1 Deconstructing Markedness in Sound Change
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lecture 5 Sound Change
An articulatory theory of sound change An articulatory theory of sound change Hypothesis: Most common initial motivation for sound change is the automation of production. Tokens reduced online, are perceived as reduced and represented in the exemplar cluster as reduced. Therefore we expect sound changes to reflect a decrease in gestural magnitude and an increase in gestural overlap. What are some ways to test the articulatory model? The theory makes predictions about what is a possible sound change. These predictions could be tested on a cross-linguistic database. Sound changes that take place in the languages of the world are very similar (Blevins 2004, Bateman 2000, Hajek 1997, Greenberg et al. 1978). We should consider both common and rare changes and try to explain both. Common and rare changes might have different characteristics. Among the properties we could look for are types of phonetic motivation, types of lexical diffusion, gradualness, conditioning environment and resulting segments. Common vs. rare sound change? We need a database that allows us to test hypotheses concerning what types of changes are common and what types are not. A database of sound changes? Most sound changes have occurred in undocumented periods so that we have no record of them. Even in cases with written records, the phonetic interpretation may be unclear. Only a small number of languages have historic records. So any sample of known sound changes would be biased towards those languages. A database of sound changes? Sound changes are known only for some languages of the world: Languages with written histories. Sound changes can be reconstructed by comparing related languages. -
Is Phonological Consonant Epenthesis Possible? a Series of Artificial Grammar Learning Experiments
Is Phonological Consonant Epenthesis Possible? A Series of Artificial Grammar Learning Experiments Rebecca L. Morley Abstract Consonant epenthesis is typically assumed to be part of the basic repertoire of phonological gram- mars. This implies that there exists some set of linguistic data that entails epenthesis as the best analy- sis. However, a series of artificial grammar learning experiments found no evidence that learners ever selected an epenthesis analysis. Instead, phonetic and morphological biases were revealed, along with individual variation in how learners generalized and regularized their input. These results, in combi- nation with previous work, suggest that synchronic consonant epenthesis may only emerge very rarely, from a gradual accumulation of changes over time. It is argued that the theoretical status of epenthesis must be reconsidered in light of these results, and that investigation of the sufficient learning conditions, and the diachronic developments necessary to produce those conditions, are of central importance to synchronic theory generally. 1 Introduction Epenthesis is defined as insertion of a segment that has no correspondent in the relevant lexical, or un- derlying, form. There are various types of epenthesis that can be defined in terms of either the insertion environment, the features of the epenthesized segment, or both. The focus of this paper is on consonant epenthesis and, more specifically, default consonant epenthesis that results in markedness reduction (e.g. Prince and Smolensky (1993/2004)). Consonant -
Phonetic Factors Contributing to the Inception and Evolution of Sound Change
DOI: 10.17469/O2101AISV000002 DANIEL RECASENS Phonetic factors contributing to the inception and evolution of sound change This paper uses experimental evidence for showing that, depending on the case, sound changes may be triggered primarily by either articulatory variation (as for changes occurring through segmental weakening or strengthening) or by acoustic equivalence (as for vowel nasalization or for segmental substitutions involving syllable-final stops of different places of articulation). It also argues for a multiple evolutionary pathway in the case of specific sound changes such as dark /l/ elision or the palatalization of Latin /kt, ks/ in Romance.The role of word prominence in vowel assimilations and dissimilations