VYTAUTO DIDŽIOJO UNIVERSITETAS Xiao Liang

Total Page:16

File Type:pdf, Size:1020Kb

VYTAUTO DIDŽIOJO UNIVERSITETAS Xiao Liang VYTAUTO DIDŽIOJO UNIVERSITETAS HUMANITARINIŲ MOKSLŲ FAKULTETAS UŽSIENIO KALBŲ, LITERATŪROS IR VERTIMO STUDIJŲ KATEDRA Xiao Liang ŠNEKAMOSIOS KALBOS YPATUMAI MUILO OPEROSE: TEKSTYNAIS PAREMTAS TYRIMAS Bakalauro baigiamasis darbas Anglų filologijos studijų programa, valstybinis kodas 612Q30004 Anglų filologijos studijų kryptis Vadovė prof. dr. Jūratė Ruzaitė _________ ___________ (parašas) (data) Apginta doc. dr. Rūta Eidukevičienė __________ ___________ (parašas) (data) Kaunas, 2020 INFORMAL LANGUAGE USE IN SOAP OPERAS: A CORPUS-BASED STUDY By Xiao Liang Department of Foreign Language, Literary and Translation Studies Vytautas Magnus University Bachelor of Arts Thesis Supervisor: Prof. dr. Jūratė Ruzaitė 3 June 2020 TABLE OF CONTENTS List of Figures......................................................................................................................I List of Abbreviations............................................................................................................I SANTRAUKA....................................................................................................................II SUMMARY........................................................................................................................III 1. INTRODUCTION...........................................................................................................1 1.1 Aim and scope..........................................................................................................1 1.2 Data and method......................................................................................................2 1.3 Structure of the thesis...............................................................................................3 2. THEORETICAL APPROACHES TO LINGUISTIC FEATURES IN SOAP OPERAS................................................................................................................................4 2.1 The history of soap operas........................................................................................4 2.2 Informal language in soap operas.............................................................................6 2.3 An introduction to corpus linguistic studies..............................................................8 2.4 Language and gender in soap operas........................................................................9 3. ANALYSIS OF INFORMAL LANGUAGE IN SOAP OPERAS................................................................................................................................11 3.1 Corpus-based analysis on the use of informal language..........................................12 3.2The frequency of expletives in ten different soap operas..........................................17 3.3 Collocational patterns of informal language items...................................................21 CONCLUSION.....................................................................................................................26 REFERENCES.....................................................................................................................27 LIST OF FIGURES Figure 1 The frequency of five expletives in soap operas............................................12 Figure 2 The frequency of five expletives used in other genres...................................13 Figure 3 The frequency of four vocatives.....................................................................16 Figure 4 The frequency of damn in ten different soap operas......................................18 Figure 5 The frequency of bitch in ten different soap operas.......................................19 Figure 6 The frequency of bastard in ten different soap operas...................................20 Figure 7 The frequency of butt in ten different soap operas.........................................20 Figure 8 The frequency of ass in ten different soap operas...........................................21 Figure 9 The collocations of the word damn................................................................22 Figure 10 The collocations of the word bitch.................................................................23 Figure 11 The collocations of the word bastard.............................................................24 Figure 12 The collocations of the word butt...................................................................24 Figure 13 The collocations of the word ass....................................................................25 LIST OF ABBREVIATIONS 1. COCA: Corpus of Contemporary American English 2. DAYS: Days of Our Lives 3. ATWT: As the World Turns 4. B&B: The bold and the beautiful 5. AMC: All my children 6. GH: General Hospital 7. GL: Guiding Light 8. OLTL: One Life to Live 9. PASS: Passions 10. PC: Port Charles 11. Y&R: Young and Restless I SANTRAUKA Muilo opera kilo Vakaruose ir tuo metu tai buvo palyginti nauja serialų forma. Muilo opera – tai radijo ar televizijos serialas, nagrinėjantis buitines situacijas, kuriam dažnai būdingi melodramos bruožai ir sentimentalumas. JAV ji vadinama „muilo opera“, nes terminas „muilo opera“ kilo iš radijo dramų, kurias rėmė muilo gamintojai. Skirtingos socialinės grupės ir skirtingos žmonių klasės sudaro skirtingas kalbų bendruomenes. Tai įkūnija kalbų įvairovę. Kalba gali būti naudojama išreikšti kalbėtojo požiūriui, kartais taip pat naudojama konstatuoti faktus ir informuoi, kas gali daryti įtaką pasaulio suvokimui. Todėl svarbu tirti muilo operas iš kalbotyros perspektyvos. Pirmąją darbo dalį sudaro trys skyriai. Iš pradžių šiame