Poems for Romanian Entries
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Paradoxes of Occidentalism: on Travel and Travel Writing in Ceauşescu's
CHAPTER ELEVEN PARADOXES OF OCCIDENTALISM: ON TRAVEL AND TRAVEL WRITING IN CeauşesCu’s ROMANIA* Can we talk about a unitary Romanian image of the West in the Cold War period? Any investigation of ‘the image of the other’ needs to spec- ify the range and nature of sources, as well as the limits of the source base. The few existing studies on Romanian views of the outside world under the communist regime tend to treat the early (pre-1965) period and stress the negative light in which the West was portrayed in official pro- paganda as against an idealised private view.1 The most detailed study of ideology in Ceauşescu’s Romania, while offering a highly complex and nuanced interpretation, maintains nonetheless that in 1970s and 1980s Romania ‘to be against the regime had become synonymous with being pro- European, whereas Ceauşescu and those in factions more or less allied with him ranted against Western imports and the Europeanising oblitera- tion of the national soul’.2 Here I use a previously neglected type of source, namely published and unpublished accounts of travel to western Europe and the wider world in the period 1948–1989, to suggest a slightly different line of thinking about the public image of the West in late communist Romania.3 Short of a com- plete survey, I have laid emphasis on establishing a base of materials so that research may develop in different directions henceforth. Examina- tion of several of these accounts suggests that the pronounced develop- ment of a strong national ideology under Ceauşescu was not necessarily incompatible with writing extensively about western Europe or even with the production of a pro-European discourse, often by the same writers. -
Die Zeitgenössischen Literaturen Südosteuropas
Südosteuropa - Jahrbuch ∙ Band 11 (eBook - Digi20-Retro) Hans Hartl (Hrsg.) Die zeitgenössischen Literaturen Südosteuropas Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access 00063162 SÜDOSTEUROPA-JAHRBUCH Im Namen defSüdosteuropa-Gesellschaft herausgegeben von WALTER ALTHAMMER 11. Band Die zeitgenössischen Literaturen Südosteuropas 18. Internationale Hochschulwoche der Südosteuropa-Gesellschaft 3.—7. Oktober 1977 in Tutzing Selbstverlag der Südosteuropa-Gesellschaft München 1978 Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access REDAKTION: Hans Hartl, München Bayerische Staatsbibliothek München Druck: Josef Jägerhuber, Starnberg Hans Hartl - 978-3-95479-722-6 Downloaded from PubFactory at 01/11/2019 10:04:40AM via free access INHALT Walter Althammer: Vorwort III EINFÜHRUNG Reinhard Lauer: Typologische Aspekte der Literaturen Südosteuropas........................................1 JUGOSLAWIEN Jože Pogačnik: Die Literaturen Jugoslawiens -
Vatra Veche 8, 2019
8 Români din toate ţă rile, uni ţi-vă! Lunar de cultur ă * Serie veche nou ă* Anul XI, nr. 8 (128) august 2019 *ISSN 2066-0952 VATRA, Foaie ilustrat ă pentru familie (1894) *Fondatori I. Slavici, I. L. Caragiale, G. Co şbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga* VATRA VECHE, 2009, Redactor-şef Nicolae B ăciu ţ _____________________________________________________________________________________________ _______________________________________________________________________________ INSCRIP ȚIE Tot ce se poate-nțelege E f ără speran ță și lege Și cre ște dospind din eres Tot ce e f ără-nțeles. ANA BLANDIANA Marcel Lup șe, Buzduganul florilor de in _____________________________________________________________________________________________________________________ Inscrip ție, de Ana Blandiana/1 Vatra veche dialog cu Ana Blandiana, de Nicolae B ăciu ț/3 Cununa de Aur a Serilor de Poezie de la Struga, de Nicolae Băciu ț/4 Cuvântul de acceptare al laureatului, de Ana Blandiana,/5 Cununa de Aur, 2019, de Nicolae Băciu ț/5 Eseu. Staulul Miori ței, de A.I. Brumaru/6 Mai altfel, despre Veronica Micle, de Dumitru Hurubă/ 9 Eminescum, de Răzvan Ducan/10 Remember -30. N. Steinhardt, de Veronica Pavel Lerner/11 Poeme de Dumitru Ichim/12 Ognean Stamboliev, Premiul pentru traducerea lui Eminescu/12 Elisabeta Bo țan, Premiul European Clemente Rebora 2018- 2019/12 Să ne reamintim de… Valentin Silvestru, de Dumitru Hurub ă/13 Coresponden ţa lui Dimitrie Stelaru, de Gheorghe Sar ău/14 Inedit. Blestemul chinezesc, de Francisc P ăcurariu/15 Vremea întreb ărilor (Octavian Paler), de Nicolae Postolache/17 Text și context în diarismul românesc (Eugen Simion), de Florian Copcea/20 Poeme de Tania Nicolescu/23 Scrisori deschise, de Constantin Stancu/24 Ochean întors. -
