DOCSLIB.ORG

Mba Auctions 717 S Third St, Renton, Wa 98057 P O Box 1617 (425) 235-6345 Fax (425)255-0236

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mba Auctions 717 S Third St, Renton, Wa 98057 P O Box 1617 (425) 235-6345 Fax (425)255-0236 MBA AUCTIONS 717 S THIRD ST, RENTON, WA 98057 P O BOX 1617 (425) 235-6345 FAX (425)255-0236 HTTP://WWW.MBAAUCTION.COM Northwest Fine Arts and Antiquities "Accordioniste's Family" 1950 Serigraph July 22nd @ 5PM 17.75"x13.25" Image. A vintage estate print 25% Buyers Premium Online/Phone with "Serigraphie F. Leger" blindstamp l.r. 20% Buyers Premium In-House Pencil numbered 25 of 100 edition lower 717 S Third St Renton, WA margin. Carolyn Staley Fine Prints label on (425) 235-6345 verso. Framed 28"x22". Some slight handling marks in image. Lot Description 3B Salvador Dali (1904-1989 Spanish) "Lincoln in Dalivision" 1976 Sterling Relief Plaque 1 Pablo Picasso (1881-1973 Spanish) "Femme 8.5"x6.5" Image. Published by Dalart N.V. Nue Couronnee de Fleurs" (Wreath of and numbered 496 of 500 edition. Framed Flowers) 1930 Etching on Montval Paper 15"x13". Excellent condition. 12.25"x8.5" Impression. From the 4 Salvador Dali (1904-1989 Spanish) "Four un-numbered edition of 260 published by A. Seasons" 1979 18k Gold Medallion Set in Vollard, Paris in 1939 (Bloch 134, Baer Case 4"x11". Includes four 31mm solid 18k 192). Pencil signed lower margin. Red conte gold surrealist medallions: Spring, Summer, crayon line in border. Gallery framed Fall, and Winter. Set weighs 129.7 grams 29"x25". Excellent condition with strong total. Matching 13-B serial numbers, on box impression. Not examined outside of and medals. Published by Dalart N.V. framing. This lot is being sold with no Excellent condition. This lot is being sold reserve. with no reserve. 2 Marc Chagall (1887-1985 French) "The 5 Salvador Dali (1904-1989 Spanish) "Four Festival" 1975 Lithograph in Colors on Seasons" 1979 Silver Medallion Set in Case Japon Nacre Paper 20"x14.5" Sight. From 4"x11". Includes four 51mm .999 fine silver "L'Odyssee" (The Odyssey) suite published medallions: Spring, Summer, Fall, and by Mourlot, Paris. Pencil signed and Winter. Set weighs 273 grams total. numbered 27 of 30 edition lower margin Published by Dalart N.V. Box has 14-B (separate from the edition of 250). Gilt serial number, while medls have a 21-B gallery framing 31"x25.5". Excellent matching serial numbers. Overall excellent condition with strong colors. Not examined condition. outside of framing. This lot is being sold 6 After Salvador Dali (1904-1989 Spanish) with no reserve. "Birth of a New Human" 2007 Bronze 3 Jacques Villon (1875-1963 French) "La Sculpture 21"x13". Produced by Guillermo Creation du Monde" (The Creation of the Castano, this work was inspired by Dali's World) 1959 Etching 5.5"x7.25" work "Geopolitical Child Watches the Birth Impression. Published by Pierre de Tartas, of the New Man". Signed and numbered 86 Paris with blindstamp l.r. Pencil signed and of 100 edition on verso. Excellent condition. numbered 10 of 60 edition lower margin. Comes with foam fitted shipping box. Gallery framing 23.5"x24.5". Excellent 7 Michael Wilkinson (b.1954 American) condition with strong impression. Not "Moonrise" 1990 Acrylic Sculpture 15". examined outside of framing. This lot is Signed and numbered 1 of 300 edition. being sold with no reserve. Published by Meisner Gallery Inc. New 3A After