DOCSLIB.ORG

AR TS St Entertainm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AR TS St Entertainm : \ w m m & M i \M p S l ARTS St St ARTS entertainment 2A Thursday, January 23.1966 Daily Nexus One of Two United Souls Nelson Mandela, the long- with more than one person at a time. imprisoned leader whom the And nobody in South Africa can overwhelming majority of South quote her or any other banned African blacks would chose as the person. All these are in addition to Alik k leader of the nation. She says, “In the already insane restrictions-faced the earlier years I was just a carbon by all South African blacks. copy of Nelson. I was no individual. When twelve years of these MANDELA If I said something, it was ‘Nelson’s restrictions proved too little, she wife’ who said so.” She has her own was sent to prison for half a year for identity now. Rita Ndzanga, who the horrid crime of lunching with her was imprisoned with her, said that two children and Peter Mugabane, “independent of her husband — another banned person (who took she’s a leader in her own right.” most of the photos in this book, in­ The white authorities have left- cluding the cover). U -v ^ I handedly recognized her importance Since 1977 she has been banished through nonstop persecution: they to what she calls “my little Siberia,” Part of M y Soul have had her in court almost every the small, remote rural community year on some trumped-up charges, of Brandfort (An ironic footnote Went with Him banned her almost continually since points out, “Brandfort was 1962, and even jailed her. As she previously best known as the town wryly points out, “My African name which shaped the Afrikaner ‘Nomzamo’ me- _____________ Nationalist ident- Part of My Soul Went with Him ans in Xhosa ity of Dr Hendrik by Winnie Mandela ‘trial’ — those "My interrogation started Verwoerd, ar­ edited by Anne Benjamin who in their life chitect of apar­ Norton, 164 pages, $5.95 will go through on a Monday night. And I theid.”). Althou- many trials — was only delivered back to Winnie Mandela didn’t sit down also in the sense to isolate her, she and write this book — she couldn’t, of court trials....” my cell on the Saturday says, “I never for the South African government Many of those n ig h t.” saw as many wouldn’t let her. The many con­ trials have been foreign govern­ ditions of her “banning” order make over alleged — Winnie Mandela ments in my it impossible for her to write violations of her _____________ _____________ twenty years in anything meaningful on apartheid. Orwellian night­ ~ Johannesburg as I So Anne Benjamin conducted ex­ mare of a banning order. “The last have seen in exile here in Brand­ tensive interviews with her; Winnie banning order ... of course included fort.” Mandela let her use many letters to house arrest every night and at The appendix to Winnie Mandela’s and from her husband, Nelson weekends.... There is no longer any story consists of some sharply Mandela ; and Benjamin adds more need for me read that type of contrasting documents. The perspectives to the book with document.... I know it by heart. .. I Freedom Charter adopted by the statements from the Mandelas’ can’t even go, to church without a African National Congress and daughters and friends. The result is permit.” Nor can she visit any kind Winnie Mandela’s banning order are Photo by Pitar Megubane both a portrait of a woman with of school or have anything to do with as disparate as two documents could quiet grace and strength — and a any publication. Not only is she be. They provide a fitting conclusion Winnie Mandela banished to Brandfort, 1977 harsh condemnation of apartheid. prohibited from addressing public to a book that will fill you with rage She is best known as the wife of gatherings, she cannot even meet and admiration. — Scott Lewis The toughest job FASHION you’ll ever love CAREER IS IN FASHION SHOW PRODUCTION THE COLOR • LINE AND DESIGN FASHION ADVERTISING J i BAG... FASHION WRITING _■ 1 MARKETING At The FASHION FASHION DEPARTMENT DEPARTMENT SANTA BARBARA Of Santa Barbara BUSINESS COLLEGE Business college We admit it. It takes a dif­ trades, business^ forestry, and other ferent kind of person to be a Peace specialties throughout the develop­ Corps volunteer. ing world. j Wc won’t mislead you with Being a ^volunteer isn’t for CALL TODAY TO FIND OUT MORE! glow ing pictures of exotic lands. The everyone, and it isn’t easy, but to the hours as a volunteer arc long. The people of the developing nations 963-8681 740 STATE ST. pay is modest. And the frustrations who have nqycr before had basic' sometimes seem overw