Wk 22 – 1958 May 31 – USA Top 100

Total Page:16

File Type:pdf, Size:1020Kb

Wk 22 – 1958 May 31 – USA Top 100 Wk 22 – 1958 may 31 – USA Top 100 1 7 2 THE PURPLE PEOPLE EATER Sheb Wooley 2 1 8 ALL I HAVE TO DO IS DREAM Everly Brothers 3 2 9 WITCH DOCTOR David Seville 4 12 10 RETURN TO ME Dean Martin 5 J8 5 DO YOU WANT TO DANCE Bobby Freeman 6 11 6 SECRETLY Jimmie Rodgers 7 5 6 BIG MAN Four Preps 8 10 7 JOHNNY B. GOODE Chuck Berry 9 6 9 LOOKING BACK Nat King Cole 10 3 8 WEAR MY RING AROUND YOUR NECK Elvis Presley 11 4 10 TWILIGHT TIME The Platters 12 16 4 JEANNIE LEE Jan and Arnie 13 J14 9 CHANSON D'AMOUR Jan and Arnie 14 J8 12 HE'S GOT THE WHOLE WORLD IN HIS HANDS Laurie London 15 13 12 BOOK OF LOVE Monotones 16 J14 6 SUGAR MOON Pat Boone 17 19 14 OH LONESOME ME Don Gibson 18 18 9 KEWPIE DOLL Perry Como 19 28 6 TORERO Renato Carosone 20 17 8 FOR YOUR LOVE Ed Townsend 21 J20 7 RUMBLE Link Wray 22 24 5 WHAT AM I LIVING FOR Chuck Willis 23 26 4 ENDLESS SLEEP Jody Reynolds 24 J52 2 YAKETY YAK The Coasters 25 29 4 ZORRO The Chordettes 26 J34 2 HIGH SCHOOL CONFIDENTIAL Jerry Lee Lewis 27 22 9 TO BE LOVED Jackie Wilson j28 J20 10 TALK TO ME TALK TO ME Little Willie John j28 25 7 YOU The Aquatones 30 J37 3 EL RANCHO ROCK The Champs 31 J34 8 LET THE BELLS KEEP RINGING Paul Anka 32 27 3 PADRE Toni Arden 33 30 4 I WONDER WHY Dion and the Belmonts j34 J46 4 PRETTY BABY Gino and Gina j34 51 2 CHA-HUA-HUA The Pets 36 45 5 I'M SORRY I MADE YOU CRY Connie Francis 37 J46 3 RAVE ON Buddy Holly j38 J56 2 GUESS THINGS HAPPEN THAT WAY Johnny Cash j38 J56 2 YOU NEED HANDS Eydie Gorme j40 33 6 SICK & TIRED Fats Domino j40 J37 13 BILLY Kathy Linden 42 J41 16 WHO'S SORRY NOW Connie Francis 43 44 8 CRAZY LOVE Paul Anka j44 23 16 TEQUILA The Champs j44 J37 10 BELIEVE WHAT YOU SAY Ricky Nelson j46 J34 16 THE WALK Jimmie McCracklin j46 J94 2 TRY THE IMPOSSIBLE Lee Andrews and the Hearts j48 J41 9 JUST MARRIED Marty Robbins j48 49 14 LAZY MARY Lou Monte j48 J56 22 MARCH FROM THE RIVER KWAI & COLONEL BOGEY Mitch Miller j51 31 17 ARE YOU SINCERE Andy Williams j51 40 14 LOLLIPOP Chordettes j51 60 8 I MET HIM ON A SUNDAY The Shirelles j51 J64 2 WOODCHOPPER'S BALL Hutch Davie and His Honky Tonkers 55 71 2 JEANNIE LEE Billy Ward and His Dominoes j56 32 7 HANG UP MY ROCK & ROLL SHOES Chuck Willis j56 50 9 SKINNY MINNIE Bill Haley and His Comets 58 J54 8 ALL THE TIME Johnny Mathis 59 J54 6 TEACHER TEACHER Johnny Mathis 60 J61 21 CATCH A FALLING STAR Perry Como j61 43 12 DON'T YOU JUST KNOW IT Huey (Piano) Smith and the Clowns j61 63 25 SAIL ALONG SILVERY MOON Billy Vaughn Orchestra j63 - 1 LEROY Jack Scott j63 J77 4 CHERIE I LOVE YOU Pat Boone j63 J77 5 JACQUELINE Bobby Helms j63 J64 6 THE LITTLE TRAIN Marianne Vasel and Erich Storz j67 J64 6 NEE NEE NA NA NA NA NU NU Dickie Doo and the Don'ts j67 J67 16 WE BELONG TOGETHER Robert and Johnny j67 J73 8 TEACHER'S PET Doris Day j70 J52 11 MY BUCKET'S GOT A HOLE IN IT Ricky Nelson j70 J56 17 