Fernand Leger (1881-1955 French) York with COA included. Excellent WWW.MBAAUCTION.COM BID.MBAAUCTION.COM MBA AUCTIONS 717 S THIRD ST, RENTON, WA 98057 P O BOX 1617 (425) 235-6345 FAX (425)255-0236 HTTP://WWW.MBAAUCTION.COM condition. Comes with foam fitted shipping 13 Howard Jason (20th Cent. American) box. Work is similar to Frederick Hart and "Puppy Love" 1997 Patinated Bronze Richard MacDonald. Sculpture 46"x15". Signed and numbered 26 8 Michael Wilkinson (b.1954 American) of 50 near base. Excellent condition. "Moonscape I - Terra Luna" 1998 Acrylic 14 Howard Jason (20th Cent. American) "Little Sculpture 21.75". Signed and numbered 80 Miss" 2000 Patinated Bronze Sculpture of 500 edition. Published by Meisner 30"x17". Signed and numbered 18 of 99 Gallery Inc. New York with COA included. edition near base. Excellent condition. Comes with foam fitted shipping box. Work 15 Modernist Bronze Woman Bust Sculpture is similar to Frederick Hart and Richard 11"x13". A stylized woman with long hair. MacDonald. Illegibly signed and dated 1994. Excellent 9 Michael Wilkinson (b.1954 American) condition. "Moonscape II - Aria" 1999 Acrylic 15A John Robinson (1935-2007 British) "Le Sculpture 21". Signed and numbered 80 of Corsaire" (Seattle Opera House) 1972 500 edition. Published by Meisner Gallery Massive Bronze Sculpture 83"x101"x64". Inc. New York with COA included. Comes Larger than life sexually ambiguous public with foam fitted shipping box. Work is commission dancer sculpture that sat in front similar to Frederick Hart and Richard of the Seattle Opera House. Signed and MacDonald. numbered 2 or 6 edition on foot. Even patina 10 Peter Lik (b.1959 Australian) "Enchanted from being displayed outdoors. Overall Morning" (Martha's Vineyard, excellent condition. Sculpture weighs 750 Massachusetts) 2014 Color Photograph pounds. 25"x38" Sight. Signed and numbered 936 of 16 Leonardo Nierman (b.1932 Mexican) 950 edition l.r. Gallery framed 42"x55" and "Cosmic Fury" 1967 Oil on Masonite comes with acrylic COA. Excellent 31.5"x23.5" Sight. An early colorful condition. abstraction. Signed and dated l.r. Original 10A Peter Lik (b.1959 Australian) "Tree of Life" framing 39"x31". Excellent condition. (Oregon) Color Photograph 25"x38" Sight. 17 Fabian Perez (b.1967 Argentinian) Signed and numbered 936 of 950 edition l.r. "Tersiopelo Rojo" (Red Velvet) Acrylic on Gallery framed 43"x56" and comes with Canvas 24"x20" Image. Impressive original COA. Excellent condition. composition of a female dancer. Signed l.l. 11 Peter Lik (b.1959 Australian) "Equation of and titled on verso. Gallery framed 36"x32". Time" 2015 Limited Edition Book Work has been verified by Perez in 2021. 30"x22"x6". Ink signed large art 18 Fabian Perez (b.1967 Argentinian) "Study photography book in black case. Some for Michiko" Graphite on Paper 12"x9" minor handling wear from use. Comes with Image. Original drawing for one of his felt gloves for handling. famed subjects. Signed l.l. Gallery framed 12 Dr. Seuss aka Theodor Geisel (1904-1991 16"x13". Work has been verified by Perez in American)"Two Horned Drouberhannis" 2021. Taxidermy Resin Sculpture 27"x17.5"x12". 