DOCSLIB.ORG

Dr. Maclean Retires As MSTC President

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dr. Maclean Retires As MSTC President Minnesota State University Moorhead RED: a Repository of Digital Collections The Western Mistic Student Newspapers 5-16-1941 The Western Mistic, May 16, 1941 Moorhead State Teachers College Follow this and additional works at: https://red.mnstate.edu/western-mistic Recommended Citation Moorhead State Teachers College, "The Western Mistic, May 16, 1941" (1941). The Western Mistic. 313. https://red.mnstate.edu/western-mistic/313 This News Article is brought to you for free and open access by the Student Newspapers at RED: a Repository of Digital Collections. It has been accepted for inclusion in The Western Mistic by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. THE WESTERNThisI ills issueISSUt; is dedicatedUCURatcu toV.U President R.^v. B.— MacLean MISTIC- _ •]••• UjlLMJ W'l I WESTERN MINNESOTA STATE TEACHERS COLLEGE NUMBER NINE VOLUME XLIX MOORHEAD, MINNESOTA, FRIDAY, MAY 16, 1941 Dr. MacLean Retires As MSTC President Faculty, Parents, Resignation Effective July 1 Old Settlers Invade Upperclassmen To Dine June 1 After Service ol Eighteen \ ears Campus On Monday One of the main commencement After serving as administrator of Moorhead State Teachers college sincn activities which has now become a President R. B. MacLean has announced his resignation to be effective Juiy' i, • izations who survived the after­ tradition on the campus is the Squatters' rights have been 1C granted by the officials of the Old noon performance, will again enter­ "Family Dinner" held always at Dr. MacLean, having celebrated his sixty-eighth birthday Febiuaiy lo, Rates ° ® Settlers' Picnic, sponsored by the tain. The band will give an out­ noon on Baccalaureate Sunday. At in accordance with the state age retirement law. He and Mrs. MacLean intend to sp-n physical education department, on door concert sometime between 6 this time, it has been customary part of next year traveling each square foot of dandelions , 'id 9 p. m. Pranksters are w-arned for sophomores, juniors, and sen­ surrounding the softball diamond, not to throw peanut shells into iors and their commencement Retiring President and visiting in California. for . o "early settlers" who wish the tuba. guests to meet with the faculty Either at the special meet- to settle there early in the after­ A pavement dance will wind up and alumni in Comstock and ing of the teachers college the day's activities, so that the noon—3 o'clock to be exact—and Wheeler hall parlors for an infor­ board in St. Paul today or at watch the sizzling softball game next morning old settlers will be mal social gathering before the between the Tired Faculty Men's practically extinct in this vicinity. dinner in Comstock dining hall. the regular meeting in June, Team and the All Star Intra- The officials will award prizes This is a time to meet old friends some action in regard •::: D; murals. There will be no charge for the following: best snapshot ard to make new ones. After the MacLean's successor is ex­ for grass consumed. ed man, best dressed woman. At- '.inner there is a short program. After the debris of this battle is endance prizes will also be given, * pected to be taken. The lo­ cleared away, the non-social organ­ costume, largest family, best dress- cal representative on the taken at the picnic, oldest couple, All dormitory people get your izations on campus will present an tickets for the Family Dinner board is Dr. G. L. Gosslee, open air program, to preclude the resident director. possibility of having to hand out from Beatrice Lewis in the reg­ smelling salts. Horseshoe games for Faculty Selects istrar's office, and make your Born February 18, 1873, at the strenuously inclined will be reservation with her. The price P r e s c ot t, Wisconsin, Ray organized. Butts MacLean did under­ At 5:30 the inhaled aroma of is §.25. meat loaf, escalloped potatoes, sal­ Nineteen Juniors All others—students, alumni, graduate study at Hamline ad, and pie ala mode can 1 for those Grey Gowns Usher and faculty—make your reser­ University from which he who have bought their tickets by- vations with Dr. A. M. Chris- was graduated in lb96 with Saturday noon, 20c a person, 6 for At Senior Exercises tensen. The price—§.60. Please the bachelor of philosophy a dollar) be traced to its source Nineteen members of the junior degree. He earned his MA just west of the tennis courts, class have been chosen by a fac­ send in the reservation blank where the picnic supper will be ulty committee as Grey Gown ush­ on page 4 as soon as possible. at the University of Minne­ served. During the meal, those ers during commencement week. sota in 1923. Hamline made members of the non-social organ- Students are selected because of him doctor of pedagogy in outstanding scholastic achievements. Representatives of the sophomore Those chosen to act in this ca­ and senior classes, the alumni as­ 1934. Dr. and Mrs. Mac- Major Nemzek sociation, and the faculty bring pacity Eire: Gwen Easter, Hum­ Lean (Winona M. Lewis) boldt: Catherine Rue, Lakefield; greetings. There is always special Visits Moorhead music and community singing. were married August 10, Kenneth Jensen, Dilworth; Pris- 1899 and have one daugh­ cilla Fox, Fargo; Marjorie Hall- This year the time of the din­ ner is set for Sunday, June 1, at ter, Frances, now Mrs. iiob- On Short Leave berg, Spooner; Neoma Nelson, 1:30 o'clock. An especially large Moorhead: Jule Crume, Glyndon; ert Featherstone of Fergut: While visiting in Moorhead on Grayce Hafdahl, Thief River Falls; representation from the sophomore a short leave, Major Alex J. Nem­ and senior graduating classes is Falls. Luella Lewis, Hawley; Olive Bauer, c zek states that Battery F won't Moorhead; Clara Knutson, War­ anticipated. Let us make this a Beginning in l 90. Dr. remain at Camp Haan. Calif., long­ ren; Leona Lewis, Hawley; Luverne real "MSTC Family Dinner." MacLean began his half cen­ er than fifteen months. Naegeli, Fergus Falls; Jean Walk­ tury of work in education. Major Nemzek, commanding of­ er, Detroit Lakes; May Opgrand, After two years of teach.ny ficer of headquarters second batal- Halstad; Florence Peterson, Moor­ Miss Hawkinson ion of the 217th coast artillery, head; Dorothy Teigen, Louisburg; in Pierce county, Wisconsin, anti-aircraft regiment, arrived here Blair Archer, St. Paul, and Niles he served as superin\... ntU n. Tuesday to visit his parents. On Jefferson, Moorhead. Monday he will leave for Fort Gets Doctorate ofschooTs IrrTTTS^foTIoXv lilg Monroe. Va„ to attend a ten- cities: Appleton, 1896-98; week officers' course. His family Degree Conference Prescott, Wisconsin, 1889- has remained in Riverside, Calif., Dragon Business June 14 At U. of M. 1900; Dodge Center, 1900- where the children are attending Miss Ella Hawkinson, principal 05; Wheaton, 1905-07 and school. of the Campus School, was grant­ Major Nemzek states that all Heads Named ed a doctor's degree on Tuesday by Fergus Falls, 1907-13. Rec­ present indications point to only Duane Moen, Gary, and George a faculty committee at the Uni­ Dr. R. B MacLean ognition of his outstanding 15 months of training for the na­ Metcalf. Barnesville, will head the versity of Minnesota. Her degree work came when in 1913 he tional guard units and it is prob­ will be conferred on June 14 at able that they will convoy back to business staff of the 1941-42 Drag­ commencement exercises. Expressions of appreciation and congratulations on his many years was named state director of Minnesota next summer with their on, announces the MSTC publica­ Miss Hawkinson's thesis was titled of service have come to President MacLean through telegrams from elementary schools to serv, trucks and motorized equipment. tions board. Moen will act as busi­ "The Difficulties of Social Studies friends and alumni. Here are a few: He recently visited Battery F at until his nomination to the ness manager and Metcalf, adver­ Teachers in Secondary Schools." Many years of faithful service be rewarded by satisfaction of work presidency of MSTC in 1923. Barstam, 130 miles from Camp From a survey of select social sci­ H»an, where the men are con­ tising manager. Marjorie Hallberg, well done. • Mr. MacLean, as listed in structing. a firing Nrange for the Spooner, and Daniel Murphy, Fel- ence teachers from thirty-eight Ruth c. Hole "Who's Who in America," summer's maneuvers. He found ton, were recently named editor states and the District of Columbia, Fosston, Minn. „pmhpv nf N E A and the men to be in excellent spirits she has compiled her research pa­ I shall miss President MacLean at the campus for he is so defi- ls a IU® ' ' ' . and associate editor, respectively. nitelv a part of what the Moorhead State Teachers college means to was Of Si. Li. A. m and healthy physical condition. The per which deals with the actual president many reports about sickness in the The -1940 yearbook will arrive at me 1925. He holds membership camp were quite exaggerated, but MSTC Tuesday, according to a dis­ problems encountered while teach­ Hilda Berg in Phi Delta Kappa and hospital facilities are the finest patch from the Greene Engraving ing. The study was undertaken to State Teachers College obtainable for any illnesses which Mankato, Minn. Kappa Delta Pi, national company, St. Paul, which is com­ determine the material to be em­ (Continued to page 4) might occur. phasized in methods courses. Sorry to hear of Pres. MacLean's retirement. May the sunset of The guardsmen, he states, have pleting the work.
Load more

Recommended publications
  • March 1941) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1941 Volume 59, Number 03 (March 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 03 (March 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/252 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. March. THEM ETOPE 1941 Price 25 Cents majqjoizzfimcD !' 1" Pho.00'" ' . ) ) the Sadi e$ Vatutinaf Some of whose interesting songs are i m the catalog of The John Church Co. DOROTHY GAYNOR BLAKE Other outstanding composers represented in The John Church Co. Catalog include Ethelbert Nevin (Mighty Lak' a Rose), Charles Gilbert Spross (Will o’ the Wisp), Oley Speaks (In Maytime ), C. B. Hawley (Sweetest Flower That Blows), Carl Hahn (The Green Cathedral), and many others. Catalogs giving thematic portions of successful John Church Co. song publications cheerfully sent on request. LOUISE SNODGRASS Enchantment Claims Its Own. High (F-c3-flat .60 Star Wishes. High (E-a) .50 Low (c-sharp-F-sharp) .50 ROSADA LAWRANCE Star Wishes. Achal by the Sea. High (d-sharp-a) LILY STRICKLAND Roses. High (d-g) .50 Achal by the Sea.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Copyrighted Material
    335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition.
    [Show full text]
  • Káritha Bernardo De Macedo Carmen Miranda Em
    KÁRITHA BERNARDO DE MACEDO CARMEN MIRANDA EM HOLLYWOOD: FILMES PARA UMA BOA VIZINHANÇA Dissertação apresentada ao Programa de Pós-graduação em História, do Centro de Ciências Humanas e da Educação, da Universidade de do Estado de Santa Catarina, como requisito parcial para obtenção do grau de Mestre em História. Orientadora: Dra. Mara-Rúbia Sant’Anna-Muller. FLORIANÓPOLIS, SC 2014 M141c Macedo, Káritha Bernardo de Carmen Miranda em Hollywood: filmes para uma boa vizinhança./ Káritha Bernardo de Macedo. – 2014. 245 p. : Il. color. ; 21 cm Orientadora: Prof. Dra. Mara-Rúbia Sant’Anna Muller. Bibliografia: p. 226-243 Dissertação (mestrado) – Universidade do Estado de Santa Catarina, Centro de Ciências Humanas e da Educação, Mestrado em História, Florianópolis, 2014. 1. Cinema (história). 2. América Latina. 3. Identidade cultural. 4. Carmem Miranda. I. Muller, Mara-Rúbia Sant’Anna. II. Universidade do Estado de Santa Catarina. III. Título. CDD: 791.430973 – 20.ed. Ficha elaborada pela Biblioteca Central da UDESC Ficha elaborada pela Biblioteca Central da UDESC AGRADECIMENTOS À Prof.a Mara Rúbia Sant’Anna, orientadora dessa dissertação e de muitos outros trabalhos. Uma Pequena Notável que me acolheu anos atrás em suas pesquisas e me agraciou com os traços críticos de sua ocupada caneta, dividindo comigo seu tempo, seu intelecto, suas convicções, os inúmeros projetos e o amor pelo estudo. Aos professores Emerson César de Campos e Allesander Kerber, por aceitarem o convite para compor a Banca de Defesa e pelas contribuições realizadas. Assim como, ao prof. Adriano Duarte, pelas observações feitas na Banca de Qualificação. Aos Professores do Programa de Pós- Graduação em História-PPGH, cujas disciplinas foram indispensáveis na realização deste trabalho.
    [Show full text]
  • CHICA CHICA BOOM CHIC: UMA DANÇA ENTRE ESTADOS UNIDOS E BRASIL Káritha Bernardo De Macedo1
    CHICA CHICA BOOM CHIC: UMA DANÇA ENTRE ESTADOS UNIDOS E BRASIL Káritha Bernardo de Macedo1 Resumo: O presente artigo propõe uma breve análise da cena de abertura do filme estadunidense Uma Noite no Rio (That Night in Rio, 1941), focando-se nos papéis desempenhados por Carmen Miranda e Don Ameche na performance musical Chica Chica Boom Chic. Nesta análise, busca-se questionar as estratégias de poder e dominação simbólicas dos Estados Unidos sobre o Brasil e a América Latina articuladas no plano diegético, principalmente através da caracterização dos gêneros feminino e masculino, os quais denotam respectivamente as nações e espaços culturais que representam. A produção deste e de uma série de outros filmes se liga a uma etapa da Política da Boa Vizinhança implementada pelos Estados Unidos, de intensa aproximação com os países latino- americanos. Nos filmes hollywoodianos em que Carmen Miranda participou nesse período, especificamente pelo estúdio Twentieth Century Fox entre 1940 e 1945, existia um esforço para se criar representações de brasilidade e latinidade a partir dos enredos, cenários, personagens, figurinos, performances e de toda a complexidade da linguagem cinematográfica. Essa imagem era forjada pelo olhar estadunidense e para o consumo de seu próprio paladar, que todavia, ecoam no século XXI como subsídios para uma narrativa deturpada e inferiorizante de identidade feminina brasileira, bem como de Brasil e de América Latina. Palavras-chave: Boa Vizinhança. Carmen Miranda. Identidade cultural. Introdução O presente artigo propõe uma breve análise da cena de abertura do filme estadunidense Uma Noite no Rio (That Night in Rio, 1941), focando-se nos papéis desempenhados por Carmen Miranda e Don Ameche na performance musical Chica Chica Boom Chic.
    [Show full text]
  • Alice Faye Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Alice Faye 电影 串行 (大全) Poor Little Rich Girl https://zh.listvote.com/lists/film/movies/poor-little-rich-girl-1753603/actors Stowaway https://zh.listvote.com/lists/film/movies/stowaway-2620671/actors Won Ton Ton, the Dog Who https://zh.listvote.com/lists/film/movies/won-ton-ton%2C-the-dog-who-saved-hollywood-3569779/actors Saved Hollywood Rose of Washington Square https://zh.listvote.com/lists/film/movies/rose-of-washington-square-3283905/actors Tail Spin https://zh.listvote.com/lists/film/movies/tail-spin-2953579/actors She Learned About Sailors https://zh.listvote.com/lists/film/movies/she-learned-about-sailors-7492009/actors Little Old New York https://zh.listvote.com/lists/film/movies/little-old-new-york-2007178/actors On the Avenue https://zh.listvote.com/lists/film/movies/on-the-avenue-7091287/actors Barricade https://zh.listvote.com/lists/film/movies/barricade-4863478/actors Brother, Can You Spare a https://zh.listvote.com/lists/film/movies/brother%2C-can-you-spare-a-dime%3F-3511835/actors Dime? Wake Up and Live https://zh.listvote.com/lists/film/movies/wake-up-and-live-7960990/actors 365 Nights in Hollywood https://zh.listvote.com/lists/film/movies/365-nights-in-hollywood-4635680/actors Hollywood Cavalcade https://zh.listvote.com/lists/film/movies/hollywood-cavalcade-9266672/actors George White's 1935 https://zh.listvote.com/lists/film/movies/george-white%27s-1935-scandals-1750373/actors Scandals Carmen Miranda: Bananas is https://zh.listvote.com/lists/film/movies/carmen-miranda%3A-bananas-is-my-business-5043525/actors
    [Show full text]
  • Images of Latin America in the Body and Costumes of Carmen Miranda's Stylized “Baiana: Social Memory and Identity
    Comunicação e Sociedade, vol. 24, 2013, pp. 186 – 209 Images of Latin America in the body and costumes of Carmen Miranda's stylized “baiana: social memory and identity Mara Rúbia Sant’Anna e Káritha Bernardo Macedo [email protected]; [email protected] University of Santa Catarina State (BR) Abstract This is a study on the costumes worn by Carmen Miranda during the Hollywood film “Week-End in Havana”, released in 1941. It analyzes the elements of costume and discusses how they are appropriate in the current fashion discourse reinforcing or perpetuating, somehow, the discourse about Brazil and Latin America created by the performance of Carmen many decades ago. Keywords Carmen Miranda, Stylized “Baiana” Costume, Identity, Social Memory 1. Introduction Slow movement of a searching gaze to the sound of jazz, punctuated by people walking downcast in their dark suits. Carmen Miranda and the musicians of “Bando da Lua” are static, in the center of the scene, framed inside some shop window being displayed as goods. Suddenly, music starts disrupting and complementing the curious gaze. The musicians mingle with their instruments; the sound of a trumpet announces the delights and promises to be declaimed. A body sensually dressed begins to dance and sing. Her voice and vocal arrangements combine perfectly with her hand move- ments, and with her smile, framed by her red moving lips, which complete the song. The actress’s performance in all its elements provides the senses to be seized in the aesthetic experience triggered. As in all aesthetic experiences, not only assessments of taste are triggered, but a universe of values ​​and possibilities of understanding the world.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Representing the Good Neighbor: Material For
    “Representing the Good Neighbor: Material for U.S. and Brazilian Relations during World War II” A thesis submitted by Isabel Loyola in partial fulfillment of the requirements for the degree of Master of Arts in History Tufts University May 2018 Adviser: Peter Winn i Abstract The thesis focuses on U.S. and Brazilian relations during World War II. In an effort against the spread of European fascisms in Latin America, the United States started a mission to secure Brazilian loyalty. For Brazil, to break relations with the Axis, was a difficult choice. Given that it had a well-established trade relation with Germany and a numerous German, Italian, and Japanese immigrant populations. Brazil saw U.S. interest as an opportunity to gain much needed profitable economic agreements that would advance the development of the country into a regional and international power. In this mutually beneficial agreement propaganda played an important role; it crystalized the partnership. Two examples have been chosen to analyze how the campaign reflected wartime representations of Brazil for a U.S. audience: the Brazilian Pavilion for the 1939 New York World’s Fair, and the wartime films of Carmen Miranda. ii Acknowledgements I would like to thank my professor Peter Winn and professor David Ekbladh for helping me develop this project, from its beginnings as a final essay to this thesis. I would like to thank the History Department and the Graduate School of Arts and Sciences for awarding me with the funds needed for my multiple research trips. Thank you for believing in my project. This process would not have been the same without the support of faculty, administrative staff, friends, and family.
    [Show full text]
  • Carmen Miranda
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/ INGLÊS E LITERATURA CORRESPONDENTE War-Joy and the Pride of Not Being Rich: Constructions of American and Brazilian National Identities through the discourse on Carmen Miranda por LUIZ FELIPE GUIÍ^LARÃES SOARES Tese submetida à Universidade Federal de Santa Catarina em cumprimento parcial dos requisitos para obtenção do grau de DOUTOR EM LETRAS FLORIANÓPOLIS Outubro de 2001 Esta dissertação de Luiz Felipe Guimarães Soares, intitulada War Joy and the Pride of Not Being Rich: Constructions of American and Brazilian National Identities through the discourse on Carmen Miranda, foi julgada adequada e aprovada em sua forma final, pelo Programa de Pós-Graduação em Letras/ Inglês e Literatura Correspondente, da Universidade Federal de Santa Catarina, para fins de obtenção do grau de DOUTOR EM LETRAS Área de concentraçao: Inglês e Literatura Correspondente Opção; Literaturas de Língua Inglesa jâ2 1 0 ! ,êda Maria Braga Tomitch Coordenadora BANCA EXAMINADORA Anelise Reich Corseuil Orientadora e presidente Renãlã Mautner Wasserman Co-orientadora Júlio\ Diniz Examinador Raúl Hector Antelo Examinador érgio do Prado Bellei Examinador Florianópolis, outubro de 2001 To Nara and Beniardo 111 Acknowledgements This dissertation would not be possible without the help of the following people and institutions: In Brazil: Anehse Reich Corseuü, Capes, CNPq, UFSC, Programa de Pós- Graduação em Inglês (UFSC), Tânia Oliveira Ramos, Sérgio do Prado Bellei, Raúl Hector Antelo, John Caughie, Antônio João
    [Show full text]
  • Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
    Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.
    [Show full text]
  • Estudo Da Performance De Carmen Miranda V
    Os processos de gravação no cinema musical de Hollywood nas décadas de 1930 a 1950: estudo da performance de Carmen Miranda Vanessa Carla dos Santos Macêdo Farias Dissertação de Mestrado em Artes Musicais Versão corrigida e melhorada após defesa pública nas Hollywood de Carmen Miranda, Vanessa Vanessa Carla dos Farias, Os Santos processos de Macêdo cinema gravação no musical de décadas de 1930 a performance 1950: estudo da 2021. Junho, 2021 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Artes Musicais, realizada sob a orientação científica do Prof. Dr. João Pedro de Bastos Gonçalves Cachopo. Os processos de gravação no cinema musical de Hollywood nas décadas de 1930 a 1950: estudo da performance de Carmen Miranda Vanessa Carla dos Santos Macêdo Farias Resumo A presente dissertação apresenta um estudo da performance em estúdio/cena da atriz e cantora Carmen Miranda, uma das grandes representantes do cinema musical das décadas de 1930 a 1950 em Hollywood, relacionada aos recursos de gravação. Primeiramente, foram apresentadas uma contextualização histórica e uma revisão bibliográfica sobre o surgimento do cinema, o surgimento dos musicais, especificamente dos musicais em Hollywood, contemplando os principais filmes, artistas, além dos estúdios, backstage musical e recursos de gravação e tecnologias. Para compor o quadro de estudo, o filme escolhido foi That Night in Rio (Uma Noite no Rio), de 1941, tendo sido analisadas as cenas das três canções do filme com Carmen Miranda: “Chica Chica
    [Show full text]