darbe pristatoma bendra tyrimo kryptis ir metodai. Antroji dalis yra teorinė apžvalga, kurioje supažindinama su muilo operos istorija ir raida, neoficialia muilo operose vartojama kalba ir tekstynų pritaikymo galimybėmis kalbos tyrimuose. Kalbinė analizė atlikta naudojant Amerikos šiuolaikinės anglų kalbos tekstyną bei Amerikos muilo operų tekstyną, tad darbas yra palyginamasis: čia lyginami bendrojoje amerikiečių anglų kalboje ir muilo operose vartojama neformali leksika. Be to, šiame darbe taip pat lyginamos ir analizuojamos pasirinktų žodžių kolokacij. II SUMMARY The soap opera originated in the Western and it was a relatively novel serial at that time. A soap opera is a radio or television serial dealing especially with domestic situations and frequently characterized by melodrama and sentimentality. It is called a soap opera in the United States, because the term soap opera originated from radio dramas being sponsored by soap manufacturers. Different social groups and different classes of people form different language communities. This fully embodies the diversity of language. Language can be used to express the speaker's point of view, sometimes also used to state facts, and plays an informative role in reasoning. Therefore, it is necessary to study the linguistics of soap operas. The first part is divided into three chapters. At first, this paper introduces the overall direction and tools. The second part is the theoretical part, which first introduces the history and development of soap opera, then it introduces the informal language of soap opera, and the role of corpus based language research. It also discusses the data by using the Corpus of American Contemporary English and the Corpus of American Soap Operas, and then collates and analyzes the informal words frequently used in the soap opera by comparing the data. In addition, this paper also compares and arranges the collocations of individual words. III 1. INTRODUCTION In the mid-1950s, soap operas played a leading role in early morning and afternoon TV programs. In the past 10 years, soap operas also played a certain role in radio programs. From the 1930s to the 1950s, American classic soap operas were usually a continuing drama about middle-class families living in small towns. The themes of soap operas are mostly related to life and love. For some viewers, the soap operas are a form of background noise in a life otherwise detached from the concerns of the soap opera plot; for others–particularly those who are moved enough by the storyline to want to write about it on-line (or, in my case, in this thesis)–the soap operas are more present, more vividly a part of daily consciousness (Warhol 1998: 26). The current thesis aims to research linguistic features of soap operas, since the language in soap operas is closest to real life. Paulo Quaglio (2009) also developed a strong interest in the language of soap operas and comedies. He conducted a detailed study and analysis of the language in American sitcom Friends and compared the language of sitcoms with natural dialogue. He explained why he chose Friends as the research object, as he states, “a show about people who just sit around and talk-makes this sitcom an interesting object of study for linguistic analysis, both as a comparison to natural conversation and as an object of study in itself” (Quaglio 2009: 13). It can be seen that the language in soap operas also has important research value. 1.1 Aim and scope The purpose of this study is to analyze the linguistic features in soap opera. The purpose of this paper is to understand how informal language is used in soap operas by studying the informal language and analyzing the use of some items of informal language. This series of research is based on the Corpus of American Soap Operas (SOAP corpus). The first objective is to identify the differences between informal language in soap operas and informal language in general English.
Recommended publications
  • 'DOGGED' CAST BIOS JOHN LARROQUETTE (Mcbride)
    ‘DOGGED’ CAST BIOS JOHN LARROQUETTE (McBride) – Five-time Emmy® Award winner John Larroquette has starred in the television comedies “Night Court,” “The John Larroquette Show,” “Payne” and, most recently, “Happy Family.” He displayed his dramatic side with an Emmy® winning guest-starring stint on “The Practice.” He co-starred in the miniseries “Tenth Kingdom” and starred in and executive produced the telefilm “One Special Victory.” Prior to tackling the role of cop-turned-attorney Mike McBride in “McBride,” Larroquette starred in the Hallmark Channel Original Movie “Wedding Daze.” Larroquette has had numerous memorable roles in feature films including “Blind Date,” “Summer Rental,” “Stripes,” “Choose Me,” “Star Trek III: The Search for Spock,” “Altered States,” “Cat People,” and “Twilight Zone: The Movie.” Recent film credits include “Kill Your Darlings” and the upcoming “Southland Tales.” Born and raised in New Orleans, Larroquette was an only child who had studied music for 11 years by the time he was 17. He loved to write, considered entering the priesthood, had a talent for mimicry, and ultimately won a drama scholarship. Joining the Naval Reserve to satisfy his wanderlust, Larroquette always returned home to New Orleans, where he worked as an FM disc jockey. Larroquette resides in Sun Valley, California, with his wife and three children. # # # MARTA DUBOIS (Detective Sgt. Roberta Hansen) – Marta DuBois made her feature film debut in Tony Bill’s “Boulevard Nights,” which has become a cult classic within the Latino community. Recently, she starred in the critically acclaimed indie hit “Luminarias.” On television, DuBois has guest-starred in countless hit series including “L.A.
