DOCSLIB.ORG

Josh Aaseng June 9

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JUNE 2015 Shannon Loys DESIGN: John Ulman : PHOTO Robert Bergin, Todd Jefferson Moore, and Erik Gratton. Moore, Jefferson Robert Todd Bergin, ADAPTED & DIRECTED BY JUNE 9 - JULY 3, 2015 JOSH AASENG PICTURED: I AM OF IRELAND | PRIDE AND PREJUDICE | THE DOG OF THE SOUTH | LITTLE BEE | SLAUGHTERHOUSE-FIVE ES065 covers.indd 1 4/29/15 1:31 PM GET WITH IT Visit EncoreArtsSeattle for an inside look at Seattlee’s performing arts. EncoreArtsSeattle.com PROGRAM BEHIND ARTIST WIN IT PREVIEWS LIBRARY THE SCENES SPOTLIGHT May-June 2015 Volume 11, No. 6 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Marty Griswold Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Mike Hathaway Bay Area Sales Director Staci Hyatt, Marilyn Kallins, Terri Reed, Tim Schuyler Hayman San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Carol Yip Sales Coordinator Jonathan Shipley Ad Services Coordinator www.encoreartsseattle.com Leah Baltus Editor-in-Chief Paul Heppner Publisher Marty Griswold Associate Publisher EAP 1_3 S template.indd 1 10/8/14 1:06 PM Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Amanda Manitach Visual Arts Editor Catherine Petru Account Executive Amanda Townsend Events Coordinator www.cityartsonline.com gift of print. Henry Gelatin silver Art, 1953. Gallery, Garden wire Paul Heppner Bing. Ilse Bing. of Ilse © Estate 2012.91. Gurevich, and Zoe Yuri President Mike Hathaway ILSE BING: MODERN PHOTOGRAPHER Vice President Erin Johnston 5/2 – 10/18 Communications Manager Genay Genereux Accounting Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] HENRY 800.308.2898 x113 . 1935. Gelatin silver Gelatin silver . 1935. ART www.encoremediagroup.com GALLERY Encore Arts Programs is published monthly by Encore Media Rooftops Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. HENRY ©2015 Encore Media Group. Reproduction Ilse Bing. Ilse and Zoe gift of Yuri print. Henry Art Gallery, Bing of Ilse © Estate 2012.109. Gurevich, ART.ORG without written permission is prohibited. encoreartsseattle.com 3 CONTENTS JUNE 2015 Slaughterhouse-Five A1 by Kurt Vonnegut Adapted and Directed by Josh Aaseng Shannon Loys DESIGN: A-1 Welcome John Ulman : PHOTO A-3 Slaughterhouse-Five Credits A-8 Meet the Cast and Crew A-13 Thank You to Our Contributors A-16 Company Information Robert Bergin, Todd Jefferson Moore, and Erik Gratton. Moore, Jefferson Robert Todd Bergin, ADAPTED & DIRECTED BY JUNE 9 - JULY 3, 2015 JOSH AASENG PICTURED: I AM OF IRELAND | PRIDE AND PREJUDICE | THE DOG OF THE SOUTH | LITTLE BEE | SLAUGHTERHOUSE-FIVE ES065 covers.indd 1 4/29/15 1:31 PM ENCORE ARTS NEWS Visit EncoreArtsSeattle.com Q & A with playwright Wayne Rawley BY BRETT HAMIL Wayne Rawley is a playwright, director, actor and Cornish grad. He’s a regular contributor to the 14/48 Festival and Sandbox Radio Live as well as a teaching artist with ACT’s Young Playwright’s Program. You might’ve seen some of his work produced last year in the form of Theater Schmeater’s Attack of the Killer Murder…of Death! and Seattle Public Theatre’s Christmastown: A Holiday Noir. Rawley just completed a run directing his play Live! From the Last Night of my Life, winner of the 2012 Gregory Award for Outstanding New Play. The production reunited the cast and crew of the acclaimed 2011 show. Continuing this month’s run of notable Seattle playwrights, Rawley joined me for a handful of questions. See more interviews with Seattle theatre artists every Friday over at EncoreArtsSeattle.com. What’s the best performance you’ve seen lately? This is a trick question because I just opened a show. If I say, “The best rock solid support to the show. She was at every single rehearsal, she helps performances? Why the performances are in MY show of course!” I sound keep the hundreds of moving parts backstage greased and spinning, the a little disingenuous. And if I say some other performances then my cast entrances happening, the play moving forward. She sets up before the show chases me around the room with knives. and leads the clean up after. We could not do Live! From The Last Night of My But here is the truth. One truly great performance for me this past Life without her and she does it night after night, flawlessly. weekend was turned in by Jessamyn Bateman-Lino. She is the assistant The best performance this weekend you didn’t see. Even if you did. stage manager for Live! From The Last Night of My Life. She runs our Crazy, right? So you are going to have to trust me. It truly is a sight to backstage before during and after every performance. She is a tireless, not behold. 