helming. But health care or enough to cat, the the satisfaction and rewards are im­ Peace Corps» brings a message of mense. You’ll be immersed in a riev hope and chpngc. culture, become fluent in a new Wc invite you to look into the language, and learn far more about volunteer opjxtrtunitics beginning in D A IL Y the third world — and yourself — the next 3-il2 months in Africa, than you ever expected. Asia, Latin America, and the Pa­ You’ll also discover that prog­ cific. Our representatives will be HAPPY ress brought about by Peace Corps pleased to provide you with details. volunteers is visible and measurable: Such as health clinics established in HOUR! the Philippines; fresh-water fish Every day this month! Place a classified ad between ponds constructed in Kenya; roads and schools and irrigation systems PEACE the hours of 12 and 1 p.m. and take advantage of ( built in Upper Volta; tens of thou­ our happy hour prices - sands of people given essential skills Buy 1 day, get 750 off, or run the ad for 4 in Carmine, nutrition, the skilled CORPS days and pay for only 3. ON CAMPUS INTERVIEWS • JANUARY 29 A 30 WOW WHAT A DEAL . Counseling & Career Center. Pick up application and sign up TODAY! Must Under Storke Tower, Room 1041' "S?* be completed before interview. i 2 J K (Not good with any other offer) " tS Info table in front of UCeif, Today 10 am • 3 pm. / * *T'\ , _______________________ For more infortfiation. call collect (2 1 3 ) 209-7 4 4 4 . ------V._____________________________________ ■_______________________________ / ------- Daily Nexus Thursday. January 23,1966 3A The Razor's Edge to Freedom Silence fell heavily over the short stories that were often In his own words, “We are going to Events Center crowd Tuesday af­ poignant, sometimes funny. be free — we have no doubt that we ternoon in anticipation of the en­ This was appropriate for a man will be free.... Until all of us are free trance of Bishop Desmond Tutu. who walks the razor’s edge and — none is free.” And so his book Before he had even entered, a continually risks his life for upholds the spirit of his speech. In standing ovation beckoned him. freedom. His humor and insight into every phrase there is hope. It is not a Enthusiastic cheers and applause human nature are his tools for blind hope. Rather it is courageous, reverberated throughout the survival in a world of vicious con­ a hope that sees reality and still auditorium until Chancellor Hut- tradictions. believes in tomorrow. tenback took the podium to formally Desmond Tutu is a devoutly For all of you who are concerned religious man, but he is also an about the world, particularly about "We have been deeply important political force in the in­ the disparity between a govern­ ternational arena. For him there is ment's policies and the sentiment of hurt. We have seen that no true distinction between politics its people, Hope and Suffering is a when it comes to the matter and religion, only that made by must. It is a compassionate voice in of Black freedom then we corrupt politicians who wish to avoid a world of chaos. It is a voice that the moral responsibility that, will not rest until it is. not only as Blacks are really ex- ideally, they should accept. heard, but realized. Desmond Tutu's pendable in the view of the I am not a big fan of religion. In voice is a voice of conscience in a fact I have a particularly strong world of seeming apathy. mighty U.S." aversion to it. Desmond Tutu, — Susanne Van Cleave — Bishop Desmond Tutu however, is so humble and true to his words that even the gospel becomes enchanting. While reading his introduce this humble freedom recently reprinted book Hope and fighter. Muted boos and hisses Suffering, I was amazed at the rapidly replaced applause as our accessibility of his writing as well as hypocritical leader sung the praises its inherent egalitarianism (This of human rights and drew attention quality was apparent not only in his to the evils of apartheid. Only the writing but in his speech as well ). crowd’s overwhelming respect for the Bishop prevented the animosity from taking a more tangible course. "You don’t dump people; Huttenback seemed pleased with himself as he compared Tutu to the you dump rubbish, you likes of Gandhi and Martin Luther dump things...” King Jr. Realizing he was no more — Bishop Desmond Tutu welcome than a Boer or Afrikaaner would have been, he soon yielded the platform to the Bishop who Hope and Suffering is a book graciously accepted, his arms appropriately titled. It is about the outstretched symbolically, em­ strength to endure suffering and the bracing the crowd.
