Real Images Flow: Mulla¯ Sadra¯ Meets Film-Philosophy Laura U. Marks, Simon Fraser University (
[email protected]) Abstract: The eastern Islamic concept of the imaginal realm, which explains how supra- sensory realities present themselves to imaginative perception, can enrich the imagination of film-philosophy. The imaginal realm, in Arabic ‘alam al-mithal, world of images, or ‘alam al-khayal, imaginative world, is part of a triadic ontology of sensible, imaginal, and intelligible realms. Diverging from roots shared with Western thought in the concept of the imaginative faculty, the Islamic imaginal realm is supra-individual and more real than matter. The imaginal realm is a radically pro- image concept, affirming the importance of poetry, art, and images in motion. As developed by the Persian philosopher Sadr al-Dıˆn Muhammad al-Shıˆraˆzıˆ, known as Mullaˆ Sadraˆ (1571–1640), the imaginal realm flows and intensifies, in a process philosophy we may fruitfully compare with Spinoza, Leibniz, and Whitehead. I sketch the genealogy of the imaginal realm and compare it to contemporary Western film-philosophy. I suggest how this transcendental concept can be made immanent. Finally, I draw from contemporary Muslim thinkers, such as Mohammed Arkoun, who ground a visionary collective politics in the imaginal realm. My central example, the documentary The Lebanese Rocket Society (2012) by Joana Hadjithomas and Khalil Joriege, exemplifies film’s imaginal powers. Keywords: Lebanese Cinema; Imaginal; Mulla Sadra; Islamic Philosophy; Mohammed Arkoun; Realism. Film Studies has long been dogged by a suspicion of images as false, misleading, or ideological. This essay suggests that Film Studies’ imagination can be enriched by the concept of the imaginal realm, Film-Philosophy 20 (2016): 24–46 DOI: 10.3366/film.2016.0003 f Laura U.