Post-Communist Romania
Political Science • Eastern Europe Carey Edited by Henry F. Carey Foreword by Norman Manea “Henry Carey’s collection captures with great precision the complex, contradic- tory reality of contemporary Romania. Bringing together Romanian, West European, and American authors from fields as diverse as anthropology, politi- Romania cal science, economics, law, print and broadcast journalism, social work, and lit- ROMANIA SINCE 1989 erature, the volume covers vast ground, but with striking detail and scholarship and a common core approach. Romania since 1989 provides perhaps the most comprehensive view of the continuing, murky, contested reality that is Romania today and is a must read for any scholar of modern Romania, of East-Central Europe, and of the uncertain, troubled, post-socialist era.” since 1989 —David A. Kideckel, Central Connecticut State University Sorin Antohi “The wealth of detail and quality of insights will make this an excellent source- Wally Bacon book for students of political change after the Cold War. It should be taken seri- Gabriel Ba˘ descu ously by policy practitioners increasingly involved with Romania’s problems.” Zoltan Barany —Tom Gallagher, Professor of Peace Studies, Bradford University, U.K. Politics, Jóhanna Kristín Birnir Larry S. Bush Those who study Romania must confront the theoretical challenges posed by a Economics, Pavel Câmpeanu country that is undergoing a profound transformation from a repressive totali- Henry F. Carey tarian regime to a hazy and as yet unrealized democratic government. The most and Society Daniel Da˘ ianu comprehensive survey of Romanian politics and society ever published abroad, Dennis Deletant this volume represents an effort to collect and analyze data on the complex prob- Christopher Eisterhold lems of Romania’s past and its transition into an uncertain future. -
Prose, Poetry & Essay
Prose, Poetry & Essay New Romanian Titles Translation Alistair Ian Blyth Freeze‑frame COSMIN CIOTLOȘ This catalogue contains a sample of Romanian literature from the last two years. More than a collection of books or, even less so, authors, it is an assemblage of sensibilities. Selecting from a large number of published works, I asked myself whether it would pro‑ vide a representative image. In other words, whether it would pro‑ vide an interested (non‑Romanian) audience a conclusive outline of an organic and highly active intellectual medium. I therefore tried to forget that I myself was part of that same system and that in writ‑ ing literary criticism I myself possessed a clear picture of the topog‑ raphy of Romanian literature today, with all my natural likes and dislikes. I ignored predetermined strategic calculations and only at the very end, when the whole map was ready, did I subject it to anal‑ ysis. I was thereby able to conclude that an equitable distribution had been made. There are authors here whose names internation‑ ally well known, having been translated by major publishers and won high‑profile awards, and there are authors who are more unfa‑ miliar, at the beginning of their careers, but who hold out the prom‑ ise of solid bodies of work. Likewise, the selection includes authors of widely varying biological and literary ages. Some of them, who emerged in the 1960s, are true living classics, who lay down stylistic laws and act as masters to their younger apprentices. The majority, of course, sprouted in the nursery of the so‑called “eighties generation,” which represented a turning point in Romanian literary awareness. -
Archive 2012