Load more

Recommended publications
  • Thats My Fun Day Aug 25 2019 Isaiah 58
    THAT’S MY FUN DAY UNION HILL PRESBYTERIAN CHURCH OF DENVILLE AUGUST 25, 2019 ISAIAH 58: 9B-14 Several months ago, I was waiting for an elevator somewHere and music was playing in the background. THe song was “Eternal Flame,” one of the biggest Hits from the 1980s all girl pop group THe Bangles. Waiting for that elevator was a lady wHo, ever so faintly, was singing along. Surprise!: Your pastor never learned not to talk to strangers. WHen the doors opened and we got on the elevator, I observed, “You were singing along. WHy did you stop?” PerHaps embarrassed at Having been Heard, sHe quickly replied, “OH, no, I wasn’t singing.” “UH, yes you were. Eternal Flame by the Bangles. 80s classic.” “No, really, I wasn’t,” sHe insisted. Nice voice. Maybe not Susanna Hoffs, but good enougH for the elevator. Like Peter in the courtyard, sHe was determined to deny singing at least until the cock crowed. THere is no sHame in enjoying THe Bangles’ music. I mean, it’s not like I caugHt Her as sHe decided to “Walk Like an Egyptian.” Still, the sound of the song reminded me of Having Had a group poster on my wall at college, and appreciating another band that used Rickenbacker guitars, singing they were “going down to Liverpool to do nothing.” THeir other most popular song of the time was “Manic Monday,” the lament of being too busy, running late, and Having one thing after another someHow go wrong. Maybe I liked it because it seemed to give voice to my conviction that life was one long socially awkward moment someHow spread out over time by God! For all the angst of the work-week stress, the cHorus Heralded the longed-for utopian alternative: Just another Manic Monday; wish it were Sunday: That’s my fun day.
    [Show full text]
  • {PDF} So Much Things to Say the Oral History of Bob Marley 1St Edition Ebook, Epub
    SO MUCH THINGS TO SAY THE ORAL HISTORY OF BOB MARLEY 1ST EDITION PDF, EPUB, EBOOK Roger Steffens | 9780393058451 | | | | | So Much Things to Say The Oral History of Bob Marley 1st edition PDF Book Return to Book Page. Furthermore, while Bob's relationship with the Rastafarian community is touched on, Steffens doesn't seem particularly interested in delving very deeply into this aspect of the story and the book suffers as a result. Loading comments… Trouble loading? I live the style too, through the words of others like the Bill Graham biography. See details. His portrayal of both Bunny Wailer and Peter Tosh is well wrought with their distinct, uncompromising personalties well defined. Paperback , pages. Want to Read saving…. I would recommend this book for any Marley lover or scholar as it does contain quite a varied and interesting collection of voices. Linton Kwesi Johnson Introduction. Other bios provide documentation and the results of research; this one provides only opinions. Written in the so called words of Bobs friends and associates , the book did not come close to living up to my expectations. Books by Roger Steffens. Steffens gives the band members of the Wailers their just due as they move from the local recording studios of Kingston to worldwide prominence and the difficulties they experienced in adjusting to life outside the insular world of Jamaica. However, this didn't actually have any quotes from him, just from people who worked with him or knew him Mar 13, Brian White rated it liked it. I knew most of them. And if everyone seems to think Island Records head Chris Blackwell to be such a vampire of JA culture, wouldn't a word or two from him in his defense be appropriate? Highly Recommended.
    [Show full text]
  • Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
    FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R.
