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PTT Hayat 24. Sayı
Bir İcat Neleri OCAK / JANUARY 2021 24 TelgrafDeğiştirir? What Does an Invention Changes? Telegraph Doç. Dr. Adım Adım: İletişim ve Halil Özcan'la Sirkeci Büyük Haberleşmenin Röportaj Postane Geleceği Interview with Step by Step: The Future of Assoc. Dr. Sirkeci Büyük Communication and Halil Özcan Postane Correspondence ISSN: 2717-8021 @ptthayat YAYIN SAHIBI PUBLISHER Posta ve Telgraf Teşkilatı Anonim Şirketi Adına Genel Müdür Hakan GÜLTEN SORUMLU YAZI IŞLERI MÜDÜRÜ RESPONSIBLE MANAGING EDITOR YAPIM PRODUCTION Cemil Cengiz PTT HAYAT DERGİSİ, VİCTOR ORBİS KREATİF GENEL YAYIN YÖNETMENI REKLAM HİZMETLERİ TARAFINDAN EXECUTIVE COORDINATOR YAPILMAKTADIR. Reyyan Beyza Altan THE MAGAZINE PTT HAYAT IS PREPARED BY EDITÖR EDITOR VICTOR ORBIS CREATIVE ADVERTISEMENT Fatih Çavuşoğlu SERVICES. [email protected] Kuzguncuk Mah. İcadiye Cad. No:121 YAZAR KADROSU AUTHORS Üsküdar/İstanbul Dilruba Yayla, Merve Ayar, Talha Kabukçu, Sümeyya Semiha Büyük, Şeyma Acıgöz, Zelal Arabacı YÖNETIM YERI ADRESI ILETIŞIM KOORDINATÖRÜ MANAGEMENT LOCATION COMMUNICATION COORDINATOR Anafartalar Mah. Şehit Teğmen Kalmaz Cad. Sedef Atıcı No:2 Altındağ/Ankara REDAKSIYON EDITING 0312 509 57 09 Şeyma Acıgöz ÇEVIRMEN TRANSLATOR Elif Erdoğdu BASKI PRINT Yenidevir Matbaacılık ve Gazetecilik A.Ş. KREATIF DIREKTÖR CREATIVE DIRECTOR Basın Ekspres Yolu, Cemal Ulusoy Cad. No:38 Serdar Uyanık Bahçelievler / İstanbul ART DIREKTÖR ART DIRECTOR 212 697 1000 / Sertifika No:41910 Özlem Akşahin KAPAK ILLÜSTRASYON COVER ILLUSTRATION OCAK / JANUARY 2021 SAYI ISSUE: 24 Erdem Özsaray Yaygın -
COMMUNICATION and ADVERTISING This Text Is Prepared for The
DESIGN CHRONOLOGY TURKEY COMMUNICATION AND ADVERTISING This text is prepared for the 3rd Istanbul Design Biennial ARE WE HUMAN? The Design of the Species 2 seconds, 2 days, 2 years, 200 years, 200,000 years by Gökhan Akçura and Pelin Derviş with contributions by Barış Gün and the support of Studio-X Istanbul translated by Liz Erçevik Amado, Selin Irazca Geray and Gülce Maşrabacı editorial support by Ceren Şenel, Erim Şerifoğlu graphic design by Selin Pervan COMMUNICATION AND ADVERTISING 19th CENTURY perfection of the manuscripts they see in Istanbul. Henry Caillol, who grows an interest in and learns about lithography ALAMET-İ FARİKA (TRADEMARK) in France, figures that putting this technique into practice in Let us look at the market places. The manufacturer wants to Istanbul will be a very lucrative business and talks Jacques distinguish his goods; the tradesman wants to distinguish Caillol out of going to Romania. Henry Caillol hires a teacher his shop. His medium is the sign. He wants to give the and begins to learn Turkish. After a while, also relying on the consumer a message. He is trying to call out “Recognize me”. connections they have made, they apply to the Ministry of He is hanging either a model of his product, a duplicate of War and obtain permission to found a lithographic printing the tool he is working with in front of his store, or its sign, house. They place an order for a printing press from France. one that is diferent, interesting. The tailor hangs a pair of This printing house begins to operate in the annex of the scissors and he becomes known as “the one who is good with Ministry of War (the current Istanbul University Rectorate scissors”. -
Tentative Lists Submitted by States Parties As of 15 April 2021, in Conformity with the Operational Guidelines
