Issue 3 Article 2 1997 Coming of Age: Initiating the Oilfield into Performance Disclosure John Burritt cM Arthur Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation John Burritt cM Arthur, Coming of Age: Initiating the Oilfield into Performance Disclosure, 50 SMU L. Rev. 663 (1997) https://scholar.smu.edu/smulr/vol50/iss3/2 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. Articles COMING OF AGE: INITIATING THE OILFIELD INTO PERFORMANCE DISCLOSURE John Burritt McArthur* TABLE OF CONTENTS I. INTRODUCTION ........................................ 665 II. SOLICITATION BY MISREPRESENTING PAST PERFORMANCE IS A SERIOUS PROBLEM IN THE OIL AND GAS BUSINESS .............................. 672 A. RESERVE AND PRODUCTION MISREPRESENTATIONS IN THE TRADITIONAL EQUITY INVESTMENT .............. 672 1. Some Operators Make False Analogies to Nearby A reas ............................................. 673 Copyright © 1997 by John Burritt McArthur. All rights reserved. * B.A., Brown University, 1975; M.A., University of Connecticut, 1978; J.D., Uni- versity of Texas, 1984; M.P.A., Harvard University, 1994. The author was one of the lawyers who litigated the A.E. Investments ("AEl") v. Davis Oil Co. case discussed in detail in Part II.A. AEI was a subsidiary of the Aetna Insurance companies. The Aetna case introduced the author to many of the issues discussed in this Article and made him decide that the industry needed substantial improvements to the operator-investor relationship. -
Copyright by Alisa Perren 2004
Copyright by Alisa Perren 2004 The Dissertation Committee for Alisa Hayley Perren Certifies that this is the approved version of the following dissertation: Deregulation, Integration and a New Era of Media Conglomerates: The Case of Fox, 1985-1995 Committee: Thomas Schatz, Supervisor Richard Lewis Neil Nehring Horace Newcomb Sharon Strover S. Craig Watkins Deregulation, Integration and a New Era of Media Conglomerates: The Case of Fox, 1985-1995 by Alisa Hayley Perren, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of philosophy The University of Texas at Austin August 2004 Dedication For my parents Acknowledgements The support provided by my family and friends made the dissertation- writing process far less painful. Particular thanks go to Caroline Frick, Karen Gustafson, Lisa Hartenberger, Sunny Nguyen, Jennie Phillips, Gabe Rupertus, Valerie Wee, and Kate and Alex Wurm. Their food sustained me and their flowers cheered me up. I am so grateful for their willingness to listen to me talk on and on about my research. Thanks also to Tanya Chmielewski, Jennifer Holt, Anh Nguyen, and Michael Tolfo. The feedback and guidance provided by Richard Lewis, Neil Nehring, Sharon Strover and Craig Watkins is greatly appreciated. Their comments have been helpful and will continue to be used as I further develop my ideas about Fox and the media industries. Special thanks to Horace Newcomb for reading various drafts of this project and suggesting ways to refine my argument. This project would not exist without the support of Thomas Schatz. -
The 30Th Carousel of Hope Page 2
NEWSNOTES CHILDREN’S DIABETES FOUNDATION — WINTER 2016 THE 30TH CAROUSEL OF HOPE PAGE 2 THE ARTIFICIAL PANCREAS The Barbara Davis Center: Biggest Research Contributor PAGE 8 Photos: © www.JensenSutta.com SUPPORTERS GATHER FOR THE CAROUSEL OF HOPE BALL in Los Angeles, CA The 30th Carousel of Hope Ball was truly a night to The talented Sharon Stone joined Jay Leno onstage remember! The star-studded gala returned to The as auctioneer for an exciting live auction experience Beverly Hilton in Beverly Hills, California on Saturday, that had guests bidding on items ranging from the October 8 to a crowd dressed to the nines with plenty ultimate mountain getaway at The Little Nell in Aspen of gowns, jewels, tuxedos, and Hollywood royalty. to a luxurious trip to St. Regis Dubai and the recently- The 2016 ball was a “Celebration of Hollywood” opened St. Regis Maldives Vommuli Resort. representing its strength, talent, and power. The event brought together Hollywood’s elite to raise awareness Denzel Washington, a longtime supporter of the and ultimately, to find a cure for diabetes. The evening’s Children’s