A WONDERFUL TIME UP THERE Pat Boone j70 J73 4 MAKE ME A MIRACLE Pat Boone j73 - 1 COME IN STRANGER Johnny Cash j73 - 1 NO CHEMISE PLEASE Gerry Granahan j73 - 1 THINGS I LOVE The Fidelity's j76 J46 10 THERE'S ONLY ONE OF YOU Four Lads j76 J67 9 HIGH SIGN The Diamonds j78 J61 9 YOU EXCITE ME Frankie Avalon j78 72 7 A VERY PRECIOUS LOVE Ames Brothers j78 J77 6 THE LONG HOT SUMMER Jimmie Rodgers j78 J77 2 SEND ME THE PILLOW YOU DREAM ON Hank Locklin j78 J91 6 NO NO Fats Domino j83 - 1 YOU'D BE SURPRISED Kathy Linden j83 J67 19 BALLAD OF A TEENAGE QUEEN Johnny Cash j83 J77 11 NOW & FOR ALWAYS George Hamilton IV j83 J88 20 DON'T Elvis Presley j87 - 6 DON'CHA THINK IT'S TIME Elvis Presley j87 - 1 I KNOW WHERE I'M GOIN' George Hamilton IV j87 - 8 WISHING FOR YOUR LOVE The Voxpoppers j87 - 1 CHA-HUA-HUA Eddie Platt Orchestra j87 - 1 OOH MY SOUL Little Richard j87 J73 11 EVERY NIGHT The Chantels j87 J83 6 CLAUDETTE Everly Brothers j87 J94 6 DO I LIKE IT Nat King Cole j87 - 5 BLUEBIRDS OVER THE MOUNTAIN Ersel Hickey j87 - 15 THE LITTLE BLUE MAN Betty Johnson j97 - 1 FLIP TOP BOX Dicky Doo and the Don'ts j97 J67 13 LONELY ISLAND Sam Cooke j97 J77 10 TUMBLING TUMBLEWEEDS Billy Vaughn Orchestra j97 J83 5 COME WHAT MAY Clyde McPhatter .
Recommended publications
  • Finding Aid to the Historymakers ® Video Oral History with Gene Barge
    Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans.
    [Show full text]
  • 88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
    The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
    [Show full text]
  • Billboard's Top 50 Singles, May 31, 1958
    Billboard’s Top 50 Singles, May 31, 1958 1. The Purple People Eater Sheb Wooley 2. All I Have to Do Is Dream The Everly Brothers 3. Witch Doctor David Seville 4. Return to Me Dean Martin 5. Do You Wanna Dance? Bobby Freeman 6. Secretly Jimmie Rodgers 7. Big Man Four Preps 8. Johnny B. Goode Chuck Berry 9. Looking Back Nat King Cole 10. Wear My Ring Around Your Neck Elvis Presley 11. Twilight Time The Platters 12. Jeannie Lee Jan and Arnie 13. Chanson D’Amour Jan and Arnie 14. He’s Got the Whole World In His Hands Laurie London 15. Book of Love The Monotones 16. Sugar Moon Pat Boone 17. Oh Lonesome Me Don Gibson 18. Kewpie Doll Perry Como 19. Torero Renato Carosone 20. For Your Love Ed Townsend 21. Rumble Link Wray 22. What Am I Living For Chuck Willis 23. Endless Sleep Jody Reynolds 24. Yakety Yak The Coasters 25. Zorro The Chordettes 26. High School Confidential Jerry Lee Lewis 27. To Be Loved Jackie Wilson 28. Talk to Me Talk to Me Little Willie John 28 (tie). You The Aquatones 30. El Rancho Rock The Champs 31. Let the Bells Keep Ringing Paul Anka 32. Padre Toni Arden 33. I Wonder Why Dion and the Belmonts 34. Pretty Baby Gino and Gina 34 (tie). Cha-hua-hua The Pets 36. I’m Sorry I Made You Cry Connie Francis 37. Rave On Buddy Holly 38. Guess Things Happen That Way Johnny Cash 38 (tie). You Need Hands Eydie Gorme 40.