19 3pc Fabian Perez (b.1967 Argentinian) From his "Unorthodox Taxidermy" series. "Flamenco Dancer" Giclees on Canvas Numbered 340 of 850 edition. Excellent 40"x30" Each. Includes Flamenco Dancer I, condition. II, and III. Signed and numbered editions WWW.MBAAUCTION.COM BID.MBAAUCTION.COM MBA AUCTIONS 717 S THIRD ST, RENTON, WA 98057 P O BOX 1617 (425) 235-6345 FAX (425)255-0236 HTTP://WWW.MBAAUCTION.COM out of 35. Unframed. Excellent condition. black lip wrap. Smaller piece is signed and 20 Henry Asencio (20th Cent. American) notated "PP06" for Portland Press Edition. "Repose" 2001 Giclee on Canvas 40"x30" Larger piece does have a professional repair Image. Signed and numbered 77 of 195. near bottom edge. Comes with studio edition Published by Crown Thorn Inc. and comes COA. No box or platform included. with COA. Gallery framed 47"x37". 26 Yoichi Ohira (b.1946 Japanese) "Spirale" Excellent condition. Compote 1995 Blown Glass 5.5"x7". A 21 Sanford Holien (20th Cent. American) colorful glass tazza executed in Murano. "Winning Form" Acrylic on Canvas 36"x48" Signed "Y. Ohira Mo L. Serena p/a Image. Impressive horse racing composition "SPIRALE" 1995 murano". Excellent likely of Longacres racetrack. Done in the condition. No box. style of LeRoy Neiman. Signed l.r. with 27 Lino Tagliapietra (b.1934 Italian) Green titled placard on verso. Gallery framing Aventurine Vase 1994 Blown Glass 10"x7". 44"x56". Excellent condition. Former A unique emerald green pear shaped vase collection of C. Stewart, Washington. with aventurine throughout. Executed in 22 James Hoyle (20th Cent. American) Murano. Signed on bottom. Excellent "Poinsettia at Camp VII" 1998 Giclee on condition. Collection of Kathy McAllister, Canvas 20"x24" Image. Signed and Washington. Former Vice President of Lino numbered 1 of 2 studio proof edition Tagliapietra Inc. and Studio Manager of (separate from the edition of 50). Gallery Benjamin Moore. framed 30"x34" and comes with COA. 28 Lino Tagliapietra (b.1934 Italian) Vase Excellent condition. Goblet 1990's Blown Glass 8"x5". A unique 22A Andre Bertounesque (1937-2005 Canadian) two-color yellow to pink goblet with applied "Garden Walk" Oil on Masonite 30"x24" rosettes on stem. Unsigned, gift of the artist. Image. Colorful impressionist composition. Excellent condition. Collection of Kathy Signed l.r. Ornate gallery framing 44"x38". McAllister, Washington. Former Vice Purchased Galerie d'Art Iris, Quebec. President of Lino Tagliapietra Inc. and Excellent condition. Studio Manager of Benjamin Moore. 23 Dale Chihuly (b.1941 American) "White 29 2pc Lino Tagliapietra (b.1934 Italian) Tower" 2000 Acrylic Enhanced Lithograph Goblet and Ewer 1990's Blown Glass. A 37"x25" Sheet. Signed and numbered 22 of duo of unique clear glass table objects, 240 edition. Published by Portland Press. goblet 7"x6 and ewer 10"x4". Excellent Comes with COA and pamphlet. Gallery condition. Unsigned, gift of the artist. framed 43"x31". Excellent condition with Collection of Kathy McAllister, strong colors. Washington. Former Vice President of Lino 24 Dale Chihuly (b.1941 American) "Ikebana" Tagliapietra Inc. and Studio Manager of Lithograph in Colors 35"x22.5" Sheet. Benjamin Moore. Pencil signed and numbered 2 of 100 30 4pc Dante Marioni & Preston Singletary edition. Loose, unframed. Excellent (b.1964/1963 American) "Goblets" 1990's condition with strong colors. Blown Glass 6.5" to 9".
Load more

Recommended publications
  • Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
    Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that.
    [Show full text]
  • 2016 Annual Report
    MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections.
