DOCSLIB.ORG

National Kaohsiung Center for the Arts (Weiwuying) Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
National Kaohsiung Center for the Arts (Weiwuying) Contents 1 National Kaohsiung Center for the Arts (Weiwuying) Contents Please follow the policies below before entering the venue 002 5 May Program Calender 004 6 June Program Calender 006 Shuyi's Observation 012 5 May Programs 051 6 June Programs 092 Activity 106 Opening Hours Tour Service 109 11:00-21:00 Become Our Valued Friend 110 Service Center (Box Office) Visit Us 11:00-21:00 For more information Weiwuying will work together with the public in preventing the spread of the epidemic and building a comfortable and safe venue. Adjustments following preventive measures announced by competent authorities will be carried out. weiwuying_centerforthearts @weiwuying COVID-19 1922 For information on the coronavirus (COVID-19), please see the official website of Taiwan Centers for Disease Control, @weiwuying_tw or dial hotline 1922. weiwuying_centerforthearts 9 ● Opera House 023 5 May Program Calendar Sun Family Comedy: The Wedding 10th Anniversary 14:30 KSO X ● Concert Hall 025 1 2021 TIFF 21 ● Recital Hall 012 Light of the beginning – KSO, Richard LIN & MAHLER 14:30 Sat The Young Flutists' League 19:30 2021 ● Recital Hall 026 110 ● Concert Hall 013 LIU Sheng-wen 2021 Cello Recital 14:30 Brilliant 110 Festival Concert 19:30 ● ● Opera House 014 15 Crown Terrace 092 Sat Family Day Having a Ball at Weiwuying! 14:00 Ballad from Six Feet Under 19:30 ● 098 ● Recital Hall 027 17 Exploring the Venue Eyes and Ears Project Weiwuying Opeation Office Mon Luminary Rhymes 19:30 Exploring the Venue through Ears 16:00 19 ● Recital Hall 028 2 ● Opera House 014 Wed The Compelling Power of BEETHOVEN 19:30 Sun Ballad from Six Feet Under 14:30 2021 - I ● Recital Hall 015 2021 ● Opera House 029 Artemis YEN Piano Recital 2021 – 1 Nocturnes-Chopin and the Russians 14:30 Notre Dame de Paris 19:30 ● Playhouse 016 20 2021 ● Opera House 029 Wings of Phantom Feather Peter Pan 14:30 Thu Notre Dame de Paris 19:30 3 2021 ● Recital Hall 017 XVII ● Recital Hall 030 Mon 2021 Elite Chamber Ensemble 19:30 Contemporary Composers Forum XVII 19:30 – ● Recital Hall 018 21 2021 ● Opera House 029 4 Thu Slashie Life/ Mellow-Slashies SQ Night of String Quartet 19:30 Fri Notre Dame de Paris 19:30 ● Concert Hall 031 5 ● Recital Hall 019 CHEN Chien-chi Concert One person on the sea 19:30 Wed NSYSU-Music Faculty Concert 19:30 ● Recital Hall 032 ● Banyan Plaza 096 Weiwuying Showtime WANG Yu-jun The Memories of Riverside 20:00 365+ Dance Choreographing for Yourself "Everybody's Body Is 19:00 Made for Solo Dancing" 22 2021 ● Opera House 029 7 - ● Recital Hall 020 Sat Notre Dame de Paris 14:30, 19:30 Fri ZhenZheng Fantasy 19:30 - ● Playhouse 035 ● Playhouse 021 The Tempest 19:30 Our Theatre Palaces Palaces: Outside In 19:30 ● Recital Hall 033 - ● Concert Hall 107 Enjoy love - Love unlimited 19:30 Theme Tour: Pipe Organ Tour - with Cello 14:30 2021 ● Concert Hall 034 ● Playhouse 021 Stars Symphonic Wind Band Annual Concert 2021 19:30 8 Sat Our Theatre Palaces Palaces: Outside In 14:30 23 2021 ● Opera House 029 ● Playhouse 