Diabetes Foundation, presented the well-deserving honorees included 4 remarkable Inspirational Lifetime Achievement Award to Sir individuals – Sir Sidney Poitier was awarded the Sidney Poitier. Washington lovingly introduced Poitier Inspirational Lifetime Achievement Award and Jane as “My hero, my mentor, my friend.” In accepting Fonda, David Foster, and Sherry Lansing were honored the award, the Hollywood icon and Academy with Brass Ring Awards. Award winner shared pride for the wonderful life that he has lived and acknowledged the incredible Lights were flashing non-stop as celebrities and long- accomplishments of Barbara Davis. -
Hilltopper Football '92 ■
Western Kentucky University Hilltopper Football '92 ■ 1992 1992 Hllltogper Hllltop~r 1992 Western Kentucky Football Foot all Football 1992 Hilltopper Schedule Al Almond Award ...... .. ... ............... .............. 75 Review, The '91 Season in .......... .. ... .... 41-44 Date Opponent Site (Time -- Central) '91 Record Series Record Last Year All-Americans .... ...................... ... ................ 74 Rosters .................. ............................... 14-15 Western Kentucky Alma Mater .. ... .. ... .. ......................... ... ... ... ... 21 Schedules- Athlete-of-the-Year Winners, WKU ............. 77 1992 WKU .................... Inside Front Cover Sept. 5 Eastern Kentucky ................. Bowling Green, Ky. (7 pm) 12-2-0# WKU 37-29-3 EKU 37-22 Athletic Administration .. ... .. ... ........................ 4 1992 Composite .... ..... .. ....... ... ................ 36 Hilltoppers (Hall of Fame Day) Big Red .. .. .. .................................. ... .. ......... 29 Series Records - Coaches Records ... .. ................ ... ... ........... 66 All-Time .................................. .. ... ... ..... .. 30 Location: CoHegeHeights 12 Indiana State ......................... Bowling Green, Ky. (7 pm) 5-6-0 ISU 2-1-1 ISU 31-14 Coaches Roster, All-Time ... ................ .. ....... 8 Smith Stadium .. ...... .. ..... .................... .. .. ... 7 Bowling Green, Ky. 42101 (Parents Day I United Way Day) . Coaching Staff ........................................ 9-12 Signees .. .. ... ...... ... ... ... .. ... -
It' S All for You Damien
It' s all for you damien Continue This article is about the 1976 film. For the remake, see Foreshadowing (2006 film). See also: Omen (disambiguation) The OmenTheatrical release poster by Tom JungDirected byRichard DonnerProduced byHarvey BernhardWritten byDavid SeltzerStarring Gregory Peck Lee Remick David Warner Billie Whitelaw Music byJerry GoldsmithCinematographyGilbert TaylorEdited byStuart BairdProductioncompany Mace Neufeld ProductionsDistributed by20th Century FoxRelease date June 6, 1976 (1976-06-06) (UK) June 25, 1976 (1976-06-25) (US) Running time111 minutesCountry United Kingdom[1] United States[1] LanguageEnglishBudget$2.8 million[2]Box office$60.9 million (United States and Canada)[3] The Omen is a 1976 American-British supernatural horror film directed by Richard Donner, written by David Seltzer, and starring Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. Its plot follows Damien Thorne, a small child replaced at birth by an American ambassador without his wife's knowledge, after their biological child dies shortly after birth. As a series of mysterious events and violent deaths occur around the family and Damien enters his childhood, they come to find out that he is actually a prophesied antichrist. Released theatrically by 20th Century Fox in June 1976, The Omen received mixed reviews from critics and was a commercial success, grossing more than $60 million at the U.S. box office and becoming one of the highest-grossing films of 1976. The film received two Oscar nominations, and won for best original result for Jerry Goldsmith, his only Oscar win. A scene from the film appeared #16 bravo in 100 scary moments of the film. -
Hollywood Braces Itself for Impact As an Already Behemoth Disney Gets