    [Show full text]
  • Big Al's R&B, 1956-1959
    The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6.
    [Show full text]
  • Van Halen – a Different Kind of Truth
    Van Halen – A Different Kind Of Truth A Different Kind Of Truth is Van Halen’s twelfth studio album, and their first in fourteen years. This album marks the recording reunion of Eddie and Alex Van Halen with original singer/front man David Lee Roth. Roth was the singer in Van Halen from 1974‐1985, and was replaced by Sammy Hagar when the band softened their hard rock sound into a more commercial pop rock sound in the mid‐1980s. Roth recorded two songs with Van Halen in 1996 for a greatest hits album released when Hagar left the band, and expectations were high that he would return for a new album, but it didn’t work out that way. Instead, Extreme singer Gary Cherone joined Van Halen, and they recorded one weak album together. Touring reunions with both Hagar and Roth followed the departure of Cherone in 1999, but there was no new music recorded. There was much debate whether there would ever be another Van Halen album, as Eddie Van Halen was often seen drunk in public during his separation and after his divorce from actress Valerie Bertinelli. Furthermore, a YouTube video surfaced of Eddie, appearing to be near death, sitting in with a party band playing a Tommy Bolin song, and his guitar playing was pathetic. Eddie appeared unhealthy due to suspected drug use, and the second half of a tour was cancelled in 2008 due to Eddie’s poor health. This is the much abbreviated “CliffsNotes” version of the Van Halen soap opera, which effectively reduced one of the most popular rock bands in history to a joke.
    [Show full text]
  • Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl Or
    Popular Music (2010) Volume 29/3. Copyright © Cambridge University Press 2010, pp. 437–455 doi:10.1017/S0261143010000255 Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock ’n’ roll in 1950s teenpix PETER STANFIELD Film Studies, School of Arts, University of Kent, Canterbury, Kent CT2 7UG, UK E-mail: [email protected] Abstract This essay challenges the received wisdom that teenpix of the 1950s were dominated by a soundtrack of rock ’n’ roll. I argue that this cycle of film production was marked by a diversity of musical genres, styles and types. Not only rock ’n’ roll, but rhythm ’n’ blues, folk, rockabilly, swing, West Coast jazz, bebop, Latin music such as the mambo, the rhumba, the cha cha chá, and Caribbean calypsos were all heavily featured in these films. This study is carried out through a focus on the temporal arrange- ments – fads, cycles, trends – that govern serial production and consumption of movies and popular music. Following Philip Ennis’ thesis that rock ’n’ roll is best defined by its ability to ‘crossover’ musi- cal boundaries – to move, for example, across the pop, country, and rhythm ’n’ blues charts – I argue that the film industry chose not to overly limit the music it had on offer and instead provided a var- ied package, some of which, it expected, would crossover and appeal to diverse and capricious teenage tastes. Introduction ‘I’dsayitwasa‘mixed-up’ rhythm: blues, an’ Latin-American, an’ some hillbilly, a little spiritual, a little African, an’ a little West Indian calypso ..
