Immigrants' Rights Education
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Thats My Fun Day Aug 25 2019 Isaiah 58
THAT’S MY FUN DAY UNION HILL PRESBYTERIAN CHURCH OF DENVILLE AUGUST 25, 2019 ISAIAH 58: 9B-14 Several months ago, I was waiting for an elevator somewHere and music was playing in the background. THe song was “Eternal Flame,” one of the biggest Hits from the 1980s all girl pop group THe Bangles. Waiting for that elevator was a lady wHo, ever so faintly, was singing along. Surprise!: Your pastor never learned not to talk to strangers. WHen the doors opened and we got on the elevator, I observed, “You were singing along. WHy did you stop?” PerHaps embarrassed at Having been Heard, sHe quickly replied, “OH, no, I wasn’t singing.” “UH, yes you were. Eternal Flame by the Bangles. 80s classic.” “No, really, I wasn’t,” sHe insisted. Nice voice. Maybe not Susanna Hoffs, but good enougH for the elevator. Like Peter in the courtyard, sHe was determined to deny singing at least until the cock crowed. THere is no sHame in enjoying THe Bangles’ music. I mean, it’s not like I caugHt Her as sHe decided to “Walk Like an Egyptian.” Still, the sound of the song reminded me of Having Had a group poster on my wall at college, and appreciating another band that used Rickenbacker guitars, singing they were “going down to Liverpool to do nothing.” THeir other most popular song of the time was “Manic Monday,” the lament of being too busy, running late, and Having one thing after another someHow go wrong. Maybe I liked it because it seemed to give voice to my conviction that life was one long socially awkward moment someHow spread out over time by God! For all the angst of the work-week stress, the cHorus Heralded the longed-for utopian alternative: Just another Manic Monday; wish it were Sunday: That’s my fun day. -
The New York Law School Reporter's Arts and Entertainment Journal, Vol
digitalcommons.nyls.edu NYLS Publications Student Newspapers 4-1986 The ewN York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986" (1986). Student Newspapers. 117. https://digitalcommons.nyls.edu/newspapers/117 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New·York Law School Reporter's 1lll'l,S 1INI) l~N'l,l~ll'l'1IIN)ll~N'I' ,IC) IJllN 11I~ VolIVNo4 • ALL THE NEWS WE CAN FIND • Apr1l1986 llf.)f;I{ 1INI) llf)I~I~: by Dbmne Pine DE1'EN'l'E OF THE EIGH'flES When the arts & entertainment section Sirnplifed - the Home Audio Recording by llya Frenkel first pondered the merits of an article on Act calls for 1) a 1• per minute tax on high With all the talk of possibility of But the real reason behind this the proposed Home Audio Recording Act, quality audio tape; 2) a 5% tax on tape detente in the U.S. - Soviet relations, phenomenon may very well be that with the flood of information which reached recorders and 3) a 25% tax on dual tape cultural exchanges and trade take a the advent of easily-accessible audio, this office looked like so many piles of decks. -
Susanna Hoffs
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 8/1/2012 Susanna Hoffs “Raining” From her new album Someday, also featuring “Picture Me,” “November Sun,” and more In stores and going for adds now Full cd, produced by Mitchell Froom, just hitting your desk “Above all else, the prevailing tone of Hoffs’s work on Someday is one of sincerity, making the album a moving homage to the music she grew up with.” - Slant Magazine Sarah Jaffe “Mannequin Woman” From her album The Body Wins Single on PlayMPE and going for adds now! Early at KXT, WFIV and KSLU Toured with Norah Jones earlier this year, just finished dates with Blitzen Trapper More shows coming soon! “Jaffe has completed the transition from ‘musician’ to ‘artist,’ and she wears it well.” - NPR Joshua Radin “Underwater” BDS & FMQB Most Added! First week: KPRI, KRSH, WCBE, WVMP, WNRN, WFIV, WJCU, KFMU, KSPN, KLCC... Extensive tour with A Fine Frenzy begins October 11 - see the complete list of dates on page 2 In stores now! “Underwater is – without doubt – one of the best records you’ll hear this year, offering music to enrich a lifetime.” - IndieLondon Jesse Harris “Rocking Chairs” (w/Norah Jones) BDS Indicator & FMQB Most Added! First week: WFUV, WCBE, WNRN, WFIV, KSUT, KFMU, KSPN, KNBA, KXCI, KKCR Early: WTMD, WVMP, KBAC, WNCW, KUWR... His new album Sub Rosa in stores now On tour with Jesca Hoop in August Other guest appearances on the album include Conor Oberst, Melody Gardot, Bill Frisell and Nick Zinner Robert Cray Band “(Won’t Be) Coming Home” Charlie Mars “Let The Meter Run” FMQB Tracks 33*! New: WXPK, WCBE, KMTN Full cd in the mail now FMQB Tracks Debut 47*! New: WEHM, WNTI, MPR In stores 8/14 ON: KRSH, WBJB, WNKU, KDBB, WAPS, KOZT, KPIG, KROK, KFMU, KSPN, KYSL.. -
