Core 1..258 Hansard (PRISM::Advent3b2 16.25)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Requisites of Leadership in the Modern House of Commons 1
Number 4 November 2001 CANADIAN STUDY OF PARLIAMENT GROUP HE EQUISITES OF EADERSHIP THE REQUISITES OF LEADERSHIP IN THE MODERN HOUSE OF COMMONS Paper by: Cristine de Clercy Department of Political Studies University of Saskatchewan Canadian Members of the Study of Parliament Executive Committee Group 2000-2001 The Canadian Study of President Parliament Group (CSPG) was created Leo Doyle with the object of bringing together all those with an interest in parliamentary Vice-President institutions and the legislative F. Leslie Seidle process, to promote understanding and to contribute to their reform and Past President improvement. Judy Cedar-Wilson The constitution of the Canadian Treasurer Study of Parliament Group makes Antonine Campbell provision for various activities, including the organization of conferences and Secretary seminars in Ottawa and elsewhere in James R. Robertson Canada, the preparation of articles and various publications, the Counsellors establishment of workshops, the Dianne Brydon promotion and organization of public William Cross discussions on parliamentary affairs, David Docherty participation in public affairs programs Jeff Heynen on radio and television, and the Tranquillo Marrocco sponsorship of other educational Louis Massicotte activities. Charles Robert Jennifer Smith Membership is open to all those interested in Canadian legislative institutions. Applications for membership and additional information concerning the Group should be addressed to the Secretariat, Canadian Study of Parliament Group, Box 660, West Block, Ottawa, Ontario, K1A 0A6. Tel: (613) 943-1228, Fax: (613) 995- 5357. INTRODUCTION This is the fourth paper in the Canadian Study of Parliament Groups Parliamentary Perspectives. First launched in 1998, the perspective series is intended as a vehicle for distributing both studies prepared by academics and the reflections of others who have a particular interest in these themes. -
Un Été De Folie
Un été de folie TONI BLAKE DESTINY - 1 Un été de folie Traduit de l’anglais (États-Unis) par Sophie Dalle Vous souhaitez être informé en avant-première de nos programmes, nos coups de cœur ou encore de l’actualité de notre site J’ai lu pour elle ? Abonnez-vous à notre Newsletter en vous connectant sur www.jailu.com Retrouvez-nous également sur Facebook pour avoir des informations exclusives. Titre original ONE RECKLESS SUMMER Éditeur original Avon Books, an imprint of HarperCollins Publishers, New York © Toni Herzog, 2009 Pour la traduction française © Éditions J’ai lu, 2013 Ce livre est dédié aux professeurs qui m’ont le plus encouragée à poursuivre mon rêve de devenir romancière : Sandra Lillard Adams, feu Dolly West et le Dr Peter Schiff. Prologue — Minou, minou, miaou… Jenny somnolait au soleil sur une chaise longue quand une voix masculine ramena ses sens à la vie. C’était le genre de voix qui vous enveloppait comme une couverture et vous donnait envie de vous y blottir, même par une chaude journée d’été. — Hé ! Réveille-toi ! Debout là-dedans ! Tiens ! Une autre voix. Acerbe, celle-là… et vague- ment menaçante. Jenny s’arracha à sa torpeur et ouvrit les yeux. Au bout du petit ponton flottait une vieille barque occupée par trois garçons qui la lorgnaient dans son Bikini neuf. Seigneur ! Son estomac se noua – ils étaient plus âgés qu’elle et avaient une allure de voyous. D’où sortaient-ils donc ? Puis elle reconnut deux d’entre eux – les frères Brody qui habitaient de l’autre côté du lac. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Desperate Domesticity: the American 1950S ENG 4953 (T 6-8 in CBD 0224) 3/8/16
