2022-23 Prospectus

Total Page:16

File Type:pdf, Size:1020Kb

2022-23 Prospectus THE RCM IS WHERE YOU WILL MAKE THE TRANSITION FROM STUDENT TO ARTIST. JP Jennings, Master of Performance 02 PROSPECTUS 2022–2023 ROYAL COLLEGE OF MUSIC 03 TOP 10 07 09 REASONS TO ACCESS OUTSTANDING FACILITIES TAILOR YOUR STUDIES From magnificent performance spaces to state-of-the-art We are the only conservatoire to award our own accommodation, a brand-new museum and outstanding degrees right up to doctoral level, meaning you can STUDY AT THE digital resources, our excellent facilities are at your disposal. create a bespoke course to suit your aspirations. We are continually investing in our campus and our More ROYAL COLLEGE Music Campaign has transformed and expanded our OF MUSIC facilities for our students. 08 10 GAIN PROFESSIONAL EXPERIENCE ENGAGE WITH WORLD-LEADING RESEARCH Our Creative Careers Centre offers a wealth of opportunities The RCM is renowned for its cutting-edge research, to develop your skills, perform at prestigious events and take which informs our teaching and can help you develop music into the wider community. fully as an artist. 01 04 PERFORM AND PERFECT EXPERIENCE DIGITAL INNOVATION RCM students are invited to perform in venues across Our virtual learning environment and innovative facilities London and further afield with world-leading conductors make the RCM a world leader in the use of digital and artists, and composers can hear their works brought technologies, developing your technical skills to prepare to life by RCM musicians. you for a successful career. 02 05 LEARN WITH EXCEPTIONAL PROFESSORS JOIN OUR INTERNATIONAL COMMUNITY Our dedicated and experienced professors are at the The RCM is a truly global conservatoire. Our students forefront of their fields, and many are principal players and staff come from every corner of the world to create a with London’s major orchestras and ensembles. friendly, exciting and diverse hub of music-making, allowing you to build contacts with musicians from around the globe. 03 06 PREPARE FOR YOUR FUTURE BE INSPIRED BY OUR LOCATION Follow in the footsteps of the world’s leading musicians – Situated in the heart of London and standing proudly our students have gone on to enjoy successful international opposite the Royal Albert Hall, the RCM’s location is careers for more than 135 years. the envy of the musical world. 04 PROSPECTUS 2022–2023 ROYAL COLLEGE OF MUSIC 05 CONTENTS LIFE AT THE RCM FACULTIES 08 Welcome to the RCM 40 Brass 10 Performance Opportunities 42 Composition 14 Learning & Development 44 Conducting 16 Prepare for Your Future 46 Historical Performance 18 RCM Graduates 48 Keyboard 22 Our Location 50 Percussion 24 Studying in London 52 Strings 26 Accommodation 54 Woodwind 28 Student Support 56 Vocal & Opera 29 RCM Students’ Union 58 RCM Opera Studio 30 Our Campus & Facilities 60 RCM Professors 34 Global Opportunities www.rcm.ac.uk/faculties 36 Scholarships www.rcm.ac.uk/life PROGRAMMES HOW TO APPLY OF STUDY 70 Undergraduate Programmes 82 How to Get in Touch 72 Masters Programmes 83 Visit Us 76 Artist Diplomas 84 Applying & Auditions 78 Research Programmes 86 Fees & Funding www.rcm.ac.uk/courses www.rcm.ac.uk/apply 06 PROSPECTUS 2022–2023 ROYAL COLLEGE OF MUSIC 07 WELCOME TO THE RCM The Royal College of Music is one of the world’s greatest conservatoires. Ranked the top institution for performing arts in the UK for six consecutive years (QS World University Rankings 2016–2021) and no.1 in Europe in 2020 and 2021, we welcome staff and students from all over the world bringing exceptional talent, creativity and inspiration. The musical opportunities you will discover here are Your career aspirations are important to us and we will give breathtaking. We hold hundreds of events each year you the guidance you need to feel confident in navigating across our magnificent performance spaces and at external the professional landscape. In a recent Higher Education venues. Two new state-of-the-art performance spaces were Statistics Agency survey (2020), of the RCM alumni who completed at the RCM in 2020, as well as new facilities graduated in 2018, 94% of survey respondents had moved for learning and collaboration. Our rich digital learning into employment or further study 15 months after graduating. environment has expanded the experience of our students, who can access greater communication with their professors We are proud of our heritage as a conservatoire that and peers via learn.rcm, our virtual learning platform. has nurtured some of the most exceptional musical talent over more than 135 years, but we also seek to push the Here at the RCM we support you as an artist. Our boundaries of music as leaders in digital innovation. professors represent the best international talent and We know that the global partnerships that enrich life are committed to nurturing you through your studies. As at the RCM are integral to our progress as an institution. an RCM musician you will be encouraged to develop by Our students