and how sound changes originate in the individual are also looked into. In recent times more attention has been paid to how sound changes spread through the lexicon and the linguistic community (Labov, 1994; Phillips, 2006; Wang, 1969) than to the phonetic factors which contribute to the origin of sound change. Fortunately the situation is improving thanks to the pioneering work of Ohala (see section 1.2) and an increasing number of books and articles on this research topic (Solé, Recasens, 2012; Yu, 2013). This scenario is in clear contrast with the one existing during the last decades of the XIX century and the first decades of the XX century, as revealed by outstanding publications on the articulatory causes of sound change which appeared at that time (Grammont, 1933; Millardet, 1910; Rousselot, 1897-1901). One reason for the present lack of interest in the phonetic causes of sound change is to be sought in the special emphasis that structuralist and generative linguists have put into the study of synchronic phonology much to the exclusion of diachronic aspects and phonetic variation. -
Toward a Unified Theory of Chain Shifting
OUP UNCORRECTED PROOF – FIRST-PROOF, 04/29/12, NEWGEN !"#$%&' () TOWARD A UNIFIED THEORY OF CHAIN SHIFTING *#'+, -. ./,0/, !. I"#$%&'(#)%" Chain shifts play a major role in understanding the phonological history of English—from the prehistoric chain shift of Grimm’s Law that separates the Germanic languages from the rest of Indo-European, to the Great Vowel Shift that is often taken to define the boundary between Middle English and Early Modern English, to the ongoing chain shifts in Present-Day English that are used to estab- lish the geographical boundaries between dialect regions. A chain shift may be defined as a set of phonetic changes affecting a group of phonemes so that as one phoneme moves in phonetic space, another phoneme moves toward the phonetic position the first is abandoning; a third may move toward the original position of the second, and (perhaps) so on. Martinet (12(3) introduced the argument that chain shifts are caused by a need for phonemes to maintain margins of security between each other—so if a phoneme has more phonetic space on one side of it than on others, random phonetic variation will cause it to move toward the free space but not back toward the margins of security of phonemes on the other side. Labov (3414: chapter 5) gives a lucid exposition of the cognitive and phonetic argu- ments underlying this account of chain shifting. Despite their value as a descriptive device for the history of English, however, the ontological status of chain shifts themselves is a matter of some doubt. Is a 559_Nevalainen_Ch58.indd9_Nevalainen_Ch58.indd -
August 25-26, 1969
Fourth International Conference on Salish Languages University of Victoria August 25-26, 1969 LABIALIZATION IN NOOTKAN William H. Jacobsen Jr. University of Nevada A well-known phonological characteristic of most of the Indian languages of the Northwest is the presence of contrast ing pairs of plain and labialized dorsal consonants. In 1920 Boas observed: The study of phonetics indicates that certain features have a limited and well-defined distribution which, on the whole, is conttnuous. To give an example: the extra ordinary development of the series of k sounds and of laterals (1 sounds) is common to the most diverse languages of the NOrth Pacific coast, while in California and east of the Rocky mountains this characteristic feature disappears •••• The labialization of k sounds following an 0 or u is widely spread in the eftreme-Northwest, arid infrequent 'Outside of that territory. Later he elaborated on this statement, in the context of making comparisons to the phenomenon as occurring in Kwakiutl: The labialization of k sounds after 0 and u is a widely spread phenomenon on the Pacific coast~. Tn Chinook when a u vowel precedes a k sound and the latter is either followed oy a vowel or is a prefix, it must be labial~zed or followed by a vowel of the u group (HAIL I, 569). In Tlingit k sounds preceded by 0 or u-change the following i and e to 0 and u ~ibid. p. 16;). A similar type of labia~ization of-k after --a, 0, and -u occurs in Kutenai (IJAL IV, p. -
Stop Epenthesis in English F Marios Fourakis Centra L Institute for the Deaf
