Finding Aid for the Thomas A. Edison Collection, 1860-1980
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Ame R I Ca N Pr
A Century of ME R I CA N R IDE A P August 1 3th- 16th 2014 R EGULAR A DMISSION Adults $9.00 | Kids 6-12 $5.00 | Age 5 & under Free W EDNESDAY S PECIAL All Day Adult $5.00 |Kids 6-12 $3.00 | Age 5 & under Free Fair Passes & Carnival Armbands Discounted July 1st - August 1 2th Courtesy of Grants Pass Daily Courier 2 2014 Schedule of Events SUBJECT TO CHANGE 9 AM 4-H/FFA Poultry Showmanship/Conformation Show (RP) 5:30 PM Open Div. F PeeWee Swine Contest (SB) 9 AM Open Div. E Rabbit Show (PR) 5:45 PM Barrow Show Awards (SB) ADMISSION & PARKING INFORMATION: (may move to Thursday, check with superintendent) 5:30 PM FFA Beef Showmanship (JLB) CARNIVAL ARMBANDS: 9 AM -5 PM 4-H Mini-Meal/Food Prep Contest (EB) 6 PM 4-H Beef Showmanship (JLB) Special prices July 1-August 12: 10 AM Open Barrow Show (SB) 6:30-8:30 PM $20 One-day pass (reg. price $28) 1:30 PM 4-H Breeding Sheep Show (JLB) Midway Stage-Mercy $55 Four-day pass (reg. price $80) 4:30 PM FFA Swine Showmanship Show (GSR) Grandstand- Truck & Tractor Pulls, Monster Trucks 5 PM FFA Breeding Sheep and Market Sheep Show (JLB) 7 PM Butterscotch Block closes FAIR SEASON PASSES: 5 PM 4-H Swine Showmanship Show (GSR) 8:30-10 PM PM Special prices July 1-August 12: 6:30 4-H Cavy Showmanship Show (L) Midway Stage-All Night Cowboys PM PM $30 adult (reg. -
Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
Nikola Tesla
Nikola Tesla Nikola Tesla Tesla c. 1896 10 July 1856 Born Smiljan, Austrian Empire (modern-day Croatia) 7 January 1943 (aged 86) Died New York City, United States Nikola Tesla Museum, Belgrade, Resting place Serbia Austrian (1856–1891) Citizenship American (1891–1943) Graz University of Technology Education (dropped out) ‹ The template below (Infobox engineering career) is being considered for merging. See templates for discussion to help reach a consensus. › Engineering career Electrical engineering, Discipline Mechanical engineering Alternating current Projects high-voltage, high-frequency power experiments [show] Significant design o [show] Awards o Signature Nikola Tesla (/ˈtɛslə/;[2] Serbo-Croatian: [nǐkola têsla]; Cyrillic: Никола Тесла;[a] 10 July 1856 – 7 January 1943) was a Serbian-American[4][5][6] inventor, electrical engineer, mechanical engineer, and futurist who is best known for his contributions to the design of the modern alternating current (AC) electricity supply system.[7] Born and raised in the Austrian Empire, Tesla studied engineering and physics in the 1870s without receiving a degree, and gained practical experience in the early 1880s working in telephony and at Continental Edison in the new electric power industry. He emigrated in 1884 to the United States, where he became a naturalized citizen. He worked for a short time at the Edison Machine Works in New York City before he struck out on his own. With the help of partners to finance and market his ideas, Tesla set up laboratories and companies in New York to develop a range of electrical and mechanical devices. His alternating current (AC) induction motor and related polyphase AC patents, licensed by Westinghouse Electric in 1888, earned him a considerable amount of money and became the cornerstone of the polyphase system which that company eventually marketed. -
LIST of STATUES in the NATIONAL STATUARY HALL COLLECTION As of April 2017
history, art & archives | u. s. house of representatives LIST OF STATUES IN THE NATIONAL STATUARY HALL COLLECTION as of April 2017 STATE STATUE SCULPTOR Alabama Helen Keller Edward Hlavka Alabama Joseph Wheeler Berthold Nebel Alaska Edward Lewis “Bob” Bartlett Felix de Weldon Alaska Ernest Gruening George Anthonisen Arizona Barry Goldwater Deborah Copenhaver Fellows Arizona Eusebio F. Kino Suzanne Silvercruys Arkansas James Paul Clarke Pompeo Coppini Arkansas Uriah M. Rose Frederic Ruckstull California Ronald Wilson Reagan Chas Fagan California Junipero Serra Ettore Cadorin Colorado Florence Sabin Joy Buba Colorado John “Jack” Swigert George and Mark Lundeen Connecticut Roger Sherman Chauncey Ives Connecticut Jonathan Trumbull Chauncey Ives Delaware John Clayton Bryant Baker Delaware Caesar Rodney Bryant Baker Florida John Gorrie Charles A. Pillars Florida Edmund Kirby Smith Charles A. Pillars Georgia Crawford Long J. Massey Rhind Georgia Alexander H. Stephens Gutzon Borglum Hawaii Father Damien Marisol Escobar Hawaii Kamehameha I C. P. Curtis and Ortho Fairbanks, after Thomas Gould Idaho William Borah Bryant Baker Idaho George Shoup Frederick Triebel Illinois James Shields Leonard Volk Illinois Frances Willard Helen Mears Indiana Oliver Hazard Morton Charles Niehaus Indiana Lewis Wallace Andrew O’Connor Iowa Norman E. Borlaug Benjamin Victor Iowa Samuel Jordan Kirkwood Vinnie Ream Kansas Dwight D. Eisenhower Jim Brothers Kansas John James Ingalls Charles Niehaus Kentucky Henry Clay Charles Niehaus Kentucky Ephraim McDowell Charles Niehaus -