are the heart of what we do and we are exploring the research behind music in practice, and will committed to supporting you as you embark on your be well placed to do so, as we were named the London journey at the College and beyond. conservatoire with the highest percentage of world-leading research in the latest Research Excellence Framework (2014). Professor Colin Lawson, Director CBE, MA (Oxon), MA, PhD, DMus, FRCM, FRNCM, We are also dedicated to preparing you for life after FLCM, HonRAM graduation. Our Creative Careers Centre gives you access to a wealth of job opportunities and can also offer training in the transferable skills and digital practices that will help you build a successful career – plus, you can access advice and support for up to five years after you graduate. 08 PROSPECTUS 2022–2023 ROYAL COLLEGE OF MUSIC 09 We have several large ensembles in addition to our main CHAMBER MUSIC PERFORMANCE orchestras, and composers can hear their works performed You can perform solo and chamber works in our many by fellow musicians too. Solo opportunities are numerous, chamber music and song series, and all students are able to with many concert slots available each week, and students OPPORTUNITIES apply to take part in these lunchtime and rush-hour concerts. are actively encouraged and supported to form chamber There are also opportunities to play at venues across groups to help broaden their repertoire further. London and beyond, including Wigmore Hall, Cadogan Performance experience is at the heart of what we offer Hall, Southbank Centre, the Royal Albert Hall’s Elgar Room, RCM ENSEMBLES Victoria and Albert Museum and local churches including students at the Royal College of Music. Your studies will The RCM Symphony Orchestra is frequently joined by some St James’s Piccadilly and St Mary Abbots, Kensington. of the world’s greatest conductors and artists, with students be filled with opportunities to take part in our events on Visiting ensembles, including the Harlem Quartet and offered remote sessions as well as in-person performance Sacconi Quartet, provide further opportunities to play opportunities. Guest artists have included Martyn Brabbins, campus and beyond, including masterclasses, solo and alongside professional performers. Vladimir Jurowski, Sir Antonio Pappano, Rafael Payare, Jac chamber recitals to large orchestral concerts and fully van Steen, Holly Mathieson, Joana Carneiro and John Wilson. CONCERTOS AND COMPETITIONS staged operas. The RCM Philharmonic’s Orchestral Masterworks series The RCM runs a regular concerto competition and the provides students regular opportunities to play the core winners receive showcase performances with our ensembles. works of the orchestral repertoire. Our other ensembles Composers are also able to win the chance to have cover a wide range of genres: contemporary music with their works rehearsed and premiered by a full orchestra. RCM New Perspectives, historical performance with the In recent years pianist Viktor Maslov played Rachmaninov’s RCM Baroque Orchestra, electronic music in our From the Piano Concerto no 3 at the Queen Elizabeth Hall with the Soundhouse series, and jazz and swing with the RCM RCM Symphony Orchestra; while at the RCM Timothy Edlin Swing Band and RCM Big Band. RCM conductors also sang Mussorgsky’s Songs and Dances of Death, Maja have the opportunity to lead rehearsals and concerts Horvat played Szymanowski’s Violin Concerto no 1, and with our ensembles throughout the year, and we have Ashby Mayes performed Weber’s Bassoon Concerto. close relationships with all the London orchestras, with many offering side-by-side opportunities. Our students are often part of innovative and groundbreaking projects: in 2020 this included performances with the Chineke! Orchestra and being part of virtual events such Image left as Andrea Bocelli’s Believe in Christmas concert. Our Students perform Elizabeth Maconchy’s String faculties also run competitions for a wide range of soloists Quartet no 5 for our online In Focus concert series and chamber ensembles. Image below Sir Thomas Allen performs Schoenberg’s A Survivor from Warsaw with the RCM Symphony Orchestra and Chorus, conducted by Michael Rosewell 10 PROSPECTUS 2022–2023 ROYAL COLLEGE OF MUSIC 11 OPERA PRODUCTIONS RCM composers and musicians have created music to accompany exhibitions at the Royal Academy of Arts, The Royal College of Music Opera Studio presents three the National Gallery and the Head On Festival, Sydney, fully staged opera performances each year, along with Australia. Our Great Exhibitionists series offers you the frequent opera scenes and special projects; in the last year, chance to devise your own experimental events with full our production of opera scenes was filmed on campus support and mentorship. Students can collaborate to create and streamed online. Some of the world’s most acclaimed and present unique projects that redefine what classical directors, designers and choreographers join us for these music means today.