021 Sun Notre Dame de Paris 14:30, 19:30 Our Theatre Palaces Palaces: Inside Out 19:30 - ● Playhouse 035 2021 ● Concert Hall 022 The Tempest 14:30 TNUA Orchestra Spring- Summer Concert 2021 14:30 ● Concert Hall 036 ● Opera House 023 Touching 14:30 Family Comedy: The Wedding 10th Anniversary 19:30 I － ● Recital Hall 037 VIO 2021 ● Recital Hall 024 Scenery of Ensemble - Romanticism Music & Opera selections 14:30 2021 VIOstrings Trio 19:30 － ● 098 24 ● Recital Hall 038 Exploring the Venue Eyes and Ears Project Weiwuying Opeation Office Mon Siwan Fanfare 19:30 Joining the Venue through Ears-Our Theatre Palaces 14:30 25 ● Recital Hall 039 ● 098 Exploring the Venue Eyes and Ears Project Weiwuying Opeation Office Tue Aromatic Crossover 19:30 Exploring the Venue through Eyes 15:00 ● Recital Hall 040 － 26 ● Lecture Hall 094 Wed CHEN Yiing-Rei Piano recital 19:30 Art Talk Deep Lake Man-Let music be the storyteller 14:00 109 ● Concert Hall 041 ● Playhouse 021 2021 Kaohsiung Municipal Kaohsiung Senior High School Concert 19:30 9 Sun Our Theatre Palaces Palaces: Inside Out 14:30 27 2021 - ● Recital Hall 042 5 － ● Concert Hall 057 Thu 2021 NewArt Young Star Musicians Returning - John and Friends 19:30 Sat Andrew TYSON & KSO 19:30 (CHENG and CHEN) Recital Tour – Kaohsiung ● Playhouse 058 28 2021 ● Recital Hall 043 Storytelling Concert Deep Lake Man 19:30 Fri 2021 Hey Seed Clarinet Ensemble Concert 19:30 ● 098 ● Concert Hall 044 Exploring the Venue Eyes and Ears Project Weiwuying Opeation Office Joint Concert by Kaohsiung Fongsi and Hsinchu Tzuchiang 19:30 Exploring the Venue through Ears 16:00 Junior High Schools 6 ● Playhouse 058 28 － ● Banyan Plaza 100 Storytelling Concert Deep Lake Man 14:30 Sun Fri Weiwuying Wonderland Headphone Cinema-And Then We Danced 19:00 19:30 Magie Française - 2021 ● Recital Hall 059 Magie Française - Irene I Chin HSIEH 2021 Flute Recital 15:30 29 － ● Banyan Plaza 100 ● Concert Hall 060 Sat Weiwuying Wonderland Headphone Cinema-And Then We Danced 19:00 19:30 Ray CHEN Violin Recital 14:30 13th ● Paint Shop 045 ● 098 13th YOUNG STARS NEW VISION 14:30 Exploring the Venue Eyes and Ears Project Weiwuying Opeation Office Exploring the Venue through Eyes ● Opera House 046 15:00 Ming Hwa Yuan Arts & Cultural Group 14:30, 19:30 7 2021 ● Recital Hall 061 ZHENG Zhilong, The Pirate King of Formosa Mon AffectionSublime 19:30 ● Recital Hall 047 Chen-Chieh Chang's Cello Recital 19:30 9 portrait ● Recital Hall 062 ● Concert Hall 048 Wed Jazz Night 19:30 Love and Desire-CHENG Li-ping with KCO 19:30 11 ● Concert Hall 063 30 ● Opera House 046 Fri An Encounter of Ancient Melodies and Contemporary Hymns 19:00 Sun Ming Hwa Yuan Arts & Cultural Group 14:30 ZHENG Zhilong, The Pirate King of Formosa 12 PEF 2021 ● Recital Hall 064 Sat 2021 PEF TRIO 14:30 2021 ● Recital Hall 049 ● Concert Hall TU Hsiang 2021 Piano Recital 14:30 — 065 Pilgrimage: The Sun Never Sets 19:30 13th ● Paint Shop 045 ● 13th YOUNG STARS NEW VISION 14:30 Playhouse 066 An Atypical Queen 14:30 2021 ● Recital Hall 050 ● Lecture Hall 094 31 2021 LEE Ting-hui Piano Recital 19:30 Art Talk A cup of coffee made by Robot 14:00 Mon 13 ● Playhouse 066 6 June Program Calendar