    [Show full text]
  • Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
    AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's
    [Show full text]
  • Carl | Repertoire
    CARL | REPERTOIRE Classical Bewitched , Rodgers and Hart musical Pal Joey, Apres Un Reve , Gabriel Fauré, 1890 1940 The Ashgrove , Unknown, Beyond The Sea , Bobby Darin, 1959 Ashokan Farewell , Jay Ungar, 1982 Blue Moon , Richard Rodgers and Lorenz Hart, Ave Maria , Giulio Caccini, 1934 Butterfly Waltz , Brian Crain, 2009 But not for me , Chet Baker, George Gershwin, Canon in D, Johann Pachelbel, 1694 1933 Canon in D , Johann Pachelbel, 1700 Bye bye blackbird , Ray Henderson, 1926 Carrickfergus , Charlotte Church, 1975 Cheek to cheek , Irving Berlin, 1935 Cavatina , Stanley Myers, 1979 Come Fly with Me , Jimmy Van Heusen, 1957 An Die Musik , Franz Schubert, 1817 Cry me a river , Arthur Hamilton, 2001 The Flower Duet (Sous le dôme épais), Leo Cute , Neal Hefti, Delibes, 1881 Dream a little dream , Fabian Andre and Wilbur Fur Alina , Arvo Part, 1976 Schwandt, 1931 Greensleeves , Richard Jones, 1580 East of the Sun , Brooks Bowman, 1936 Gymnopédie No.1, Erik Satie, 1888 Feeling Good , Michael Buble, 1965 i Giorni , Ludovico Einaudi, 2001 Fly me to the moon , Bart Howard, 1954 I Giorni - Ludovico Einaudi Songbook, Ludovico Georgia on my Mind, Ray Charles, 1930 Einaudi, 2001 Have you met Miss Jones , Richard Rodgers, I Vow to Thee, My Country, Charlotte Church, 1937 1921 Hey Laura , Gregory Porter, 2013 Jerusalem , Charlotte Church, 1916 Hit the road Jack , Ray Charles, Percy Mayfield, Jesu Joy of Man's Desiring , J S Bach, 1716 1960 Melody in F , Anton Rubinstein, 1852 I Remember You , Chet Baker, Victor Nearer My God to Thee , James Horner, 1856 Schertzinger, 1941 Panis Angelicus , Charlotte Church, I Say a Little Prayer , Burt Bacharach, 1978 Papa can you hear me , Charlotte Church, Illusion, Gregory Porter, 2010 Pie Jesu , Charlotte Church, It had to be you , Isham Jones, 1924 Porgi- Amor , Mozart, It's only a paper moon , Harold Arlen, 1933 The Prayer , Charlotte Church, Just Friends , Chet Baker, 1931 Santa Lucia , Teodoro Cottrau, 1849 Just Friends - Solo, Chet Baker, 1931 Silent Worship , Handel, The Lady is a Tramp , Rodgers and Hart, 1937 Sonata No.
    [Show full text]
  • The Bel-Airs Songlist
    THE BEL-AIRS SONGLIST A Teenager In Love - Dion & The Belmonts Rock 'n Roll Is Here To Stay - Danny and the Ain't That A Shame - Fats Domino Juniors All Shook Up - Elvis Presley Rockin Robin - Bobbie Day At The Hop - Danny & The Juniors Runaround Sue - Dion & the Belmonts Barbara Ann - Beach Boy Runaway - Del Shannon Blue Moon - Marcels Sea of Love - Phil Phillips Blue Suede Shoes - Elvis Presley See You Later Alligator - Bill Haley & The Book of Love - Monotones Comets Chantilly Lace - J.P. Richardson (Big Bopper) Seepwalk - Santos and Johnny Come Go With Me - The Del Vikings Shake Rattle & Roll - Bill Haley & the Daddy's Home - Shep & the Limelites Comets Dream Lover - Bobby Darin Shout - Isley Brothers Earth Angel - The Penguins Sixteen Candles - The Crests Get A Job - Silhouettes Splish Splash - Bobby Darin Great Balls Of Fire - Jerry Lee Lewis Stand By Me - Ben E. King Green Onions - Booker T and the MGs Stroll - Diamonds Hang On Sloopy - The McCoys Tears On My Pillow - Little Anthony & The Heartbreak Hotel - Elvis Presley Imperials Hey Baby - Bruce Channel The Lion Sleeps Tonight - Tokens Honky Tonk - Bill Doget The Twist - Chubby Checker Hound Dog - Elvis Presley The Wanderer - Dion and the Belmonts I Only Have Eyes for You - Flamingos There's a Moon Out Tonight - Capris In The Still of the Night - The Five Satins Thousand Miles Away - The Five Heartbeats Johnny B. Goode - Chuck Berry Tossin' and Turnin' - Bobby Lewis Kansas City - Wilbert Harrison Unchained Melody - Righteous Brothers Last Kiss - Jay Frank Wilson and the Whole
    [Show full text]
  • Dion and the Teen Idols
    DION AND THE TEEN IDOLS OVERVIEW ESSENTIAL QUESTION What role did the so-called “teen idols” of the late 1950s play in bringing Rock and Roll into mainstream American culture? OVERVIEW Rock and Roll evolved from Rhythm and Blues, a sound developed by African-American musicians that by the early 1950s had begun to reach a new audience among young white teenagers. By nature of its association with black America, there were those who feared that Rock and Roll was a corrupting influence on American youth, promoting socializing between races and juvenile delinquency. Music was not the only thing that disturbed those concerned about Rock and Roll’s influence. Films such as The Wild One (1953), featuring Marlon Brando as the leader of a motorcycle gang, seemed to suggest that teenagers, if not given proper guidance, might fall in with the “wrong kind of crowd.” In an attempt to encourage “good citizenship,” Parent-Teacher Associations and superintendents across the country created codes of conduct for their pupils to monitor school attire, curfew hours, and social behavior both on and off campus. Rock and Roll, and the culture around it, were viewed as something to control. Concurrently, pioneer jockey Alan Freed, the man who first attached the term “Rock and Roll” to the latest R&B recordings, was encountering troubles of his own. In August 1957, Freed’s ABC teen dance show Big Beat was cancelled after African-American artist Frankie Lymon was seen dancing with a white girl on the program, an image that outraged the network’s southern affiliates.