Jim Henderson's Power Pop Show January 2009
Playlists: Jim Henderson’s Power Pop Show January 2009 – December 2009 Show 21 First Broadcast 29.01.09 1. 21 intro - (00:15) 2. Gone - Pete Best (02:34) 3. 21a - (00:19) 4. Don't Speak Loudly - Pilot (04:41) 5. Get in the Swing - Sparks (04:08) 6. Duchess - The Stranglers (02:30) 7. 21b - (00:19) 8. Dreamtime - Daryl Hall (04:45) 9. It's Hard to Believe I'm Not - Captain Sensible (03:11) 10. Day by Day - The Hooters (03:22) 11. 21c - (00:30) 12. Everything I Want - Pete Best (03:38) 13. I Don't Mind - Buzzcocks (02:18) 14. Wild Youth - Generation X (02:53) 15. 21d - (00:20) 16. I Stand Accused - The Merseybeats (02:48) 17. Can't help thinking about me - David Bowie & the Lower Third (02:45) 18. Six O'Clock - The Lovin' Spoonful (02:41) 19. 21e - (00:21) 20. Are You Trying To Be Lonely? - Andy Lewis & Paul Weller (03:02) 21. Daylight - Drive-By Truckers (03:36) 22. Can't Explain - Nick Heyward (02:47) 23. Red Light - Pete Best (04:01) 24. 21 outro - (00:31) Show 22 First Broadcast 05.02.09 1. 22 intro - (00:25) 2. You Say You Don't Love Me - Buzzcocks (02:54) 3. I Don't Know What to Do with My Life - Buzzcocks (02:43) 4. 22a - (00:18) 5. Looking for Lewis & Clark [Long Version] - The Long Ryders (04:01) 6. We Belong - Pat Benatar (03:42) 7. Going For The Gold - Don McLean (02:44) 8. -
Matthew Sweet Tomorrow’S Daughter
MATTHEW SWEET TOMORROW’S DAUGHTER "When I was young, the artists that I really admired were the ones who always found a way to keep making music and expressing themselves," Matthew Sweet says on the occasion of the release of his 13th solo album Tomorrow's Daughter. "To me, those guys were the real artists, and I've tried to hold on to that attitude in my own work." The seasoned singer/songwriter/producer/multi-instrumentalist is currently in the midst of a personal musical renaissance that's seen him produce some of the most compelling and ambitious music of his three-decade career. That description applies to Tomorrow's Daughter, on which such instantly memorable new tunes as "Belong," "Run Away," "Lady Frankenstein" and "Out of My Misery" demonstrate his uncanny ability to tap into a bottomless well of pop history to craft music that's effortlessly catchy yet deeply personal. Tomorrow's Daughter—the follow-up to the artist's acclaimed 2017 set Tomorrow Forever—is a persuasive testament to the enduring qualities of Sweet's adventurous, emotion-charged songcraft. The new album's 12 songs abound with the punchy melodic sensibility, playful sonic experimentalism and introspective lyrical insight that have been constants in his expansive catalogue. Tomorrow's Daughter is the product of a burst of creative inspiration that followed Sweet's 2013 return to his native Nebraska, where he reestablished his Black Squirrel Submarine home studio. This period yielded 38 brilliant new songs, 17 of which appeared on Tomorrow Forever. It instantly became clear that this potent body of work merited a follow-up release, hence Tomorrow's Daughter. -
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The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast. -
Kelly Mccartney Interview Todd L
Kelly McCartney Interview Todd L. Burns 13 hr I’m Todd L. Burns, and welcome to Music Journalism Insider, a newsletter about music journalism. If you’re not familiar with the newsletter already, click here to find out more. Kelly McCartney has been in and around music journalism for a long time, but her career is hardly a straightforward one. For Kelly, writing was a side hustle for many years. In the short time that she’s been doing music journalism full-time, however, she’s become a major voice in the roots music community, most notably with her Hangin' & Sangin' podcast, which combines interviews and live performances. How did you get to where you are today, professionally? Music was a huge part of my childhood, as was writing, so as a teen, I decided that I'd be a music journalist and write for Rolling Stone which was the holy grail of the form back in the '80s. I moved to L.A. for college and got my degree, but an internship at Entertainment Tonight, in a round-about way, led me to a job as personal assistant to Susanna Hoffs right after the Bangles split up in 1989-90. From there, I started booking clubs, repping artists, and working all over the music industry. It wasn't until 1999, I think it was, that I got my first gig as a music journo with AllMusic.com. That was the early stages of building the whole database, so we basically got to pick and choose what we wanted to write. -