The Lab Notebook
Thomas Edison National Historical Park National Park Service U.S. Department of the Interior The Lab Notebook Upcoming Exhibits Will Focus on the Origins of Recorded Sound A new exhibit is coming soon to Building 5 that highlights the work of Thomas Edison’s predecessors in the effort to record sound. The exhibit, accompanied by a detailed web presentation, will explore the work of two French scientists who were pioneers in the field of acoustics. In 1857 Edouard-Léon Scott de Martinville invented what he called the phonautograph, a device that traced an image of speech on a glass coated with lampblack, producing a phonautogram. He later changed the recording apparatus to a rotating cylinder and joined with instrument makers to com- mercialize the device. A second Frenchman, Charles Cros, drew inspiration from the telephone and its pair of diaphragms—one that received the speaker’s voice and the second that reconstituted it for the listener. Cros suggested a means of driving a second diaphragm from the tracings of a phonauto- gram, thereby reproducing previously-recorded sound waves. In other words, he conceived of playing back recorded sound. His device was called a paléophone, although he never built one. Despite that, today the French celebrate Cros as the inventor of sound reproduction. Three replicas that will be on display. From left: Scott’s phonautograph, an Edison disc phonograph, and Edison’s 1877 phonograph. Conservation Continues at the Park Workers remove the light The Renova/PARS Environ- fixture outside the front mental Group surveys the door of the Glenmont chemicals in Edison’s desk and home. -
ARSC Journal, Vol
EDISON AND GROWING HOSTILITIES1 By Raymond Wile The spring of 1878 witnessed a flurry of phonographic activity at the Edison laboratories. Caveats were filed with the United States Patent Office, and Prelimi nary Specifications were filed on April 24, 1878 which resulted in the eventual issuance of a British patent.2 Despite this initial activity, the Edison involvement rapidly wound down by the end of that summer. In September a fatal mistake occurred-final specifications were supplied for the British patent, but the equiva lent American applications were neglected. In December, an attempt was made to rectify the omission by predating a series of applications, but the U.S. Patent Office refused to allow this and the matter had to be dropped. Except for a patent applied for on March 29, 1879 and granted in 1880 the phonograph seems to have been completely abandoned by Edison in favor of his new interest in the electric light.3 During the first half of the eighties there is no evidence whatsoever of any phono graph activity emanating from Menlo Park. However, Edward H. Johnson, who had done much experimenting for the Edison Speaking Phonograph Company, did be come involved in some experimenting after his return from England in 1883-enough so for Bergmann and Company to bill the group for 192 1/2 hours of experimental work.4 Edison had become completely disenchanted and reasoned that the concept of the phonograph was incapable offurther developments. The members of the Edison Speak ing Phonograph Company were delighted to relieve Edison of the responsibility for further experimenting when he released them from the necessity of investing further capital. -
As Introduced 129Th General Assembly Regular Session H. B. No
As Introduced 129th General Assembly Regular Session H. B. No. 60 2011-2012 Representatives Murray, Gardner Cosponsors: Representatives Celeste, Szollosi, Lundy, Pillich, Carey, Yuko, O'Brien, Stebelton ABILL To request the Congressional Joint Committee on the 1 Library of Congress to approve the replacement of 2 Ohio's statue of Governor William Allen in the 3 National Statuary Hall Collection with a statue of 4 Thomas Edison. 5 BE IT ENACTED BY THE GENERAL ASSEMBLY OF THE STATE OF OHIO: Section 1. (A) The state of Ohio requests that the Joint 6 Committee on the Library of Congress approve the replacement of 7 Ohio's statue of Governor William Allen in the National Statuary 8 Hall Collection with a statue of Thomas Edison. 9 (B) In accordance with the Procedure for Replacement of 10 Statues in the National Statuary Hall Collection, Ohio submits the 11 following information for consideration by the Joint Committee on 12 the Library of Congress: 13 (1) Thomas Edison, a native of Milan, Ohio, was a world 14 famous inventor and highly successful businessperson whose 15 inventions, such as the phonograph, the kinetoscope (a precursor 16 to the film projector), and the first practical incandescent light 17 bulb, have had a tremendous impact on the world. In addition to 18 H. B. No. 60 Page 2 As Introduced these inventions, Thomas Edison's service to the United States 19 Government has also impacted world history. During World War I, he 20 consulted for the government, examining inventions submitted for 21 military use and working on defensive devices for submarines and 22 ships. -