    [Show full text]
  • Group Tries to Revive Once-Popular Royal Peacock Club
    INTOWN EXTRA, FEBRUARYzyxwvutsrqponmlkjihgfedcbaYWVUTSRPONMLKJIHGFEDCBA 7, 1985 The Royal Peacock was given birth in 1949 when a black businesswoman, Carrie "Mama" Cunningham, shown here, Neon signs tsrlifebaWSstill bill the Royal Peacock on Au- purchased what waa then the Top Hat Club from thtee black burn Avenue ae "Atlanta's Club Beautiful." businessmen and gave the club its present name. The current managers are trying to revive the Group tries to revive once-popular Royal Peacock club Blayton, 60, who also served as Bland, Jimmy Reed, Brook Benton, Ambassadors, Riggins "Red " McAl- when programs at the club will be lister and his band, Levi Mann and By Pete Scott held to support youth programs in bookkeeper for the club. Arthur Prysock, Chuck Willis, the Staff Writer "We had a regular chorus line Isley Brothers, Temptations, Su- his band, Lawrence Walker, Chick the nearby Grady Homes public Webb and his band, and Tiny Brad- housing complex. with several local bands. Most of premes, Spinners, Dells, Four Tops, The Royal Peacock, billed as the girls in the chorus line had the Miracles, Gladys Knight and the shaw and his band. "Atlanta's club beautiful," once was Braswell added that with the The Peacock, at 185% Auburn, help of promoter Smith, his group high yellow or mulatto appearance." Pips and many others, the Peacock the show place of Auburn Avenue. With performing artists such as helped bolster Auburn Avenue's just off Piedmont Avenue, is a far Before that, when it was known as hopes to bring in live entertainment cry from the glitter of days gone and have talent shows and dances to Stevie Wonder, Miles Davis, Oscar glamour.
    [Show full text]
  • Thematic Lesson: Love Songs
    THEMATIC LESSON: LOVE SONGS OVERVIEW ESSENTIAL QUESTION Why is the Pop song such a common medium for expressing feelings about love, and how do individual songs relate to their historical moments? OVERVIEW The love song has been around for thousands of years and existed in virtually every culture: fragments of love songs and lyric poetry etched on papyrus and carved in stone survive from ancient Greece and Egypt. Medieval troubadours perfected the art of writing and singing about idealized love. Opera composers dramatized romance in music. Amorous parlor songs played a role in courtships. And of course, love songs are a fixture in contemporary musical culture. By most estimates, they have made up the majority of songs on the popularity charts throughout the 20th century and into the 21st. Musicians working in every major genre of American popular music—including Folk, Jazz, Pop, Country, Rhythm and Blues, and Rock and Roll — have produced songs about love. The variety of themes is similarly broad, encompassing many different aspects of and perspectives on relationships, from loss and longing to hope and dreaming. Rock and Roll love songs inherit much from their historical predecessors, but they also demonstrate how cultural ideas about love, sex, and relationships change over time. New musical styles present opportunities to approach an old subject in new ways, and the sometimes raucous sounds of Rock and Roll made entirely new types of songs about love possible. In this lesson, students will listen to examples of love songs from several musical styles and historical moments. The activities are designed to explore how music and lyrics work together to express different sentiments toward love and relationships.
    [Show full text]