World Heritage 44 COM WHC/21/44.COM/8A Paris, 4 June 2021 Original: English UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Extended forty-fourth session Fuzhou (China) / Online meeting 16 – 31 July 2021 Item 8 of the Provisional Agenda: Establishment of the World Heritage List and of the List of World Heritage in Danger 8A. Tentative Lists submitted by States Parties as of 15 April 2021, in conformity with the Operational Guidelines SUMMARY This document presents the Tentative Lists of all States Parties submitted in conformity with the Operational Guidelines as of 15 April 2021. • Annex 1 presents a full list of States Parties indicating the date of the most recent Tentative List submission. • Annex 2 presents new Tentative Lists (or additions to Tentative Lists) submitted by States Parties since 16 April 2019. • Annex 3 presents a list of all sites included in the Tentative Lists of the States Parties to the Convention, in alphabetical order. Draft Decision: 44 COM 8A, see point II I. EXAMINATION OF TENTATIVE LISTS 1. The World Heritage Convention provides that each State Party to the Convention shall submit to the World Heritage Committee an inventory of the cultural and natural sites situated within its territory, which it considers suitable for inscription on the World Heritage List, and which it intends to nominate during the following five to ten years. Over the years, the Committee has repeatedly confirmed the importance of these Lists, also known as Tentative Lists, for planning purposes, comparative analyses of nominations and for facilitating the undertaking of global and thematic studies. -
MAKING a HOME: SYMBOLIC REPRESENTATIONS of DOMESTIC SPACE AMONG the CHRISTIAN ORTHODOX ANTIOCHEANS in ISTANBUL by POLINA-PARTHEN
MAKING A HOME: SYMBOLIC REPRESENTATIONS OF DOMESTIC SPACE AMONG THE CHRISTIAN ORTHODOX ANTIOCHEANS IN ISTANBUL by POLINA-PARTHENA GIOLTZOGLOU Submitted to the Faculty of Arts and Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts Sabanci University October, 2014 MAKING A HOME: SYMBOLIC REPRESENTATIONS OF DOMESTIC SPACE AMONG THE CHRISTIAN ORTHODOX ANTIOCHEANS IN ISTANBUL Approved by: Ayse Parla ………………………. (Thesis Advisor) Banu Karaca ………………………. Yael Navaro-Yashin ………………………. Date of approval: 31.10.2014 © Polina-Parthena Gioltzoglou 2014 All rights Reserved ABSTRACT MAKING A HOME: SYMBOLIC REPRESENTATIONS OF DOMESTIC SPACE AMONG THE CHRISTIAN ORTHODOX ANTIOCHEANS IN ISTANBUL POLINA- PARTHENA GIOLTZOGLOU M.A. In Cultural Studies, Thesis, 2014 Supervisor: Ayse Parla Keywords: Christian Orthodox Antiocheans, home-making, spatial negotiations, affect, travma, ruination, beautification, non-status minority, muzealization. This research examines instances of everyday life experience, and the process of home-making of a group of Antiochean migrants in the city of Istanbul, Turkey. It fo- cuses on processes of spatial negotiation and transformation, through practices of con- sumption and production involved in the home-making experience. Furthermore, it ex- plores the element of ‘affect' within the context of the political economy and materiality of home-making. The families studied, have been living in houses that belong to the Greek Minority of Istanbul, allocated to them, under the obligation to tend for the adjoined buildings, mainly churches, schools and cemeteries. Inhabiting these conditionally private spaces is therefore interwoven with taking care of a communal/public space. These residences constitute a network of households that link migrant Antiocheans in Istanbul, embed- ding them at the same time as nodes in an expanding, global matrix, including south- east Turkey, Istanbul, Athens, Berlin. -
Turkish Cinema
Turkish cinema Nezih Erdoğan Deniz Göktürk The first years Cinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West. It perfectly represented the ambivalent attitudes of the national / cultural identity under construction. On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the Westbeing projected onto the screen, but also for the condi- tions of its reception. Cinematography was a technological innovation imported from the West and the ritual of going to the movies became an important part of the modern urban experience. On the other hand, cinema offered possibilities for the production of a ‘national discourse’. Many of the early feature films reflect the ‘birth of a nation’ or resis- tance to the Allied Forces during World War I. The audience was already familiar with the apparatus (theatre, screen, figures, music and sound, light and shadow), which bore some resemblance to the traditional Turkish shadowplay Karagöz, one of the most popular entertainment forms of the past. Ayse Osmanoğlu, the daughter of Sultan Abdülhamid II, remembers that the French illusionist of the palace used to go to France once a year and return with some novelties to entertain the palace population; a film projector throwing lights and shadows on a wall was the most exciting of these spectacles. The first public exhibition took place in 1896 or 1897 in the Sponeck pub, which was frequented by non-Muslim minorities (namely Levantines), as well as Turkish intellectuals infatuated with the Western civilization in Pera (today Beyoğlu), a district in the European part of Istanbul known for its cosmopolitan character. -
Santa Claus from Country to Country
Santa Claus from Country to Country Lesson topic: Various ways Santa is portrayed in different countries Content Concepts: -Learn about various Santa Claus legends United States, Belgium, Brazil, Finland, France, Germany, Hungary, New Zealand, Romania, Russia, Netherlands, Spain, Chile. -Social Studies, history, map skills -Reading (list of library books) -Math problems -Science projects -Craft projects -Writing practice -Gaming skills -Music (list of Christmas CD’s) Proficiency levels: Grades 4 - 6 Information, Materials, Resources: Social Studies, History, and Map skills United States: The modern portrayal of Santa Claus frequently depicts him listening to the Christmas wishes of young children. Santa Claus (also known as Saint Nicholas, Saint Nick, Father Christmas, Kris Kringle, Santy or simply Santa) is a folklore figure in various cultures who distributes gifts to children, normally on Christmas Eve . Each name is a variation of Saint Nicholas , but refers to Santa Claus. In today's North American, European and worldwide celebration of Christmas, people young and old simply refer to the hero of the season as Santa , or Santa Claus. (Wikipedia) Conventionally, Santa Claus is portrayed as a kindly, round-bellied, merry, bespectacled white man in a red coat trimmed with white fur, with a long white beard . On Christmas Eve, he rides in his sleigh pulled by flying reindeer from house to house to give presents to children. To enter the house, Santa Claus comes down the chimney and exits through the fireplace . During the rest of the year he lives together with his wife Mrs. Claus and his elves manufacturing toys . Some modern depictions of Santa (often in advertising and popular entertainment) will show the elves and Santa's workshop as more of a processing and distribution facility, ordering and receiving the toys from various toy manufacturers from across the world. -
Cilt 6, Sayı 2
LIMNOFISH-Journal of Limnology and Freshwater Fisheries Research 6(2): 88-99 (2020) Trophic State Assessment of Brackish Bafa Lake (Turkey) Based on Community Structure of Zooplankton Atakan SUKATAR1 , Alperen ERTAS1* , İskender GÜLLE2 , İnci TUNEY KIZILKAYA1 1Ege University, Faculty of Science, Department of Biology, 35100 Bornova, İzmir, TURKEY 2Mehmet Akif Ersoy University, Faculty of Science and Arts, Department of Biology, Burdur, TURKEY ABSTRACT ARTICLE INFO Zooplankton abundance and composition are one of the most important factors RESEARCH ARTICLE which affect the food web in aquatic ecosystems. The purpose of this study was to determine the water quality of Bafa Lake in Turkey, based on zooplankton Received : 25.01.2020 communities. As the study case, Bafa Lake is one of the biggest lake in Turkey, Revised : 15.03.2020 and the lake is quite rich in terms of biodiversity. Bafa Lake is the under effects Accepted : 15.04.2020 of domestic, agricultural and industrial wastes that accumulate and cause the deterioration of ecology in the lake by Büyük Menderes River. With this purpose, Published : 27.08.2020 8 sampling sites were determined and zooplankton samples were collected DOI:10.17216/LimnoFish.680070 monthly for two years. TSINRot index and various versions of diversity indices were used to determine the water quality and ecological status of Bafa Lake. To determine similarities between the stations, the stations were clustered by using * CORRESPONDING AUTHOR UPGMA based on zooplankton fauna. By applying Pearson Correlation, [email protected] correlations between the indices based on zooplankton fauna were assessed. With Phone : +90 506 586 37 92 the identification of collected zooplankton, a total of 73 taxa which belong to groups of Rotifera, Cladocera, Copepoda, and Meroplankton were detected. -
Arcadius 8; (Column
index INDEX 319 Arcadius 8; (column of) 184 Balat 213–14 Archaeological Museum 93ff Baldwin, Count of Flanders 15 Argonauts, myth of 259, 263, 276 Balıklı Kilisesi 197–98 Major references, in cases where many are listed, are given in bold. Numbers in italics Armenian, Armenians 25, 189, 192, Balkapanı Han 132 are picture references. 193, 241–42, 258, 278; (Cemetery) Baltalimanı 258 268; (Patriarchate) 192 Balyan family of architects 34, 161, 193; Arnavutköy 255 (burial place of) 268 A Alexander, emperor 67 Arsenal (see Tersane) Balyan, Karabet 34, 247 Abdülaziz, sultan 23, 72, 215, 251; Alexander the Great 7; (sculptures of) 96 Ashkenazi Synagogue 228 Balyan, Kirkor 34, 234 (burial place of) 117 Alexander Sarcophagus 94, 95 Astronomer, office of 42 Balyan, Nikoğos 34, 246, 247, 249, Abdülhamit I, sultan 23, 118; (burial Alexius I, emperor 13, 282 At Meydanı (see Hippodrome) 252, 255, 274, 275 place of) 43 Alexius II, emperor 14 Atatürk 24, 42, 146, 237, 248; Balyan, Sarkis 34, 83, 247, 258, 272, Abdülhamit II, sultan 23, 251, 252, Alexius III, emperor 14 (Cultural Centre) 242; (Museum) 243; 267 278; (burial place of) 117 Alexius IV, emperor 15 (statue of) 103 Bank, Ottoman 227 Abdülmecit I, sultan 71, 93, 161, 164, Alexius V, emperor 15 Atik Ali Pasha 171; (mosque of) 119 Barbarossa, pirate and admiral 152, 247; (burial place of) 162 Ali Pasha of Çorlu, külliye of 119–20 Atik Mustafa Paşa Camii 216 250, 250; (burial place of) 250; Abdülmecit II, last caliph 24 Ali Sufi, calligrapher 157, 158 Atik Sinan, architect 130, 155, 212; (ensign -
Female Silences, Turkey's Crises
Female Silences, Turkey’s Crises Female Silences, Turkey’s Crises: Gender, Nation and Past in the New Cinema of Turkey By Özlem Güçlü Female Silences, Turkey’s Crises: Gender, Nation and Past in the New Cinema of Turkey By Özlem Güçlü This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Özlem Güçlü All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9436-2 ISBN (13): 978-1-4438-9436-4 To Serhan Şeşen (1982-2008) and Onur Bayraktar (1979-2010) TABLE OF CONTENTS List of Figures .......................................................................................... viii Acknowledgements ..................................................................................... ix Notes on Translations ................................................................................. xi Introduction ................................................................................................. 1 And Silence Enters the Scene Chapter One ............................................................................................... 30 New Cinema of Turkey and the Novelty of Silence Chapter Two ............................................................................................. -
Primii Pași Spre Carte
The first steps in Europe Les premiers pas en Europe Першi кроки в Європі Τα πρώτα βήματα για ςτην Ευρώπη Pierwsze kroki w Europie Первыми шагами в Европе Първите стъпки в Европа ISSN 2359-8573 Pirmųjų veiksmų Europoje ISSN-L 2359-8573 PRIMII PAȘI SPRE CARTE Număr special de Crăciun – ianuarie 2016 Coordonator: Prof.înv.primar, IFRIM NICOLETA ȘCOALA GIMNAZIALĂ “ION CREANGĂ”, BUZĂU Număr special/ ianuarie 2016 Revistă editată în cadrul proiectelor eTwinning, și Coordonator revistă: Prof.înv.primar, Ifrim Nicoleta- Școala Gimnazială "Ion Creangă", Buzău, România, Director: Prof. Vornicu Daniela L'équipe de redaction- Partenaires eTwinning: Angela Zeama- Liceul Teoretic ,,C. Stere”, or.Soroca, R. Moldova Maia Porombrica, Liceul Teoretic Mesterul Manole s. Salcuta, Causeni, Moldova, Republic of Victory Lomaka- Sumy school №5, Ucraina Yuliya Vykhrystyuk- Grammar School 23, Vinnytsia, Ucraina Olena Statkevych- Grammar School 23, Vinnytsia, Ucraina Svitlana Pasichnik- Myrhorodska Gymnasium Shevchenko, Ucraina Anna Shkliaruk- Gymnasium 'Erudite' Kyiv, Ukraine Margarita Liukaitienė, Šakių "Žiburio" Gimnazija, Šakiai, Lithuania Иванка Рачева- ОДЗ „ПЧЕЛИЦА“, ул. „Райна Княгиня“№ 1, гр. Шумен, България/ Șumen, ODZ "Pchelitza", Bulgaria Sylvie Berite- Ecole élémentaire Saint-Exupéry, France Laurence Wartelle, L'Ecole Bon Voyage 1, France Roula Siroyianni-7a Școala primară - Halkida, Grecia Danuta Bartkowiak - Siekaoska; SP-84 Poznao – Poland Vassiliki Papageorgiou- 14o Dimotiko Sxolio Larissas, Grecia We thank, Europe! We love you, Europe! 3 Les élèves de la III- ème classe de L`École Gymnasiale "Ion Creangă", Buzău, Roumanie, vous remercient beaucoup pour vos très belles cartes postales de Noël et vous souhaitent à tous: Bonne Année!/ Happy New Year! 4 CRĂCIUNUL ÎN MOLDOVA Pentru fiecare dintre noi, Craciunul reprezintă un moment deosebit. -
Fishing at the Galata Bridge, Đstanbul, in 2011-2012
