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28. Apríla 2001 Žilina • Dom Umenia Fatra 22 28Th April 12°01 • H°^E of Art „Fatra" • Žilina

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28. Apríla 2001 Žilina • Dom Umenia Fatra 22 28Th April 12°01 • H°^E of Art „Fatra 22.-28. apríla 2001 Žilina • Dom umenia Fatra 22 28th April 12°01 • H°^e of Art „Fatra" • Žilina f"fVi * > • lt--' ' *'• *JS' Hi • rival of Concert Art HUDOBNE CENTRUM MUSIC CENTRE SLOVAKIA SPOLOK KONCERTNÝCH UMELCOV Association of Slovak Concert Artists v spolupráci so in co-operation with ŠTÁTNYM KOMORNÝM ORCHESTROM ŽILINA Slovak Sinfonietta Žilina SLOVENSKÝM ROZHLASOM Slovak Radio s finančnou podporou MINISTERSTVA KULTÚRY SLOVENSKEJ REPUBLIKY sponsored by Ministry of Culture of the Slovak Republic organizuje organises XI. STREDOEURÓPSKY FESTIVAL KONCERTNÉHO UMENIA II* CENTRAL-EUROPEAN FESTIVAL OF CONCERT ART 22. - 28. apríl 2000 / 22nd - 28th April, 2001 Žilina, Dom umenia Fatra / Fatra House of Arts "~ «l l Mil. Dom umenia Fatra, Žilina • 22. - 28. apríl 2001 Fatra House of Arts in Žilina • 22nd- 28thApril, 2001 CENA HUDOBNEJ KRITIKY THE MUSIC CRITICS' PRIZE sa udeľuje za najvýraznejší interpretačný is awarded for the most distinguished výkon na XI. ročníku Stredoeurópskeho performance at the 11th Central - festivalu koncertného umenia European Music Festival - the holder - nositeľ získa ponuku of the prize will be offered an účinkovania na XII. ročníku opportunity to give a concert tohto festivalu at the next year's festival KM1C tí í %MJ9S%,í<lal l íHti í. Keď hrejivé jarné lúče vnášajú do všet­ In early springtime when sunshine kého živého nádej a silu, schádzajú sa brings new hope and strength, enthusias­ pravidelne do Žiliny mladí ľudia, naplne­ tic and art-loving young people regularly ní životným nadšením, interpretačným meet in Žilina. They are brought together entuziazmom a láskou k umeniu. Spája thanks to the Central-European Festival of ich Stredoeurópsky festival koncertného Concert Art, which - after its successful 10 umenia, o ktorom sa zásluhou predchá­ years - has become of great interest in dzajúcich desiatich úspešných rokov píše public and press in many countries of a hovorí v mnohých štátoch Európy. Europe. Okrem vynikajúcich mladých interpre­ Besides outstanding young musicians - tov, laureátov rôznych medzinárodných laureates of different international com­ súťaží, sa tu počas festivalového týždňa petitions, the festival is also a place for schádzajú hudobní pedagógovia, muziko­ meetings of music teachers, musicologists, lógovia, kritici, zástupcovia agentúr, kul­ writers on music, representatives of agen­ túrnych inštitúcií, veľvyslanectiev, atď. cies, cultural institutions, embassies, etc. Festival pridal lesk slovenskej kultúre The festival added more shine to Slovak a mestu Žilina, lebo ho zaradil medzi culture and to the city of Žilina because it dôležité hudobné centrá v Európe. has been integrated into the group of XI. ročník nás už v úvode upúta pôso­ important cultural and musical centres of bivým, vkusným a pútavým výtvarným Europe. riešením plagátu, keď po úspešnej kolek­ The IV Central-European Festival atti­ cii maliarky Viery Žilinčanovej výrazne res our attention with the first glance at vkročil do symboliky festivalu Svetozár the impressive, tasteful and captivating Ilavský detailom z veľkoplošného diela graphic design of its poster: after the very Pleonazmus. successful collection of paintings by Viera Na starostlivej programovej príprave Žilinčanová, this year the Slovak painter XI. ročníka počas celého roka pracoval Svetozár Ilavský entered to the symbolical prípravný výbor festivalu, v ktorom mali outfit of the festival by a detail of his large- svoje zastúpenie:Hudobné centrum Brati­ plane work "Pleonasm". slava, Spolok koncertných umelcov a Štát­ The programme of the lr" Central- ny komorný orchester v Žiline. Účasť 17 European Festival has been carefully pre­ špičkových interpretov z ôsmich štátov pared by the Festival Committee whose Európy a troch renomovaných orchestrov members were representatives of the je dôvod, aby sme sa tešili z očakávania Music Centre Bratislava, the Association vysokej hudobno-interpretačnej kvality, of Slovak Concert Artists and the Slovak ktorú určite podčiarkne aj koncert laure­ Sinfonietta Žilina. The participation of 17 átov súťaže slovenských konzervatórií. excellent musicians from eight European A tak týždenná rotácia mladých umelcov countries and of three renowned orches­ sľubuje nevšedné zážitky pre vďačné tras is a reason to look forward and r iÄ!iraiíľJE&i:y<)aaf'] I13S rivaS koncert . of Concei žilinské publikum, pre hostí, študentov, expect a high-level music interpretation, proste pre všetkých, ktorí v týchto dňoch which surely will be proved by the concert do Žiliny prídu. Privíta Vás vľúdne pro­ of laureates of the Slovak Conservatories stredie Domu umenia Fatra a určite sa Competition. The weeklong rotation