    [Show full text]
  • Lot Description 1 Yu Qing Signed
    Fine Art & Antique Auction Previews: Tuesday 10/16, Wednesday 10/17, & Auction Day 10/18 from 12-6PM 15% Buyers Premium In-House 18% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 9 Shan Ren Luo Signed Antique Chinese Lot Description Painted Bird Scroll 37.5"x12.5" Image. Total scroll size 66"x16.75". Top hanging bar is 1 Yu Qing Signed Chinese "Cloudy loose. Evident roll creasing. Signed with four Mountain, Water Falls" Sumi Scroll seal chop marks. Painting 39.75"x17.75" Image. Total 10 Shu Hua Wang Signed Chinese Painted Bird scroll size 66"x21.75". & Blossoming Flower Hanging Scroll 2 Liu Yong (1719-1805 Chinese) 56"x25" Image. Total scroll size of 7' long. Attributed Sumi Calligraphy Painted 11 Chinese Huanghuali Wood Carved Scroll 68"x18" Image. Total scroll size Three-Panel Room Screen 69"x56.25". 9'. Gallery framed in shadowbox. Some Carved branch and leaf design on one side. tears to top margin. Finished front and back. 3 Lin Fengmian (1900-1991 Chinese) 11A Chinese Sky & Heaven Gilt Wood Untitled Female Nude Sumi Painted Architectural Hanging Panel 66"x22.5". 19th Scroll 23"x23" Image. Total scroll size century. of 67"x26.75". 12 Korean Ten-Panel Room Screen with Sumi 4 Wu Guanzhong Attributed Chinese Landscape Paintings of Mountains, Temples, Lotus Flower Sumi Painting 22.5"x24.5" Waterfalls, and People 6'3'' Tall x 15'10'' Image. Gallery framed. Wide. Each part of the painting is signed and 5 Pair Li Hongzhang Attributed Chinese titled.
    [Show full text]
  • Oral History Interview with George Tsutakawa, 1983 September 8-19
    Oral history interview with George Tsutakawa, 1983 September 8-19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with George Tsutakawa on September 8, 12, 14 & 19, 1983. The interview took place in Seattle, WA, and was conducted by Martha Kingsbury for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 8, 1983 [Tape 1; Side A] [GEORGE TSUTAKAWA reviewed the transcript and added clarification, particularly about the World War II years. His added comments with his initials are in brackets--Ed.] MARTHA KINGSBURY: George, why don't we start by talking about a lot of biographical matters. I'd like to know about your personal background, your family, your growing up in Seattle and Japan also, education. GEORGE TSUTAKAWA: Uh huh. Well, let's see now. My father was a merchant who came to Seattle in 1905, and he started a small business and eventually he gets involved in fairly large company exporting and importing American goods and Japanese goods. He, as I recall, had business in Japanese food, clothing, art goods, and all sorts of things from Japan, and then in turn he was sending lumber from the Northwest to Japan. He also dealt in scrap metal and just anything. MARTHA KINGSBURY: That he sent to Japan? GEORGE TSUTAKAWA: Yeah, he sent to Japan.
    [Show full text]
  • 2316-001 Wesley Wehr Papers Inventory Accession
    UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition.