Sun An Atypical Queen 14:30 ● Recital Hall 067 Our Generation Joint Concert of HSU Kuang-i & WU Yun-shan 14:30 ● Recital Hall 051 1 ● The 2021 annual concert of Kaohsiung Municiple Minzu Junior High 19:30 Concert Hall 068 Tue Brilliant Brass School Recorder Ensemble 15:00 - ● Recital Hall 052 14 ● Concert Hall 069 2 Wed The Essence of Women Composers 19:30 Mon MARIA JOÃO PIRES' Piano Recital Debut in Taiwan 14:30 ● Banyan Plaza 096 TASO ● Playhouse 070 365+ Dance Choreographing for Yourself "Skin, the Sense of Touch, 19:00 Who's Afraid of Aunty Tigress 15:00 and A Pas de Deux" 2021 ● Recital Hall 071 Juilliard Alumni Concert 14:30 3 IV ● Recital Hall 053 Thu Hotshot Chamber Music Series Russian Cello Sonatas 19:30 16 ● Recital Hall 072 － ● Concert Hall 054 Wed Carina HUI Recital 19:30 The Joint Music Concert of 10 School Choirs from Rural Area in Kaohsiung 19:00 18 ● Recital Hall 073 Program changed 4 ~ － 2021 ● Recital Hall 055 Fri Weiwuying Showtime ZHENG Xing The Tilted Sea 20:00 Fri Artistic Legacy Presented with Oboe Music and Modern Paintings- 19:30 Akris Hung 2021 Oboe Recital ● Recital Hall 074 Weiwuying Showtime Ardor Huang I Hope You're Here For Me 20:00 5 － ● Recital Hall 056 Sat Chamber recital - Mellifluous 19:30 19 ● Concert Hall 075 Sat Sheng Xiang & Band: i-village Trilogy 19:30 19 ● Playhouse 076 Sat Saving Soulmate Manor 14:30 ● Opera House 077 Look Who's Crosstalking Tonight 19:30 ● Crown Terrace 092 Family Day Discovering Rainbow Stage 14:00 23 2021 ● Recital Hall 078 Wed KO & His Friends Final Round 19:30 24 ● Opera House 080 Thu CATS the Musical 19:30 25 ● Recital Hall 079 Fri Journey with Strings 19:30 ● Opera House 080 CATS the Musical 19:30 25 ● Concert Hall 081 Fri William WEI & ATS 19:30 － ● Banyan Plaza 100 Weiwuying Wonderland Headphone Cinema-The Immortal's Play 19:00 19:30 26 － ● Banyan Plaza 100 Weiwuying Wonderland Headphone Cinema-The Immortal's Play 19:00 19:30 Sat ● Opera House 080 CATS the Musical 14:30, 19:30 ● Recital Hall 082 Jimmy Hsueh Solo Recital In the Shadow of Bach ~ Solo Violin Works in 19:30 the 20th Century NTSO / - ● Concert Hall 083 NTSO John NELSON / MAHLER's Titan 19:30 AM ● Playhouse 084 <My little boys THE MUSICAL> -Magical Flying Sofa 10:30, 15:00 27 ● Opera House 080 Sun CATS the Musical 12:30, 17:30 AM ● Playhouse 084 <My little boys THE MUSICAL> -Magical Flying Sofa 10:30, 15:00 2021 ● Recital Hall 085 2021 LIAO Chiao-han Piano Recital 19:30 ● Concert Hall 086 Dmitry SHISHKIN Piano Recital 14:30 28 - ● Concert Hall 107 Mon Theme Tour: Pipe Organ Tour - with Trumpet 14:30 29 ● Recital Hall 087 Tue Midsummer's Love 19:30 30 2021 ● Recital Hall 088 Wed 2021 YU-SHENG TU CELLO RECITAL 19:30 ● Concert Hall 089 Olivier LATRY & Éric LE SAGE: Organ & Piano Duo 19:30 40 30 Performance attendees may enter 40 minutes before the start of each performance, except that entry to Recital Hall is 30 minutes before the performance starts.
Load more

Recommended publications
  • Bibliography
    BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G.
    [Show full text]
  • A Study of Tyzen Hsiao's Piano Concerto, Op. 53
    A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist.