CALENDAR E SUNDAY,MARCH 10,2019 :: LATIMES.COM/CALENDAR POWER MOVEJacob Thomas For The Times Hollywood braces itself for impact The Marvel universe is united. So as an already behemoth Disney gets how will Disney make room for its set to take over 21st Century Fox galaxy of R-rated superheroes? By Ryan Faughnder By Josh Rottenberg Walt Disney Co.’s entertainment kingdom is about to get a whole lot bigger For years, starting with 2000’s “X-Men” and ramping up with Marvel Stu- thanks to its pending purchase of 21st Century Fox assets, and the rest of Hol- dios’ 2012 juggernaut “The Avengers,” comic book do-gooder team-ups have lywood has only just begun to grapple with the consequences of the compa- been all the rage on the big screen. Why have just one hero, the thinking goes, ny’s increasing power. when you can have two (“Batman v Superman”) or six (“Justice League”) — The long-anticipated $71-billion acquisition will put the X-Men, Homer or more than two dozen (“Avengers: Infinity War”)? Simpson, the Avengers, Buzz Lightyear, Kylo Ren and the gang from “Avatar” With the Walt Disney Co.’s acquisition of 21st Century Fox expected to be under the same roof, giving the Burbank company anunprecedented shareof finalized this month, that trend is about to get supersized with a spandex- film and television franchises. clad family reunion that many fans thought they’d never live to see. The deal, expected to close in the coming days, would boost Disney’s share In one fell swoop, the blockbuster $71- billion mega-deal brings nearly the of the domestic box office to at least 40% and reinforce its stronghold in toys, entire stable of Marvel superheroes and villains under one owner, with theme parks and cruise lines. -
FCC Restrictions on Foreign Ownership
THE LTTLE NETWORK THAT COULD: FCC RESTRICTIONS ON FOREIGN OWNERSHIP 1. INTRODUCTION I. THE BIRTH OF A NETWORK A. Foreign Beginnings B. The Network Grows Up: The Troubled Teenager C. The Champion, NBC, Enters the Ring D. The Book Deal Gone Bad HI. FCC RESTRICTIONS ON FOREIGN ONWERSHIP A. German Invaders and Section 310(b) B. Section 310(b) Today C. Case Law Interpreting Section 310(b) IV. NAFTA, GATT, CULTURAL PROTECTIONISM, AND How SECTION 3 10(B) ISHURTING THE AMERICAN BROADCASTING INDUSTRY A. Canada's Cultural Industry Exclusion Clause B. The EC's Green Paper C. GATT D. The Prisoner's Dilemma V. POSSIBLE SOLUTIONS TO FOREIGN OWNERSHIP RESTRICTIONS A. The "Do Nothing" and "Let the Courts Handle It" Solution. B. Inclusion in Section 310 of a New Subsection (f). C. Deregulation -- Back to the NBC-Fox Battle VI. CONCLUSION I. INTRODUCTION When it was announced in 1994 that the United States would be deciding on the North American Free Trade Agreements, there was reaction. Likewise, when it was announced that the United States would join other nations in adopting the latest Uruguay Rounds of the General Agreement on Tariffs and Trade, the American public engaged in debate. But when it appeared as though their Thursday evening Simpsons viewing schedule might be interrupted due to an obscure FCC regulation, the American public went into uproar. Of course, this is an exaggerated viewpoint of the recent battle between General Electric Company's National Broadcasting Corporation ("NBC") and Rupert Murdoch's Fox Television Stations, Inc. However, it may be the best way to begin a discussion of a relatively forgotten area of administrative law that stood to cripple an up-and-coming network and significantly impacts one of the IND. -
Northern Tigers: Building Ethical Canadian Corporate Champions
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2017-09 Northern Tigers: Building Ethical Canadian Corporate Champions Haskayne, Dick; Grescoe, Paul University of Calgary Press http://hdl.handle.net/1880/52226 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca NORTHERN TIGERS: Building Ethical DICK HASKAYNE WITH PAUL GRESCOE Canadian Corporate Champions With additional contributions from DEBORAH YEDLIN Dick Haskayne with Paul Grescoe With additional contributions from Deborah Yedlin ISBN 978-0-88953-406-3 BUILDING NORTHERN ETHICAL CANADIAN CORPORATE THIS BOOK IS AN OPEN ACCESS E-BOOK. Please support CHAMPIONS TIGERS this open access publication by requesting that your university A Memoir and a Manifesto purchase a print copy of this book, or by purchasing a copy REVISED & UPDATED yourself. Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission.