Kurt Vonnegut
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Postmodernist Fusion of Historical Facts and Fictional Reality in Kurt Vonnegut’S Hocus Pocus
====================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:3 March 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ===================================================================== Postmodernist Fusion of Historical Facts and Fictional Reality in Kurt Vonnegut’s Hocus Pocus T. Kavivarman Dr. K. Ganeshram Ph.D. Research Scholar Assistant Professor Department of English Department of English Annamalai University Annamalai University [email protected] [email protected] Abstract This paper attempts to explore Kurt Vonnegut’s preoccupation with the fantastical takeover of America by International conglomerates in his novel, Hocus Pocus. Vonnegut’s use of a futuristic perspective and many kinds of scientific discoveries and inventions are examined. The paper elaborates Vonnegut’s postmodernist intermingling of historical facts and fictional reality and flair for historical revisionism. Vonnegut’s apocalyptic motifs of strange learning disabilities and disorders and his use of music to transcending the realm of the ordinary receive special attention. Keywords: Kurt Vonnegut, Hocus Pocus, Postmodern, Reality, Disabilities, Disorders Kurt Vonnegut occupies a prominent place in American literature. His concerns about technology, the future and myth arise out of the events of his life. His life, his influences, and personal experiences find expression in art. His fiction of the sixties is a fair example of American cultural change. His materials are science, philosophy and anthropology but their form is one that arises out of bourgeoisie life. In an age of complexity and obscurity both of narrative form and vision, Vonnegut appears doggedly middle class, conforming to his simple disposition towards plain truth even in the face of the most challenging atrocities. -
SLAUGHTERHOUSE-FIVE Monica Loeb
VONNEGUTS DUTY-DANCE WITH DEATH THEME AND STRUCTURE IN SLAUGHTERHOUSE-FIVE by Monica Loeb to be publicly discussed in lecture hall E; Humanisthuset, University of Umeå, on May 30,/979, at 10 AM, for the degree of Doctor of Philosophy in English. UMEÅ 1979 ACTA UNIVERSITATIS UMENSIS Umeå Studies in the Humanities. 26 Monica Loeb Vonnegut’s Duty-Dance with Death - Theme and Structure in Slaughterhouse-Five Umeå, 1979 ISBN 91-7174-031-7 Abstract The influence of Vonnegut’s didactic purpose of writing on the treatment of theme and structure in Slaughterhouse-Five is investigated in this study. The following elements of structure are studied: point of view, the treatment of time, charac terization, the use of other sources, and imagery. These are constantly related to the novel’s themes, such as war, cruelty, death, time, innocence, survival, free will, fantasy and regeneration. Since Vonnegut himself survived the Dresden bombings during World War Two, his novel is very personal, which is particularly reflected in his point-of-view technique, the subject of Chapter One. Vonnegut cre ates double narrators in Slaughterhouse-Five : a personal one, including authorial intrusions, and an impersonal one. This division is a direct reflection of the dichotomy between reality and fantasy that prevails in the novel. In Chapter Two, Vonnegut’s treatment of time is demonstrated to be a process of spatialization. Structurally, this means a fragmented narrative split into several time levels that chiefly form what the author calls his ”telegraphic schizophrenic" style. Thematically, the protagonist comes "unstuck" in time, thus succeeding in confronting an absurd world and finally transcending death. -
Josh Aaseng June 9
JUNE 2015 Shannon Loys DESIGN: John Ulman : PHOTO Robert Bergin, Todd Jefferson Moore, and Erik Gratton. Moore, Jefferson Robert Todd Bergin, ADAPTED & DIRECTED BY JUNE 9 - JULY 3, 2015 JOSH AASENG PICTURED: I AM OF IRELAND | PRIDE AND PREJUDICE | THE DOG OF THE SOUTH | LITTLE BEE | SLAUGHTERHOUSE-FIVE ES065 covers.indd 1 4/29/15 1:31 PM GET WITH IT Visit EncoreArtsSeattle for an inside look at Seattlee’s performing arts. EncoreArtsSeattle.com PROGRAM BEHIND ARTIST WIN IT PREVIEWS LIBRARY THE SCENES SPOTLIGHT May-June 2015 Volume 11, No. 6 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Marty Griswold Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Mike Hathaway Bay Area Sales Director Staci Hyatt, Marilyn Kallins, Terri Reed, Tim Schuyler Hayman San Francisco/Bay Area Account Executives Brett Hamil Online Editor Jonathan Shipley Associate Online Editor Carol Yip Sales Coordinator Jonathan Shipley Ad Services Coordinator www.encoreartsseattle.com Leah Baltus Editor-in-Chief Paul Heppner Publisher Marty Griswold Associate Publisher EAP 1_3 S template.indd 1 10/8/14 1:06 PM Dan Paulus Art Director Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Amanda Manitach Visual Arts Editor Catherine Petru Account Executive Amanda Townsend Events Coordinator www.cityartsonline.com gift of print. Henry Gelatin silver Art, 1953. Gallery, Garden wire Paul Heppner Bing. Ilse Bing. of Ilse © Estate 2012.91. Gurevich, and Zoe Yuri President Mike Hathaway ILSE BING: MODERN PHOTOGRAPHER Vice President Erin Johnston 5/2 – 10/18 Communications Manager Genay Genereux Accounting Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] HENRY 800.308.2898 x113 . -
WHAT Is EQUALITY? ARGUING the REALITY and DISPELLING the MYTH: an INQUIRY in a LEGAL DEFINITION for the AMERICAN CONTEXT
WHAT Is EQUALITY? ARGUING THE REALITY AND DISPELLING THE MYTH: AN INQUIRY IN A LEGAL DEFINITION FOR THE AMERICAN CONTEXT Robert John Araujo * The year was 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. h Nobody was stronger than anybody else. All this equality was due to the 211 , th 21 2th, and 213 Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.I Equally fallacious is the doctrine of equality, of which much is said, and little understood. That one man in a state, has as good a right as another to his life, limbs, reputation and property, is a proposition that no man will dispute. Nor will it be denied that each member of a society, who has not forfeited his claims by misconduct, has an equal right to protection. But if by equality, writers understand an equal right to distinction, and influence; or if they understand an equal share of talents and bodily powers; in these senses, all men are not equal. Such an equality would be inconsistent with the whole economy of nature. In the animal and vegetable world, however strong the general resemblance in the individuals of a species, each is marked with a distinct character; and this diversity is one of the principal beauties of creation, and probably an important feature in the system. There are, and there must be, distinctions among men .. -
War Representations and Their Influence on Future Soldiers
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 8-7-2018 The Past Informs the Future: War Representations and Their Influence on uturF e Soldiers Danielle Rhodes Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Rhodes, Danielle, "The Past Informs the Future: War Representations and Their Influence on uturF e Soldiers." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/english_diss/202 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE PAST INFORMS THE FUTURE: PAST WARS AND THEIR INFLUENCE ON FUTURE SOLDIERS by DANIELLE RHODES Under the Direction of Chris Kocela, PhD ABSTRACT Scholars of the postmodern war narrative have examined the connections between past war representations, which rely heavily on myths of the “ideal soldier,” and their effects on the following generation’s perception of war. It is clear that these depictions inadequately prepare a new soldier due to the fact that each war fought since World War I has differed significantly. My dissertation examines the link between past war representations and soldier expectations, and expands on this phenomenon. I argue that because soldiers are ill prepared, they must quickly create methods to cope with their actual reality, which as I show are also effects of past media. Each war’s literature has presented its own unique method that characters use to create spaces of agency.