    [Show full text]
  • Lebenserinnerungen Einer Komponistin, Inhaltsverzeichnis Bis S
    Brigham Young University BYU ScholarsArchive Prose Nonfiction Nonfiction 1910 Lebenserinnerungen einer Komponistin, Inhaltsverzeichnis bis S. 78 Luise Adolpha Le Beau Description This work is part of the Sophie Digital Library, an open-access, full-text-searchable source of literature written by German-speaking women from medieval times through the early 20th century. The oc llection, covers a broad spectrum of genres and is designed to showcase literary works that have been neglected for too long. These works are made available both in facsimiles of their original format, wherever possible, as well as in a PDF transcription that promotes ease of reading and is amenable to keyword searching. Follow this and additional works at: https://scholarsarchive.byu.edu/sophnf_nonfict Part of the German Literature Commons BYU ScholarsArchive Citation Le Beau, Luise Adolpha, "Lebenserinnerungen einer Komponistin, Inhaltsverzeichnis bis S. 78" (1910). Prose Nonfiction. 64. https://scholarsarchive.byu.edu/sophnf_nonfict/64 This Article is brought to you for free and open access by the Nonfiction at BYU ScholarsArchive. It has been accepted for inclusion in Prose Nonfiction by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Lebenserinnerungen einer Komponistin (Autobiography) Inhaltsverzeichnis bis S. 78 [3] Lebenserinnerungen einer Komponistin von Luise Adolpha Le Beau Baden-Baden Emil Sommermeyer, Verlagsbuchhandlung 1910 [4] [5] Inhalts-Verzeichnis Vorwort Seite Meine Eltern . 9 Meine Kindheit . 12 Meine künstlerische Ausbildung . 24 Clara Schumann und Hans von Bülow . 46 Münschen: 1) Kompositionen . 59 2) Konzertreisen . 78 3) Sonstige Erlebnisse . 122 Wiesbaden . 140 Berlin: 1) Musikalisches . 166 2) Allgemeines . 199 Baden-Baden .
    [Show full text]
  • Acknowledgments 鳴謝附錄 ACKNOWLEDGMENTS 鳴謝
    附錄 Acknowledgments 鳴謝附錄 ACKNOWLEDGMENTS 鳴謝 The Federation would like to express its most sincere thanks to the following donors and supporters for their generous help during the year 2015-16. 本會謹向二零一五至一六年度慷慨捐助和支持本會的社會各界人士和團體，致以謝意。 (in alphabetical order 按英文字母順序排列) Major Collaborators, Ng Teng Fong Charitable Foundation Partners and Sponsors Partnership Fund for the Disadvantaged American Express Ping Wo Fund Au Bak Ling Charity Trust Prince Jewellery & Watch Co. Beat Drugs Fund Prudential Hong Kong Ltd. Board of Management of Chinese Permanent Cemeteries, Quality Education Fund The Sino Group Burberry Foundation Sir David Trench Fund for Recreation Commission on Youth Sir Robert Black Trust Fund Commissioner for Heritage’s Offi ce Social Welfare Department Committee on the Promotion of Civic Education Standard Chartered Bank (Hong Kong) Ltd. Community Chest of Hong Kong, The Tourism Commission Development Bureau Verdant Foundation, The Education Bureau Victor and William Fung Foundation Ltd. Environment and Conservation Fund 林清伉儷慈善基金 Environmental Protection Department Financial Services and the Treasury Bureau Businesses Hang Seng Bank Home Affairs Bureau 3D-Gold Jewellery (HK) Ltd. Hong Kong Council of Social Service, The 3D-Gold Management Services Ltd. Hong Kong Jockey Club Charities Trust, The 4M Industrial Development Ltd. Hong Kong Science and Technology Parks Corporation A.S. Watson Retail (HK) Ltd. Hongkong Bank Foundation A-1 Bakery Co., (HK) Ltd. HSBC Commercial Banking Access Academic Consultancy Innovation and Technology Fund adidas Hong Kong Ltd. Keswick Foundation, The Adtactics Marketing International Ltd. Lee Hysan Foundation Advance Multimedia Co. Ltd. Lotteries Fund Ael Enterprises (HK) Ltd. Mission Hills Golf Club Allegro (HK) Ltd. 183 Acknowledgments 鳴謝附錄 Amber Beauty Chan & Young Solicitors Easy Group (Hong Kong) Ltd.
