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Systemic Contrast and Catalan Rhotics*
Systemic Contrast and Catalan Rhotics* Jaye Padgett - University of California, Santa Cruz (January 2003) 1. Introduction Catalan, a Romance language spoken primarily in the northeast of Spain, has two contrasting rhotics: a tap [r] and a trill [r]. The two sounds contrast only between vowels with the distribution otherwise being predictable. The facts closely parallel the better known facts of Spanish, and the problems they raise are similar. In this paper I take a new look at Catalan rhotics, arguing that we can achieve a better account of them if we explicitly acknowledge the role of contrast in their behavior. Specifically, the explanation calls on constraints requiring that contrast be maintained, on the one hand, and on constraints requiring that contrasts be perceptually distinct, on the other. The account is cast within Dispersion Theory (Flemming 1995, to appear), which is designed to express such notions. In approaching the Catalan facts in this way I follow Bradley (2001), who applies Dispersion Theory to Spanish rhotics. Some of the main conclusions we reach differ, all the same. A good deal of recent work argues that both neutralization avoidance and perceptual distinctiveness play important roles in shaping phonologies. (Besides the above, see Ní Chiosáin and Padgett 2001, Sanders 2002, Padgett to appear-a,b, and Sanders in progress.) The theoretical framework of these works, Dispersion Theory, remains rather new, and this paper offers another case study. The appeal to contrast leads to a simpler and more explanatory account of Catalan (and Spanish) rhotics compared to previous ones. The analysis also illustrates how it is possible to incorporate more systematic phonetic detail into phonology, increasing our descriptive coverage, without predicting the overgeneration of contrast. -
Phonological Processes
Phonological Processes Phonological processes are patterns of articulation that are developmentally appropriate in children learning to speak up until the ages listed below. PHONOLOGICAL PROCESS DESCRIPTION AGE ACQUIRED Initial Consonant Deletion Omitting first consonant (hat → at) Consonant Cluster Deletion Omitting both consonants of a consonant cluster (stop → op) 2 yrs. Reduplication Repeating syllables (water → wawa) Final Consonant Deletion Omitting a singleton consonant at the end of a word (nose → no) Unstressed Syllable Deletion Omitting a weak syllable (banana → nana) 3 yrs. Affrication Substituting an affricate for a nonaffricate (sheep → cheep) Stopping /f/ Substituting a stop for /f/ (fish → tish) Assimilation Changing a phoneme so it takes on a characteristic of another sound (bed → beb, yellow → lellow) 3 - 4 yrs. Velar Fronting Substituting a front sound for a back sound (cat → tat, gum → dum) Backing Substituting a back sound for a front sound (tap → cap) 4 - 5 yrs. Deaffrication Substituting an affricate with a continuant or stop (chip → sip) 4 yrs. Consonant Cluster Reduction (without /s/) Omitting one or more consonants in a sequence of consonants (grape → gape) Depalatalization of Final Singles Substituting a nonpalatal for a palatal sound at the end of a word (dish → dit) 4 - 6 yrs. Stopping of /s/ Substituting a stop sound for /s/ (sap → tap) 3 ½ - 5 yrs. Depalatalization of Initial Singles Substituting a nonpalatal for a palatal sound at the beginning of a word (shy → ty) Consonant Cluster Reduction (with /s/) Omitting one or more consonants in a sequence of consonants (step → tep) Alveolarization Substituting an alveolar for a nonalveolar sound (chew → too) 5 yrs. -
Nasal Assimilation in Quranic Recitation Table of Contents
EmanQuotah Linguistics Senior Paper Hadass Sheffer, Advisor Swarthmore College December 9, 1994 Nasal Assimilation in Quranic Recitation Table of Contents Introduction 1 TheQuran 3 Recitation and Tajwi:d 7 Nasal Assimilation in Quranic Recitation 10 Arabic geminates 12 Nasal assimilation rules 15 Blocking of assimilation by pauses 24 Conclusion 26 Bibliography Grateful acknowledgements to my father, my mother and my brothers, and to Hadass Sheffer and Donna Jo Napoli. Introduction This paper is concerned with the analysis of certain rules governing nasality and nasal assimilation during recitation of the holy Quran. I These rules are a subset of tajwi:d, a set of rules governing the correct prescribed recitation and pronunciation of the Islamic scriptures. The first part of the paper will describe the historical and cultural importance of the Quran and tajwi:d, with the proposition that a tension or conflict between the necessity for clarity and enunciation and the desire for beautification of the divine words of God is the driving force behind tajwi:d's importance. Though the rules are functional rather than "natural," these prescriptive rules can be integrated into a study lexical phonology and feature geometry, as discussed in the second section, since prescriptive rules must work within those rules set by the language's grammar. Muslims consider the Quran a divine and holy text, untampered with and unchangeable by humankind. Western scholars have attempted to identify it as the writings of the Prophet Muhammad, a humanly written text like any other. Viewing the holy Quran in this way ignores the religious, social and linguistic implications of its perceived unchangeability, and does disservice to the beliefs of many Muslims. -
Analyzing the Status of Catalan Schwa in Barcelona
ICPhS XVII Regular Session Hong Kong, 17-21 August 2011 ANALYZING THE STATUS OF CATALAN SCHWA IN BARCELONA Susana Cortés , Conxita Lleó & Ariadna Benet Research Centre on Multilingualism, University of Hamburg, Germany [email protected]; [email protected]; [email protected] ABSTRACT underlying schwa phoneme (the latter author points out that this schwa has the following This paper analyzes the production of Catalan distinctive features: [medial central-labial]). schwa by children and adults in two areas of Another approach is that of van Oostendorp's Barcelona differing in degree of presence of Projection Theory [9], based on metrical Spanish (which does not have schwa in its sound phonology. According to him, schwa is a defective inventory). The schwa production in different vowel, with unspecified distinctive features, kinds of words or in different positions in the word suitably fitting in weak and in extrametrical provides evidence for the status of this vowel. positions. Keywords: schwa, production, bilingualism, These theories, together with certain Catalan, phonological status assumptions about sound change, make different predictions about the substitution or maintenance 1. INTRODUCTION of schwa: For the last forty years, it has been observed that a) If non-alternating schwas are maintained the usage of schwa in Catalan is decreasing (Lóp ez more often than alternating schwas, this would del Castillo [7], Veny [13], Payrató [10], Pla argue for the phonological character of non- Fulquet [11], Herrick [4]). This reduction of the alternating schwa. phonological system seems to be due to external b) Position in the word (Catalan stress system (e.g., Spanish influence) or internal factors (e.g., being basically trochaic): If schwa is kept in markedness and complexity). -
Lecture 5 Sound Change
An articulatory theory of sound change An articulatory theory of sound change Hypothesis: Most common initial motivation for sound change is the automation of production. Tokens reduced online, are perceived as reduced and represented in the exemplar cluster as reduced. Therefore we expect sound changes to reflect a decrease in gestural magnitude and an increase in gestural overlap. What are some ways to test the articulatory model? The theory makes predictions about what is a possible sound change. These predictions could be tested on a cross-linguistic database. Sound changes that take place in the languages of the world are very similar (Blevins 2004, Bateman 2000, Hajek 1997, Greenberg et al. 1978). We should consider both common and rare changes and try to explain both. Common and rare changes might have different characteristics. Among the properties we could look for are types of phonetic motivation, types of lexical diffusion, gradualness, conditioning environment and resulting segments. Common vs. rare sound change? We need a database that allows us to test hypotheses concerning what types of changes are common and what types are not. A database of sound changes? Most sound changes have occurred in undocumented periods so that we have no record of them. Even in cases with written records, the phonetic interpretation may be unclear. Only a small number of languages have historic records. So any sample of known sound changes would be biased towards those languages. A database of sound changes? Sound changes are known only for some languages of the world: Languages with written histories. Sound changes can be reconstructed by comparing related languages. -
We Are the Wuikinuxv Nation
WE ARE THE WUIKINUXV NATION WE ARE THE WUIKINUXV NATION A collaboration with the Wuikinuxv Nation. Written and produced by Pam Brown, MOA Curator, Pacific Northwest, 2011. 1 We Are The Wuikinuxv Nation UBC Museum of Anthropology Pacific Northwest sourcebook series Copyright © Wuikinuxv Nation UBC Museum of Anthropology, 2011 University of British Columbia 6393 N.W. Marine Drive Vancouver, B.C. V6T 1Z2 www.moa.ubc.ca All Rights Reserved A collaboration with the Wuikinuxv Nation, 2011. Written and produced by Pam Brown, Curator, Pacific Northwest, Designed by Vanessa Kroeker Front cover photographs, clockwise from top left: The House of Nuakawa, Big House opening, 2006. Photo: George Johnson. Percy Walkus, Wuikinuxv Elder, traditional fisheries scientist and innovator. Photo: Ted Walkus. Hereditary Chief Jack Johnson. Photo: Harry Hawthorn fonds, Archives, UBC Museum of Anthropology. Wuikinuxv woman preparing salmon. Photo: C. MacKay, 1952, #2005.001.162, Archives, UBC Museum of Anthropology. Stringing eulachons. (Young boy at right has been identified as Norman Johnson.) Photo: C. MacKay, 1952, #2005.001.165, Archives, UBC Museum of Anthropology. Back cover photograph: Set of four Hàmac! a masks, collection of Peter Chamberlain and Lila Walkus. Photo: C. MacKay, 1952, #2005.001.166, Archives, UBC Museum of Anthropology. MOA programs are supported by visitors, volunteer associates, members, and donors; Canada Foundation for Innovation; Canada Council for the Arts; Department of Canadian Heritage Young Canada Works; BC Arts Council; Province of British Columbia; Aboriginal Career Community Employment Services Society; The Audain Foundation for the Visual Arts; Michael O’Brian Family Foundation; Vancouver Foundation; Consulat General de Vancouver; and the TD Bank Financial Group. -
Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold
Dwi Nita Febriyanti Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold Dwi Nita Febriyanti [email protected] English Language Studies, Sanata Dharma University Abstract This paper discusses the phenomena of phonological rules, especially assimilation, reduction and elision processes. In this paper, the writer conducted phonological study which attempts to find the phenomena of those processes in song lyrics. In taking the data, the writer transcribed the lyrics of the songs, along with checking them to the internet source, then observed the lyrics to find the phenomena of assimilation, reduction, and elision. After that, she classified the observed phenomena in the lyrics based on the phonological processes. From the data analysis, the results showed that there were three processes found both in the first and second songs: assimilation, reduction and elision. The difference is that in the first song, it has four kinds of assimilation, while from the second song only has three kinds of assimilation. Keywords: assimilation, reduction, elision Introduction brothers and sisters’ discussion or even in songs, for which songs are considered as the As English spoken by the native media for the composer to share his feelings. speakers, it sometimes undergoes simplification to ease the native speakers in Assimilation usually happens in the expressing their feelings. That is why, it is double consonants. This is a phenomenon common for them to speak English in high which shows the influence of one sound to speed along with their emotions. As the another to become more similar. While for result, they make a ‘shortcut’ to get ease of the reduction process, it can happen to the their pronunciation. -
Is Phonological Consonant Epenthesis Possible? a Series of Artificial Grammar Learning Experiments
Is Phonological Consonant Epenthesis Possible? A Series of Artificial Grammar Learning Experiments Rebecca L. Morley Abstract Consonant epenthesis is typically assumed to be part of the basic repertoire of phonological gram- mars. This implies that there exists some set of linguistic data that entails epenthesis as the best analy- sis. However, a series of artificial grammar learning experiments found no evidence that learners ever selected an epenthesis analysis. Instead, phonetic and morphological biases were revealed, along with individual variation in how learners generalized and regularized their input. These results, in combi- nation with previous work, suggest that synchronic consonant epenthesis may only emerge very rarely, from a gradual accumulation of changes over time. It is argued that the theoretical status of epenthesis must be reconsidered in light of these results, and that investigation of the sufficient learning conditions, and the diachronic developments necessary to produce those conditions, are of central importance to synchronic theory generally. 1 Introduction Epenthesis is defined as insertion of a segment that has no correspondent in the relevant lexical, or un- derlying, form. There are various types of epenthesis that can be defined in terms of either the insertion environment, the features of the epenthesized segment, or both. The focus of this paper is on consonant epenthesis and, more specifically, default consonant epenthesis that results in markedness reduction (e.g. Prince and Smolensky (1993/2004)). Consonant -
A Reduction and Spreading Theory of Voicing and Other Sound Effects""
CatWPL 412, 1995, 267-328 A Reduction and Spreading Theory of Voicing and Other Sound Effects"" Joan Mascaró Universitat Autbnoma de Barcelona. Departament de Filologia Catalana 08193 Bellaterra (Barcelona). Catalonia (Spain) [email protected] Abstract A set of different surface effects commonly found in the phonology of natural lan- guages, voicing assimilation and final devoicing, are derived from two parameters, Reduction, the loss of phonological structure, and Spreading, the association of two unas- sociated nodes. Reduction is an operation on a node (e.g. voice), and it can take three values: no operation, Deassociation of the node, or Deletion of the node. Spreading has just the two minimal values, + and -. Spreading can combine with Reduction, or with Deassociation, resulting in two different assimilatory effects. When Spreading takes the negative value, or when contextually no spreading is possible, the surface effect that results is devoicing. The different parametric settings of Recluction and Spreading coupled with syllable control, and stages of application, predict the appropriate surfa- ce clusters of voicing effects. These results are extended to other effects like place centralization, unmarked assimilation, and to a set of residual or sporadic effects like progressive assimilation in regressive systems. Key words: phonological theory, voicing, assimilation, devoicing. Resum. Una teoria de reducció i d'escampament de la sonoritat i d'altres efectes sonors Tota una sbrie d'efectes superficials que es troben sovint en la fonologia de les llengües naturals, l'assimilació i l'ensordiment final, es deriven de dos parimetres: la Reducció, O NOTE OF THE EDITORS. Although CatWPL normally publishes the results of ongoing research, the editors have considered that this 1987 manuscript was worth publishing. -
