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Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin
Journal of chinese humanities 5 (2019) 124-148 brill.com/joch Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin Ge Zhaoguang 葛兆光 Professor of History, Fudan University, China [email protected] Abstract This article is not concerned with the history of aesthetics but, rather, is an exercise in intellectual history. “Illustrations of Tributary States” [Zhigong tu 職貢圖] as a type of art reveals a Chinese tradition of artistic representations of foreign emissaries paying tribute at the imperial court. This tradition is usually seen as going back to the “Illustrations of Tributary States,” painted by Emperor Yuan in the Liang dynasty 梁元帝 [r. 552-554] in the first half of the sixth century. This series of paintings not only had a lasting influence on aesthetic history but also gave rise to a highly distinctive intellectual tradition in the development of Chinese thought: images of foreign emis- saries were used to convey the Celestial Empire’s sense of pride and self-confidence, with representations of strange customs from foreign countries serving as a foil for the image of China as a radiant universal empire at the center of the world. The tra- dition of “Illustrations of Tributary States” was still very much alive during the time of the Song dynasty [960-1279], when China had to compete with equally powerful neighboring states, the empire’s territory had been significantly diminished, and the Chinese population had become ethnically more homogeneous. In this article, the “Illustrations of the Tributary States of the Myriad Regions” [Wanfang zhigong tu 萬方職貢圖] attributed to Li Gonglin 李公麟 [ca. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- Century Sources
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- century Sources Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig‐Maximilians‐Universität München vorgelegt von Maddalena Barenghi Aus Mailand 2014 Erstgutachter: Prof. Dr. Hans van Ess Zweitgutachter: Prof. Tiziana Lippiello Datum der mündlichen Prüfung: 31.03.2014 ABSTRACT Historiography and Narratives of the Later Tang (923-36) and Later Jin (936-47) Dynasties in Tenth- to Eleventh-century Sources Maddalena Barenghi This thesis deals with historical narratives of two of the Northern regimes of the tenth-century Five Dynasties period. By focusing on the history writing project commissioned by the Later Tang (923-936) court, it first aims at questioning how early-tenth-century contemporaries narrated some of the major events as they unfolded after the fall of the Tang (618-907). Second, it shows how both late- tenth-century historiographical agencies and eleventh-century historians perceived and enhanced these historical narratives. Through an analysis of selected cases the thesis attempts to show how, using the same source material, later historians enhanced early-tenth-century narratives in order to tell different stories. The five cases examined offer fertile ground for inquiry into how the different sources dealt with narratives on the rise and fall of the Shatuo Later Tang and Later Jin (936- 947). It will be argued that divergent narrative details are employed both to depict in different ways the characters involved and to establish hierarchies among the historical agents. Table of Contents List of Rulers ............................................................................................................ ii Aknowledgements .................................................................................................. -
Digital Reconstruction of Medieval Chinese Cities
CAAD futures Digital Proceedings 1995 529 5 29 Digital Reconstruction of Medieval Chinese Cities Chye-Kiang Heng School of Architecture National University of Singapore SINGAPORE 1 Introduction The study and teaching of Chinese urban planning particularly of the earlier periods is heavily handicapped by the lack of pictorial or physical evidence. This is mainly due to the perishable nature of Chinese traditional construction which depended heavily on timber for both its structure and infill. Large architectural complexes were torched during wars and entire cities destroyed during dynastic upheavals. The Tang (618-906) capital of Changan is a classic example. Perhaps the foremost city in the world during the seventh and eighth centuries, it was reduced to wasteland by the beginning of the tenth century [1]. The city now lies a little below the modern city of Van, which occupies only a fraction of the Tang capital. The Northern Song (961-1127) capital, Kaifeng, also suffered similar fate when warfare and natural disasters eradicated the Song city. The ruins are buried five to twelve meters beneath present day Kaifeng. The earliest surviving imperial city is Ming (1368-1644) Beijing. By comparison, there are still substantial ruins from Athens and Rome in the Western world. The study of Chinese urban planning and the understanding of past urban structures are important as the influence of these urban structures are still discernible in historic Chinese cities today. While traditional Chinese architecture is perishable, traditional urban planning principles leaves their imprints much longer despite the frequent replacement of the physical urban fabric. 1.1 Urban Structures Modern urban interventions in Chinese historic cities have to take into consideration urban fabrics and structures inherited from previous eras. -
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Advances in Social Science, Education and Humanities Research, volume 310 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019) “Pipa in the Period of Five Dynasties and Ten Kingdoms” in Music Pictures Xiao Wang College of Music Sichuan Normal University Chengdu, China Abstract—This paper tries to analyze the music images of the kingdoms tend to uphold the concept of "keeping the people at five dynasties and Ten Kingdoms through the combination of ease" and "emphasizing agriculture and suppressing military historical facts, from the angle of the music images, and briefly Force", kingdoms were basically at peace, and encouraged and discusses the characteristics of the five dynasties and ten urged farmers to plant mulberry trees and raise silkworms, kingdoms pipa. This paper probes into the scope of application, built and repaired water conservancy, attracted business travel. form, playing method in the image data of five dynasties and ten kingdoms, and the position of pipa in the instrumental music of Later, the leader of the northern regime — Taizu of the five dynasties and ten kingdoms post-Zhou Dynasty led the troops to destroy the Han Dynasty and establish the kingdom, and after the succession of Shizong Keywords—Five Dynasties and Ten Kingdoms; pipa; music Chai Rong, in the course of his subsequent development, he picture ; "Han Xizai’s Night Banquet Picture"; "Chorus Picture"; perfected the law and economic and political system, and Gile stone carving of the Seven Treasure Pagodas in Shanxi constantly expanded the territory of his rule, China, which had Pingshun Dayun Temple; Wang Jian's tomb of former-Shu been divided for a long time, begun to show a trend of reunification. -
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style Liu Fengjun Keywords: late Northern Dynasties Qingzhou area Buddhist statues Qingzhou style In recent years fragmentary Buddhist statues have been Northern Qi period. (3) In the winter of 1979, 40 small frequently unearthed in large numbers in Qingzhou 青州 and large fragmentary statues and some lotus socles were and the surrounding area, including Boxing 博兴, discovered at the Xingguo Temple 兴国寺 site in Gaoqing 高青, Wudi 无棣, Linqu 临朐, Zhucheng 诸 Qingzhou, mainly produced between the end of North- 城, and Qingdao 青岛. Especially notable are the large ern Wei and Northern Qi period. There were also two quantities of statues at the site of the Longxing Temple Buddha head sculptures of the Sui and Tang periods. (4) 龙兴寺 at Qingzhou. The discovery of these statues drew In the 1970s, seven stone statues were discovered at great attention from academic circles. The significance He’an 何庵 Village, Wudi County. Four of them bear of these statues is manifold. I merely intend to under take Northern Qi dates. (5) In November 1987, one single a tentative study of the causes and date of the destruction round Bodhisattva stone sculpture of the Eastern Wei of the Buddhist statues and of the artistic features of the period and one round Buddhist stone sculpture of the Qingzhou style statues. Northern Qi period were discovered on the South Road of Qingzhou. Both works were painted colorfully and I. Fragmentary Buddhist Statues of the Late partly gilt. They were preserved intact and remained Northern Dynasties Unearthed in the Qingzhou Area colorful. -
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INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
Xi Breathes New Life Into Ancient Pagodas