Recommended publications
  • Repetiteurs Masterclasses
    www.georgsoltiaccademia.org Repetiteurs Masterclasses The Georg Solti Accademia announces LWV¿IWK6ROWL3HUHWWL5pSpWLWHXUV0DVWHUFODVVHV in Barcelona, 2 | 10 April 2013 The Georg Solti Accademia Répétiteur’s Masterclasses are unique in the music world, and have become the go-to intensive course for aspiring répétiteurs internationally. Featured last year on BBC 2’s series Maestro at the Opera, the course offers an immersion in preparing singers for operatic performance, with an incomparable faculty of teachers including Sir Richard Bonynge, Pamela Bullock, Jonathan Papp and Audrey Hyland. This year the President of the Nando and Elsa Peretti Foundations, Ms Elsa Peretti (the pre-eminent designer for Tiffany), has made it possible for the course to be run in Elsa’s elective city of Barcelona, in collaboration with the Theatre Akademia, where WKHUpSpWLWHXU¶V¿QDOFRQFHUWZLOOWDNHSODFHRQ$SULODW Six outstanding young pianists, from $XVWUDOLD)UDQFH*UHHFH6SDLQDQGWKH8., will gather in Barcelona in April with six talented singers, all alumni of the Georg Solti Accademia’s Bel Canto course, to focus on this vital, but often hidden, craft. A répétiteur is the singer’s key ally in achieving their performance, and essential to any opera production. They are the ultimate multi-taskers of the opera world, and must be constantly alert to vocal performance, musicality, language, style and nuance, while bringing the whole orchestral score alive at the piano. No wonder so many of them go on to become great opera conductors – Georg Solti, Riccardo Muti, Valery Gergiev and Sir Antonio Pappano to name but four. This year the faculty includes the legendary 6LU5LFKDUG%RQ\QJH3DPHOD%XOORFN from Chicago Lyric Opera, -RQDWKDQ3DSS, Director of the Georg Solti Accademia di Bel Canto, $XGUH\+\ODQG from the Royal Academy of Music.
    [Show full text]
  • Dive 010 - Sea Docs
    Dive 010 - Sea Docs Our last collection of Sea Genre films focusing on the watery realms of The Soundtrack Zone may be classified as films in the Sea Documentary genre or, for short, Sea Docs. Two early examples of scores for a Sea Doc film were those composed by Paul J. Smith for two Walt Disney’s True-Life Adventures films: Beaver Valley (1950) and Prowlers of the Everglades (1953). A Disneyland LP (WDL-4011 – released in 1975) included the following tracks from those two films: Beaver Valley (7:15) - Beaver Valley Theme - Baby Ducks - Beaver Romance - Salmon Run – Otters Prowlers of the Everglades (4:09) - Alligators - Swamp Deluge - Otters And Gators LP In 1956, Walt Disney’s Disneyland WDL-4006 LP presented Paul J. Smith’s score for another True-Life Adventure film, Secrets of Life. One of the album’s suites, “Under The Sea And Along The Shore,” includes several underwater-related tracks: Decorator Crab, Jellyfish, Angler Fish, and Fiddler Crabs (04:21) LP Three years later, in 1959, Walt Disney released a short film titled Mysteries of the Deep (23:55). Three of these films – Beaver Valley, Prowlers of the Everglades, and Mysteries of the Deep are available on DVD (see DVD 1 photo below). Secrets of Life is included on DVD 2 (see photo below). DVD 1 DVD 2 Unfortunately none of the scores for these Walt Disney underwater-related films have been commercially issued on CD. Fortunately, the scores of many subsequent Sea Docs films have been released over the years on LP and/or CD.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
    The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano.
