Mudra Therapy and Its Classification
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Akasha (Space) and Shabda (Sound): Vedic and Acoustical Perspectives
1 Akasha (Space) and Shabda (Sound): Vedic and Acoustical perspectives M.G. Prasad Department of Mechanical Engineering Stevens Institute of Technology Hoboken, New Jersey [email protected] Abstract A sequential ordering of five elements on their decreasing subtlety, namely space, air fire, water and earth is stated by Narayanopanishat in Atharva Veda. This statement is examined from an acoustical point of view. The space as an element (bhuta) is qualified by sound as its descriptor (tanmatra). The relation between space and sound and their subtle nature in reference to senses of perception will be presented. The placement of space as the first element and sound as its only property will be discussed in a scientific perspective. Introduction The five elements and their properties are referred to in various places in the Vedic literature. An element is the substance (dravya) which has an associated property (of qualities) termed as guna. The substance-property (or dravya- guna) relationship is very important in dealing with human perception and its nature through the five senses. Several Upanishads and the darshana shastras have dealt with the topic of substance-property (see list of references at the end). The sequential ordering of the five elements is a fundamental issue when dealing with the role of five elements and their properties in the cosmological evolution of the universe. At the same time the order of the properties of elements is also fundamental issue when dealing with the perception of elements is also a through five senses. This paper focuses attention on the element-property (or dravya-guna) relation in reference to space as the element and sound as its property. -
The Meanings of the Term Mudra and a Historical Outline of "Hand
The Meanings of the term Mudra T h e M and a Historical Outline of ae n ni "Hand gestures" g s o f ht e Dale Todaro t re m M u d 梗 概 ar a この 拙 論 は2部 に分 か れ る。 n d 第1部 は"mudra"と い う語 の最 も一 般 的 な 定 義 を 扱 う。仏 教 ・ヒ ン ドゥー 教 a H を 研 究 して い る学 者 や東 洋 の 図像 学 の専 門 家 は、 大 抵、"皿udra"の さ ま ざ まな 意 i torical Outline味 を 知 って い る。 しか し、特 に タ ン トラ にお い て 使 用 され た"mudr翫"の す べ て の 定 義 が、 どん な 参考 文 献 に も見 つ か るわ け で は な い。 従 って、 第1部 は これ ら 種 々の、 一 般 的 な"mudra"の 語 法 を集 め る よ う試 み た。 又、 イ ン ドの舞 踏 や 劇 につ いて 書 いた 人 が、"hasta"と い う語 を 使 用 す べ きで あ るの に、 専 門的 に言 え ば 誤 って"mudra"を 用 いて い る。 それ に つ いて も説 明 を試 み た。 fo " 第1部 よ りも長 い 第2部 で は、"印 契(手 印)"と い う意 味 で使 用 され た"mu- H a dra"の 歴 史 の あ らま しを、 系 統 的 に述 べ た。 印契 の歴 史 上 異 な った 使 用 と意 味 n d g は、 次 の4に お い て 顕著 にみ られ る。 即 ち、1)ヴ ェー ダ の儀 礼、2)規 格 化 され た se ut イ ン ドの舞 踏、3)イ ン ドの彫 刻(仏 教、 ヒ ン ド ゥー 教、 ジ ャイ ナ教)、4)タ ン ト r s"e ラの 成 就 法、 で あ る。 これ ら4の 分 野 は す べ て、 共 通 して、 イ ン ドで 使 用 され た 印 契 の 伝統 か ら由 来 して い る。 そ しで、 い くつか の事 例 に お いて、 イ ン ドか ら 日 本 密 教 の 伝 統 まで に わ た って、 特 定 の"mudra"が 驚 くほ ど継 続 して 使 用 され て い るこ とが、 証 明 で き る。 Introduction The goal of this short essay is twofold. -
Part 1 Yoga and Psychotherapy Yoga Practices in A
LifeForce Yoga Healing Institute Awakening Your Agenda ~ Part 1 Client’s Inner Pharmacy The Safe Container Part 1 Yogic View of Depression Therapy Training Boston, 2012 Meeting the Mood Yoga Tools Amy Weintraub, MFA, ERYT 500 Author of Yoga for Depression; Yoga Skills in The Evidence Psychotherapy The Practice www.yogafordepression.com How Yoga Skills Enhance Therapy Strengthens the Therapeutic Alliance Yoga and Psychotherapy Helps Client focus Helps Client access feeling states Provides tools for mood regulation Self-Study (Svadhyaya) Provides tools for self-care Compassion (Karuna) Helps in management of Bipolar Disorder & schizophrenia (Visceglia, 2011) “The highest spiritual practice is self- Increases self-efficacy observation with compassion.” Nondual Strategies for working with difficult emotions Provides tools and language to access a larger Self ~Krishnamurti “You are more than your mood, more than