Volume 19 CUPRINS / TABLE OF CONTENTS 2012 ALLRO TIME AND LITERATURE Openings /8 MARCEL CORNIS-POPE – AUTHOR-READER INTERACTIONS IN THE AGE OF HYPERTEXTUAL AND MULTIMEDIA COMMUNICATION / 9 Time and Literature- Visions and Alienations /23 IULIAN BOLDEA - MIHAI EMINESCU: TIMP, POEZIE, VIS/MIHAI EMINESCU: TIME, POETRY, DREAM / 24 ION SIMUŢ – SENTIMENTUL TIMPULUI ÎN PROZA NATURISTĂ A LUI MIHAIL SADOVEANU /TIME PERCEPTION IN MIHAIL SADOVEANU’S WRITINGS ABOUT NATURE /34 MARIUS MIHEŢ- BACOVIA- A POET’S LATE TIME / 45 MAGDALENA INDRIEȘ - LE JEU DES TEMPS DANS « NAISSANCE DE L’ODYSSEE » /GAME OF TIMES IN « NAISSANCE DE L’ODYSSEE » / 48 IOANA ALEXANDRESCU - EN LA PENUMBRA DE JUAN BENET : RETRATO TEMPORAL / EN LA PENUMBRA by BENET : A PORTRAYAL OF TENSES/56 ADINA BANDICI- TIME AND NARRATIVE IN VIRGINIA WOOLF’S MRS. DALLOWAY / 68 LIDIA GHIULAI - OCTAVIAN PALER – INNER JOURNEYS, TRAVELING IN TIME / 81 DANA SALA – THE EBBS OF WATER-TIME INTERACTIONS IN ALEXANDRU VLAD ’S NOVEL “PLOILE AMARE” (BITTER RAINS) / 88 Times and Taste(s) in Fiction /92 MAGDA DANCIU & DELIA RADU - WAYS OF READING FOOD TODAY: THE SCOTTISH WHODUNITS / 93 ANEMONA ALB - GASTRONOMY AND POWER IN JEANETTE WINTERSON’S “THE PASSION / 102 Classics and moderns/111 NAGY LEVENTE- LE „TRIPLEX CONFINIUM.” LE ROLE DE LUIGI FERDINANDO MARSILI DANS L'ETABLISSEMENT DE LA FRONTIERE ENTRE LA MOLDAVIE, LA VALACHIE ET LA TRANSYLVANIE APRES LA PAIX DE KARLOWITZ / THE "TRIPLEX CONFINIUM". MARSILI’S ROLE IN REMAPPING AFTER THE PEACE OF KARLOWITZ/ 112 IOAN DERŞIDAN - THE SCHOOLMASTER DELIVERED TO HIS -
A Critique of the Ideological Conflict Between Socialist State Policy and Christian Music in Cold War Romania
ll IILenin in Swaddling Clothes : A Critique of the Ideological Conflict Between Socialist State Policy and Christian Music in Cold War Romania Sabina Pauta, Pieslak On April 11 , 1924, the monarchic government of Romania decreed, through the so-called "Gheorghe Marzescu" law, that the political practice of Com munism was subversive to the national cause and therefore illegal. Until the ban was lifted in 1944, the government imprisoned members of the Roma nian Communist Party (Constantiniu 2002:309). To raise funds for their incarcerated comrades while avoiding official detection, groups of activists belonging to Red Assistance International (Ajutorul Ro~u International) adapted certain winter caroling practices of the Christian Orthodox Church. Instead of singing star songs (cemtece de stea) or Christmas carols (colinde) and carrying staffs bearing the star of Bethlehem with the image of the infant Jesus in swaddling clothes, the activists sang altered texts that urged listen ers to contribute money to the cause of the working class and carried staffs decorated with a five-pointed star emblazoned with Lenin's image (Cernea, Radulescu, and Pintean 1964:124-25).1 Example 1 illustrates how the verses of a popular Christian star song, "The star is rising on high" ("Steaua sus rasare"), were changed to promote the activists' revolutionary platform. Rather than depicting the "great joy" and abundance of the Magi's gifts, the text used by the Communists focuses on harsh economic conditions and on the need for workers to unite under the leadership of their perceived "savior," Lenin. Examples 1a and 1b show the transformation of this traditional carol into a declaration of Communist principles. -
Praga KATALOG.Indd
en stěží by si bylo možné představit Slovo úvodem vhodnější prostředí pro dosud největší slovinskou literární prezentaci v zahraničí, než které nabízí rok od roku lepší a ži- vější pražský knižní veletrh: literární a kulturní styky mezi Slovinskem a Českem jsou silné již po staletí. Největší slovinský básník France Prešeren (1800-1849) ve své poeziiJ popisuje krásu děvčete z Brna; básník, prozaik a průkopník slovinské literární vědy Fran Levstik (1831–1887) navštěvoval seminář v Olomouci až do té doby, kdy ho musel opustit kvůli označení jeho první básnické sbírky z nemorálnosti. Drama nejvýznamnějšího slovinského prozaika a dramatika Ivana Cankara (1876-1918) Za narodov blagor (Pro blaho národa), knižně vydáno roku 1901, bylo hráno nejprve v Praze, roku 2005 uplyne od zinscenování přesně 100 let. Nejpřekládanější slovinský román, roku 1938 vydaný Alamut Vladimira Bartola (1903-1967), byl krátce po slovinském vydání přeložen do češtiny, téměř o padesát let později, v osmdesátých letech, se díky francouzskému a španělskému překladu začal tento příběh o náboženském fanatismu šířit po celém světě. Literární