Canandaigua Concert History
Canandaigua Concert History FLPAC CMAC 1983 Season……………..page 1 2006 Season……………..page 21 1984 Season……………..pages 1-2 2007 Season……………..pages 21-22 1985 Season……………..pages 2-4 2008 Season……………..page 22 1986 Season……………..pages 4-5 2009 Season……………..page 23 1987 Season……………..pages 5-6 2010 Season……………..pages 23-24 1988 Season……………..pages 7-8 2011 Season……………..page 24 1989 Season……………..pages 8-9 2012 Season……………..page 25 1990 Season……………..pages 9-10 2013 Season……………..pages 25-26 1991 Season……………..pages 10-11 2014 Season……………..pages 26-27 1992 Season……………..page 12 2015 Season……………..pages 27-28 1993 Season……………..pages 12-13 2016 Season……………..page 28 1994 Season……………..pages 13-14 2017 Season……………..page 29 1995 Season……………..pages 14-15 2018 Season……………..page 29-30 1996 Season……………..page 15 2019 Season……………..page 30-31 1997 Season……………..pages 15-16 2020 Season…………….Covid-19 Virus 1998 Season……………..pages 16-17 1999 Season……………..pages 17-18 2000 Season……………..page 18 2001 Season……………..pages 18-19 2002 Season……………..page 19 2003 Season……………..pages 19-20 2004 Season……………..page 20 2005 Season……………..pages 20-21 Canandaigua Concert History 1 1983 Season July 16 – RPO: All Beethoven Opening Night Gala July 17 – RPO: Pop-Overs! July 18 – Joni Mitchell July 21 – Preservation Hall Jazz Band July 23 – RPO: Russian Romantics July 24 – RPO: Sousa Spectacular! July 30 – RPO: 1812 Classical July 31 – RPO: 1812 Pops! August 6 – RPO: Three Great Romantics August 7 – RPO: Dixieland Night August 9 – Al Jarreau August 13 – RPO: Vive La France! August 14 – RPO: From the Classics to Broadway August 19 – Diana Ross August 20 – RPO: Viennese Classics August 21 – RPO: E.T. -
AR TS St Entertainm
: \ w m m & M i \M p S l ARTS St St ARTS entertainment 2A Thursday, January 23.1966 Daily Nexus One of Two United Souls Nelson Mandela, the long- with more than one person at a time. imprisoned leader whom the And nobody in South Africa can overwhelming majority of South quote her or any other banned African blacks would chose as the person. All these are in addition to Alik k leader of the nation. She says, “In the already insane restrictions-faced the earlier years I was just a carbon by all South African blacks. copy of Nelson. I was no individual. When twelve years of these MANDELA If I said something, it was ‘Nelson’s restrictions proved too little, she wife’ who said so.” She has her own was sent to prison for half a year for identity now. Rita Ndzanga, who the horrid crime of lunching with her was imprisoned with her, said that two children and Peter Mugabane, “independent of her husband — another banned person (who took she’s a leader in her own right.” most of the photos in this book, in The white authorities have left- cluding the cover). U -v ^ I handedly recognized her importance Since 1977 she has been banished through nonstop persecution: they to what she calls “my little Siberia,” Part of M y Soul have had her in court almost every the small, remote rural community year on some trumped-up charges, of Brandfort (An ironic footnote Went with Him banned her almost continually since points out, “Brandfort was 1962, and even jailed her. -
The Compelling Argument to Induct LOVE & Arthur Lee Into the Rock & Roll Hall of Fame