your beliefs about yourself and the world.” Yoga Practices in a clinical setting The Safe Container Psychologist and LifeForce Yoga® Practitioner Dr. Deborah Lubetkin with a client, Lotus Mudra “Crying is one of the highest spiritual practices. One who knows crying knows yoga.” ~Swami Kripalu ©2011, rev.2012 Amy Weintraub www.yogafordepression.com 1 LifeForce Yoga Healing Institute Centering with imagery, sound & Therapeutic Bond – Rituals & breath Practices Soothing Image Lighting of a candle Hand gesture A hand gesture (mudra) Inhale through the nostrils for 4 counts A simple yoga breath (pranayama) Hold the breath with the image for 4 A soothing image of sanctuary or peace counts. (bhavana) Exhale with the mantra “so-hum” A soothing universal tone (mantra) Yogic Three-Part Breath A cleansing breath (kriya) Intention Client’s intention reveals itself (sankalpa) Therapeutic Bond Yoga and Psychotherapy Meta-analysis of over 400 manualized 1. -
Yoga and the Five Prana Vayus CONTENTS
Breath of Life Yoga and the Five Prana Vayus CONTENTS Prana Vayu: 4 The Breath of Vitality Apana Vayu: 9 The Anchoring Breath Samana Vayu: 14 The Breath of Balance Udana Vayu: 19 The Breath of Ascent Vyana Vayu: 24 The Breath of Integration By Sandra Anderson Yoga International senior editor Sandra Anderson is co-author of Yoga: Mastering the Basics and has taught yoga and meditation for over 25 years. Photography: Kathryn LeSoine, Model: Sandra Anderson; Wardrobe: Top by Zobha; Pant by Prana © 2011 Himalayan International Institute of Yoga Science and Philosophy of the U.S.A. All rights reserved. Reproduction or use of editorial or pictorial content in any manner without written permission is prohibited. Introduction t its heart, hatha yoga is more than just flexibility or strength in postures; it is the management of prana, the vital life force that animates all levels of being. Prana enables the body to move and the mind to think. It is the intelligence that coordinates our senses, and the perceptible manifestation of our higher selves. By becoming more attentive to prana—and enhancing and directing its flow through the Apractices of hatha yoga—we can invigorate the body and mind, develop an expanded inner awareness, and open the door to higher states of consciousness. The yoga tradition describes five movements or functions of prana known as the vayus (literally “winds”)—prana vayu (not to be confused with the undivided master prana), apana vayu, samana vayu, udana vayu, and vyana vayu. These five vayus govern different areas of the body and different physical and subtle activities. -
Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of the Andes
International Journal of Transpersonal Studies Volume 25 | Issue 1 Article 3 1-1-2006 Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of the Andes Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Capriles, E. (2006). Capriles, E. (2006). Beyond mind II: Further steps to a metatranspersonal philosophy and psychology. International Journal of Transpersonal Studies, 25(1), 1–44.. International Journal of Transpersonal Studies, 25 (1). http://dx.doi.org/ 10.24972/ijts.2006.25.1.1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Beyond Mind II: Further Steps to a Metatranspersonal Philosophy and Psychology Elías Capriles University of The Andes Mérida, Venezuela Some of Wilber’s “holoarchies” are gradations of being, which he views as truth itself; however, being is delusion, and its gradations are gradations of delusion. Wilber’s supposedly universal ontogenetic holoarchy contradicts all Buddhist Paths, whereas his view of phylogeny contradicts Buddhist Tantra and Dzogchen, which claim delusion/being increase throughout the aeon to finally achieve reductio ad absur- dum. Wilber presents spiritual healing as ascent; Grof and Washburn represent it as descent—yet they are all equally off the mark. -
Yin-Yang, the Five Phases (Wu-Xing), and the Yijing 陰陽 / 五行 / 易經