Professor M. Bryant Spring 2016 Desperate Domesticity: The American 1950s ENG 4953 (T 6-8 in CBD 0224) 3/8/16 Office: 4360 Turlington Hall Office Hours: T period 4, R period 9 & by appointment E-mail: [email protected] Web: http://people.clas.ufl.edu/mbryant/ This course explores fraught constructions of domesticity in American literary and popular culture of the 1950s, focusing on the nuclear family, gender roles (especially Housewife and Organization Man), the rise of suburbia, and alternative domesticities. Our writers will include John Cheever, Gwendolyn Brooks, Patricia Highsmith, Flannery O’Connor, Tennessee Williams, Sloan Wilson, Robert Lowell, and Sylvia Plath. Our postwar magazine readings come Ebony, Ladies’ Home Journal, The New Yorker, and One. We’ll explore the family sitcoms The Adventures of Ozzie and Harriet, Father Knows Best and Leave It to Beaver, as well as the teen delinquent films Rebel Without a Cause and Blackboard Jungle. We end with retrospective images of the American 1950s in contemporary culture. In addition to writing a short paper and a seminar paper, you’ll give a presentation that addresses key components of an assigned text. You’ll also submit a Florida Fifties archive worksheet and design a Faux Fifties ad. TEXTS Elaine Tyler May, Homeward Bound: American Families in the Cold War Era (also available as UF e-book) John Cheever The Stories of John Cheever Patricia Highsmith, The Price of Salt Gwendolyn Brooks, Selected Poems Flannery O’Connor, The Complete Stories of Flannery O’Connor Tennessee Williams, Cat on a Hot Tin Roof Sloan Wilson, The Man in the Gray Flannel Suit Robert Lowell, Life Studies/For the Union Dead Sylvia Plath, The Bell Jar (HarperPerennial) Fifties family sitcoms Popular magazines on Microfilm (Library Reserve), or try finding them on EBay Critical essays on UF Libraries course reserves (Ares) POLICIES 1. -
Classic Tv and Faith: Vii - Leave It to Beaver ‘Red and Yellow, Black and White
“CLASSIC TV AND FAITH: VII - LEAVE IT TO BEAVER ‘RED AND YELLOW, BLACK AND WHITE . .’” Karen F. Bunnell Elkton United Methodist Church August 19, 2012 Galatians 3:23-29 Luke 19:1-10 Life has been different this week without the Olympics on television. I don’t know about you, but I was glued to the TV for two weeks, watching the action. I don’t want to tell you how many nights I stayed up until midnight watching the competition, and then when my alarm went off at 5:30 a.m., turned it back on again. It was so great to watch how well everyone did. Who will ever forget watching Michael Phelps achieve something no other Olympic athlete has ever done? Or who will forget watching Usain Bolt run - “the fastest man alive”? Or the women’s gymnastics team, or the women’s soccer team, or the young American diver who shocked the diving world by winning the gold medal? It was all just wonderful. But you know what I always find really, really inspiring? It’s the closing ceremonies. No, not the opening ceremonies, although this year’s was exceptional, with the Queen appearing with James Bond and all. But the closing ceremonies are always wonderful for one big reason, in my opinion - that all of the athletes come on to the field in a group - all nations, all athletes, all sports - one great, huge group of humanity. They join together across competitive boundaries, and national boundaries, and ethnic boundaries, and language boundaries - they forget all of that and just revel in joy together at what they’ve experienced at the Games! It is absolutely wonderful, and I truly believe, in my heart of hearts, that it is a portrait of the coming kingdom of God - where all dwell together in harmony, as one. -
Saint Patrick Parish
Tacoma Catholic Parishes of Saint Patrick Holy Cross & Saint Rita of Cascia The Holy Family of Jesus, Mary and Joseph - December 29, 2019 Saint Patrick Parish 1001 North J Street, Tacoma, WA 98403 | 253-383-2783 | www.saintpats.org Sunday Masses Daily Masses Reconciliation Saturday Vigil 5pm Monday Communion Service 8:00am Saturday 3:30pm Sunday 9am, 11am, 7pm Tuesday - Friday 8:00am School Mass, Thursday 9:00am Holy Cross Parish 5510 North 44TH Street, Tacoma, WA 98407 | 253-759-3368 | www.holycross-tacoma.org Sunday Masses Daily Masses Reconciliation Saturday Vigil 5:30pm Monday, Thursday, Friday 9am Saturday 4pm Sunday 10am Wednesday 5:30pm Saint Rita of Cascia Parish 1403 South Ainsworth, Tacoma, WA 98405 | 253-627-4851 | www.stritastacoma.org Sunday Mass Daily Masses Reconciliation 7:30am Tuesday 12 Noon, Saturday 9am Saturday 9:30am 2 S Dear Brothers and Sisters in Christ, “Gee, Wally…..” I grew up hearing those words of Beaver Cleaver spoken often on the Leave it to Beaver show. Over the years, I’ve heard people say how they wish family life were as simple and innocent as was seen in the household of Ward and June Cleaver. But, my friends, life is not black and white; and it’s not a sitcom….from the 50’s or from today. Family life is much more complex today. Still, life in a family has the possibility of truly being holy, and a place where each member of the family can grow in holiness. The family of Joseph, Mary, and Jesus was faced with challenge and peril from the get go, just like many of our families today. -