historik Oton Ber- kopec (1906-1988), jenž většinu svého života prožil v Praze, se ve čtyřicátých letech postaral o dvě antologie slovinské poezie v češtině, které jsou prvními obsáhlejšími prezentacemi slovinské literatury v cizím jazyce. Slovinsko-české literární styky pokračují až do dnešní doby. Nejvíce titulů slovinské literatury je (kromě chorvatštiny) přeloženo do češtiny: v posledním desetiletí vychází průměrně pět knih slovin- ských autorů ročně. Od vyhlášení samostatnosti roku 1991 se slovinská literatura stále více uplatňuje ve světě; v různých překladech vyšly knihy více než šedesáti současných autorů. Tomaž Šalamun, Drago Jančar a Aleš Debeljak mají každý přes třicet přeložených knih; všichni také přijedou do Prahy, kromě nich i brilantní básnířka a protagonistka své poezie Svetlana Makarovič a Dane Zajc, který značně ovlivnil všechny mladší básnické generace, a přes dvacet jiných, doma i v zahraničí uznávaných spiso- vatelů. -
Overview Partners of the Project Read Me I Am Yours
Call for Applications for the EMERGING WRITER ON TOUR for the year 2019 and 2020 organized by the Vilenica International Literary Festival in co- operation with the Festival of World Literature and Cúirt International Festival of Literature within the project Read Me I am Yours Overview The project Read Me I am Yours is an joint endeavour of 3 eminent literary manifestations with an aim of promoting European literature, coming from lesser known and used linguistic areas. The partners in the project are organisations that run renowned literary festivals from different parts of Europe representing the lesser-spoken European languages: Mednarodni literarni festival Vilenica / Vilenica International Literary Festival organized by the Slovene Writers’ Association from Slovenia, Cúirt International Festival of Literature / Cúirt Idirnáisiúnta Litríochta organized by the Galway Arts Centre from Ireland, and Festival svjetske književnosti / Festival of World Literature organized by the Fraktura publishing house from Croatia. Due to the location, all 3 partners share a certain common historical, social and political experience that make them unique at the European level. Feeling that we, the countries of the so called European periphery, have much to offer to the centre, we want to turn the European focus towards its different edges, where the literatures of smaller nations, regions and minorities coexist, and so do the larger groups that, despite the high quality of their writing, are under-represented in the body of literary and cultural field. The overall aim of the project Read Me I am Yours is to promote cross-cultural understanding and encourage intercultural dialogue - both among literary cultures that come from lesser-used European languages and larger linguistic areas, as well as with the countries outside Europe - and exchange by stimulating the mobility of authors, publishers, translators, literary agents, and other cultural mediators as well as workers in the cultural industry. -
Relations Between Modern Mathematics and Poetry: Czesław Miłosz; Zbigniew Herbert; Ion Barbu/Dan Barbilian
Relations between Modern Mathematics and Poetry: Czesław Miłosz; Zbigniew Herbert; Ion Barbu/Dan Barbilian by Loveday Jane Anastasia Kempthorne A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2015 Abstract This doctoral thesis is an examination of the relationship between poetry and mathematics, centred on three twentieth-century case studies: the Polish poets Czesław Miłosz (1911-2004) and Zbigniew Herbert (1924-1998), and the Romanian mathematician and poet Dan Barbilian/Ion Barbu (1895-1961). Part One of the thesis is a review of current scholarly literature, divided into two chapters. The first chapter looks at the nature of mathematics, outlining its historical developments and describing some major mathematical concepts as they pertain to the later case studies. This entails a focus on non-Euclidean geometries, modern algebra, and the foundations of mathematics in Europe; the nature of mathematical truth and language; and the modern historical evolution of mathematical schools in Poland and Romania. The second chapter examines some existing attempts to bring together mathematics and poetry, drawing on