Yin-yang, the Five Phases (wu-xing), and the Yijing 陰陽 / 五行 / 易經 In the Yijing, yang is represented by a solid line ( ) and yin by a broken line ( ); these are called the "Two Modes" (liang yi 兩義). The figure above depicts the yin-yang cycle mapped as a day. This can be divided into four stages, each corresponding to one of the "Four Images" (si xiang 四象) of the Yijing: 1. young yang (in this case midnight to 6 a.m.): unchanging yang 2. mature yang (6 a.m. to noon): changing yang 3. young yin (noon to 6 p.m.): unchanging yin 4. mature yin (6 p.m. to midnight): changing yin These four stages of changes in turn correspond to four of the Five Phases (wu xing), with the fifth one (earth) corresponding to the perfect balance of yin and yang: | yang | yin | | fire | water | Mature| |earth | | | wood | metal | Young | | | Combining the above two patterns yields the "generating cycle" (below left) of the Five Phases: Combining yin and yang in three-line diagrams yields the "Eight Trigrams" (ba gua 八卦) of the Yijing: Qian Dui Li Zhen Sun Kan Gen Kun (Heaven) (Lake) (Fire) (Thunder) (Wind) (Water) (Mountain) (Earth) 0 1 2 3 4 5 6 7 The Eight Trigrams can also be mapped against the yin-yang cycle, represented below as the famous Taiji (Supreme Polarity) Diagram (taijitu 太極圖): This also reflects a binary numbering system. If the solid (yang) line is assigned the value of 0 and the broken (yin) line is 1, the Eight Trigram can be arranged to represent the numbers 0 through 7. -
K. Lim Studies in Later Buddhist Iconography In
K. Lim Studies in later Buddhist iconography In: Bijdragen tot de Taal-, Land- en Volkenkunde 120 (1964), no: 3, Leiden, 327-341 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/03/2021 12:58:57AM via free access STUDIES IN LATER BUDDHIST ICONOGRAPHY 1. The Vajradhütu-mandala of Nganjuk n interesting study by F. D. K. Bosch on Buddhist iconography was published in 1929 under the title: Buddhistische Gegevens uitA Balische Handschriften,1 in which by manuscripts are meant: I. the Sang hyang Nagabayusütra 2; II. the Kalpabuddha.3 No. 1 is a prayer to the five Jinas mentioning their names with their corresponding jnanas, colours, mudras, simhasanas, paradises, krodha-forms, Taras, Bodhisattvas and mystic syllables. The Kalpabuddha (in Old-Javanese) contains an enumeration of the principal qualities and characteristics of the five Jinas which for the greater part correspond with those of the Sang hyang Nagabayusütra. However, the names of their krodha- forms are lacking, instead of which one finds the names of their emblems (sanjatas = weapons), of their cosmic places, of their saktis, of the sense-organs, and of the places in the body having relations with the quintet. Both mss. are closely allied and treat on the same subject, except some points in which they complement each other. In comparing them with the Sang hyang KamahaySnikan Bosch stated that both mss. are independant of this text, and that, where other sources keep silent, they contain the complete list of the paradises of the five Jinas, viz. Sukhavatï of Amitabha, Abhirati of Aksobhya, Ratnavatï of Ratnasam- bhava, Kusumitaloka of Amoghasiddha and Sahavatiloka of Vairocana. -
Using Yoga Mudras in Yoga Sessions Increases the Efficacy of the Yoga Practice
ISSN: 2694-1767 DOI: 10.33552/WJYPR.2019.01.000511 World Journal of Yoga, Physical Therapy and Rehabilitation Opinion Copyright © All rights are reserved by Annapoorni R Using Yoga Mudras in Yoga Sessions Increases the Efficacy of The Yoga Practice Annapoorni R* Department of Mind Body Medicine, USA Received Date: September 16, 2019 *Corresponding author: Annapoorni R, Department of Mind Body Medicine, USA. Published Date: October 16, 2019 Opinion Yoga Mudras are hand gestures which were originally described by Sage Gheranda in the Gheranda Samhita. This late 17th century the kundalini. The positive outcome of that yoga pose is therefore pose with the proper breathing technique or pranayama. text is an important classic text of Yoga. Gheranda Samhita is the intensified due to the proper usage of mudra while performing the original source for most of the Asanas, Mudras, Pranayama, and Shatkarma practiced now in Yoga. Mudras means gestures, these Mudras have direct correlation with acupuncture meridians of can be Hand gestures (Hasta Mudra), or gestures made by head and lungs, which are described in the Traditional Chinese Medicine. some of the vital organs of the body viz heart, small intestines, brain (Mana mudra) or the whole body (Kaya mudra) as in the yoga poses or gestures made in dance forms like Bharatnatyam dance form of From the perspective of Vedic Astrology, each finger represents India (Natya Mudra). Bandhas or locks which are practised in Yoga one element of the Universe. The thumb represents Fire elements, can also be considered as Mudras. Index finger represents the Air element, Middle finger represents Mudras should be made an integral part of a yoga practice Space element, Ring finger represents the Earth element, and the depending on which meridian is stimulated and which element is session. -
Miraculous Stories
SD 27.5b Miraculous Stories 5b Miraculous Stories: Buddhist-Christian Parallels Theme: Crossroads and by-paths in personal spirituality An investigation by Piya Tan ©2009 1 Buddhist-Christian parallels 1.1 The earliest records we have of western awareness of Buddhism are found in the writings of the Christian theologian, Clement (or Clemens) of Alexandria (c 150-215 CE), who was fairly well ac- quainted with Indian thought.1 He mentions “Sramanas (Σαρμάναι), and other Brahmins (Βραφμαναι),” and of the Buddha, he notes, “Among the Indians are those philosophers also who follow the precepts of Bouttas,2 whom they honour as a god on account of his extraordinary sanctity.”3 Clement also notes that Bouttas is worshipped by his followers as if he were a god, and he tells us that certain Indians, called Semnoi (Skt śramaṇa; P samaṇa),4 worship a pyramid under which the bones of a God are kept—clearly a reference to stupas. He also mentions Semnaí, celibate female recluses (Skt *śramaṇī). However, such terms are generally used for the non-brahminical religious, and could refer to either the Jains or the Buddhists.5 However, his mention of naked Semnoi, probably refers to the Jains.6 Clement also mentions a group of Samanaîoi amongst the Bactrians.7 1.2 Scholars have long noticed conjunctions and parallels between Buddhism and Christianity, both in their founders and their teachings.8 In 1816, the historian George Faber in his book, The Origin of Pagan Idolatry Ascertained from Historical Testimony, writes, “There is so strong a resemblance between the characters of Jesus and of Buddha, that it cannot have been purely accidental.” (1816: 649)9 The German scholar, Max Müller (1823-1900), a pioneer of comparative religion, learning of the Buddhist/Christian borrowing claims, intended to prove the priority of the Jesus gospels over the Buddh- ist texts. -
Notes on the Avatamsaka Sutra
View metadata, citation and similar papers at core.ac.uk brought to you by CORE NOTES ON THE AVATAMSAKA SUTRA bpO understand the Avatamsaka Sutra, the following remarks -®- will be found useful. Besides the general Mahayana notions, the Avatamsaka has its own philosophy or world-conception constituting the fundamental tenets of the Kegon School of Buddhism, which is regarded by some to be the culmination of the Buddhist experience of life. First, the Buddha as the central figure naturally occupies the most important position throughout the discourse. Un like in the other sutras, the Buddha himself does not deliver a sermon, or a series of sermons; all the lecturing whatever there is done by the attending Bodhisattvas: not only the lecturing but the praising of the Buddha’s holy merits, of which there is a great deal in this sutra, in fact more than in other sutras,—all this is the doing of the Bodhisattvas. The part played by the Buddha is just to show himself in radiance, and this is the important point in the understanding of the Avatamsaka. The Buddha here is not the historical Buddha, but one in the Sagara-mudra Samadhi, which means “ Ocean-Seal Samadhi.” According to Kegon scholars, the Buddha in this Samadhi keeps his mind so serene and transparent as the ocean in which all things are sealed or im pressed, that is, reflected as they are in themselves; the world thus appearing to him is not a world of the senses, but one of light and spirit. This world is called the Dharmadhatu, that is a world of pure beings, or simply a spiritual world, and is technically known as the “ World of the Lotus Treasure.” When the world is contemplated by the Buddha in this Samadhi, it is radiant with light; for the light issues from 234 THE EASTERN BUDDHIST his body, from every part of his body, in fact from every pore in his skin, illuminating the ten quarters of the universe and revealing the past, the present, and the future. -
A Brief Mention of Agni in Brihatrayee
ISSN 2664-3987 (Print) & ISSN 2664-6722 (Online) South Asian Research Journal of Medical Sciences Abbreviated Key Title: South Asian Res J Med Sci | Volume-1 | Issue-1| Jun-Jul -2019 | Review Article A Brief Mention of Agni in Brihatrayee Dr. Chumi Bhatta1*, Dr. Khagen Basumatary2 1P.G Scholar, Department of Samhita and Siddhanta, Government Ayurvedic college, Jalukbari-14, Assam, India 2Professor and HOD, Department of Samhita and Siddhanta, Government Ayurvedic college, Jalukbari-14, Assam, India *Corresponding Author Dr. Chumi Bhatta Article History Received: 21.06.2019 Accepted: 12.07.2019 Published: 30.07.2019 Abstract: The primary aim and objective of Ayurveda is to maintain the health of healthy person and to eradicate the diseases of a diseased person is the secondary one. One whose dosa, agni, dhatu and malas are in balanced state and whose senses, mind and soul are functioning properly is a healthy individual. Agni maintains the physiology of this deha desha. In other words agni controls the state of biological equilibrium of dosha, dhatu and mala. The derangement of agni produces various diseases and it is the root cause of all diseases. In Ayurveda the term agni is used in the sense of digestion of food and metabolic products.Agni converts food in the form of energy, which is responsible for all the vital functions of our body. So it is necessary to know all the reference found in brihatrayee. Keywords: ayurveda, agni, dosha, dhatu, mala INTRODUCTION The Ayurvedic concept of agni is critically important to our overall health. Agni is the force of intelligence within each cell, each tissue and every system within the body. -
Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
Vishvarupadarsana Yoga (Vision of the Divine Cosmic form) 55 Verses Index S. No. Title Page No. 1. Introduction 1 2. Verse 1 5 3. Verse 2 15 4. Verse 3 19 5. Verse 4 22 6. Verse 6 28 7. Verse 7 31 8. Verse 8 33 9. Verse 9 34 10. Verse 10 36 11. Verse 11 40 12. Verse 12 42 13. Verse 13 43 14. Verse 14 45 15. Verse 15 47 16. Verse 16 50 17. Verse 17 53 18. Verse 18 58 19. Verse 19 68 S. No. Title Page No. 20. Verse 20 72 21. Verse 21 79 22. Verse 22 81 23. Verse 23 84 24. Verse 24 87 25. Verse 25 89 26. Verse 26 93 27. Verse 27 95 28. Verse 28 & 29 97 29. Verse 30 102 30. Verse 31 106 31. Verse 32 112 32. Verse 33 116 33. Verse 34 120 34. Verse 35 125 35. Verse 36 132 36. Verse 37 139 37. Verse 38 147 38. Verse 39 154 39. Verse 40 157 S. No. Title Page No. 40. Verse 41 161 41. Verse 42 168 42. Verse 43 175 43. Verse 44 184 44. Verse 45 187 45. Verse 46 190 46. Verse 47 192 47. Verse 48 196 48. Verse 49 200 49. Verse 50 204 50. Verse 51 206 51. Verse 52 208 52. Verse 53 210 53. Verse 54 212 54. Verse 55 216 CHAPTER - 11 Introduction : - All Vibhutis in form of Manifestations / Glories in world enumerated in Chapter 10. Previous Description : - Each object in creation taken up and Bagawan said, I am essence of that object means, Bagawan is in each of them… Bagawan is in everything.