4 ENCORE STAGES ENCORE ARTS NEWS What’s the best meal in Seattle? One Word. Med Kitch. Two words actually, but each cut in half to equal one word. It’s the insider way to say The Mediterranean Kitchen (I made that up). On Boren just north of Madison. My favorite food in the city that is not a Dick’s Burger. That scream you heard back in 2005 and you didn’t know what it was but it sounded close? That was me living in Los Angeles learning that their original Queen Anne location had closed. But they have been back for a while now and if you love garlic, you should stop whatever you are doing and go get some shwarma. Or the Farmers Plate, which is chicken wings covered in a sauce so good we must not speak of it. If you don’t love garlic, well then, you’ve got bigger problems than I can help you with. What music gets you pumped up? What do you listen to when you’re sad? The first thing I do when I think I have something I want to work on is make a playlist. I have lots of playlists. I’ve been listening to a lot of disco lately. I like disco because it is the music of people who feel very strongly that they are sexy and yet may or may not actually be sexy. For the last year I’ve had this idea for a play in my head and I don’t have a clue about what it is except for a vision of the poster that says the play’s title (I don’t know) and right under the title it says “Now with 75% more DISCO!” I can’t wait until it’s written so I can stop listening to so much disco. When I’m sad I listen to The Wailin’ Jennys’ cover of Neil Young’s “Old Man.” Female voices singing in harmony take my eyes to the sky. What’s the ideal setting for writing a play? Right before it is due is always the most ideal setting for writing a play. Beyond that, there is not any such thing. Not anymore. If I’m going to write, it’s got to be whenever I can, wherever I am. 4 a.m. On the train. Any coffee shop with an empty outlet and some type of sausage breakfast sandwich. I do a lot of writing on my bike commute. I wrote this paragraph on my bike. I forgot the rest of it, but it was very insightful. What’s the most useful thing anyone’s ever taught you about working in theatre? A dear friend and teacher, Judith Weston, taught me, “There is no Passive Income.” That means that in the theater, if you want it to work, you have to be there. And be there. And be there. You can’t write it and walk away. Oh, and “Play Your Pain.” August Wilson taught me that. (Pause. Removes hat.) For more previews, stories, video and a look behind the scenes, visit EncoreArtsSeattle.com PROGRAM LIBRARY CALENDAR PREVIEWS ARTIST SPOTLIGHT encoreartsseattle.com 5 ENCORE ARTS PREVIEWS SOUND theatre company 2014 GREGORY AWARD THEATRE OF THE YEAR SUMMER 2015 SEAS ON REVOLUTION and REVELATION Summertime provides the perfect by MARCUS GARDLEY backdrop for big, bright musicals and SEATTLE PREMIERE! Shakespeare in the park! Here are A co-production with some performances to look forward to this summer: BROWNBOX THEATRE directed by Tyrone Brown Wicked July 8—August 9 JULY 16 - AUGUST 2 This Tony Award-winning musical takes TICKETS - brownpapertickets.com CENTER THEATRE place long before a tornado carried Dorothy www.SoundTheatreCompany.org Seattle Center Armory to the Land of Oz. Elphaba is a sweet but misunderstood green-skinned girl and Glinda is ambitious, popular and spoiled. The story of friendship, trust and betrayal reveals the hidden history of Oz and the women who would become its most famous—and infamous—inhabitants. Godspell July 10—August 15 This song-and-dance takeoff on the Gospels has travelled around the world to Broadway and back again. Featuring tuneful parables in the form of memorable songs like “Day By Day” and “Learn Your Lessons Well,” Taproot presents the musical as an appropriately sunny and hopeful summertime treat. Taproot Theatre Grease July 9—August 2 The students of Rydell High School capture the innocence and raunch of adolescence on the verge of adulthood with musical backing by rockin’ Seattle mainstays The Dusty 45’s. Thrill to the songs you know by heart (“Look At Me, I’m Sandra Dee,” “Beauty School Dropout,” “You’re the One That I want”) with Danny, Sandy, Rizzo, the Pink Ladies and the T-Birds.
Recommended publications
  • Fairfaxfairfax Areasareas Ofof Burkeburke