    [Show full text]
  • 54Th Annual Commencement 54TH
    54th Annual Commencement 54TH Brilliant Future Juris Doctor Degrees MAY 11 Doctor of Medicine Degrees JUNE 1 Master of Fine Arts and Doctoral Degrees JUNE 15 Master’s and Baccalaureate Degrees JUNE 14, 15, 16, 17 Table of Contents 2019 Commencement Schedule of Ceremonies . 3 Chancellor’s Award of Distinction . 4 Message from the Chancellor . 5 Message from the Interim Vice Chancellor, Student Affairs . 6 Deans’ Messages & Ceremonies Claire Trevor School of the Arts. 7-8 School of Biological Sciences . 9-10 The Paul Merage School of Business . 11-12 School of Education . .13-14 Samueli School of Engineering . .15-16 Susan and Henry Samueli College of Health Sciences . 17-21 School of Medicine . 18, 20 Sue & Bill Gross School of Nursing . 18, 21 Department of Pharmaceutical Sciences . .19, 21 Program in Public Health . .19, 21 School of Humanities . 22-23 Donald Bren School of Information & Computer Sciences . 24-25 School of Law . 26-27 School of Physical Sciences . .28-29 School of Social Ecology . 30-31 School of Social Sciences . 32-33 Graduate Division . .34-35 List of Graduates Advanced Degree Candidates . 36 Undergraduate Degree Candidates Claire Trevor School of the Arts. 47 School of Biological Sciences . .48 The Paul Merage School of Business . 52 School of Education . 54 The Henry Samueli School of Engineering . 55 School of Humanities . .60 Donald Bren School of Information & Computer Sciences . 63 Sue & Bill Gross School of Nursing . 67 Department of Pharmaceutical Sciences . 67 School of Physical Sciences . 68 Program in Public Health . 70 School of Social Ecology . 73 School of Social Sciences .
    [Show full text]
  • A Cultural Discourse Analysis to Chinese Martial Arts Movie in the Context of Glocalization: Taking Crouching Tiger, Hidden Dragon and Hero As Cases
    Advances in Language and Literary Studies ISSN: 2203-4714 www.alls.aiac.org.au A Cultural Discourse Analysis to Chinese Martial Arts Movie in the Context of Glocalization: Taking Crouching Tiger, Hidden Dragon and Hero as Cases Junchen Zhang* Faculty of Humanities, The Hong Kong Polytechnic University, Hong Kong, P.R. China Corresponding Author: Junchen Zhang, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This study is oriented to do Chinese cultural discourse analysis via examining two Chinese Received: January 14, 2019 Wu-Xia (martial arts) movies. Specifically, the study explores the construction of glocalization, Accepted: April 23, 2019 cultural hybridization and cultural discourse embedded in the two transnational Chinese martial Published: June 30, 2019 arts movies, i.e. Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Zhang Yimou’s Hero Volume: 10 Issue: 3 (2002). The film product is an audiovisual representation of a certain of national culture, Advance access: May 2019 ideology and society. Chinese martial arts film is this kind of cultural product that embodies Chinese sociocultural and philosophical values. The research aims to explore the connections between filmic discourse, culture and society. A combined analytical framework that integrates Conflicts of interest: None glocalization concept, cultural hybridization and cultural discourse approach is constructed. By Funding: None comparative analysis, the main finding of the study reveals that Ang Lee’s Crouching Tiger, Hidden Dragon (2000) presents a high degree of cultural globalization and hybridization, while Zhang Yimou’s Hero (2002) has relatively a low degree of cultural globalization and Key words: hybridization but embodies a high degree of Chinese locally authoritarian culture.
    [Show full text]
  • Selected Taiwanese Art Songs of Hsiao Tyzen
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Selected Taiwanses Art Songs of Hsiao Tyzen Hui-Ting Yang Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SELECTED TAIWANESE ART SONGS OF HSIAO TYZEN By HUI-TING YANG A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2006 Copyright © 2006 Hui-Ting Yang All Rights Reserved The members of the Committee approve the treatise of Hui-Ting Yang defended on April 28, 2006. __________________________ Timothy Hoekman Professor Directing Treatise __________________________ Ladislav Kubik Outside Committee Member __________________________ Carolyn Bridger Committee Member __________________________ Valerie Trujillo Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my parents, Mr. Yang Fu-Hsiang (GJI) and Mrs. Hsieh Chu-Leng (HF!), and my uncle, Mr. Yang Fu-Chih (GJE) iii ACKNOWLEDGEMENTS Many thanks go to my treatise committee members, not only for their suggestions and interest in this treatise but also for their support and encouragement during all the working process. My great admiration goes to my treatise director, Dr. Timothy Hoekman, who spent endless hours reading my paper and making corrections for me, giving me inspiring ideas during each discussion. My special thanks go to my major professor, Dr. Carolyn Bridger, who offered me guidance, advice, and continuous warm support throughout my entire doctoral studies. I am thankful for her understanding and listening to my heart.