Vocale Incerta, Vocale Aperta*
Vocale Incerta, Vocale Aperta* Michael Kenstowicz Massachusetts Institute of Technology Omaggio a P-M. Bertinetto Ogni toscano si comporta di fronte a una parola a lui nuova, come si nota p. es. nella lettura del latino, scegliendo costantamente, e inconsciamente, il timbro aperto, secondo il principio che il Migliorini ha condensato nella formula «vocale incerta, vocale aperta»…è il processo a cui vien sottoposto ogni vocabolo importato o adattato da altri linguaggi. (Franceschi 1965:1-3) 1. Introduction Standard Italian distinguishes seven vowels in stressed nonfinal syllables. The open ɛ,ɔ vs. closed e,o mid-vowel contrast (transcribed here as open è,ò vs. closed é,ó) is neutralized in unstressed position (1). (1) 3 sg. infinitive tócca toccàre ‘touch’ blòcca bloccàre ‘block’ péla pelàre ‘pluck’ * A preliminary version of this paper was presented at the MIT Phonology Circle and the 40th Linguistic Symposium on Romance Languages, University of Washington (March 2010). Thanks to two anonymous reviewers for helpful comments as well as to Maria Giavazzi, Giovanna Marotta, Joan Mascaró, Andrea Moro, and Mario Saltarelli. 1 gèla gelàre ‘freeze’ The literature uniformly identifies the unstressed vowels as closed. Consequently, the open è and ò have more restricted distribution and hence by traditional criteria would be identified as "marked" (Krämer 2009). In this paper we examine various lines of evidence indicating that the open vowels are optimal in stressed (open) syllables (the rafforzamento of Nespor 1993) and thus that the closed é and ó are "marked" in this position: {è,ò} > {é,ó} (where > means “better than” in the Optimality Theoretic sense). -
1 Deconstructing Markedness in Sound Change
Deconstructing markedness in sound change typology: Notes on θ > f and f > θ1 Juliette Blevins CUNY Graduate Center ABSTRACT Many sound changes have been attributed to misperception (Ohala 1981, 1993). When two sounds A and B are perceptually similar, A can be misperceived as B and vice versa. One sound change attributed solely to perceptual similarity is θ > f (Blevins 2004). Misperception of [θ] as [f] yields θ > f, while hearing [f] as [θ] should lead to f > θ changes. Context-free shifts of θ > f are attested, but regular f > θ changes are rare. Recent research questions the existence of f > θ changes and the perceptual basis of θ > f changes. Historical, typological, experimental, developmental, and language contact data reviewed here support the original perceptual account of θ > f and f > θ, suggesting that the observed asymmetry can be explained phonetically and structurally, without reference to markedness (cf. Andersen 2008). Keywords: Sound change, markedness, perceptual similarity, dental fricative 1 This article is an updated version of earlier work on this topic, namely Blevins, Juliette. 2011. Perceptual similarity and sound change typology: Notes on θ > f and f > θ. Manuscript, CUNY, referred to in Blevins (2015), my chapter contribution to the Oxford Handbook of Historical Phonology. A later 2014 version of the same manuscript was in circulation, and I thank all those who offered suggestions for improvement. 1 1. Asymmetries in sound change typology It has long been observed that there are asymmetries in sound change typology. A > B is common, but B > A is rare, as in the common debuccalization of s > h, but the rare strengthening of h > s. -
Phonetic Factors Contributing to the Inception and Evolution of Sound Change
DOI: 10.17469/O2101AISV000002 DANIEL RECASENS Phonetic factors contributing to the inception and evolution of sound change This paper uses experimental evidence for showing that, depending on the case, sound changes may be triggered primarily by either articulatory variation (as for changes occurring through segmental weakening or strengthening) or by acoustic equivalence (as for vowel nasalization or for segmental substitutions involving syllable-final stops of different places of articulation). It also argues for a multiple evolutionary pathway in the case of specific sound changes such as dark /l/ elision or the palatalization of Latin /kt, ks/ in Romance.The role of word prominence in vowel assimilations and dissimilations and how sound changes originate in the individual are also looked into. In recent times more attention has been paid to how sound changes spread through the lexicon and the linguistic community (Labov, 1994; Phillips, 2006; Wang, 1969) than to the phonetic factors which contribute to the origin of sound change. Fortunately the situation is improving thanks to the pioneering work of Ohala (see section 1.2) and an increasing number of books and articles on this research topic (Solé, Recasens, 2012; Yu, 2013). This scenario is in clear contrast with the one existing during the last decades of the XIX century and the first decades of the XX century, as revealed by outstanding publications on the articulatory causes of sound change which appeared at that time (Grammont, 1933; Millardet, 1910; Rousselot, 1897-1901). One reason for the present lack of interest in the phonetic causes of sound change is to be sought in the special emphasis that structuralist and generative linguists have put into the study of synchronic phonology much to the exclusion of diachronic aspects and phonetic variation.