    [Show full text]
  • Gp 3.Qxt 7/27/15 8:56 AM Page 1
    08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 1 Sunday Afternoon, August 9, 2015, at 3:00 m a r Academy of Ancient Music M|M g Edward Gardner , Conductor o r Alina Ibragimova , Violin P e ALL-MENDELSSOHN PROGRAM h The Hebrides (“Fingal’s Cave”) (1830/32) T Violin Concerto in E minor (1844) Allegro molto appassionato— Andante— Allegretto non troppo—Allegro molto vivace Ms. Ibragimova will perform Mendelssohn’s cadenza. Intermission Symphony No. 3 in A minor (“Scottish”) (1842) Andante con moto—Allegro un poco agitato Vivace non troppo Adagio Allegro vivacissimo—Allegro maestoso assai M|M Mostly Mozart debut Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall , Starr Theater Adrienne Arsht Stage 08-09 Ancient Music_Gp 3.qxt 7/27/15 8:56 AM Page 2 Mostly Mozart Festival The Mostly Mozart Festival is made possible by Sarah Billinghurst Solomon and Howard Solomon, Rita E. and Gustave M. Hauser, Chris and Bruce Crawford, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support is provided by the New York State Council on the Arts. Artist Catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center United Airlines is a Supporter of Lincoln Center WABC-TV is a Supporter of Lincoln Center “Summer at Lincoln Center” is supported by Diet Pepsi Time Out New York is a Media Partner of Summer at Lincoln Center UPCOMING MOSTLY MOZART FESTIVAL EVENTS: Tuesday and Thursday Evenings, August 11 and 13, at 7:30 Saturday Afternoon, August 15, at 3:00 in the David H.
    [Show full text]
  • Alina Ibragimova Cédric Tiberghien Beethoven
    Alina Ibragimova Cédric Tiberghien Beethoven Violin Sonatas – 3 Alina Ibragimova violin DDD WHLive0045 C 2011 The Wigmore Hall Trust Cédric Tiberghien piano P 2011 The Wigmore Hall Trust Made & Printed in England Recorded live at Wigmore Hall, London All rights reserved. 25 May 2010 Unauthorized copying, hiring, lending, public performance and broadcasting prohibited. LC 14458 Wigmore Hall 36 Wigmore Street Ludwig Van BeethoVen London W1U 2BP www.wigmore-hall.org.uk John Gilhooly Director Violin Sonatas – 3 The Wigmore Hall Trust Reg. Charity No. 1024838 01 Violin Sonata in A major Op. 30 No. 1 22.00 04 Violin Sonata in E flat major Op. 12 No. 3 19.05 07 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 Total time: 78.56 ‘Smiling faces, furious applause: that’s how this series ended’ (The Times) WHLive0045 Alina Ibragimova violin Made & Printed in England Cédric Tiberghien piano Recorded live at Wigmore Hall, London, on 25 May 2010 Ludwig Van BeethoVen Violin Sonatas – 3 Violin Sonata in A major Op. 30 No. 1 22.00 01 Allegro 06.48 02 Adagio molto espressivo 07.15 03 Allegretto con variazioni 07.33 Violin Sonata in E flat major Op. 12 No. 3 19.05 04 Allegro con spirito 07.57 05 Adagio con molta espressione 06.31 06 Allegro molto 04.22 Violin Sonata in A major ‘Kreutzer’ Op. 47 37.30 07 Adagio sostenuto – Presto 13.38 08 Andante con variazioni 15.16 09 Presto 08.47 Total time: 78.56 b0045 RPM.qxd 02-03-2011 11:46 Page 2 BEETHOVEN VIOLIN SONATAS – VOLUME 3 This disc contains many wonders, but even the the sonata for which Op.
    [Show full text]
  • Jnetics Inaugural Fundraising Dinner Monday 16Th March 2020 WELCOME from OUR ABOUT JNETICS DINNER CHAIR and CHAIRMAN
    Jnetics Inaugural Fundraising Dinner Monday 16th March 2020 WELCOME FROM OUR ABOUT JNETICS DINNER CHAIR AND CHAIRMAN Jnetics is the only cross-communal organisation dedicated to managing Welcome to Jnetics’ Inaugural Fundraising Dinner. We greatly and preventing Jewish genetic disorders (JGDs) in the UK. appreciate your support in choosing to be here tonight. We focus on genetic conditions that, although not exclusively Jewish, Our son Benjamin was diagnosed with cystic fibrosis – one of the have a significant impact on the lives and well-being of Jewish people. disorders we now screen for - when just a few days old. Despite two Our mission is to eliminate new cases of severe, recessive JGDs and to hours of medication and treatment each day – sometimes more - he was a improve the management and prevention of dominant hereditary cancers researcher at the Royal Brompton Hospital, London, a guest investigator at that disproportionally affect our community. Rockefeller University, New York, studied at Queens’ College, Cambridge and became a Doctor. He played tennis and golf and was an accomplished skier, Launched in 2017, our GENEius programme provides education and keen photographer and swimmer. He loved Judaism, music, travel and food. screening for recessive JGDs in schools, universities and elsewhere. Our He married his beloved Louise. aim is that JGD screening becomes standard practice – so erasing these But Benjamin died in 2005, aged just 26. conditions and saving many lives and avoidable tragedy. Benjamin’s hope was that nobody, ever again, would have to suffer – and die - from recessive genetic disorders like his. That no other family would have to go through the pain that we do.