8 PEOPLE Tuesday 27 April 2021 Xi breathes new life into ancient pagodas Yu Hong he renovated Nanxiang Twin Pagodas on Nanxiang Old Street a re open to the public now, as the Trepair project starting in March finished last week. Made of bricks, the pagodas have weathered seriously since the last repair in 1985. Xi Jianzhong, a staffer with the first construction project management team in Shanghai Zhuzong Group Construc- tion Development Co, is the technical director of the renovation project, and he is familiar with pagodas. He took part in the last repair work when he was 29. Over the years, he has grown from an apprentice to a senior repairer with abundant experience in the protection of ancient architecture, gaining renown in the relics protection area. Xi, now 65, was a bricklayer before becoming a restorer of ancient archi- tecture. After the launch of reform Repairing ancient and opening-up in China, Shanghai government paid a lot of attention to relics takes time in restoration and gathered a team of 20 learning. You have to to start an urgent protection project. Xi was selected as one of the members of remember each word the team because of his experience as a bricklayer. that your mentor tells “In the 1980s, the restoration industry you. People may think had limited talent, most of whom were over 70 years old. Under this situation, my job is tedious, but the government gathered 10 of those to me, I enjoy every who were masters at restoration and 10 youngsters to make up the gap, aiming second of it. -
True Model of a Natural Chan Practitioner
NCOUNTERS with Master E Ⅹ Sheng Yen Encounters with Master Sheng Yen Ⅹ Pocket Guides to Buddhist Wisdom E-26 Publisher: Dharma Drum Mountain Culture and Educational Foundation 5F., No. 186, Gongguan Rd., Beitou District Taipei City 112-44, Taiwan Tel: 886-2-2893-4646 Fax: 886-2-2896-0731 www.ddm.org.tw Speakers: Du Zhengmin, Ding Min, Shan Te-hsing Editorial & Production: Cultural Center, Dharma Drum Mountain Revision: International Translation Office ISBN: 978-986-96684-4-6 1st Edition: March 2019 Preface o share with the public the thoughts and life experiences Tof Dharma Drum Mountain founder Master Sheng Yen (also known as Shifu, meaning “Master”), the Sheng Yen Education Foundation embarked on a series of talks beginning in September of 2009. Fifty-two talks were given at the Sheng Yen Lecture Hall (located in the official residence where Master Sheng Yen lived in his final years). The talks were titled A Living Example, Countless Teachings— Encounters with Master Sheng Yen and we invited all his monastic and lay disciples to share with us their stories about Shifu, how he taught them through his living example and words. Listening to these speakers’ personal accounts of the interactions between teacher and student allowed the audience to commemorate Master Sheng Yen’s journey, and once again hear his gracious teachings. The talks include stories of Master Sheng Yen’s everyday life, how he would give detailed guidance to his disciples regarding their speech and actions. There are also accounts of his travels to share the Buddhadharma locally and overseas, reaching out to the public, and teaching them skillfully and flexibly based on the existing circumstances. -
Sociocultural Studies of Chinese Prose and Poetry from Antiquity to the Twentieth Century
SINO-PLATONIC PAPERS Number 291 August, 2019 Sociocultural Studies of Chinese Prose and Poetry from Antiquity to the Twentieth Century edited by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS M ARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Publications Were Issued in Latin Or German
August 23–28, 2016 St. Petersburg, Russia EACS 2016 21st Biennial Conference of the European Association for Chinese Studies Book of ABStractS 2016 EACS- The European Association for Chinese Studies The European Association for Chinese Studies (EACS) is an international organization representing China scholars from all over Europe. Currently it has more than 700 members. It was founded in 1975 and is registered in Paris. It is a non-profit orga- nization not engaging in any political activity. The purpose of the Association is to promote and foster, by every possible means, scholarly activities related to Chinese Studies in Europe. The EACS serves not only as the scholarly rep- resentative of Chinese Studies in Europe but also as contact or- ganization for academic matters in this field. One of the Association’s major activities are the biennial con- ferences hosted by various centres of Chinese Studies in diffe- rent European countries. The papers presented at these confer- ences comprise all fields from traditional Sinology to studies of modern China. In addition, summer schools and workshops are organized under the auspices of the EACS. The Association car- ries out scholarly projects on an irregular basis. Since 1995 the EACS has provided Library Travel Grants to support short visits for research in major sinological libraries in Western Europe. The scheme is funded by the Chiang Ching-Kuo Foundation and destined for PhD students and young scholars, primarily from Eastern European countries. The EACS furthers the careers of young scholars by awarding a Young Scholar Award for outstanding research. A jury selects the best three of the submitted papers, which are then presented at the next bi-an- nual conference. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.