    Fairfaxfairfax Areasareas Ofof Burkeburke

    ServingServing Camps & Schools FairfaxFairfax AreasAreas ofof BurkeBurke Author Russ Banham is spending the week touring the county in support of his latest insideinside book, ‘The Fight for Fairfax.’ Classified, Page 18 Classified, ❖ Sports, Page 12 ❖ Schools Switch From PTA Calendar, Page 8 To PTO News, Page 3 Olympic Effort County For Local Skaters Sports, Page 12 Requested in home 9-25-09 home in Requested Time sensitive material. sensitive Time Attention Postmaster: Attention Scribe #86 PERMIT Martinsburg, WV Martinsburg, PAID News, Page 3 Postage U.S. PRSRT STD PRSRT Photo by Justin Fanizzi/The Connection www.ConnectionNewspapers.comSeptember 24-30, 2009 Volume XXIII, Number 38 online at www.connectionnewspapers.comFairfax Connection ❖ September 24-30, 2009 ❖ 1 2 ❖ Fairfax Connection ❖ September 24-30, 2009 www.ConnectionNewspapers.com Fairfax Connection Editor Michael O’Connell News 703-778-9416 or [email protected] Fairfax — An Author’s Muse Falling Russ Banham writes For Books about post-World War Literary event II history of county. expands beyond GMU Campus. By Justin Fanizzi The Connection by Photo By Justin Fanizzi The Connection uss Banham has just about seen it all in his 55 years. He was on Fanizzi Justin or the past decade, the Fall for Rthe field after the New York Mets Fthe Book Festival has provided won the 1973 Major League the Fairfax community with a Baseball National League Championship first rate literary experience. Now in Series. He has been commissioned by an its 11th year, festival staff has a big- iconic American family to write a biogra- /The Connection ger goal in mind: to bring that same phy about their patriarch, Henry Ford, and experience to the entire Washington, his circle of friends includes former “Brady D.C.
  • Proverbs 11:1 May 20, 2020 Pare

    Proverbs 11:1 May 20, 2020 Pare

    1 “A false balance is an abomination to the Lord, but a just weight is his delight.” - - Proverbs 11:1 ​ May 20, 2020 Parents and Students, Because the administration has directed that no official project or writing assignment be attached to summer reading, I am not changing it much from what I had last year for Honors and AP students.. Honestly, if your student is reading anything and enjoying it, that’s great! The connection between reading and academic success -- both now and on standardized tests, writing, and post secondary learning -- is overwhelming! I recommend (and this is advice I have to take myself!) branching out from one’s favorite genre for variety and to discover additional types of writing to enjoy. Other than recommendations from people you know who have studied or read the works, an easy option for choosing a book is to look up an excerpt of the novel/drama. That way, you know the level of difficulty as well as the author’s style and language. Almost all good literature contains less-than-savory elements -- language, sinful behavior, sometimes even an overt or subtle skewed world view. With that disclaimer comes the fact that most, if not all good literature that I have read doesn’t glorify sin but punishes it in some way. Christian family review sites also exist, including the following: Redeemed Reader, Focus on the Family, Plugged In, and Common Sense Media. Below is a lengthy article by Bob Jones University that deals with potentially objectionable material from a biblical worldview in a thorough manner.
  • Edith Wharton: Vision and Perception in Her Short Stories Jill Sneider Washington University in St

    Edith Wharton: Vision and Perception in Her Short Stories Jill Sneider Washington University in St