literature and science as an academic field; the role of the imagination and invention in the languages of both poetics and mathematics; the interest in mathematics among certain Symbolist poets, notably Mallarmé; and the experimental work of the French groups of mathematicians and mathematician-poets, Bourbaki and Oulipo. The role of metaphor is examined in particular. Part Two of the thesis is the case studies. The first presents the ethical and moral stance of Czesław Miłosz, investigating his attitudes towards classical and later relativistic science, in the light of the Nazi occupation and the Marxist regimes in Poland, and how these are reflected in his poetry. -
Nationalism Versus Internationalism: the Roles of Political and Cultural Elites in Interwar and Communist Romania*
Nationalities Papers, Vol. 34, No. 2, May 2006 Nationalism versus Internationalism: The Roles of Political and Cultural Elites in Interwar and Communist Romaniaà Umut Korkut Introduction This paper has two main goals. First, it illuminates continuities between the ideas of “true Romanian-ness” as held by both the Romanian cultural elite and the Romanian political regimes in the interwar and communist periods. A manufactured definition of a “true” Romanian—as a Romanian Orthodox Christian, natively Romanian-speaking, and ethnically Romanian—formed the core of Romanian nationalism, regardless of the ruling ideology. This definition did not include the Roman and Greek Catholics of Romanian ethnicity on the grounds that they were not Orthodox Christians. It goes without saying that these criteria also excluded Hungarians, Germans and other ethnic minorities on the basis of ethnicity, language and religion. Second, the paper demonstrates that the principal ideas of Romanian nationalism developed in overt contrast to the internationalist ideological movements of both periods. Both the liberals and the Marxists misunderstood nationalism, claimed Ernest Gellner in 1964: liberals assumed that nationalism was a doomed legacy of outmoded irratio- nalism, superstition and savagery, and Marxists considered it a necessary but temporary stage in the path to global socialism.1 Gellner’s comments are evidently appropriate to Romania, where nationalist responses developed first to the Westerniz- ation of the interwar period and second to communist internationalism after 1948. Remarkably, the definition of Romanian-ness changed little as it passed into the atten- tion of successive political regimes—first the Romanian kingdom of the interwar period and later the communists, especially under Ceaus¸escu. -
The Roulette
GABRIEL ANDREESCU THE ROULETTE ROMANIANS AND HUNGARIANS, 1991-2000 1 IN PLACE OF A PREFACE, OR “THE RUSSIAN ROULETTE” October 2, 1998: I was in Budapest for an international seminar organized as a part of the Royaumont process1 under the auspices of the Lambrakis Foundation and the Council of Europe. The seminar would eventually turn out to be a site of tough debates between the few of us who thought that in order to achieve stability in the Balkans the states in the region had to openly acknowledge the errors of their past policies on national and religious minorities, and the representatives of international organizations, safe in their cushy jobs and supported by an army of opportunists (some of which had penetrated even the NGOs). Nevertheless, I remember the elaboration of resolutions, the battle for their adoption, the statements and discourses pouring out from one side or the other as a passionate confrontation in a world governed by interests but fortunately also by rules. On that day of October 2, 1998, I was roaming the streets of the Hungarian capital together with Anna Nagy, assistant to the Romanian head of the Department for the Protection of National Minorities. We were waiting for a fax. We had learned the day before of the dramatic government session held during the night between September 30 and October 1. In a moment of inspiration, minister Gyorgy Tokay had proposed, at about 2 o’clock in the morning, the establishment of a bilingual university (later known as the Petöffi-Schiller University). Imaginative and possessed of a great sense of crisis-management, Tokay had found a compromise solution.