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Finding Aid to the Historymakers ® Video Oral History with Gene Barge
Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans. -
BEVERLY “RUBY” ROSS - an Archive
BEVERLY “RUBY” ROSS - An Archive Beverly Ross, who also used the pseudonym Rachel Frank, was born in the Bronx but moved with her family as a child to Lakewood, NJ. Given piano lessons, she showed a natural musical ability and early on knew she wanted to be a professional musician. She got her break while a teenager living in the Bronx where she pitched her songs to writers of the iconic Brill Building. Ross would be known for many top 40 hits but one of her most enduring, written with Julius Dixon, was “Lollipop”. It was ultimately made into a top hit by the Chordettes but she had originally recorded it herself with Ronald Gumm as the duo “Ronald & Ruby” and took it to #20 on the charts. But when it was discovered that Gumm was African-American, networks and other venues started cancelling their appearances; not wanting an interracial duo to offend audiences. A true pioneer indeed. She wrote songs and lyrics for many of the top performers at the time including one of the last hits for Bill Haley and the Comets, "Dim, Dim The Lights (I Want Some Atmosphere)" which was a hit in 1955. She also wrote “Dixieland Rock” which was made into a hit and performed by Elvis Presley in the film “King Creole”. Elvis also covered her “Girl of My Best Friend” as did many others including Bryan Ferry. She also scored a huge hit with “Judy’s Turn To Cry” performed by Leslie Gore. Another big hit was “Candy Man” that Roy Orbison made into a hit and was the “B” side to “Crying”. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Program Ohio Civil Rights Hall of Fame
John Kasich G. Michael Payton Governor Executive Director V|ä|Ä e|z{àá Commissioners: Leonard Hubert, Chair Eddie Harrell, Jr. Stephanie Mercado Tom Roberts Rashmi Yajnik THIRD ANNUAL HALL OF FAME OCTOBER 13, 2011 ROGER ABRAMSON THEODORE M. BERRY KEN CAMPBELL NATHANIEL R. JONES AMOS H. LYNCH LOUIS D. SHARP V. ANTHONY SIMMS-HOWELL 2011 Presenting Sponsor: Founding Sponsors: OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 V|ä|Ä e|z{àá THIRD ANNUAL HALL OF FAME 2011 The Ohio Civil Rights Hall of Fame seeks to acknowledge the citizens who have left their mark in the State of Ohio through their tireless efforts in furthering civil and human rights in their communities. These distinguished individuals have served as beacons making significant strides in support of civil and human rights. Through their exemplary leadership they have helped to eliminate barriers to equal opportunity in this great state as well as foster cultural awareness and understanding for a more just society. OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 g{tÇ~ lÉâ The Ohio Civil Rights Commission wishes to extend our sin- cere appreciation for the tremendous support from each of our sponsors. This program would not be possible without the generosity and creativity provided through our partnership. A special thank you to our committee members: Dr. J. Michael Bernstein, Wright State University Stephen Francis, Honda of America Mfg., Inc. Patricia Cash, PNC Bank Kim Robinson, National Underground Railroad Freedom Center Jackie Wallace, National Underground Railroad Freedom Center October 13, 2011 OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 `|áàÜxáá Éy VxÜxÅÉÇ|xá Angela Pace cares about the community. -
Blueprint for the Arts N Music Letter from the Chancellor
Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
Still on the Road Session Pages: 1956-1960
STILL ON THE ROAD 1956 - 1960 RECORDING SESSIONS 1956 24 December St. Paul, Minnesota Terlinde Music 1958 Hibbing, Minnesota The Home of Bob Dylan 1959 10 January Hibbing, Minnesota Unidentified Venue May Hibbing, Minnesota The Home of Ric Kangas 1960 May St. Paul, Minnesota The Home Of Karen Wallace June St. Paul, Minnesota The Purple Onion or Bastille September Minneapolis, Minnesota The Home Of Bob Dylan Bob Dylan sessions 1956-1960 2 Terlinde Music St. Paul, Minnesota 24 December 1956 1. Let The Good Times Roll (Shirley Goodman & Leonard Lee) 2. Boppin' The Blues (Carl Perkins & Howard Griffin) 3. Won't You Be My Girl (?) 4. Lawdy, Miss Clawdy (Lloyd Price) 5. Ready Teddy (John Marascalco & Robert Blackwell) 6. Confidential (Dolinda Morgan) 7. In The Still Of The Night (Cole Porter) 8. Earth Angel (Dootsie Williams/Curtis Williams) Bob Zimmerman (vocal & piano), Howard Rutman & Larry Kegan (shared vocals). Notes. All songs are fragments. No recording of this session is circulating. Session info updated 2 February 2021 . Bob Dylan sessions 1956-1960 3 The Home of Bob Dylan Hibbing, Minnesota Spring 1958 1. Hey Little Richard 2. Buzz, Buzz, Buzz (Gray/Byrd) 3. Jenny, Jenny (Johnson/Penniman/Crewe) 4. We Belong Together (Robert Carr/Johnny Mitchell/Sammy Weiss) 5. Lilly Lou (Joe T. Cook) 1, 3 Bob Zimmerman (vocal & piano), John Bucklen (vocal). 2, 5 Bob Zimmerman (vocal & guitar), John Bucklen (vocal). 4 Bob Zimmerman and John Bucklen (vocals). BobTalk Zimmerman: This is Little Richard...(fakes wild crowd noises into microphone) ...Little Richard's got a lot of expression. Bucklen: You think singing is just jumping around and screaming? Zimmerman: You gotta have some kind of expression. -
Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl Or
Popular Music (2010) Volume 29/3. Copyright © Cambridge University Press 2010, pp. 437–455 doi:10.1017/S0261143010000255 Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock ’n’ roll in 1950s teenpix PETER STANFIELD Film Studies, School of Arts, University of Kent, Canterbury, Kent CT2 7UG, UK E-mail: [email protected] Abstract This essay challenges the received wisdom that teenpix of the 1950s were dominated by a soundtrack of rock ’n’ roll. I argue that this cycle of film production was marked by a diversity of musical genres, styles and types. Not only rock ’n’ roll, but rhythm ’n’ blues, folk, rockabilly, swing, West Coast jazz, bebop, Latin music such as the mambo, the rhumba, the cha cha chá, and Caribbean calypsos were all heavily featured in these films. This study is carried out through a focus on the temporal arrange- ments – fads, cycles, trends – that govern serial production and consumption of movies and popular music. Following Philip Ennis’ thesis that rock ’n’ roll is best defined by its ability to ‘crossover’ musi- cal boundaries – to move, for example, across the pop, country, and rhythm ’n’ blues charts – I argue that the film industry chose not to overly limit the music it had on offer and instead provided a var- ied package, some of which, it expected, would crossover and appeal to diverse and capricious teenage tastes. Introduction ‘I’dsayitwasa‘mixed-up’ rhythm: blues, an’ Latin-American, an’ some hillbilly, a little spiritual, a little African, an’ a little West Indian calypso .. -
Group Tries to Revive Once-Popular Royal Peacock Club
INTOWN EXTRA, FEBRUARYzyxwvutsrqponmlkjihgfedcbaYWVUTSRPONMLKJIHGFEDCBA 7, 1985 The Royal Peacock was given birth in 1949 when a black businesswoman, Carrie "Mama" Cunningham, shown here, Neon signs tsrlifebaWSstill bill the Royal Peacock on Au- purchased what waa then the Top Hat Club from thtee black burn Avenue ae "Atlanta's Club Beautiful." businessmen and gave the club its present name. The current managers are trying to revive the Group tries to revive once-popular Royal Peacock club Blayton, 60, who also served as Bland, Jimmy Reed, Brook Benton, Ambassadors, Riggins "Red " McAl- when programs at the club will be lister and his band, Levi Mann and By Pete Scott held to support youth programs in bookkeeper for the club. Arthur Prysock, Chuck Willis, the Staff Writer "We had a regular chorus line Isley Brothers, Temptations, Su- his band, Lawrence Walker, Chick the nearby Grady Homes public Webb and his band, and Tiny Brad- housing complex. with several local bands. Most of premes, Spinners, Dells, Four Tops, The Royal Peacock, billed as the girls in the chorus line had the Miracles, Gladys Knight and the shaw and his band. "Atlanta's club beautiful," once was Braswell added that with the The Peacock, at 185% Auburn, help of promoter Smith, his group high yellow or mulatto appearance." Pips and many others, the Peacock the show place of Auburn Avenue. With performing artists such as helped bolster Auburn Avenue's just off Piedmont Avenue, is a far Before that, when it was known as hopes to bring in live entertainment cry from the glitter of days gone and have talent shows and dances to Stevie Wonder, Miles Davis, Oscar glamour. -
The Chart Book – the Specials Record Mirror Singles 1955-1962
The Chart Book – The Specials Record Mirror Singles 1955-1962 Compiled by Lonnie Readioff Chart History For Record Mirror Single Charts Between 22 January 1955 and 17 March 1962 Entry Peak Weeks on chart, Title (Number 1 Number) (Awards symbols, if any for this record in this period) (Composer) Full artist credit (if different) B-Side (Or EP/Album track listing if any charted on this chart) Label (Catalogue Number) Duration. Notes are presented below the title for some entries. Entries are sorted by artist, then by entry date and finally, in the event of ties, by peak position and finally weeks on chart. All re-entries are shown as separate entries, but track listings of any albums or EP's which re-entered the chart are not shown for their re-entries. Fats Domino (Continued) 19.12.1959 12 5 Be My Guest (Tommy Boyce / Fats Domino / John Marascalco) I've Been Around London 7": HLP 9005 02:16 30.01.1960 15 4 Be My Guest (Re-entry 1) (Tommy Boyce / Fats Domino / John Marascalco) I've Been Around London 7": HLP 9005 02:16 09.04.1960 18 1 Country Boy (Dave Bartholomew / Fats Domino) If You Need Me London 7": HLP 9073 02:10 Lonnie Donegan Entry: 07.01.1956 Hits: 27 Peak: 1 Weeks: 211 07.01.1956 6 12 Rock Island Line (Lonnie Donegan) The Lonnie Donegan Skiffle Group John Henry Decca 7": 45FJ 10647 02:30 07.04.1956 15 3 Rock Island Line (Re-entry 1) (Lonnie Donegan) The Lonnie Donegan Skiffle Group John Henry Decca 7": 45FJ 10647 02:30 28.04.1956 2 16 Lost John (Lonnie Donegan) The Lonnie Donegan Skiffle Group Stewball Pye Nixa 78: N 15036 02:13 -
The R&B Pioneers Series
The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4.