    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 5-24-2012 Edith Wharton: Vision and Perception in Her Short Stories Jill Sneider Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Sneider, Jill, "Edith Wharton: Vision and Perception in Her Short Stories" (2012). All Theses and Dissertations (ETDs). 728. https://openscholarship.wustl.edu/etd/728 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Wayne Fields, Chair Naomi Lebowitz Robert Milder George Pepe Richard Ruland Lynne Tatlock Edith Wharton: Vision and Perception in Her Short Stories By Jill Frank Sneider A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2012 St. Louis, Missouri Copyright by Jill Frank Sneider 2012 Acknowledgments I would like to thank Washington University and the Department of English and American Literature for their flexibility during my graduate education. Their approval of my part-time program made it possible for me to earn a master’s degree and a doctorate. I appreciate the time, advice, and encouragement given to me by Wayne Fields, the Director of my dissertation. He helped me discover new facets to explore every time we met and challenged me to analyze and write far beyond my own expectations.
  • She's Come Undone at Book It Repertory Theatre-Encore Arts Seattle

    She's Come Undone at Book It Repertory Theatre-Encore Arts Seattle

    Adapted and Directed by Kelly Kitchens SEPTEMBER 18 - OCTOBER 13, 2013 ES013 covers.indd 1 8/20/13 9:10 AM September 2013 RUFUS WAINWRIGHT Volume 10, No. 1 Monday | October 28 $52, $57 & $62, $15 youth/student Paul Heppner Sponsored by The Cheesemonger’s Table, Phill & Marni Muir Butler, and Alan Lawrence/Edward Jones Investments Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, JIM BRICKMAN: THE LOVE TOUR Robin Kessler, Kim Love Saturday | November 9 Design and Production Artists $42, $47 & $52, $15 youth/student Mike Hathaway Advertising Sales Director Sponsored by Anne Gittinger Marty Griswold, Seattle Sales Director Gwendolyn Fairbanks, TAKE 6 Ann Manning, Lenore Waldron Wednesday | December 11 Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, $27, $32 & $37, $15 youth/student Tia Mignonne, Terri Reed Sponsored by Marla Miller & Al Huff, San Francisco/Bay Area Account Executives Terry Vehrs - Windermere, and Susan Dunn Denise Wong 10% discount for Seniors 62+ & Military on events presented by ECA! Executive Sales Coordinator Jonathan Shipley Ad Services Coordinator ec4arts.org | 425.275.9595 www.encoreartsseattle.com 410FOURTHAVENUENORTH EDMONDSWA98020 Paul Heppner Publisher 2013–2014 SEASON Leah Baltus presented by Editor-in-Chief Marty Griswold Sales Director Joey Chapman Account Executive Dan Paulus ECA 072913 rufus 1_3s.pdf Art Director Jonathan Zwickel See all four shows Senior Editor for just $72. Gemma Wilson Associate Editor The best theatre deal in town! Amanda Manitach Visual Arts Editor Amanda Townsend Events Coordinator Much Ado www.cityartsonline.com About Nothing Oct. 23–Nov.17, 2013 Paul Heppner Richard II President Jan. 8–Feb.
  • Broadcastingesep29the Newsweekly of Broadcasting and Allied Arts

    Broadcastingesep29the Newsweekly of Broadcasting and Allied Arts

    Starting to write the rules for DBS Rewriting the script for PBS ur 49th Year 1980 BroadcastingESep29The newsweekly of broadcasting and allied arts It's hot and it spells success! Warner Bros. Televi lon Distributioñ A Warner Communications Company TIME -LIFE TELEVISION presents aillE LIFE MEATBALLS HARPER VALLEY P.T.A. 20 Major Movies Bill Murray, Harvey Atkin, Kate Lynch, Barbara Eden, Ronny Cox. Nanette Fabray, Russ Banham Louis Nye. Pat Paulsen BREAKING UP DEVILDOG: The Hound of Hell DIXIE DYNAMITE Lee Remick, Granville Van Dusen Richard Crenna, Yvette Mimieux, Victor Jory Warren Oates, Christopher George 6 MURDER BY NATURAL CAUSES NIGHT CREATURE OVERBOARD Hal Holbrook, Katharine Ross, Donald Pleasance, Nancy Kwan. Ross Hagen Cliff Robertson, Angie Dickinson Barry Bostwick, Richard Anderson STRANGER IN OUR HOUSE STREET KILLING TELL ME MY NAME Linda Blair, Lee Purcell, Jeremy Slate, Andy Griffith, Harry Guardino, Arthur Hill. Barbara Barrie, Barnard Hughes Carol Lawrence, Macdonald Carey Bradford Dillman CID STRANGERS: THE WILD GEESE phia Loren, Charlton Heston, Raf Vallone. The Story of a Mother and Daughter Richard Burton, Roger Moore. Richard Harris, nevieve Page Bette Davis, Gena Rowlands Stewart Granger E GLASS MENAGERIE GOOD GUYS WEAR BLACK THE GRASS IS ALWAYS GREENER OVER THE tharine Hepburn, Sam Waterston, Chuck Norris, James Franciscus SEPTIC TANK anna Miles, Michael Moriarty Dana Andrews, Jim Backus Carol Burnett, Charles Grodin, Alex Rocco, Linda Gray IBY SEE HOW SHE RUNS THE SILENT PARTNER per Laurie, Stuart Whitman, Roger Davis Joanne Woodward, John Considine, Elliott Gould, Christopher Plummer, Barnard Hughes Susannah York HOLLYWOOD'S BIGGEST STARS IN SYNDICATION'S MOST IMPORTANT NEW FEATURE GROUP MAJOR THEATRICALS TIME-LIFE TELEVISION AVERAGE FIRST RUN SYNDICATION DIVISION NETWORK SHARE TO DATE: 33 TIME -LIFE BUILDING NEW YORK, N.Y.
  • University of Montana Commencement Program, 1990