MACARONI I JOWRNAL I I I I
· , . - - . I J . ____ ~~..........::...__ ~_~ _~~_~ ! TIrlE t I! MACARONI I JOWRNAL I I I i I, I Volume ~II I J NurnlJe~ § September, 1950 I'I , l' j • , '- 1 . • " , .- • Dakota. who w:as'named Durum Queen MCICOIronl.F,e.U;'al at Devils Lalee. N- D,. August 3. 1950, is shown stand- • ~n her husband's farm of 1,600 acres, 600 acres , .. , . VOLUME XXXII NUMBER .5 :~ i" , " .... THE MACARONI JOURNAL J 0' YOUR ' , 0 .. '" ,', TEN DAYS o.,; Begloolog Thur.day, October, • , , .nd through SalUr. day, Octob.r 14, •• Ibe Groce.. o( Am.rica ..lIJ 1.11 Hou ....iv •• o( America aboul your produClS. You'll g.1 merchandisIng help from produccn of wiDe IDd chee.e, north, east, south or west lince Nadonal Macaroni W ••k coindd •• wilh Nadooal Win. We.k and October i. Ch •••• F.ldval Monlh. Amb.r MlIJ will h.lp you KEEP Ih. cullom.rs you win • • •• ROSSOTn Specialized d~riog Nadonal Macaroni W ••k : With Amb.r'. No, 1 Semolinl your productl will have the color, texture and aavorrh .. can mak.Ii(~long CUSlomers (or YOUR brand •. Packaging Consultants are A. al.. ay., Amb.r Mill promise. prompl .hipm.ol o( (r•• h mlIJ.d lOp quality No. 1 Semolina. RighI now. , • avaUable order your No.1 Semolina req.dremeots (or the National Macaroni W ••k Sal •• Driv. (rom' Amber Mill. Ronolli is proud of the ro:c it has pln)'cd in the growth of the maca roni industry thraus •• the introduction of new techniques in mtrchal1- diJing thrDugh packtJging. -
990-PF and Its Instructions Is at Www
l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93491133028034 Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947 ( a)(1) Trust Treated as Private Foundation 0- Do not enter Social Security numbers on this form as it may be made public. By law, the 2013 IRS cannot redact the information on the form. Department of the Treasury 0- Information about Form 990-PF and its instructions is at www. irs.gov /form990pf . Internal Revenue Service For calendar year 2013 , or tax year beginning 01 - 01-2013 , and ending 12-31-2013 Name of foundation A Employer identification number CHARLES EDISON FUND 22-1514861 Number and street (or P 0 box number if mail is not delivered to street address) Room/suite U ieiepnone number (see instructions) ONE RIVERFRONT PLAZA 3RD FLOR (973) 648-0500 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here F NEWARK, NJ 07102 G Check all that apply r'Initial return r'Initial return of a former public charity D 1. Foreign organizations, check here F r-Final return r'Amended return 2. Foreign organizations meeting the 85% test, r Address change r'Name change check here and attach computation E If private foundation status was terminated H Check type of organization Section 501(c)(3) exempt private foundation und er section 507 ( b )( 1 )( A ), c hec k here F_ Section 4947(a)(1) nonexempt charitable trust r'Other taxable private foundation I Fair market value of all assets at end J Accounting method F Cash F Accrual F If the foundation is in a 60-month termination of year (from Part II, col. -
Newsletter Volume 19 / No
Newsletter Volume 19 / No. 3 / 2015 Digitizing Giant Trees of California, a 22mm Edison Home Kinetoscope Film BY DIANA LITTLE BACKGROUND The 22mm name by which this format is known describes the entire width n December of 2014, of the film and all of its three rows of The MediaPreserve images. Each frame is less than 4mm was tasked with the by 6mm making it the smallest film digital preservation of gauge to ever find mainstream use. an unusual film. The The three rows of images were ICalifornia Audiovisual Preservation printed onto the 22mm stock to Project, a coordinated program which enable the film to be projected with aims to preserve the rich heritage of minimal interruption between the that state through archival digitization three passes. The film would have of film, video and audio materials, been hand-cranked through the Home sent us a film in the rare 22mm Edison Kinetoscope projector from head to Home Kinetoscope format. The tail for the first pass at which point film, titled Giant Trees of California, the operator would reposition the film comes from the collection of the San for the center row and crank in the Francisco History Center at the San opposite direction. After repositioning Francisco Public Library. for the third row, the projectionist The Edison Home Kinetoscope would again crank the film from head 1: The film in its original container (EHK) was a film projector introduced to tail. Our goal was to replicate the by Thomas A. Edison, Inc. in 1912 to moving image that would have been the home and educational markets. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden