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Romance and Writing: Interpreting the Lyric Domnas of Occitania
Trends in Historiography Romance and Writing: Interpreting the Lyric Domnas of Occitania by Aubri E. Thurmond “I’ll ask you this: when a lady freely loves a man, should she do as much for him as he for her, according to the rules of courtly love?”1 These words are attributed to Maria de Ventadorn, a woman composing in the lyric tradition of the troubadours. From 1100-1300 A.D., Occitania (Southern France) produced over 400 troubadours whose poetry shaped the concepts of romantic love in the West. Their poems, written in langue d’oc, were expressions of fin’ amor, or courtly love.2 According to Paul Zumthor, “Fin’ amor strives toward a desired but unnamed good, bestowable only by a lady, herself identified only by an emblematic pseudonym: a dialogue without reply, pure song, turning into poetry the movements of a heart contemplating an object whose importance as such is minimal.”3 The troubadour was symbolically dependent on the favor of his lady, therefore seemingly giving her power and humbling himself.4 Fin ‘amor was the source of all courtly values.5 However, there were also women troubadours, called trobairitz, in Southern France. The name trobairitz comes from the root trobar, meaning to compose and the feminine suffix –airitz, literally meaning “a woman who composes.”6 The female troubadours did not refer to themselves as trobairitz. In fact, the term trobairitz is only found once in 13th century literature: in the romance Flamenca, when the heroine calls her maid 1 As quoted in Meg Bogin, The Women Troubadours (Scarborough, England: Paddington Press Ltd., 1976), 99. -
Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
IMAGES of WOMEN in the TROBAIRITZ1 POETRY (Vocabulary and Imagery)
Olaru Laura Emanuela IMAGES OF WOMEN IN THE TROBAIRITZ1 POETRY (Vocabulary and Imagery) M. A. Thesis in Medieval Studies CEU eTD Collection The Central European University Budapest June 1998 I, the undersigned, Laura Emanuela OLARU, candidate for the M. A. degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person's or institution's copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 15 June 1998 Signature CEU eTD Collection Images of Women in the Trobairitz Poetry (Vocabulary and Imagery) by Laura Emanuela Olaru (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU Chair, Exarffination Comittee External Examiner /\/ Examiffgp/^''^ Budapest June 1998 CEU eTD Collection Images of Women in the Trobairitz' Poetry (Vocabulary and Imagery) ABSTRACT The present study has focused on the poetry of the trobairitz, who wrote during 1180-1260 in Occitania, in the environment of the court. Its purpose is to extract the images of women as depicted in and through the vocabulary and the imagery. The study of vocabulary and imagery seemed the best way to understand the significance and the richness of the types of women depicted in the poems: the conscious woman, the authoritative figure, the fighter, the lover, the beloved, the uncourtly woman. -
Abbot Suger's Consecrations of the Abbey Church of St. Denis
DE CONSECRATIONIBUS: ABBOT SUGER’S CONSECRATIONS OF THE ABBEY CHURCH OF ST. DENIS by Elizabeth R. Drennon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University August 2016 © 2016 Elizabeth R. Drennon ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Elizabeth R. Drennon Thesis Title: De Consecrationibus: Abbot Suger’s Consecrations of the Abbey Church of St. Denis Date of Final Oral Examination: 15 June 2016 The following individuals read and discussed the thesis submitted by student Elizabeth R. Drennon, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Lisa McClain, Ph.D. Chair, Supervisory Committee Erik J. Hadley, Ph.D. Member, Supervisory Committee Katherine V. Huntley, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by Lisa McClain, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by Jodi Chilson, M.F.A., Coordinator of Theses and Dissertations. DEDICATION I dedicate this to my family, who believed I could do this and who tolerated my child-like enthusiasm, strange mumblings in Latin, and sudden outbursts of enlightenment throughout this process. Your faith in me and your support, both financially and emotionally, made this possible. iv ACKNOWLEDGEMENTS I would like to thank Dr. Lisa McClain for her support, patience, editing advice, and guidance throughout this process. I simply could not have found a better mentor. -
Romańskie Napisy Haftowane Na Jedwabnych Pasmach Z Grobu Nr 24 W Kolegiacie W Kruszwicy*
Marek A. JANICKI Uniwersytet Warszawski, Instytut Historyczny Romańskie napisy haftowane na jedwabnych pasmach z grobu nr 24 w kolegiacie w Kruszwicy* Zarys treści: Artykuł stanowi analizę filologiczną i wstępną analizę epigraficzną wymienionych w tytule in- skrypcji celem określenia możliwego czasu ich powstania na podstawie kryteriów epigraficznych. Abstract: This article is a philological and initial epigraphic analysis of the titular inscriptions aimed at defining the possible time of their origin upon the basis of epigraphic criteria. Słowa kluczowe: epigrafika romańska, romańskie tkaniny grobowe, Kruszwica, Notker Balbulus. Keywords: Romanesque epigraphy, Romanesque tomb textiles, Kruszwica, Notker Balbulus. W grudniu 1960 r. w północnym ramieniu transeptu kolegiaty pw. św. św. Piotra i Pawła w Krusz- wicy odsłonięto średniowieczny grób, który oznaczono nr. 24. W partii tułowia niekompletnego szkie- letu znaleziono trzy pasma jedwabiu z inskrypcjami haftowanymi srebrną, złoconą nicią1. Pasma te, które pierwotnie prawdopodobnie miały barwę żółtą2 i stanowiły pewną całość z uwidaczniającą się sekwencją napisów, mają odpowiednio długość — 1)3 ok. 79 cm, 2) ok. 70 cm, 3) ok. 13 cm i szerokość ok. 4 cm (nie licząc podwiniętych na lewą stronę zakładek)4. Inskrypcje wyhaftowano w układzie * Celem niniejszej wypowiedzi jest wstępna analiza epigrafiki zabytku. Uwagi dotyczące zarówno grafii napisów, jak również cech formalnych samych pasem mogą mieć znaczenie dla interpretacji ich pierwotnego kształtu i zastosowania. Zasadniczo jednak autor w tej ostatniej kwestii nie zajmuje stanowiska. 1 Zob. J. Kürbis, Inskrypcje (Polska), w: Słownik starożytności słowiańskich, t. 2, s. 273 i w niniejszym tomie: E. Dąbrowska, Nieznane groby średniowiecznych duchownych z kolegiaty pw. św. św. Piotra i Pawła w Kruszwicy, il. 1–2. -
CHANT in Many Cultures, Chant Is Used to Heighten the Delivery of Text in Religious Or Ritual Contexts. the Musical Delivery Is
This material is under copyright and the source is E Giraud, ‘Chant’, The SAGE International Encyclopedia of Music and Culture, ed. Janet Sturman, (SAGE: 2019). CHANT In many cultures, chant is used to heighten the delivery of text in religious or ritual contexts. The musical delivery is often received as a more spiritual means of expression than the spoken word. In most cases, chant is exclusively a vocal repertoire (without instrumental accompaniment), and usually consists of a single (‘monophonic’) melody line. Although chant presents many of the attributes associated with secular musical performance—out of context, chant may sound like song—it is often not classed as ‘music’ itself: its purpose is not primarily to provide enjoyment to its listeners, but rather to add weight or ceremony to the (often sacred) words that chant accompanies, and/or to facilitate comprehension or recollection of the ritual. As such, chant is functional, reserved for use in certain ritual activities. The remainder of this entry examines a small selection of the world’s chant traditions, placing them in their historical and cultural contexts, in order to provide insight into some of the various forms and practices in which chant is used. Gregorian chant The most widespread form of plainchant in the Latin Christian West, both in the middle ages and today, is ‘Gregorian’ chant; other medieval repertories included Old Hispanic (see below), Gallican, Old Roman, Beneventan and Ambrosian chant. The name ‘Gregorian’ is misleading and stems from the once-held belief that the repertory was composed by Pope Gregory I (590-604). It is now widely accepted that ‘Gregorian’ chant cannot be traced back to Gregory I (sources contemporary to the pope provide no evidence for his involvement in composing chant or arranging the liturgy—‘liturgy’ being the regular, formal, communal acts of worship, rather than private devotion), but instead emerged in the eighth century in the Carolingian empire. -
Module Hi1200 Europe, 1000-1250
MODULE HI1200 EUROPE, 1000-1250: WAR, GOVERNMENT AND SOCIETY IN THE AGE OF THE CRUSADES Michaelmas Term Professor Robinson ( 10 ECTS ) CONTENTS 1. Introduction 2 2. A Guide to Module HI1200 3 3. Lecture Topics 6 4. Essay Titles 6 5. Reading List 8 6. Tutorial Assignments 11 1 1. INTRODUCTION This module deals with social and political change in Europe during the two-and-a- half centuries of the development of the crusading movement. It focuses in particular on the internal development of France, Germany, Italy, Spain, Byzantium (the Eastern Christian empire based on Constantinople) and the crusading colonies in the Near East. The most important themes are the development of royal and imperial authority, the structure of aristocratic society, rebellion and the threat of political disintegration, warfare as a primary function of the secular ruling class and the impact of war on the development of European institutions. Module HI1200 is available as an option to Single Honors, Two-Subject Moderatorship and History and Political Science Junior Freshman students. This module is a compulsory element of the Junior Freshman course in Ancient and Medieval History and Culture. The module may also be taken by Socrates students and Visiting students with the permission of the Department of History. Module HI1200 consists of two lectures each week throughout Michaelmas Term, together with a series of six tutorials, for which written assignments are required. The assessment of this module will take the form of: (1) an essay, which accounts for 20% of the over-all assessment of this module and (2) a two-hour examination in Trinity Term, which accounts for 80% of the over-all assessment. -