Journal of Phonetics (1986) 14, 197 22 1 I Stop Epenthesis in English f Marios Fourakis Centra l Institute for the Deaf. 818 South Euclid, St. Louis, Mis souri 63110. U.S.A. and Robert Port lndiana University , Bloomington, Indiana 47405, U.S.A. Received 14th May 1985. and in revisedform I Ith January 1986 Some phonologists have claimed that the insertion of a stop between a sonorant and a fricative consonant in syllable-final sonorant fricative clusters follows from universal constraints on the human speech perception and produ ction mechanism. Others have claimed that the intrusive stops are products of language or dialect specific phonological rules that are stated in the grammar . In this experiment we examined the produ ction of sonorant - fricative and sonorant-stop fricative clusters by two groups of English speakers. One spoke a South African dialect and the other an American mid-western dfalect. The words tested ended in clusters of [n) or [l) plus [s) or [ts) and their voiced counterparts. Spectrographic analysis revealed that the South African speakers maintained a clear contrast between sonorant fricative and sonorant-stop-fricative clusters. The American speakers always inserted stops after the sonorant if the fricative was voiceless, but when the fricative was voiced, they more often omitted the stop in underlying clusters containing a stop (/ldz/ or /ndz/) but sometimes inserted a stop in clusters such as /n2/ or /lz/. Measurements of the durations of the vowels, sonorants, stops and the final fricatives were made from the spectrograms . The inserted stop in the American productions was significantly shorter than the underlying one and its presence also affected the duration of the preceding nasal. -
Between Natural and Unnatural Phonology: the Case of Cluster-Splitting Epenthesis Juliette Blevins the Graduate Center, CUNY
Chapter 1 Between natural and unnatural phonology: The case of cluster-splitting epenthesis Juliette Blevins The Graduate Center, CUNY A widely recognized feature of loan-word phonology is the resolution of clusters by vowel epenthesis. When a language lacking word-initial clusters borrows words from a language with initial #TRV sequences, T an oral stop and R a liquid, it is common to find vowel epenthesis, most typically vowel-copy, as in, for example: Basque <gurutze> ‘cross’ from Latin <cruce(m)>; Q’eqchi’ <kurus> ‘cross’ from Spanish <cruz> ‘cross’, or Fijian <kolosi> ‘cross’ from English <cross>. The phonological rule or sound change responsible for this pat- tern is sometimes called “cluster-splitting epenthesis”: #TRVi > #TV(i)RVi. The most widely accepted explanation for this pattern is that vowel epenthesis between the oral stop andthe following sonorant is due to the vowel-like nature of the TR transition, since #TRVi is per- ceptually similar to #TV(i)RVi. A fact not often appreciated, however, is that cluster-splitting epenthesis is extremely rare as a language-internal development. The central premise of this chapter is that #TRVi in a non-native language is heard or perceived as #TV(i)RVi when phonotactics of the native language demand TV transitions. Without this cognitive compo- nent, cluster-splitting epenthesis is rare and, as argued here, decidedly unnatural. 1 Introduction Diachronic explanations have been offered for both natural and unnatural sound pat- terns in human spoken languages. Building on the Neogrammarian tradition, as well as the experimental research program of Ohala (e.g. 1971; 1974; 1993), it is argued that natural sound patterns, like final obstruent devoicing, nasal place assimilation, vowel harmony, consonant lenition, and many others, arise from regular sound changes with clear phonetic bases (Blevins 2004, 2006, 2008, 2015; Anderson 2016). -
Diachronic Phonological Analysis
Diachronic phonological analysis LING 451/551 Winter 2011 Overview • Parallels between synchronic, diachronic phonology • Restructuring • Reconstruction practice Terminology and symbols • Related forms – Synchronic • Alternants, allomorphs: Hungarian [kalap]~[kalab] – Diachronic • Cognates: Latin ped : English /fʊt/ • Sounds of related forms – Synchronic • Alternating segments: Hungarian [p]~[b] – Diachronic • Sound correspondences: Latin [p] : English [f] Synchronic vs. diachronic analysis • Kenstowicz 1994: 115 – “Application of the Comparative Method involves discovering the sound correspondences between presumed cognate words and trying to assign a unique protoform…The entire procedure is similar in certain ways to the discovery of a word‟s synchronic underlying representation on the basis of its phonetic alternants.” Analysis • Synchronic – URs + rules which describe underlying to surface (phonetic) forms – Underlying representation: Hungarian /kalap/ • Diachronic – Proto-forms + sound changes which describe Proto- language to daughter languages – Proto-form: Proto-Indo-European *ped/pod Rules • Synchronic – Phonological rule: Hungarian [-son] [αvoiced] / ___ [-son, αvoiced] • Diachronic – Sound change: PIE *p > Proto-Germanic *f Rule types • Synchronic – Neutralization • Hungarian [-sonorant] [αvoiced] / ___ [-sonorant, αvoiced] – neutralizes difference between /p/, /b/; /t/, /d/ etc. before obstruents – Allophonic • English [-son, -cont, -vd] [+spread glottis] / { ___ V [+stressed] #___ } – creates “new sounds” Rule types • Diachronic -
Chapter on Phonology
13 The (American) English Sound System 13.1a IPA Chart Consonants: Place & Manner of Articulation bilabial labiodental interdental alveolar palatal velar / glottal Plosives: [+voiced] b d g [voiced] p t k Fricatives: [+voiced] v ð z ž [voiced] f θ s š h Affricates: [+voiced] ǰ [voiced] č *Nasals: [+voiced] m n ŋ *Liquids: l r *Glides: w y *Syllabic Nasals and Liquids. When nasals /m/, /n/ and liquids /l/, /r/ take on vowellike properties, they are said to become syllabic: e.g., /ļ/ and /ŗ/ (denoted by a small line diacritic underneath the grapheme). Note how token examples (teacher) /tičŗ/, (little) /lIt ļ/, (table) /tebļ/ (vision) /vIžņ/, despite their creating syllable structures [CVCC] ([CVCC] = consonantvowel consonantconsonant), nonetheless generate a bisyllabic [CVCV] structure whereby we can ‘clapout’ by hand two syllables—e.g., [ [/ ti /] [/ čŗ /] ] and 312 Chapter Thirteen [ [/ lI /] [/ tļ /] ], each showing a [CVCC v] with final consonant [C v] denoting a vocalic /ŗ/ and /ļ/ (respectively). For this reason, ‘fluid’ [Consonantal] (vowellike) nasals, liquids (as well as glides) fall at the bottom half of the IPA chart in opposition to [+Consonantal] stops. 13.1b IPA American Vowels Diphthongs front: back: high: i u ay I ә U oy au e ^ o ε * ] low: æ a 13.1c Examples of IPA: Consonants / b / ball, rob, rabbit / d / dig, sad, sudden / g / got, jogger / p / pan, tip, rapper / t / tip, fit, punter / k / can, keep / v / vase, love / z / zip, buzz, cars / ž / measure, pleasure / f / fun, leaf / s / sip, cent, books / š / shoe, ocean, pressure / ð / the, further / l / lip, table, dollar / č / chair, cello / θ / with, theory / r / red, fear / ǰ / joke, lodge / w / with, water / y / you, year / h / house / m / make, ham / n / near, fan / ŋ / sing, pink The American English Sound System 313 *Note: Many varieties of American English cannot distinguish between the ‘open‘O’ vowel /]/ e.g., as is sounded in caught /k]t/ vs. -
1 Part III Basic Tendencies and Types of Change Evolutionary Phonology
Part III Basic Tendencies and Types of Change Evolutionary Phonology: A holistic approach to sound change typology Juliette Blevins Max Planck Institute for Evolutionary Anthropology 1. Evolutionary phonology and sound change typology. A central goal of Evolutionary Phonology (Blevins 2004a, 2006a, 2008a, 2009a, 2009b, 2010) is to explain why certain sound patterns have the properties and typological distributions they do. Why are sound patterns involving, for example, final obstruent devoicing, extremely common cross-linguistically, while final obstruent voicing is rare? Why is laryngeal epenthesis common but sibilant epenthesis rare? Though these kinds of questions relate directly to aspects of synchronic sound patterns, comprehensive answers to them typically refer to properties of sound change typology. Common sound patterns often reflect common instances of sound change. Since the most common instances of sound change appear to be those with clear and robust phonetic conditioning, there is a direct link in this model between phonetically motivated sound change and common sound patterns. In