    University of Montana Commencement Program, 1990

    University of Montana ScholarWorks at University of Montana University of Montana Commencement Programs, 1898-2020 Office of the Registrar 6-9-1990 University of Montana Commencement Program, 1990 University of Montana (Missoula, Mont. : 1965-1994). Office of the Registrar Follow this and additional works at: https://scholarworks.umt.edu/um_commencement_programs Let us know how access to this document benefits ou.y Recommended Citation University of Montana (Missoula, Mont. : 1965-1994). Office of the Registrar, "University of Montana Commencement Program, 1990" (1990). University of Montana Commencement Programs, 1898-2020. 93. https://scholarworks.umt.edu/um_commencement_programs/93 This Program is brought to you for free and open access by the Office of the Registrar at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana Commencement Programs, 1898-2020 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. NINETY-THIRD ANNUAL COMMENCEMENT UNIVERSITY OF MONTANA MISSOULA SATURDAY, JUNE THE NINTH NINETEEN HUNDRED AND NINETY HARRY ADAMS FIELDHOUSE DAHLBERG ARENA HEAD MARSHAL Frank W. Clark Professor of Social Work MARSHALS Paul E. Miller R. Keith Osterheld Professor of Sociology Professor of Chemistry The carillon concert has been made possible by the generous contributions from the Coffee Memorial Fund, Mrs. Hugh Galusha, Jr., William Gallagher, the First Bank Western Montana—Missoula and other donations through the UM Foundation to restore the carillon. The concerts before and after the exercises will be per­ formed by Dr. John Ellis, University Carillonneur and Hooi-Theng Loo. ORDER OF EXERCISES PROCESSIONAL Brass Ensemble Dustin Molyneaux, trumpet Jason Barkley, horn James Hanson, trumpet James Ramsey, trombone Andrew Goodrich, trumpet Shawn D.
  • Collected Stories 1911-1937 Ebook, Epub

    Collected Stories 1911-1937 Ebook, Epub

    COLLECTED STORIES 1911-1937 PDF, EPUB, EBOOK Edith Wharton | 848 pages | 16 Oct 2014 | The Library of America | 9781883011949 | English | New York, United States Collected Stories 1911-1937 PDF Book In "The Mission of Jane" about a remarkable adopted child and "The Pelican" about an itinerant lecturer , she discovers her gift for social and cultural satire. Sandra M. Marion Elizabeth Rodgers. Collected Stories, by Edith Wharton ,. Anson Warley is an ageing New York bachelor who once had high cultural aspirations, but he has left them behind to give himself up to the life of a socialite and dandy. Sort order. Michael Davitt Bell. A Historical Guide to Edith Wharton. With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone , Sanctuary , and Bunner Sisters , eight shorter pieces never collected by Wharton, and many stories long out-of-print. Anthony Trollope. The Edith Wharton Society Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University. The Library of America series includes more than volumes to date, authoritative editions that average 1, pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Elizabeth Spencer. Inspired by Your Browsing History. Books by Edith Wharton. Hill, Hamlin L. This work was followed several other novels set in New York.
  • Kurt Vonnegut