LUCY GETS the BALL ROLLING By
PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. -
The Waffle, the New Democratic Party, and Canada's New Left During the Long Sixties
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-13-2019 1:00 PM 'To Waffleo t the Left:' The Waffle, the New Democratic Party, and Canada's New Left during the Long Sixties David G. Blocker The University of Western Ontario Supervisor Fleming, Keith The University of Western Ontario Graduate Program in History A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David G. Blocker 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Canadian History Commons Recommended Citation Blocker, David G., "'To Waffleo t the Left:' The Waffle, the New Democratic Party, and Canada's New Left during the Long Sixties" (2019). Electronic Thesis and Dissertation Repository. 6554. https://ir.lib.uwo.ca/etd/6554 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i Abstract The Sixties were time of conflict and change in Canada and beyond. Radical social movements and countercultures challenged the conservatism of the preceding decade, rejected traditional forms of politics, and demanded an alternative based on the principles of social justice, individual freedom and an end to oppression on all fronts. Yet in Canada a unique political movement emerged which embraced these principles but proposed that New Left social movements – the student and anti-war movements, the women’s liberation movement and Canadian nationalists – could bring about radical political change not only through street protests and sit-ins, but also through participation in electoral politics. -
The Third Wave of Feminism & Women of Color
CHAPTER ONE THE THIRD WAVE OF FEMINISM & WOMEN OF COLOR The work of feminism and feminists are known not only as the “feminist movement,” but has also been historically segregated into racial waves. The first wave quite simply dealt with white women from the United States and the United Kingdom noting their struggle as women’s suffrage. Their fight was in the name of equality among white women who wanted the right to vote. Women of color were not included in this suffrage movement. Many of the “suffragettes” as they were once called not only fought for the right to vote, but were elite members of conservative Christian groups that fought for the prohibition of alcohol. Many have said that by 1920, or the writing of the 19th amendment, the first wave of feminism ended. The victory led white women towards a new form of empowerment, empowerment over white men, and possibly over fellow white women as well. Forty years later, the second wave of feminism began to erupt. Now with the right to vote, white women were contesting “subtle” inequalities. While (mis) representation was a major issue of the second wave, along with career opportunities and choices, black and brown women were still trying to be recognized. The second wave, which lasted about twenty years, is one of the most interesting periods in feminist and/or women’s history. Gaining the right to be college educated alongside white male counterparts had given many white women the opportunity to be competitive. However, as Betty Friedan stated so controversially (for her time) in the Feminist Mystique (1963), women were unsure, even with a college education, of what they would eventually become if not like their mothers and mothers before them (Freidan, 1963). -
Leave to Beaver Show