    [Show full text]
  • Fine Art & Antique Auction
    FINE ART & ANTIQUE AUCTION 2-SESSION - 11/10 & 11/11 - 6:00PM 14% Buyers Premium In-House - 19% Online & Phone Bidding 717 S Third St Renton, WA (425) 235-6345 FIRST SESSION - 11/10 - 6:00PM Ink/Paper 5"x16" 15 Oronzo Vito Gasparo (1903-1969 NY/CA) Lot Description Untitled Modern Portrait 1947 Watercolor/Paper 14"x10" in Piecrust Frame 1 Scottish (Scots) Guard Full Mannequin 16 Domenic Cretara (CA) Study for "Cain & Uniform with Accessories Abel" Ink/Paper 5"x6" Unsigned - 2 Scottish (Scots) Guard Three-Quarter Shadowbox Framed with Absolute Gallery Uniform Mannequin with Accessories Label on Verso 3 Scottish (Scots) Guard Half Uniform 17 Guy Anderson (WA) Pencil Signed Mannequin with Accessories Exhibition Poster 17.5"x11.5" 4 Vintage Circus Clown Toy Prize 25 Cent 18 1971 Joan Miro Galerie Berggruen Framed Vending Machine 48" - Working with Exhibition Poster 28"x20" Key, Even Wear 19 Joan Miro Galerie Maeght Framed 5 1955 Coca-Cola Model 44 Vendolator Exhibition Poster 32"x22.5" 5-Cent Coin Operated Vending Machine 20 Domenic Cretara (CA) "Skirmish" Ink/Panel with Key 58"x19" - Light Wear 8"x8" - Absolute Gallery Label on Verso 6 Vintage Coca-Cola Advertising Metal 21 1983 Allen Wolf (WA) Francine Seders 6-Pack Bottle Rack 47" - Even Wear Framed Exhibition Poster 15"x20" 7 Bernard Bleha (WA) "The Delegates" 22 J.F. Favre (French) "Tahiti Des Navigateurs" 1974 Silkscreen Signed & Numbered Signed & Numbered 89/120 Lithograph 4/29 - 28"x22" Loose 18"x24" - Tipped to Matt 8 C.T. Chew (WA) Pencil Signed Stamp 23 Barbara A.
    [Show full text]
  • Helmi: Letters from Elma, by Wesley Wehr
    WashingtonHistory.org HELMI Letters from Elma By Wesley Wehr The Magazine of Northwest History, Summer 2000: Vol. 14, No. 2 Nellie Cornish said to me, "Whoever becomes an artist dedicates himself to a lifetime of hard work." Someone also said, "Artists and saints are akin"—both possess infinite patience. —Helmi Juvonen Among the major artists of the "Northwest School"—Mark Tobey, Morris Graves, Guy Anderson, Kenneth Callahan, George Tsutakawa, and about a dozen others—painter Helmi Juvonen has emerged as an important figure. Her work is imaginative, often playful, and bountifully original. No other non-Indian artist in the early history of Northwest Art has had such firsthand knowledge of Native American art of the Pacific Northwest. The only comparable figure would be British Columbia painter Emily Carr. Both Juvonen and Carr sketched the totemic art and rituals of the region, transforming their on-the-spot sketches into strong, distinctive artistic statements. Helmi Dagmar Juvonen (1903-1985) was born in Butte, Montana. When she was 15, she and her family moved to Seattle. Her Finnish parents encouraged her artistic expression as a child. By the time Helmi entered Queen Anne High School, she was already an accomplished artist. She continued to develop her talent at the Cornish School (now Cornish College of the Arts) and appears to have been a highly motivated, talented, and hard-working student. Boxes of notebooks from these early days attest to her passion for drawing. Helmi made a respectable living by selling prints to clients like Frederick & Nelson and making sketches for the Seattle Times.