Why Jerusalem? Why Then? Erin Larson Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2010 Why Jerusalem? Why Then? Erin Larson Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Medieval History Commons Recommended Citation Larson, Erin, "Why Jerusalem? Why Then?" (2010). All Theses. 783. https://tigerprints.clemson.edu/all_theses/783 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. WHY JERUSALEM? WHY THEN? A STUDY OF THE RELIGIOUS SIGNIFICANCE OF JERUSALEM TO THE WEST IN 1095 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Erin Larson May, 2010 Accepted by: Dr. Caroline Dunn Clark, Committee Chair Dr. Steven Grosby Dr. Steven Marks i Abstract One of the fascinating aspects of this research is how what individuals believe to be true leads to collective action as a society. Research for this paper will show the evolution of Christian theology from the early Christian rejection of the physical world to the medieval reliance on physical people, places and objects as a connection to heaven. This paper will also track the creation of penitential warfare as a way of entering heaven. This paper will prove that Jerusalem was important to medieval Europeans for three reasons: saving the city from the Muslims was an act of penance, the city was a way into heaven and the city was a source of holy places and relics which provided Gods protection. -
Age of Chivalry
The Constraints Laws on Warfare in the Western World War Edited by Michael Howard, George J. Andreopoulos, and Mark R. Shulman Yale University Press New Haven and London Robert C . Stacey 3 The Age of Chivalry To those who lived during them, of course, the Middle Ages, as such, did not exist. If they lived in the middleof anything, most medieval people saw themselves as living between the Incarnation of God in Jesus and the end of time when He would come again; theirown age was thus a continuation of the era that began in the reign of Caesar Augustus with his decree that all the world should be taxed. The Age of Chivalry, however, some men of the time- mostly knights, the chevaliers, from whose name we derive the English word "chivalry"-would have recognized as an appropriate label for the years between roughly I 100 and 1500.Even the Age of Chivalry, however, began in Rome. In the chansons de geste and vernacular histories of the thirteenth and fourteenth centuries, Hector, Alexander, Scipio, and Julius Caesar appear as the quintessential exemplars of ideal knighthood, while the late fourth or mid-fifth century Roman military writer Vcgetius remained far and away the most important single authority on the strategy and tactics of battle, his book On Military Matters (De re military passing in transla- tion as The Book of Chivalry from the thirteenth century on. The Middle Ages, then, began with Rome; and so must we if we are to study the laws of war as these developed during the Age of Chivalry. -
9780521811163 Index.Pdf
Cambridge University Press 0521811163 - Humour, History and Politics in Late Antiquity and the Early Middle Ages Edited by Guy Halsall Index More information Index Aachen, , Arnobius, Abelard, Peter, Arnulf, bishop of Metz, Ablabius, praetorian prefect, – Artemios, saint, miracles of, Abraham, As¯otia, personification of dissoluteness, Acta Fructuosi Tarraconensis, Athalaric, king of the Ostrogoths, – Adalberg of Magdeburg, Athaulf, king of the Visigoths, , – Adalbert, atticism, , Adelaide, Attila, king of the Huns, , –, –, Adrianople, battle of, Auerbach, Erich, Aelfric, Augustine, saint, , –, , , , , Aemilianus, persecutor, , , Aethicus Ister, Ausonius, – Agnellus of Ravenna, , –, , , Avars, – , , Avignon, Agnes, saint, , Alboin, king of the Lombards, , Baddiel, David, – Alcuin, , , , , , , –, – Bakhtin, Mikhail, , Aldhelm, –, , , Balsamon, canonist, Alexanderthe Great, , Barbarians, Alexios I, emperor, drink and, –, –, al-Jahiz, Islamic raconteur, – Graeco-Roman attitudes to, –, –, Altercatio Hadriani et Epicteti philosophi, , , –, , –, military characteristics of, , –, – Amalasuntha, queen of the Ostrogoths, , strange culinary habits of, , – Bartholomew, saint, Ambrose, saint, bishop of Milan, , – Bede, , – Ammianus Marcellinus, , , , –, riotous sense of humour of, Anastasius of Sinai, , – Belisarius, Byzantine general, – Antiochus, king, Benedict, saint, Apollinaris, see Sidonius Apollinaris Benedict of Aniane, saint, –, Apuleius, Berengar II, king of Italy, – Arabs, – Bergson, Henri, Arcadius,