Leave to beaver show Its reception led to a new first-run, made-for-cable series, The New Leave It to Beaver (–), with Beaver and Production · Themes and recurring · Cancellation and · Media information. Comedy · The misadventures of a suburban boy, family and friends. Videos. Leave It to Beaver -- Trailer for Leave It to Beaver: The Complete Series. Comedy · The Cleavers are an all-American family living in Ohio - wise father Ward, loving .. Barbara Billingsley who played Aunt Martha, was the original June Cleaver in the television show "Leave It to Beaver" (). See more». I knocked on a door and a woman answered. I told her, "You must be lost, let me know you where the kitchen is. It's been 56 years since a cute little munchkin named Theodore entered our lives as "The Beaver" in an all-American show about suburban. Leave It to Beaver is one of the first primetime sitcom series written from a child's point of view. Like several television dramas and sitcoms of. One common criticism of Leave It to Beaver is that June, the Cleaver the first season of the show; she started wearing heels at the suggestion. Leave It to Beaver also went out on its own terms, as we will see. Let's take a look at some fascinating facts about the show that will make you. One of television's most iconic series, 'Leave It to Beaver' follows the adventures of inquisitive but often naive Theodore "The Beaver" Cleaver. Along with. The very first episode of classic television show Leave it to Beaver almost never made it on air, according to the show's star Jerry Mathers. -
Tasha G. Oren DOMESTICATED DADS and DOUBLE-SHIFT MOMS
Oren, Tasha G. « Domesticated Dads and Double-Shift Moms : Real Life and Ideal Life in 1950s Domestic Comedy », Cercles 8 (2003) : 78-90 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est interdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Tasha G. Oren University of Wisconsin-Milwaukee DOMESTICATED DADS AND DOUBLE-SHIFT MOMS Real Life and Ideal Life in 1950s Domestic Comedy The white suburban sitcom, a genre that emerged to a moderate success in the late 1950s and early 1960s, has had a curious afterlife. More than Westerns, adventure programs, variety shows or police dramas, these visions of stiff and dated domestic bliss continue to fascinate; the immaculately groomed house- wife in pearls is 1950s TV for most Americans. Further, this image has also come to stand in as an icon for the 1950s decade in total. This conflation is then taken as proof of both television's easy compliance with dominant ideology and the suburban sitcom as mirroring 1950s reality—a reality of white nuclear families, shaped by strict gender divisions and quietly laboring under the weight of overwhelming restraint. Befitting the genre’s position as the signifier for the post-war era in po- pular memory, the suburban sitcom has been the subject of much critical at- tention. George Lipsitz and Lynn Spigel analyzed the television sitcom in terms of its representation of the family and its relation to an emerging consu- mer culture. Mary Beth Haralovich, David Marc and others pointed to the process of erasure of class and ethnicity, substituting these with white middle class families as both “the norm” and the only option. -
Kodiak Point T5
LA CAPTURE DU LOUP KODIAK POINT 5 EVE LANGLAIS Copyright © 2015/2020 Eve Langlais Couverture réalisée par Amanda Kelsey © 2016/2020 Traduit par Emily B Produit au Canada Publié par Eve Langlais http://www.EveLanglais.com ISBN livre électronique: 978-1-77384-157-1 Tous Droits Réservés Ce roman est une œuvre de fiction et les personnages, les événements et les dialogues de ce récit sont le fruit de l’imagination de l’auteure et ne doivent pas être interprétés comme étant réels. Toute ressemblance avec des événements ou des personnes, vivantes ou décédées, est une pure coïncidence. Aucune partie de ce livre ne peut être reproduite ou partagée, sous quelque forme et par quelque moyen que ce soit, électronique ou papier, y compris, sans toutefois s’y limiter, copie numérique, partage de fichiers, enregistrement audio, courrier électronique et impression papier, sans l’autorisation écrite de l’auteure. TABLE DES MATIÈRES Introduction Prologue Chapitre Un Chapitre Deux Chapitre Trois Chapitre Quatre Chapitre Cinq Chapitre Six Chapitre Sept Chapitre Huit Chapitre Neuf Chapitre Dix Chapitre Onze Chapitre Douze Chapitre Treize Chapitre Quatorze Chapitre Quinze Chapitre Seize Chapitre Dix-Sept Chapitre Dix-Huit Épilogue Notes INTRODUCTION Elle croit peut-être avoir capturé le loup, mais finalement, c’est lui qui prendra son cœur. Le côté excitant de l’armée et ses missions manquent à Brody, cet ancien soldat. Il a arrêté d’exercer pour travailler en tant que bêta du clan, à Kodiak Point. Et il n’y a rien de plus ennuyeux, jusqu’à ce qu’il se fasse capturer par l’ennemi.