    Kurt Vonnegut

    1974; Wampeters, Foma and Granfalloons (Opinions); Kurt Vonnegut; 9780440087175; 285 pages; Delacorte Press/Seymour Lawrence, 1974 Wampeters, Foma & Granfalloons (opinions) by Kurt Vonnegut, 1974, Delacorte Press/Seymour Lawrence edition, in English. Are you sure you want to remove Wampeters, foma & granfalloons (opinions). from your list? Wampeters, foma & granfalloons (opinions). by Kurt Vonnegut. Published 1974 by Delacorte Press/Seymour Lawrence in [New York] . Book wampeters, foma & granfalloons (opinions) pdf free download or read online by kurt vonnegut available on pdf epub and doc format isbn: 9780385333818, download book wampeters, foma & granfalloons (opinions) at link below supported file pdf, txt, epub, kindle and other format this book for free. wampeters, foma & granfalloons is a rare opportunity to experience kurt vonnegut speaking in his own voice about his own life, his views of the world, his writing, and the writing "Laurel.". Essays. Reprint. Originally published: New York : Delacorte Press/Seymour Lawrence, 1974. Science fiction -- Brief encounters on the inland waterway -- Hello, star Vega -- Teaching the unteachable -- Yes, we have no Nirvanas -- Fortitude -- "There's a maniac loose out there" -- Excelsior! We're going to the moon! Excelsior! -. - Address to the American Physical Society -- Good missiles, good manners, good night -- Why they read Hesse -- Oversexed in Indianapolis -- The mysterious Madame Blavatsky -- Biafra: a people betrayed -- Address to the graduating This item:Wampeters, Foma & Granfalloons: (Opinions) by Kurt Vonnegut Paperback $14.44. In Stock. Ships from and sold by Amazon.com. FREE Shipping on orders over $25. Details. Slapstick or Lonesome No More! by Kurt Vonnegut Paperback $14.01. In Stock. Start reading Wampeters, Foma & Granfalloons on your Kindle in under a minute.
  • Wharton - Wikipedia

    Wharton - Wikipedia

    4/27/2020 Edith Wharton - Wikipedia Edith Wharton Edith Wharton (/ hw rtən/; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American Edith Wharton novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she was the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996.[1] Contents Biography Early life Early writing Socialite and debutante 1880s Travels and life abroad Edith Wharton, c. 1895 Later years Death Born Edith Newbold Writing Jones Career January 24, 1862 Themes in writings New York City Influences Died August 11, 1937 Works (aged 75) Novels Saint-Brice-sous- Novellas and novelette Forêt, France Poetry Short story collections Resting Cimetière des place Non-fiction Gonards As editor Occupation Novelist, short story Adaptations writer, designer. Film Notable Pulitzer Prize for Television awards Literature Theater 1921 The Age of In popular culture Innocence References Spouse Edward Robbins Citations Bibliography Wharton (1885– 1913) Further reading https://en.wikipedia.org/wiki/Edith_Wharton 1/16 4/27/2020 Edith Wharton - Wikipedia External links Online editions Signature Biography Early life Edith Wharton was born Edith Newbold Jones on January 24, 1862 to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City.[2][3] To her
  • Wharton Conference Program Draft