    [Show full text]
  • Sep Tember Oc Tober
    SEPTEMBER PROGRAM GUIDE The Journey of love of Journey The 9 OCTOBER 10 WEIWUYING 2020 © 1 Contents 004 9 September Program Calender 006 10 October Program Calender 010 Feature 014 9 September Programs 036 10 October Programs 079 Exhibition 080 Activity Opening Hours 104 Tour Service 11:00-21:00 105 Become Our Valued Friend Service Center (Box Office) 106 Visit Us 11:00-21:00 For more information weiwuying_centerforthearts @weiwuying @weiwuying_tw COVID-19 National Kaohsiung Center for the Arts (Weiwuying) Preventive Measures against the Coronavirus (COVID-19) Epidemic Please follow the policies below before entering the venue A Special Plan for Performers 60 Performers can get a full refund for the rent if cancel the show 60 days before the scheduled date. Technical tests and rehearsals require no fee. 50% Rents are 50% off in the following situations: Audience are required to sit at intervals. / Live shows are changed into online streaming or recorded videos. / First-time auditorium rental for online streaming or video recording First-time auditorium rental for technical tests and rehearsals If you change the auditorium reservation from the original one into a larger one, the prices remain unchanged. Please contact us for the following ticketing matters. For the shows cancelled with a purpose of pandemic prevention, domestic performance teams have the priority to schedule the time in the second half of 2020 and the first half of 2021. Weiwuying will keep updating this special plan according to National Health Command Center policies. Weiwuying will work together with the public in preventing the spread of the epidemic and building a comfortable and safe venue.
    [Show full text]
  • For Immediate Release
    For Immediate Release 19 April 2012 Hong Kong Violin Wunderkind – Multi-award Winning Violinist Ray Chen HKPO Associate Conductor – Perry So In Programme of Bruch, Sibelius and Rautavaara (11 & 12 MAY) Pairing one of the hottest young violinists today, Ray Chen , with another equally talented artist, Hong Kong Philharmonic Orchestra (HKPO)’s Associate Conductor, Perry So , has all the promises of a scintillating musical experience of a very high order. Together they will bring Bruch’s beloved Violin Concerto no.1 onto the HKPO stage in Swire New Generation: “Ray Chen Plays Bruch” on 11&12 May (Fri & Sat), 8pm in the Hong Kong Cultural Centre Concert Hall. The rest of the delightful programme will include Rautavaara’s mystical Symphony no. 7 Angel of Light and Sibelius’ The Tempest Suite, the latter of which will be narrated by the famed local arts educator and performer, Lynn Yau . Tickets at $320, $240, $180 and $120 are available now at URBTIX. Programme Enquiries: 2721 2030. Free Pre-concert Talks Swire Classic Insights will be given on both nights at 7:15pm, also at the Hong Kong Cultural Centre. For details, please visit www.hkpo.com . Ray Chen, violin “Even when the music is technically complex, he’s also a thoughtful player, able to captivate the listener. He makes the virtuoso tricks sound really beautiful.” --- GRAMOPHONE , February 2011 Winner of the Queen Elisabeth Competition (2009) and the Yehudi Menuhin Competition (2008), Ray Chen is among the most compelling young violinists today. “Ray has proven himself to be a very pure musician with great qualities such as a beautiful youthful tone, vitality and lightness.
    [Show full text]
  • Ray Chen Debuts As Guest Concertmaster with New Century Chamber Orchestra November 10-13
    RAY CHEN DEBUTS AS GUEST CONCERTMASTER WITH NEW CENTURY CHAMBER ORCHESTRA NOVEMBER 10-13 San Francisco, CA – October 20, 2016 – New Century continues its 2016- 2017 season November 10-13 with debut performances by Australian/Taiwanese violinist Ray Chen. Marking only his third appearance in the Bay Area, Chen leads New Century as guest concertmaster and soloist in a program that features Mozart’s Divertimento in F major and Violin Concerto No. 3 in G major, alongside Elgar’s Introduction and Allegro and Britten’s Variations on a Theme by Frank Bridge. Winner of both the Queen Elisabeth (2009) and Yehudi Menuhin (2008) competitions, Ray Chen has appeared as soloist with some of the world’s leading orchestras including the London Philharmonic, National Symphony and the Orchestre National de France. In 2011, he made his Bay Area debut as soloist with the San Francisco Symphony and returned in 2014 to perform in recital at San Francisco Performances. Most recently, he made his debut appearance with the BBC Symphony at the BBC Proms in July 2016 with “sensational style” (The Times, UK) in a performance of Bruch’s Violin Concerto that was “rich, impossibly smooth and shimmering with passion” (Express, UK). Chen is the first classical musician to be invited to write a regular blog about his life as a touring soloist for the largest Italian publishing house, RCS Rizzoli. His online presence has generated a huge following of a younger generation of classical music fans through the use of multiple social media platforms, further strengthening his goal of expanding the reach of classical music to a much wider and more diverse audience.