contrast, rare sound patterns may reflect rare types of sound change, rare historical sequences of change, lack a source in phonetically motivated sound change, reflect language-specific analogical change, or, for other reasons, be the endpoint of a highly unlikely evolutionary pathway.1 Sound change typology is a somewhat new area of study, to the extent that clear explanations are sought for properties of sound change (target, structural change, environment), typological distributions of sound change (common, rare, areal properties, structural associations), and asymmetries in certain types of change (e.g. velar palatalization vs. palatal velarization, final obstruent devoicing vs. final obstruent voicing). -
Sound Change
Sound change Andrew Garrett UC Berkeley “[T]he causes of sound change are unknown.” — Leonard Bloomfield, Language (1933:385) 1 Introduction If new words and lexical usages are the most recognizable aspect of language change, the emergence of novel pronunciation patterns and the existence of distinct accents of the same language are also familiar to casual observers.1 Despite its ubiquity, there is no generally accepted definition of sound change. It certainly includes phonologization, whereby an automatic phonetic property evolves into a language-specific phonological one (Jakobson 1931, Hyman 1977, 2012). For some analysts, the phenomenon of sound change also encompasses phonological change with other origins, such as dialect contact, paradigm regularization, or structural simplification. Defining the object of study is important when different definitions lead to different views of its mechanisms and properties. Nonetheless, in what follows I take a pragmatic approach, highlighting some phenomena, questions, and further literature that seem especially interesting at present, and setting others aside. Students entering the field in 2013 will find a different landscape from that of a generation ago. Inquiry into the causes and pathways of sound change has been transformed by the work of five scholars in particular. Three of them, Paul Kiparsky (1988, 1995), William Labov (e.g. 1981, 1994, 2001, 2010), and Björn Lindblom (Lindblom 1990, Lindblom et al. 1995), have proposed influential structural analyses of changes within their sound systems. Two others, Juliette Blevins (e.g. Blevins and Garrett 1998, 2004, Blevins 2004, 2006a) and John Ohala (e.g. 1974, 1981, 1983, 1993), have also emphasized the role of articulatory detail and perceptual processes in determining the course of sound changes. -
Audio-Visual Factors in Stop Debuccalization in Consonant Sequences Keith Johnson Department of Linguistics UC Berkeley
UC Berkeley Phonology Lab Annual Report (2015) Audio-visual factors in stop debuccalization in consonant sequences Keith Johnson Department of Linguistics UC Berkeley 227 UC Berkeley Phonology Lab Annual Report (2015) Abstract This study tested the hypothesis that some language sound patterns originate in factors relating to the perception of speech as an audio-visual signal. Specifically, this was a study of stop debuccalization (a process in which the place of articulation of a stop changes from oral to glottal). Phonetically trained listeners were asked to identify stop consonants in medial clusters as “p”, “t”, “k” or “ ʔ” in audio-visual recordings of nonwords that had the test segments [p], [t], [k], and [ʔ] in syllable coda followed by [m], [n], [l] or [ŋ] in the onset of the next syllable. The relative timing of the audio and video streams were manipulated so that in 2/5 of the stimuli the audio was advanced relative to the video and in 2/5 of the stimuli the audio was delayed. This manipulation mainly affected the perception of [p] in homorganic [p.m] clusters such that when the audio was advanced listeners reported more “k” and “ʔ” than when the audio offset was unchanged or when the audio was delayed relative to the video. The implications of this type of effect in audio-visual speech perception on linguistic sound patterns is discussed. 1. Introduction In debuccalization, the place of articulation of a consonant changes from oral to glottal. Stops debuccalize to the glottal stop: [p],[t],[k] > [ʔ], and fricatives debuccalize to a glottal fricative ([f], [θ],[s],[z],[x] > [h]).