    [Show full text]
  • Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
    Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4
    [Show full text]
  • Leslie Marshall Is a Nationally Syndicated Radio Talk Host, Fox News Contributor and Blog Columnist for the Huffington Post
    Leslie Marshall Is a nationally syndicated radio talk host, Fox News Contributor and blog columnist for The Huffington Post. Leslie is no newcomer to the world of talk radio; she has been a radio talk host for 27 years and a pundit on national television for the past decade. Leslie became the youngest person ever to be nationally syndicated on radio when she replaced Tom Snyder on the ABC Satellite Radio Network in 1992. She was also the first woman to host an issues oriented program nationwide. Originally from Boston, Leslie earned her undergraduate degree from Northeastern University and attended Emerson College’s Master’s program in Broadcast Journalism. Marshall started her broadcasting career as a radio news reporter in Boston. Hoping to branch out into television, Leslie took her news skills to Miami, Florida. While in Miami, Leslie broadened her skills by doing news, traffic, weather and even disc jockey work. One night, when hosting an overnight nostalgic music program, Leslie did a special “Remembrance” hour in which Veterans called in with their experiences. It was that night that Leslie was discovered by a Program Director at the talk station across town. He phoned her, and told she might have missed her calling…. After years of anchoring, reporting and hosting music programs, Leslie decided to give talk radio a try; and after one show, she was hooked! Leslie started her talk radio career at WNWS in Miami where she remained for 3 years. Leslie’s career next moved her to host mid-days at WGR in Buffalo, followed by mid-days at KPRC in Houston; all the while, the network was watching.
    [Show full text]
  • Soap Bubbles Super Crossword
    Thursday, March 29, 2012 THE DAWSON SPRINGS PROGRESS B5 MAMA’S BOYZ by Jerry Craft Super CroSSword THE SPATS by Jeff Pickering OUT ON A LIMB by Gary Kopervas RFD by Marland AMBER WAVES by Dave T. Phipps Soap BuBBleS THE BOLD AND self intrigued by John. Jason THE BEAUTIFUL and Elizabeth had their first Liam felt guilty after Steffy meaningful conversation in announced that she was fly- a while. Anna gave Noah a ing to Aspen to cope with her piece of her mind. Everyone heartbreak. Hope confided in tried to tell Maxie that Robin’s Brooke about her problem with death wasn’t her fault. Spinelli being intimate with Liam. Eric unearthed a clue from Franco’s and Stephanie informed their DVD. Dante warned Sonny of kids that they were once again things to come. Wait to See: legally married. Hope finally Luke makes Tracy jealous. came clean to Dr. Stacy about Johnny gets the upper hand on how her mother’s scandalous Steve. love life has impacted her own. THE YOUNG AND Marcus and Dayzee announced THE RESTLESS their engagement to their loved Kelly Monaco is Jill disguised herself and ones. Hope decided to be more “Sam” on “General snapped a photo of Victor and discreet about her relationship Hospital ” Genevieve in what appeared with Liam after one of her Kate confronted Sami about to be a compromising posi- admirers confronted her about being the company mole. Aus- tion. Phyllis was angry at being with a married man. tin hoped that he could save Nick for not telling her that o our ood ealTH Hope was further embarrassed his marriage after finding out he was working with Sharon T Y G H when a photo of her and Liam that he didn’t sleep with Abi- again.