    [Show full text]
  • Annual Review 2019-20
    Annual Review 2019/2020 Prince Consort Road London SW7 2BS United Kingdom +44(0)20 7591 4300 [email protected] www.rcm.ac.uk /royalcollegeofmusic @RCMLondon /RCMLondon @RCMLondon RCMLondon weibo.com/RCMLondon Patron Her Majesty The Queen President His Royal Highness The Prince of Wales Chairman Lord Black of Brentwood Director Professor Colin Lawson CBE, MA (Oxon), MA, PhD, DMus, FRCM, FRNCM, FLCM, HonRAM The Royal College of Music is a registered charity. No 309268 Printed by Park Lane Press on FSC® certified paper, using fully sustainable, vegetable oil-based inks, power from 100% renewable resources and waterless printing technology. Print production systems registered to ISO 14001, ISO 9001 and over 97% of waste is recycled. Photo credits: Sheila Burnett (page 28); Chris Christodoulou (pages 12, 14, 26, 38 and 44); Adam Ferguson (page 24); and Phil Rowley (pages 4, 6, 8, 10, 16, 20, 26, 30, 32, 34, 36 and 42). All details correct at time of going to print. Design by www.splashofpaint.com CONTENTS Chairman’s Welcome 5 Director’s Message 7 Celebrating Success 9 Pioneering Research 11 Performance and Partnerships 13 Honouring International Talent 15 Promoting Digital Innovation 17 Celebrating Our Heritage 19 Forging Bright Futures 21 Global Alumni Community 23 Supporting Talent 25 Widening Access: RCM Junior Department 27 Widening Access: RCM Sparks 29 Investing in Our Facilities 31 Legacies 33 Our Generous Supporters 35 More Music Campaign 37 2019/2020 in Numbers 38 Thank You to Our Supporters 40 Student Numbers 43 Finances 45 Council and Directorate 46 ROYAL COLLEGE OF MUSIC / ANNUAL REVIEW 2019/2020 3 CHAIRMAN’S WELCOME I am extremely proud that the Royal College of Music (RCM) remains true to its founding principles of access, excellence and advocacy for music education.
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • Download Booklet
    557921bk USA 14/3/07 10:08 am Page 5 Ashley Wass The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at BRIDGE the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. In 2002 he was made an Associate of the Royal Academy. He has spent three summers as a participant at the Marlboro Music Festival, Piano Music playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and members of the Guarneri Quartet and Beaux Arts Trio. He has given recitals at most of the major British concert halls, including the Wigmore Hall, Queen Elizabeth Hall, Symphony Hall, Purcell Room, Bridgewater Hall and St David’s Hall, with Piano Sonata appearances at the City of London Festival, Bath Festival, Brighton Festival, Cheltenham Festival, Belfast Waterfront Hall, Symphony Hall in Birmingham, the Wallace Collection, LSO St Luke’s, St George’s in Bristol, Three Sketches • Pensées fugitives Chicago’s Cultural Centre and Sheffield ‘Music in the Round’. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz.
    [Show full text]
  • STUDENTS SELECTION Reina Sofía School of Music
    STUDENTS SELECTION Reina Sofía School of Music ACADEMIC YEAR 2020-2021 Reina Sofía School of Music The place for your talent in the heart of Madrid The Reina Sofía School of Music is considered as one of the leading European Schools for especially gifted students who wish to become professional musicians. It was founded in 1991 by Paloma O'Shea as a highly professional training centre with a double goal: supporting the development of young musicians and bringing music closer to society. The Reina Sofía School was created with the help and advice of great maestros like Yehudi Menuhin, Mstislav Rostropovich, Alicia de Larrocha and Zubin Mehta, and enjoys the support of Her Majesty Queen Sofía as its Honorary President, as well as that of public and private institutions. Every year, 150 young musicians coming from more than 30 countries meet renowned teachers – around 80 –, under the best conditions, in an inspiring building at the centre of Madrid. The tuition-free system allows those with enough merit to have access to the highest level of education. The School organizes over 300 concerts a year with more than 60,000 attendees, in order to give students the opportunity to mature on stage. 1 Why study with us Only the very best teachers For the instrumental and composition chairs, the School has prestigious international teachers. Student selection exclusively merit-based In the School's auditions, the only criterion is the musical and artistic talent of the candidates. With an average acceptance rate around 6%, the Reina Sofía School is among the most selective schools in Europe.
    [Show full text]
  • Jubilee Pack3
    Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations.
    [Show full text]