of stretnete so vzácnymi ľuďmi, ktorých young artists promises extraordinary spája vzťah k dobrému umeniu. experiences for the audience of Žilina, for our guests, students, for everyone who will PaedDr.fozef Búda visit our town during the festival. The riaditeľ ŠKO environment of the "Fatra" House of Art will welcome every visitor and will doub­ tless bring together distinguished people united by their relationship to fine art. PaedDr. JozefBúda Slovak Sinfonietta director -ival « of Concert Ait POROTA/JURY Franz MiiJler-Heuser, Nemecko (Germany) András Székely, Maďarsko (Hungary) Miloslav Zdražil, Česká republika (Czech Republic) Peter Michalica, Slovenská republika (Slovak Republic) Melánia Puškášová, Slovenská republika (Slovak Republic) Adrian Rajter, Slovenská republika (Slovak Republic) jÄifioasíéwia/ festival toiíotttt^ArMj mwma m Cwicsrt Au Nedeľa • 22. apríla 22nd April • Sunday 19.00 h 7 p.m. OTVÁRACÍ KONCERT OPENING CONCERT Štátna filharmónia Košice Košice State Philharmonic Orchestra Dirigent: Zsolt Hamar (Maďarsko) Conductor: Zsolt Hamar (Hungary) Sólista: Peter Tóth, klavír (Maďarsko) Soloist: Peter Tóth, piano (Hungary) Bela Bartók (1881-1945) Bela Bartók (1881-1945) Magyar képek (Maďarské obrazy) pre orchester Sz 97 Magyar képek (Hungarian Sketches) /. Ešte a székelyeknél (Večer na vidieku) for orchestra Sz 97 2. Medvetánc (Medvedí tanec) /. Ešte a székelyeknél (An Evening in the Village) 3- Melódia 2. Medvetánc (Bear Dance) 4. Kicsit ázottan (Trochu opojený) 3- Melódia (Melody) 5. Vrôgi kanásztánc (Pastiersky tanec z í'rôgu) 4. Kicsit ázottan (Slightly Tipsy) 5- Vrôgi kanásztánc (Swineherd's Dance) FranzLiszt (1811-1886) FranzLiszt (1811- Danse macabre (Tanec mŕtvych) Danse macabre for piano and orchestra S 125 pre klavír a orchester S 125 (Paraphrase on the Dies irae theme) (Parafráza na. Dies iroé) Vyhlásenie ceny prednostu Krajského úradu v Žiline Annoucement of the Prize of the Head of Regional Council Antonín Dvorak (1841-1904) Antonín Dvorak (1841-1904) Symfónia č. 8 G-dur, op. 88 Symphony No. 8 in G major, op. Allegro con brio Allegro con brio Andante con moto Andante con moto Allegretto grazioso Allegretto grazioso Allegro ma non troppo Allegro ma non troppo .„.Í3Í Koncert sa koná v spolupráci s Kultúrnym inštitútom Maďarskej republiky v Bratislave The concert is realised in co-operation with the Culture Institute of the Humgarian Republic in Bratislava BiifoeiirápäKj/ festival of Concert Art Štátna filharmónia Košice bola založená roku The Košice State Philharmonic was founded in 1968, avšak svoju koncertnú činnosť začala v apríli 1969 1968 but its concert performances started in April 1969 pod vedením vtedajšieho šéfdirigenta Bystríka under the leadership of Bystrík Režucha, who was at that Režuchu.Toto profesionálne symfonické teleso dosiahlo time its principal conductor. This professional symphony v krátkom čase svetové uznanie vďaka svojej umeleckej orchestra has reached a world-wide acknowledgement mnohostrannosti, ktorú reprezentuje bohatá diskogra­ within a short period of time thanks to a wide range of its fia. Okrem tradičného symfonického repertoáru môže­ artistic activities represented by rich discography. Apart me medzi jej nahrávkami nájsť aj kompletné orchestrál­ from the recordings of classical symphonic works reper­ ne dielo Johanna Straussa ml., ako aj prvé nahrávky toire, including the complete orchestral compositions by (unikáty) ojedinelé počutefných diel L. Spohra, J. Raffia, Johann Strauss, Jr. and the first recordings (unique A. Rubinsteina, E. Waldteufela, F. von Suppého. Reper­ ones) of the works by L. Spohr, J. Raff, A. Rubinstein, E. toár orchestra tvoria všetky frekventované diela od baro­ Waldteufel and F. von Suppé. The repertoire of the ka po hudbu 20. storočia vrátane mnohých diel súčas­ orchestra includes all well-known works from Baroque ných slovenských skladateľov. Štátna filharmónia Košice to modern 20™ century music as well as works by Slovak koncertovala so svetoznámymi sólistami a pod vedením contemporary composers. The Košice State Philhar­ významných dirigentských osobností takmer vo všetkých monic gave performances with many renowned soloists európskych krajinách, v dôležitých svetových kultúrnych and undertook concert tours with outstanding conduc­ centrách, ako sú Viedeň, Salzburg, Praha, Lisabon, tors almost in all European countries, in international Barcelona, Atény, Remeš, Hong-kong, New York a i. cultural centres of a great importance such as Vienna, V máji 1998 vystúpila Štátna filharmónia na veľkolepom Salzburg, Prague, Lisbon, Barcelona, Athens, Reims, 3 iip?(loei>i:ipsfe# fesiiwsi konce , f C. í Art koncerte v Košiciach s Lucianom Pavarottim. Ďalším Hong-Kong, New York and others. In May 1998, the State úspešným projektom bolo koncertné turné v Mexiku Philharmonic gave performance in a magnificent con­ v októbri 1998, kde sa filharmónia predstavila
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