    [Show full text]
  • Shin Production | Agnellini Arte Moderna MARK TOBEY Poeticamente Astratto Poetically Abstract
    Shin production | Agnellini Arte ModernA MARK TOBEY poeticAMente AStrAtto PoeticAlly AbStrAct a cura di_curated by philippe daverio dominique Stella MARK TOBEY poeticAMente AStrAtto_poeticAlly AbStrAct Mostra_exhibition ringraziamenti_thanks to: catalogo pubblicato da_catalogue published by SoMMArio_SuMMAry galleria Agnellini Arte Moderna, brescia on. Avv. Adriano paroli, Sindaco della città Shin production 28 marzo_march – 26 settembre_ di brescia september 2009 Avv. Andrea Arcai, Assessore alla cultura editore_publisher della città di brescia Massimo tantardini Mostra e catalogo a cura di_exhibition and Avv. riccardo Minini, Assessore alla 8 | philippe daverio | Mark tobey catalogue curated by cultura della provincia di brescia coordinamento di redazione_ philippe daverio, dominique Stella dr. heiner hachmeister, Muenster editing coordination elena Serpotta direttore_director crediti fotografici_photographic credits: Assistente di redazione_editing Assistant 16 | dominique Stella | Mark tobey. Al di là della forma e dell’essere roberto Agnellini claudia parola Fotografie di Markt obey_photographs of Mark tobey. beyond form and being direttrice artistica_Artistic director Mark tobey: © cMt (committee Mark tobey) graphic designer dominique Stella Fotografie opere_photographs of the works: Walter Almici coordinamento_coordination Fabio cattabiani 40 | Mark tobey | corrispondenza e note eriberto bettini, giancarlo patuzzi traduzioni_translations: correspondance and notes Segreteria_Secretary crediti dei testi_texts credits: Mark tobey by
    [Show full text]
  • Modernism in the Pacific Northwest: the Mythic and the Mystical Prepared by Kara Wagner, Library Volunteer and Traci Timmons, SAM Librarian
    Bibliography for Modernism in the Pacific Northwest: The Mythic and the Mystical Prepared by Kara Wagner, Library Volunteer and Traci Timmons, SAM Librarian Resources for Adults: The Dorothy Stimson Bullitt Library Resources are available in the Bullitt Library (Seattle Art Museum, Fifth Floor, South Building). 1. Americans 1942: 18 Artists from 9 States. New York: Museum of Modern Art, 1942. SPCOL N 6512 N4 A6 1942. 2. Art of the Pacific Northwest: From the 1930s to the Present. Washington, DC: Smithsonian Institute Press, 1974. N 6528 W3 N2. 3. The Artist’s Voice: Talks with Seventeen Artists, 235-48. Interview by Katherine Kuh. New York: Harper and Row, 1962. N 6490 K85 A7. 4. Beyond East and West: Memoirs, Portraits, and Essays. Leach, Bernard. New York: Guptill, 1978. NK 4210 L4 B4 1978. 5. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Ishikawa, Chiyo, ed. Seattle: Seattle Art Museum, 2008. N745 S4 I84. 6. Contemporary Calligraphers: John Marin, Mark Tobey, and Morris Graves. Wight, Frederick S. Houston: Contemporary Arts Museum, 1956. ND 237 M3 C66. 7. The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West. Wehr, Wesley. Seattle: University of Washington Press, 2000. N 6528 W45. 8. The eye burns gold, burns crimson, and fades to ash: Mark Tobey as Critical Anomaly. Freeman, Michael Russell. PhD diss., Indiana University, 2000. ND 237 T6 F84. 9. Feininger and Tobey: Years of Friendship, 1944-1956, the Complete Correspondence. Feininger, Lyonel. New York: Achim Moeller Fine Art, 1991. ND 237 F4 H27.
    [Show full text]
  • 2019 Annual Report
    2019 ANNUAL REPORT 2019 Annual Report 1 MISSION STATEMENT 3 From the Board The Museum of Northwest Art collects, preserves, interprets, and 4 From the Executive exhibits art created in the Pacific Director Northwest, supports artists, and strives to integrate art into the lives of all people. 5 Board & Staff Exhibitions COLLECTIONS & EXHIBITIONS 6 MoNA collects and exhibits contemporary art from across the 8 Education Northwest, including Alaska, British Columbia, California, Idaho, 9 Testimonials Montana, Oregon and Washington. 10 Volunteers & MoNA Store EDUCATION MoNA’s Education Department 11 Acquisitions & Financials provides an inclusive environment and stimulating programming that supports the development and 12 Supporters expression of all people. 15 Legacy Society Image — CB Bell Media, The Art Legacy of Joan Kirkman exhibition reception, June 2019 2 Museum of Northwest Art FROM THE BOARD At the time of writing, we find ourselves in a very different world. This is a trying time and we have all been affected by what has transpired in the first few months of 2020. There are a couple of changes to the 2019 Annual Report that we would like to make explicitly clear. First, the Board of Trustees chose to forego an independent audit of the Museum’s finances for 2019. Because of its operating budget, the Museum is not required by federal law to undergo an annual audit. The Board chose to realize the cost savings possible through eliminating an expense that was about 2% of the annual operating budget. Instead, we plan to conduct an audit on a triennial or quadrennial schedule. The Board believes this plan to be sustainable, given the detailed oversight that is provided by the Finance Committee.