    Wharton Conference Program Draft

    Wednesday, June 17t h Registration Hotel Lobby 5:00-8:00 ____________________________________________________________ Thursday, June 18 th 8:30-9:45 Session 1-A New Approaches to T he Age of Innocence ( Sutton Place) Chair: 1. “ Secular Humanism in T he Age of Innocence ,” Linda Kornasky, Angelo State University 2. “ When ‘New York was a Metropolis’: Urban Modernity in Edith Wharton’s T he Age of Innocence ,” Sophia Basaldua-Sun, Stonybrook University 3. “ ‘Ignorance on One Side and Hypocrisy on the Other’: Edith Wharton’s American Skepticism in T he Age of Innocence ,” M. M. Dawley, Lesley University Session 1-B New York City Cultures (Gramercy Park) Chair: 1. “ ‘This killing New York life’: Edith Wharton and the tyranny of place in Twilight Sleep, ” Deborah Snow Molloy, University of Glasgow 2. “ Business and Beauty in Wharton’s and Cather’s New York,” Julie Olin-Ammentorp, Le Moyne College 3. “ Renunciation and Elective Affinities between ‘Age of Innocence’ and ‘Jazz Age’: Marriage and Parenthood in Wharton’s novels of ‘old’ and ‘new’ New York,” Maria-Novella Mercuri Rosta, University College London Session 1-C Edith Wharton & Temporality (Herald Square) Chair: 1. “ Edith Wharton’s Teleiopoetic New York,” Laura S. Witherington, University of Arkansas at Fort Smith 2. “ ‘Talking Against Time’ in T he Age of Innocence, ” Frederick Wegener, California State University, Long Beach 3. “Wharton’s Anachronistic New York,” John Sampson, Johns Hopkins University 10:00-11:15 Session 2-A New Approaches to Wharton and Mediums of Art (Sutton Place) Chair: 1. “ Bunner Sisters: Edith Wharton’s Homage to H. C.
  • EOUH WHARTON's FICTION by Bachelor of Arts

    EOUH WHARTON's FICTION by Bachelor of Arts

    THE USE OF DRAMATIC IRO!tt IN EOUH WHARTON'S FICTION By WILLIAM RICHARD BRO\il (l\ Bachelor of Arts Phillipe Umver&i ty Enid, Oklahoma 1952 Submitted to the ta.cul ty of the Graduate School of the Oklahoma Agricultural and Mechanical. Collage in partial fulfillment of the requirements for the degre• of MASTER or ARTS Hay, 19'J'l lllAIIJlfA ...TIIAl &MfCffAHfCAl eoum LIBRARY AUG l 219 f5 7 THE USE OF' DRAMATIC IR017Y IM l!DITH WHARTON'S FICTIO!'I Thesis Approvecb Thesis Adviser Dean of the Graduate School 383038 ii PREFACE Though critics differ about the signif.ieance or :Edith Wharton's material, they are agreed that she is a consummate literary craftsman, a "disciple of form." This study of her .fiction is limited to one aspect of her literary virtuosity, her use of drama.tic irony to contribute to the form i n her fiction. Such a otudy presents a two-fold problem. In the first place, the writer must show how drama.tic irony can contribute to form; thus, he must involve himself in aest hetics, a study very difficult to document. In the second place, he must show that dramatic irony contributed to the form of Ed.1th Wharton's fiction. In order to deal \Ii.th this two-headed problem in a unified essay, I decided that the best approach would be to give a short explanation of my idea that dramatic iroizy can contribute to form and then to illustrate the explanation by giving specific examples from Mrs. Wharton's fiction.
  • Postmodernist Fusion of Historical Facts and Fictional Reality in Kurt Vonnegut’S Hocus Pocus

    Postmodernist Fusion of Historical Facts and Fictional Reality in Kurt Vonnegut’S Hocus Pocus

    ====================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:3 March 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ===================================================================== Postmodernist Fusion of Historical Facts and Fictional Reality in Kurt Vonnegut’s Hocus Pocus T. Kavivarman Dr. K. Ganeshram Ph.D. Research Scholar Assistant Professor Department of English Department of English Annamalai University Annamalai University [email protected] [email protected] Abstract This paper attempts to explore Kurt Vonnegut’s preoccupation with the fantastical takeover of America by International conglomerates in his novel, Hocus Pocus. Vonnegut’s use of a futuristic perspective and many kinds of scientific discoveries and inventions are examined. The paper elaborates Vonnegut’s postmodernist intermingling of historical facts and fictional reality and flair for historical revisionism. Vonnegut’s apocalyptic motifs of strange learning disabilities and disorders and his use of music to transcending the realm of the ordinary receive special attention. Keywords: Kurt Vonnegut, Hocus Pocus, Postmodern, Reality, Disabilities, Disorders Kurt Vonnegut occupies a prominent place in American literature. His concerns about technology, the future and myth arise out of the events of his life. His life, his influences, and personal experiences find expression in art. His fiction of the sixties is a fair example of American cultural change. His materials are science, philosophy and anthropology but their form is one that arises out of bourgeoisie life. In an age of complexity and obscurity both of narrative form and vision, Vonnegut appears doggedly middle class, conforming to his simple disposition towards plain truth even in the face of the most challenging atrocities.