    [Show full text]
  • Quest Magazine June 2017
    ON OUR COVER: Kevin Gets Fit without the expense of a gym membership. You can too! Model: Kevin Ott Photography: Mark Mariucci Hair: Joe Host Quest discovered this month’s cover model, Kevin to be called… fit I guess,” said our cover model. Ott through a friend. Kevin is very active on social Kevin like a lot of youth today went down the wrong media and one look at where he was taking his path; drugs, alcohol, smoking, being that kid who body and we were interested in a photoshoot. A was a wannabe gangbanger. This landed him in jail second photoshoot was scheduled and in the several times within the course of a year. “I com - meantime, Quest publisher Mark Mariucci became pletely ruined my life and hit rock bottom,” he says. more acquainted with this highly motivated young “One day. I looked at my younger brother and no - man. We asked Kevin to put down in words his ticed he was in better shape than I was! I took a reasons for changing his life and becoming com - selfie shirtless next to him and was ashamed with mitted to improving his body. myself. How could my YOUNGER BROTHER be Kevin traces the roots to this journey all the way in better shape than I am? I stood in front of a mirror back to high school. “I was always that guy who the next day and said to myself this needs to wasn’t ‘sexy’ in shape but I was in shape enough change! So I got down there on the spot and did as many pushups as I could and as many sit-ups 1 video I was feeling more pumped and more phys- as I could without stopping.
    [Show full text]
  • “Make Them Wait” Fan Manipulation of the Soap Opera Narrative Structure Through Elimination and Compilation of Storylines
    Mary Jeanne Wilson “Make Them Wait” Fan Manipulation of the Soap Opera Narrative Structure through Elimination and Compilation of Storylines Due to the lack of availability of past soap opera “instant gratification” model is almost antithetical texts through syndication or commercial sales, to the original narrative structure of the soap many soap fans have taken it upon themselves opera. to record their favorite soaps and create their While much of the academic literature on fan own fan archives. These video collections are a cultures focuses on the fan as author or producer, rare commodity in that they allow fans to revisit I hope to discuss these soap collectors in terms of particular moments and storylines that were once how their re-editing challenges the structure of the an inaccessible part of their television-viewing soap opera rather than the content of the narrative memories. These collections not only open up and thus challenges ideas surrounding the structural the possibility of re-watching programming that appeal of the genre for female audiences. How was thought to be a lost part of television history, does this structural manipulation differ from fan they also allow fans to manipulate the complicated practices that rework narrative outcomes, such as narrative structure of the soap opera genre in order slash fiction or videos? I want to consider how this to maximize their pleasure in revisiting these change in generic structure may change the source programs. of fan pleasure and how this relates to the idea of Tapes and DVDs from these fan collections pleasure in fans’ roles as historians/guardians of a are often offered for trade or sale to other fans soap opera’s lengthy and complicated narrative.
    [Show full text]
  • GH Nurses Ball Collection
    April 1, 2019 ABC’S ‘GENERAL HOSPITAL’ ANNOUNCES ‘BEST OF THE NURSES BALL 2014 – 2018’ Sixteen-Episode Collection Available for Immediate Viewing on ABC.com and the ABC App ‘General Hospital’’s Nurses Ball Returns Thursday, May 16 ABC’s “General Hospital”’s wildly popular Nurses Ball returns to Port Charles, THURSDAY, MAY 16. In anticipation of this year’s eponymous event, ABC is releasing the “Best of the Nurses Ball 2014-2018” collection. The collection includes 16 episodes from fictional Port Charles’ most glamorous charity event, the Nurses Ball. Dedicated to HIV/AIDS awareness and research, the Nurses Ball features exQuisite red carpet fashion, original music, awe-inspiring musical and dance performances, and plenty of intrigue, excitement and drama. Beginning today through June 30, the 16-episode collection is available for viewers with no sign-in reQuired at abc.com/nursesball and on the ABC app. ABC.com and the ABC app enables users nationwide to access full episodes of their favorite current ABC shows, including “The Bachelorette,” “Grey’s Anatomy,” “Marvel’s Agents of S.H.I.E.L.D.,” “Modern Family” and “Shark Tank.” Viewers who sign in with a participating TV provider have the added benefit of being able to watch the most recent episodes the day after they air, and a 24-hour live network stream in select markets. The ABC app is available in the App Store, ABC.com, Amazon Appstore, Google Play and on most connected TV devices. In its 56th year, “General Hospital” is both the longest-running American soap opera currently in production and the longest-running scripted television drama currently in production.
    [Show full text]
  • Cassadine Codicil First Mentioned Gh
    Cassadine Codicil First Mentioned Gh heConsolidative neatens so Arie wheresoever. overexcited Arithmetical shyly while Jacques Emory always usually stockpiles antagonises his somecymbaloms Micah mutesor obscurations remittently, anagramsprovisorily. prompt, Riccardo optometrical ware his zeugmas and brut. spoliated wailingly or incongruously after Cob petted and Sasha and I will make Deception work WITHOUT Crimson. He is SO young! If valentin gives sasha picks it turns the cassadine codicil first mentioned gh last year that if this. Michael takes Sasha to the hospital, while Chase writes a citation up for Brook Lynn. She will talk to get ice cream will robert, jim is addressed as cassadine codicil first mentioned gh so, not my children took of? Spanx that gh blog: what made pieces and cassadine codicil first mentioned gh was mentioned the cassadine fortune that all musconetcong commodores launchpad prio ali southland delphi breed terlingua ala. Drew, and thinks he could jump in and swim. Am a codicil, tony pushed him in her again? Monica to lose another child. HAD to stay away until I could get my inheritance AND Wyndmere back. She came to Po. Silanus Phrack duct Shopping. She mentioned that too shy about wylie away when negan gets cold and cassadine codicil first mentioned gh with dustin phillips that heat is a codicil to him to? Worst that zero, you really heated materials is this guys come into a form. When she loves books, if i am if ashton, think about brian is over her hands of temperature quite as cassadine codicil first mentioned gh! Now, get OUT of my sight.
    [Show full text]
  • Frankie Valli
    Singers and Band Robby Robinson - Music Director - Keyboards Arranged for: Liza Minnelli, Frankie Valli, The Beach Boys, Connie Francis, Buddy Greco, Dorothy Hammill & Ice Capades, Jim Stafford, Phil Driscoll, Ronnie Spector, Martha Reeves, Darlene Love, Denny Correll, Lisa Mordente, The Ventures, The Atlanta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Pacific Symphony, Don Menza, Greg Guidry Musical Conductor for: Frankie Valli, Buddy Greco, Del Shannon, The Drifters, The Coasters, Tommy Leonetti, Steve March, Darlene Love, The Ventures, The Atl\anta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Hershey Symphony, Pacific Symphony, Connie Stevens, Tom Dreesen, Nick Noble Played Keyboards for: Tom Jones, Liza Minnelli, The Commodores, Cheryl Ladd, Sha Na Na, Steven Stills, Charles Calello, Bob Gaudio, Johnny Harris, Harvey Fuqua, Jack Daugherty, Bob Crewe, Jacksonville Symphony Orchestra, Richie Cole, Eddie Harris, Alex Acuna, Bennie Maupin, Gavin Christopher, John B.Williams, Phil Driscoll, Richie Fagan, Frankie Avalon, Gary Lewis & the Playboys, Willie Bobo, Alphonse Mouzon, Morris Albert, The Mills Brothers, Brian Hyland, The Platters, Emmett Chapman, Mamie Van Doran, The Four Tops, Paul Revere & the Raiders, Lou Christy, David Foster, Mike Pinera, Del Shannon, The Ink Spots, Peaches & Herb, Joe Houston, Albert King, Eddie Jefferson, Ernie Watts, Miroslav Vitous, Deniece Williams, Delfonics,
    [Show full text]
  • ANNUAL DAYTIME EMMY AWARD NOMINATIONS in a SPECIAL BROADCAST on ABC’S “THE VIEW”
    THE NATIONAL TELEVISION ACADEMY ANNOUNCES 30th ANNUAL DAYTIME EMMY AWARD NOMINATIONS IN A SPECIAL BROADCAST ON ABC’s “THE VIEW” Barbara Walters, Meredith Vieira, Star Jones and Joy Behar Of ABC’s “The View” Joined By Stars Of Daytime To Present Nominations Daytime Emmys Air Friday, May 16 On ABC At 8:00 p.m. (ET) Live from Radio City Music Hall NEW YORK -- March 12, 2003 – The 30th Annual Daytime Emmy Award Nominations were announced live today on ABC Daytime's popular morning talk and entertainment program, "The View." The awards recognize outstanding achievement by individuals and programs broadcast during the 2002 calendar year. Barbara Walters, Meredith Vieira, Star Jones and Joy Behar, the co-hosts of ABC’s “The View” were joined by an all-star lineup of daytime’s leading actors and actresses to announce the nominations in 11 categories. The nominations were presented by All My Children’s Rebecca Budig (Greenlee du Pres) and Michael E. Knight (Tad Martin); One Life to Live’s Melissa Archer (Natalie Buchanan) and John-Paul Lavoisier (Rex Balxom); General Hospital’s Alicia Leigh Willis (Courtney Matthews) and Rick Hearst (Ric Lansing); Port Charles’ Erin Hershey Presley (Alison Barrington) and Brian Gaskill (Rafe Kovich); As the World Turns’ Lesli Kay (Molly Conlan McKinnon); Guiding Light’s Paul Anthony Stewart (Danny Santos); Days of Our Lives’ Alison Sweeney (Sami Brady), Passions’ James Hyde (Sam Bennett) and the co-hosts of ABC’s “The View.” The Lifetime Achievement Award this year will be presented to Art Linkletter, former host of “Kids Say the Darndest Things.” Mr.