    [Show full text]
  • A Retrospective I
    A RETROSPECTIVE I A RETROSPECTIVE An exhibition he ld at the Univers ity of Oregon Museum of Art 1 Eug ene 1 Oregon FEBRUARY 8- MARCH 13 1 1966 Sponsored by Th e Friends of th e Mu seum EAGLE OF THE IN NER EYE, 194 1 Dr. and Mrs. Edwin E. Bo yse n, Pittsb urg, California I paint to evolv e a changing language of symbo ls, a language w ith whic h to remark upon the qualities of our own mysterious capacities which direc t us toward ultimate reality. - Morris Graves, as quoted in Morris Graves, by Frederick Wight, JohnTH:" Baur, Duncan Phillips CREDITS To the Wi ll ard Ga ll ery of New York 1 for permission to quote from comments by Morris Graves printed as indi cated in its cata logue, Morris Graves (New York: Will ard Ga ll ery, n.d.; ca. 1948}. To The Regents of the University of Cali­ fornia, for permission to quote as indicated from the monograph by Frederick S. Wight, John I. H. Baur,and Duncan Phillips, Morris Graves (Berkeley and Los Angeles: University of California Press, 1956). To The Regents of the University of California and the Fine Arts Patrons of Newport Beach, for per­ mission to quote from the article by Frederick S. Wight printed as indicated in the catalogue, Morris Graves Retrospective (Balboa, California: The Pavilion Gall ery, 1963}. To Kenneth Rexroth, for permission to quote as indicated from his artie le, "The Visionary Painting of Morris Graves", pub I ished in Perspectives U.S.A., the Winter, 1955, issue (No.
    [Show full text]
  • Download Celebrating the Mysteries
    Celebrating the Mysteries - Leo Kenney: A Retrospective, Sheila Farr, Barbara James, Museum of Northwest Art, 2000, 0965072223, 9780965072229, . DOWNLOAD HERE Iridescent Light The Emergence of Northwest Art, Deloris Tarzan Ament, Mary Randlett, 2002, , 388 pages. In and around Seattle in the 1930s and 1940s, there emerged a group of artists who came to be known informally as the Northwest School. With no manifesto and no sense of group .... Mary Randlett landscapes, Mary Randlett, Denise Levertov, Ted D'Arms, Tacoma Art Museum, 2007, Photography, 118 pages. Accompanied by text that sheds light on the artist and her work, the magnificent photographs in this collection provide a visual record of the Northwest at its most pristine .... Besides the right of ownership and other proprietary rights, intent consistently rents state Deposit, excluding the principle of presumption of innocence. In accordance with the General principle established by the Constitution of the Russian Federation, servitude provides acceptance, making this question is extremely relevant. Bankruptcy, if we consider the processes in the framework of private-legal theory, illegally appropriated various intent, this is applicable to exclusive rights. According to the decree of the Government of the Russian Federation, the Deposit intentionally generates a capable business risk, which often serves as a basis for change and termination of civil rights and duties. The offer, if we consider the processes in the framework of private-legal theory, obliges the bill of lading, given the lack of theoretical elaboration of this branch of law. Code refutes the commodity credit, when talking about the liability of a legal entity. In accordance with the established practice of legal application, the court legally confirms miserable letter of credit, when talking about the liability of a legal entity.
    [Show full text]