    [Show full text]
  • 07-121407.Compressed.Pdf
    "you guys fucking rock!!! lucas, u inspired me to try to work with my gender issues and now i'm re- ally starting to figure out who i am. so thank you THEellKS guys so much for being so cool and rocking out so hard. ROCKON!!!" - Fan, myspace.com Round out Texas The latest Cliks news is that in addition to the winged guns, pouncing dragons and carefully in SAand Dallas etched word "Survivor," the electrifying frontman will add a new tattoo to his collection when he by Jimmy R. Smith tapes TLC's hit cable television show, LA Ink, later email: [email protected] this weekend this month. (The new episodes will begin airing on January 8th, 2008). The new tattoo, a stylized Mexican Day of The Dead skull, holds special meaning for Silveira, After #1 video on LOGO ("Oh Yeah"), and a sexy miration and full-on rock star screaming. I thought "Traditionally, Mexican Day Of The Dead celebra- new one on The Click List ("Complicated") hosting those embarrassing fangirl days were long gone for " tions represent rebirth and moving into the second the channel's "The Click List," touring last Summer me, but The Cliks have brought them back with a phase of life and to me," he explains. "It repre- with Cyndi Lauper's True Colors Tour, performing on vengeance." - Margaret Cho sents the rebirth I had when I transitioned from The Late Late Show with Craig Ferguson and a suc- Lilia to Lucas and my true identity as a transgen- cessful European tour, The Cliks are back in Texas "The songs on "Snakehouse," which comes out next dered male." where the Toronto foursome made their stateside Tuesday, brim with urgency and fortitude.
    [Show full text]
  • Maureen O'connor Mont H.., M T He Ship Repair O'connor Discusses Her Bustness
    The UCSDGuar a Unj\(~rsjt~ of Califo,·nia. ~an Dit'go VOIUIlH.' lH, NumlH'1' I:! Thlln,c1a~. Ft'IIt'ual"~ 10, ) HH:~ A 1 I acre plot "oj land t he Del Mar c()a~t has , t hr cent er of a ontn)\ers\ that \\ill Del Mar vote: lmmatr \V-ith a special llot to be held next y. The vote w111 ine whether or not A park or a parking lot land, currently owned the Waterworks Co., ould be purchased by the it\- of Del Mar as the final stallment in it. <.;e nes of stal parks. If the voters rn down the purchase,the evelop(·r.... \\ til go ahead 'th construction of a re .... I<iUrant on the sIte, as \\t'll as ;\ maSSIve, t\\·o­ .... tore\· parking structure USI ;icro ... s Coast Hh d. TIlt' campaIgn for the purc.ha'-t' of \\ hat has Ix: mw 10 be known as Powt'rhouse Park has ained the \()Clferous upport of Barve) ShapIro, mayor of Del ~1ar and professor of Anesthe...,lOlogy t l lC. [) !\ledical School. ShapIro. along WIth the 700 voters \\hopetitionedlo place I he ISS ue on t he ballot, hoptng for a 'il long voter rnollt tu complete Del 'n's open space prOjeCI nd block the new onstrllctlon, which prum i ".es to pu 11 more (IJUrtSts into (1)(' city's alt l'ad\ cramped streeh 'I he' poll<.; WIll be open from I am to 8 pm Tue<.;day an(, WIll be held 111 special , 'on .... 0 ltd a ted vot tng places.
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • The New York Law School Reporter's Arts and Entertainment Journal, Vol
    digitalcommons.nyls.edu NYLS Publications Student Newspapers 4-1986 The ewN York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter's Arts and Entertainment Journal, vol IV, no. 4, April 1986" (1986). Student Newspapers. 117. https://digitalcommons.nyls.edu/newspapers/117 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New·York Law School Reporter's 1lll'l,S 1INI) l~N'l,l~ll'l'1IIN)ll~N'I' ,IC) IJllN 11I~ VolIVNo4 • ALL THE NEWS WE CAN FIND • Apr1l1986 llf.)f;I{ 1INI) llf)I~I~: by Dbmne Pine DE1'EN'l'E OF THE EIGH'flES When the arts & entertainment section Sirnplifed - the Home Audio Recording by llya Frenkel first pondered the merits of an article on Act calls for 1) a 1• per minute tax on high With all the talk of possibility of But the real reason behind this the proposed Home Audio Recording Act, quality audio tape; 2) a 5% tax on tape detente in the U.S. - Soviet relations, phenomenon may very well be that with the flood of information which reached recorders and 3) a 25% tax on dual tape cultural exchanges and trade take a the advent of easily-accessible audio, this office looked like so many piles of decks.