The Compelling Argument to Induct LOVE & Arthur Lee into the Rock & Roll Hall of Fame The following information about the band you may or may not be familiar with should answer questions as to why LOVE should be inducted into the Rock & Roll Hall of Fame & why Arthur Lee should be inducted as a songwriter. Eligibility 54 years after releasing their first LOVE record, music history has demonstrated that LOVE has unquestionable musical excellence & talent; LOVE has had a significant im- pact on the development, evolution & preservation of rock & roll. LOVE’s first album was released in 1966. LOVE & Arthur Lee continued to release albums for 5 decades after that. 182+ bands/artists have covered LOVE songs in the 5 decades following the 60’s. YouTube has many young rock bands from various countries covering LOVE songs as late as 2014. That’s maximum influence! I humbly submit this information to the Rock & Roll Hall of Fame’s Nominating Com- mittee for their consideration. Please understand that LOVE is still revered to this day in the UK for having “changed rock & roll forever.” You cannot walk 200 yards in any direction without running into someone who has their albums, especially Forever Changes, so they say. This makes sense, as LOVE toured the UK to throngs of fans. In fact, LOVE Revisited with Johnny Echols on guitar & vocals played 9 venues in July 2016 there, with Johnny teaming up with young British rockers to play LOVE songs to an audience of 80,000+ at an outdoor event. This proves continuing relevance of LOVE music 50+ years on. -
THE BANGLES Learning to Love the ’80S, with Some Help from a Real-Life Revolution Susanna Hoffs, Debbi Peterson, Vicki Peterson
JULY/AUGUST 2011 ISSUE MMUSICMAG.COM SPOTLIGHT Casey Rodgers THE BANGLES Learning to love the ’80s, with some help from a real-life revolution Susanna Hoffs, Debbi Peterson, Vicki Peterson WITH LYRICS ABOUT HATING SCHOOL, “Manic Monday,” “Hazy Shade of Winter” tapes—literally tapes in some cases,” Hoffs liking donuts and striking silly poses, the and “Eternal Flame,” the Bangles broke up says. “That’s how far the technology has Bangles’ 1986 hit “Walk Like an Egyptian” for more than a decade before returning come.” That retro approach is nothing new would have hardly been pegged as a political with 2003’s Doll Revolution. The long layoff for the Bangles—the group fi rst emerged from anthem at the time. Yet when protestors between projects is owed in part to the the “paisley underground” scene, a haven took to the streets of Cairo earlier this year members’ lives being very different today than for young bands with ’60s leanings. On to demand the ouster of Egyptian dictator when the band fi rst formed in Los Angeles. Sweetheart the trio once again pairs jangling, Hosni Mubarak, many there adopted the “It’s a juggling act these days with families, Byrds-style guitars with the sun-dappled song (penned by Liam Sternberg) as a kids and the amount of touring we’ve been three-part harmonies popular in that era. rallying cry. “That just shows you how doing,” Hoffs says. “Making an album was on Still, Hoffs today acknowledges a music can still resonate many years later,” the agenda, but it was one of those things newfound appreciation for the 1980s—a says Bangles singer and guitarist Susanna you put off like cleaning out your closet.” decade in which she and her bandmates Hoffs, who formed the group with sisters She means that quite literally. -
Psaudio Copper
Issue 123 NOVEMBER 2ND, 2020 Every day is an opportunity to learn something. Even when there are days when we feel like we’re wading through molasses, we can still expand our knowledge, even if it’s just learning how to get better at wading through molasses. Being obsessed with all things audio, and lacking a degree in engineering or acoustics, I’ve spent a lifetime learning from others and by exploring, experimenting and doing stuff. One aspect of this is putting together each issue’s “Audio Anthropology” column. In the process, I look through old audio and electronics textbooks and find information I didn’t know before. It’s a reminder that if we want to expand our horizons in audio, or music, or anything, the journey is never-ending. Yogi Berra noted, “life is a learning experience, only if you learn.” Keep an open mind and open ears. Because of scheduling conflicts (in other words, there aren’t enough hours in a day for everyone concerned), the conclusion of our interview with Walter Schofield of Krell will run in the next issue. In this issue: Wayne Robins has a must-read review of Bruce Springsteen’s new album, Letter to You. Larry Schenbeck considers musical prize winners. Dan Schwartz tells what he’s been up to. WL Woodward has a review of the upcoming Zappa movie. J.I. Agnew gives perspective on the Loudness War. Tom Gibbs looks at new releases and reissues from Japandroids, the Replacements, Blue Note and Khatia Buniatishvili. Roy Hall visits distilleries in Scotland and Alón Sagee journeys to Mongolia.