    [Show full text]
  • U.S.-China Bilateral Relations from 1989 to 2010 As a Consequence of Economic Changes
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2010 U.S.-China Bilateral Relations from 1989 to 2010 as a Consequence of Economic Changes Jie Hou College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Political Science Commons Recommended Citation Hou, Jie, "U.S.-China Bilateral Relations from 1989 to 2010 as a Consequence of Economic Changes" (2010). Undergraduate Honors Theses. Paper 345. https://scholarworks.wm.edu/honorstheses/345 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. H o u | 1 U.S.-China Bilateral Relations from 1989 to 2010 As a Consequence of Economic Changes A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Government from The College of William and Mary By: Jie Hou Abstract: U.S.-China bilateral relations have changed drastically over the past twenty years. These two countries evolved from ideological enemies to trade partners to political rivals in the international area. The paper uses China’s economic rise in GDP as a way to explain how such changes occurred and what incidents changed the course of their relationship. Accepted for ____________Honors______________________ ________________________________________ Prof. Sophia Hart, Director ________________________________________ Prof. David Dessler ________________________________________ Prof. Hiroshi Kitamura H o u | 2 Chapter 1: Introduction China and the United States operate on different spectrums of world politics.
    [Show full text]
  • Lebenserinnerungen Einer Komponistin Von
    [3] Lebenserinnerungen einer Komponistin von Luise Adolpha Le Beau Baden-Baden Emil Sommermeyer, Verlagsbuchhandlung 1910 [5] Inhalts-Verzeichnis Vorwort Seite Meine Eltern . 9 Meine Kindheit . 12 Meine künstlerische Ausbildung . 24 Clara Schumann und Hans von Bülow . 46 Münschen: 1) Kompositionen . 59 2) Konzertreisen . 78 3) Sonstige Erlebnisse . 122 Wiesbaden . 140 Berlin: 1) Musikalisches . 166 2) Allgemeines . 199 Baden-Baden . 209 __________ Anhang: a) Verzeichnis sämtlicher Kompositionen mit Angabe der Verleger . 280 b) Angabe der “Hof” und Staatsbibliotheken, woselbst die Werke gesammelt sind . 282 ________ Namen-Register . 283 [6] 7 Motto: Der wahre Künstler opfert seiner Kunst Des Volkes Beifall und der Fürsten Gunst; Und sprächen ihm auch alle Krittler Hohn, Was in ihm ist, ist ihm der wahre Lohn! Seume. Vorwort Wenn ich jetzt, im Alter von 59 Jahren, es versuche, meine Erlebnisse so objektiv wie möglich zu schildern, so geschieht dies nicht aus Eitelkeit oder Einbildung, sondern aus verschiedenen anderen Beweggründen. Zunächst war es schon ein Wunsch meines teueren seligen Vaters, daß ich auf die vielen Schwierigkeiten, welche einer Dame auf dem Gebiet der musikalischen Komposition entgegenstehen, auf den Neid und die Mißgunst der Kollegen, sowie auf die Vorurteile und den Unverstand gerade derjenigen Kreise hinweise, welche an meisten berufen und in der Lage wären, ein Talent zu fördern, und daß ich dabei die lautere Wahrheit ohne Scheu oder Rücksicht auf bekannte Namen sage. – Dann wurde ich aber auch von anderen Personen, die im Kunstleben eine Rolle spielten, ermuntert, aus meinem Kunstleben zu erzählen, und nachdem ich durch mancherlei Verhältnisse – nicht zum wenigsten durch meine Referententätigkeit für’s Badener Badelblatt – mich veranlaßt sah, mehr und mehr meine eigenen Interessen zurückzudrängen, und mich ganz aus der Öffentlichkeit zurückzuziehen, fühle ich selbst die Notwendigkeit, mich gegen Vorwürfe zu verteidigen, wie “ich verstünde den Rummel nicht”, oder “ich tue nichts für mich” u.
    [Show full text]