J. Black Sea/Mediterranean Environment Vol. 18, No.2: 223-237 (2012) RESEARCH ARTICLE Fishing at the Galata Bridge, Đstanbul, in 2011-2012 Nao Iwano 1,2 *, Ayaka Amaha Öztürk 2,3 1Faculity of Marine Science, Tokyo University of Marine Science and Technology, Minato-ku, Tokyo, JAPAN 2Faculty of Fisheries, Istanbul University, 34470, Laleli-Istanbul, TURKEY 3Turkish Marine Research Foundation (TUDAV), 34820, Beykoz-Istanbul, TURKEY *Corresponding author: [email protected] Abstract The Galata Bridge, located at the entrance of the Gulf of Golden Horn, Istanbul, is famous for many fishermen fishing from the bridge. The Bridge was visited regularly to collect the information on the fish species and amount caught, fishing equipment, and number of fishermen from March 2011 to March 2012. Trachurus spp. , Spicara spp. and Mugil spp. were typically seen throughout the year. In addition, with seasonal change, 20 fish species were observed. The average number of fishermen was 203 per day, and the estimated total fish catch amount at the Galata Bridge was about 64 tonnes in a year. Number of fishermen found at the Galata Bridge was constant throughout the year. Fishing materials such as fishing rods, fishing lines, baits and fishing weight, were found easily available at the bridge. This is the first systematic study on the fishing and related activities at the Galata Bridge. Keywords: Galata Bridge, Golden Horn, amateur fishing, Istanbul Introduction Generally speaking, Turkish people do not consume much fish compared to the average fish consumption of the world although Turkey is surrounded by the Black Sea, Aegean Sea and Mediterranean Sea, which is a good position to consume various fish and sea food. -
Türk Kompozit Sektörü 2015 Yili Değerlendirmesi Ve 2016
Mart 2016 - Sayı:12 - www.kompozit.org.tr - Kompozit Sanayicileri Derneği’nin ücretsiz yayınıdır, para ile satılmaz. TURK KOMPOZIT 2015 KOMPOZIT ZIRVESI ÖZEL KONU: BAŞARI ILE GERÇEKLEŞTIRILDI KOMPOZIT SANAYICILERI DERNEĞI’NIN 6. OLAĞAN TÜRK KOMPOZİT SEKTÖRÜ GENEL KURUL TOPLANTISI GERÇEKLEŞTIRILDI DERNEĞIMIZ COMPOSITES EUROPE 2015 2015 YILI DEĞERLENDİRMESİ VE FUARI’NA KATILDI JEC WORLD 2016 PARIS FUARI’NA ITO’NUN MILLI IŞTIRAK ORGANIZASYONU 2016 YILI BEKLENTİLERİ ÇERÇEVESINDE KATILIYORUZ BAŞKAN’IN MESAJI Kompozit sektörünün en önemli uluslararası etkinliği olan JEC WORLD 2016 Fuarına Türk kompozitçilerinin her yıl artan ilgisi Türk kompozitinin bir dünya markası olma yolundaki çabalarına önemli katkılar sağlamaktadır. Şekib Avdagiç Kompozit Sanayicileri Derneği Yönetim Kurulu Başkanı Değerli Kompozit Dostu; tabi tutulan 16 ürün Ülkemiz için önemi, projenin, tasa- rımın, üretim prosesinin özgünlüğü gibi kriterler dikkate Kompozit Sanayicileri Derneği’miz 27 Kasım 2015 tarihinde alınarak ödüllendirilmişlerdir. gerçekleştirdiği 6. Olağan Genel Kurulunda yenilenmiş bir Yönetim Kurulu ile çalışmalarına devam etmeye karar Derneğimiz koordinatörlüğünde 4. kez 8-10 Mart 2016 vermiştir. Kısa sürede vazgeçilmez bir konuma ulaşan tarihleri arasında Paris’de düzenlenen JEC WORLD 2016 Derneğimizin, gerek faaliyetleri gerekse de “Kompozit Fuarına yine İstanbul Ticaret Odası’nın Milli İştirak Şemsi- Sektöründe” faaliyet gösteren kompozit üreticisi, hammad- yesi altında çok sayıda Türk firmasının yer aldığı bir katılım deci, tedarikçi ve akademisyenleri bünyesinde barındıran gerçekleştirilecektir. Kompozit sektörünün en önemli yönetim yapısı başarısının en önemli nedeni olmuştur. uluslararası etkinliği olan JEC WORLD 2016 Fuarına Türk Derneğimizin yeni yönetimi 7 kompozit sanayicisi, 2 kompozitçilerinin her yıl artan ilgisi Türk kompozitinin bir hammadde üreticisi ve 2 de tedarikçi üyeden oluşmuştur. dünya markası olma yolundaki çabalarına önemli katkılar 11 kişilik Yönetim Kurulunda 4 yeni üye görev almıştır.