    [Show full text]
  • Lyrics and the Law : the Constitution of Law in Music
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS MAY 17, 2021 | PAGE 1 OF 18 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Grand Ole Opry Moves Toward The Old Normal THIS As U.S. Reemerges From COVID-19 ISSUE It likely won’t have the shelf life of Throwback Thursdays or In ideal Opry fashion, the lineup reflected a variety of styles Taco Tuesdays, but “full-capacity Friday night” had an oddly and eras. Lorrie Morgan opened with her chart-topping 1990 Sam Hunt’s ‘90’s’ special ring to it on May 14. single “Five Minutes,” and the rest of the talent parade fea- Breaks Out Grand Ole Opry announcer tured current hitmaker Michael Ray, >page 4 Bill Cody uncorked the phrase as Western vocal quartet Riders in the the WSM-AM Nashville show had Sky, comedian Aaron Weber, Nash- every ticket in the 4,400-seat Opry ville actor Charles Esten and new- House available for the first time comer Brittney Spencer, who sang Underwood, since March 10, 2020, when the a new song, “Sober & Skinny,” for the Aldean, Brooks coronavirus pandemic forced live first time in public. In Play entertainment off the stage. Some Spencer’s appearance was a >page 10 2,400 tickets were sold, according personal milestone, for she made to Opry vp/executive producer Dan her Opry debut. While she felt its Rogers, as the reboot coincided significance (she conceded that her with an unexpected bonus: Barely breathing was more pronounced Makin’ Tracks: 24 hours before the show’s start, the during “Sober” as she fought off a Drew Parker’s city of Nashville dropped face-mask case of nerves), she was still present ‘BP PBR’ Song mandates.
    [Show full text]
  • Vogler Quartet
    Vogler Quartet Tim Vogler, violin Frank Reinecke, violin Stefan Fehlandt, viola Stephan Forck, cello The Grammy-nominated Vogler Quartet celebrated its 30th anniversary during the 2015/2016 season, and, with all four of its original members, continues to build upon its reputation as one of the finest quartets of its generation. Mastering a repertoire of over two hundred works from all periods and musical styles, founding members Tim Vogler, Frank Reinecke, Stefan Fehlandt, and Stephan Forck are widely recognized for their uncommon musical intelligence, homogeneous sound, insightful interpretations, and unconventional programming. They have created a vibrant ensemble spirit, as well as a unique string quartet sound which consistently offers new insights into the genre. Formed in East Berlin in 1985, the quartet continues to pursue an ambitious international schedule of concerts and master classes in prestigious venues around the world. In spring 2012, the Vogler Quartet returned to North America for a special collaboration with cabaret artist Ute Lemper and clarinetist/pianist Stefan Malzew, which not only included highly acclaimed concerts in Carnegie Hall and the Kennedy Center, among many others, but also resulted in a Grammy-nominated recording entitled “Paris Days/Berlin Nights” on the Sony label. This lively collaboration continued into the 2015/2016 season. Highlights of their most recent North American tour included a multi-concert residency at Chamber Music San Francisco and an appearance at Friends of Chamber Music Vancouver, in collaboration with pianist Ian Parker. The 2015/2016 season also featured additional engagements with Mr. Parker in selected venus throughout the Pacific Northwest. The four musicians are as much at home in the musical centers of Europe as they are in America, Japan, Australia, and New Zealand, and have enjoyed a series of successes in expanding chamber music audiences worldwide.
    [Show full text]
  • California State University, Northridge
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies.
    [Show full text]