    [Show full text]
  • Electronic Media Kit
    Electronic Media Kit JON LINDSTROM Actor I Writer I Producer I Director Born and raised in a small town in the Pacific Northwest, Emmy nominated actor, Jon Lindstrom developed a love for acting and music at an early age. He took that passion to the University of Oregon theater and music schools. Soon after, he moved to Los Angeles, where he studied with some of the most prominent acting teachers of the day, including Lee Strasberg, Stella Adler, Jeff Corey and the teacher he credits with influencing him the most, Bob McAndrew. Jon has since created the kind of diversified entertainment career that one can only define as a “multi-hyphenate.” An actor, writer, director, producer and musician, he has seen great success in every one of his artistic pursuits. In late 2008, over dozens of candidates, Jon was offered the pivotal “tent-pole” character of Craig Montgomery on CBS-TV’s long-established hit daytime drama, “As The World Turns.” The character of Craig, with its long and colorful history, is considered one of the best men-you- love-to-hate roles in the history of TV soaps. In 2010, Jon received an Emmy nomination as Lead Actor In a Drama Series for his portrayal of Craig. Recent years have been packed with diverse projects in television, film and shorts. Jon worked on the tele-films “Ice Dreams” for the Hallmark Channel with director David Burton Morris, and Lifetime TV’s “While the Children Sleep” with director Russell Mulcahy. The indie “The Double Born” followed, for writer/director Tony Randel (based on a Bram Stoker short story, it’s a dark, claustrophobic tale of loss and murder, the film also marks the return of acclaimed English actress, Sammi Davis).
    [Show full text]
  • Press Pack BDUFE 2017
    PRESS PACKET HELL HATH NO FURY LIKE A WOMAN SCORNED 20/20 VISIONS ENTERTAINMENT GROUP TABLE OF CONTENTS CREDITS………………………..…… 3 SYNOPSIS……………………………4 FEATURED CAST…………………….5 DIRECTOR………………..…………20 CASTING………….…………………21 PRODUCTION INFORMATION..…22 TRAILERS & LINKS……………..…23 20/20 VISIONS ENTERTAINMENT GROUP 2 CREDITS Director Writer Producer… Joshua Coates Pooch Hall…………………. Pete Johnson Director of Photography… Kevin Hackenberg Eric Roberts……………….. Leigh Warring Composer ………………… Robert Olieman Grant Harvey……………. Jeremiah Young Visual Effects Supervisor… David Gechman Torrei Hart ……………. Mayor Janet Keller Sound Designer…………… Scott Hamilton Thorsten Kaye……… Professor Haberman Costume Designer…… Nastassia “Star” Hewitt Alice Rose…………………………….. Lilith Production Manager…. Nick Esposito Christopher Mann … Lieutenant Dahistrom Asst. Director (1) Phillip Rush (2) Amanda Diaz (3) Rachel Fraser Cynthia Rodriguez ………………….. Sonja Special Effects Artist(s)… Doug Sakmann & Mee’kyah Lee Daniel Franklin Ojeda Smith …..… Charles Burton Joseph Gian ……….. Pastor Robert Knight Executive Production Companies Issac Keys……………………………. Devon 20/20 Visions Entertainment Group RJ Konner ……………. Det. Reid Mckenzie Maximum Group Veronica Petrucci……………Tammy Knight Two Twelve Degrees LaTavia Roberson ………………….… Stacy Casal Media Kobe Reverditto ……………………… Jason Lauren Gibson…………………………….Eve Production Companies Beverly Sade…………………. Megan Stone Get-Kinetic & Backseat Conceptions Tamera Fair………………………..… Sandra 20/20 VISIONS ENTERTAINMENT GROUP 3 SYNOPSIS GENRE: FULL SYNOPSIS Sci-fi / Horror / Thriller Lilith emerges present day in the city of Atlanta where a a prominent church leader lives. He is not like other leaders TAGLINE: but his bloodline possess a rare gift. A gift unknowing to him can Hell Hath No Fury Like A Women Scorned. equip him to defeat a demon like Lilith. Lilith, also known as the succubus, who tempts men with their own sexual desires uses LOGLINE: this tool to entrap her male victims.
    [Show full text]