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Violinist Lana Trotovsek Has Won Admiration for Her Expressive Playing and Unique Musicality
Violinist Lana Trotovsek has won admiration for her expressive playing and unique musicality. The Washington Post has described her as ‘Radiant’ and praised her ‘clean, refined tone with musical sense of phrasing and impeccable intonation’. The Strad Magazine has mentioned her ‘true feel of live intuitive performance’ . She has captivated audiences with her ‘warm sound and formidable technique’ La Vanguardia and her talent of bringing ‘freshness, depth and insight’ Broad Street Review to her interpretations. Since her debut with the Mariinsky Theatre Orchestra under Valery Gergiev in 2012, Lana Trotovsek appeared with some of the world’s finest orchestras. In 2014, she toured with the Moscow Soloists and Yuri Bashmet and in 2016 she performed Prokofiev’s Violin Concerto No.1 with the London Symphony Orchestra under Gianandrea Noseda. Her recent schedule included the BBC 3 live recording of a Violin Concerto “Venus Blazing” composed by Deirdre Gribbin with the Ulster Orchestra in Belfast, Tchaikovsky violin concerto with the Royal Philharmonic Orchestra under Raphael Payare, a premiere of Hugo Wolf Violin Concerto in Congress Centre Villach in Austria, Mendelssohn violin concerto with the RTS Symphony Orchestra in the Shanghai Oriental Arts Centre as well as in Klagenfurt Konzerthaus with Carinthian Symphony Orchestra, and an evening recital in Wigmore Hall, which has been described as “remarkable” by the Strad magazine. Over the past few years Lana has collaborated with Tan Dun and Orchestra Teatro Verdi, the Shanghai and Slovenian Philharmonic, as well as Uros Lajovic and the Sarajevo Philharmonic Orchestra, the RTV Slovenia under George Pehlivanian, the Kalamazoo Symphony Orchestra, and the Chamber Orchestra of Philadelphia, where she was described as “an emerging voice to watch” by Philadelphia Inquirer. -
Violino, S Katerimi Dosegu Enega Samega Cilja, Premagati Epidemijo in Se Bosta Predstavili Priznana Slovenska Violinistka Lana Ponovno Normalno Zaživeti
Ljubljana1 1. 7.– 30. 8. 2020 68. LJUBLJANA FESTIVAL Ustanoviteljica Festivala Ljubljana je Mestna občina Ljubljana. / The Festival Ljubljana was founded by the City of Ljubljana. Častni pokrovitelj Ljubljana Festivala 2020 je župan Mestne občine Ljubljana Zoran Janković. / The honorary patron of the Ljubljana Festival 2020 is the Mayor of Ljubljana Zoran Janković. LJUBLJANA FESTIVAL SREDIŠČE VAŠIH DOŽIVETIJ AT THE HEART OF YOUR EXPERIENCE 3 Spoštovane obiskovalke, spoštovani The coronavirus pandemic, which has brought public obiskovalci Ljubljana Festivala! life to a halt around the world, has also had a profound impact on preparations for the Ljubljana Festival. The Epidemija koronavirusa je prav brutalno zarezala v unpredictable conditions have placed a question kulturno življenje. Čez noč smo ostali brez koncertov, mark over a programme that was for the most part predstav in drugih umetniških stvaritev na odrih. Smo already complete, and the festival Ljubljana team, led pa kulturo v kriznih časih ljubiteljem približali tako, da by general and artistic director Darko Brlek, have had to smo jo virtualno, prek različnih kanalov, pripeljali v address new challenges. domove. Kljub temu sem prepričan, da tako umetniki kot obiskovalci komaj čakamo, da kultura zopet zaživi They have tackled these as a team, with great na odrih. Tam, kjer je najbolj doma. Prepričan sem, da professionalism, positive energy and decisiveness, : Uroš Hočevar bo tudi zato letošnji Ljubljana Festival zelo poseben, as a result of which we will be able to enjoy the finest napolnjen s posebno energijo in umetniškimi Photo artistic creations once again this summer. presežki. Foto / V Ljubljani smo v času izrednih razmer vsak dan Dear visitors to the Ljubljana Festival, Dragi prijatelji Ljubljana Festivala! dokazovali, da smo solidarni, tovariški, strpni in da spoštujemo sočloveka. -
Now We Are 126! Highlights of Our 3 125Th Anniversary
Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information). -
I Think We're All Writing Very Politically Charged Music
JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
All Around the World the Global Opportunity for British Music
1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Conference Newsletter A4 2018 Latest.Cdr
Vol.1 no.1 CONFERENCE NEWSLETTER 2018 Western Music Education Association wmea.in “Redefining Music Education Expertise in India” NEWSLETTER National Conference Program August 5, 2018 (Newsletter Vol. 2 no. 1) BENEFITS OF MEMBERSHIP ABOUT US. Ÿ Access to all NAfME materials including journals, research, lesson plans and The Western Music Education Association much more! (WMEA) is a non-profit organization Ÿ Micro-credentialing in a number of formed to support music and music music subject areas designed specifically education across India. The mission of the for Western Music Educators in India association is to positively affect music Ÿ Support of an organization designed to learning in India by providing institutional help you in your professional career guidance and quality professional development for music teachers. WMEA is the first overseas Federated Affiliate of NAfME , the National Organization for Music Education based in WMEA Western Music Education Association the US. NAfME is one of the leading arts organizations in the world, with over 1,30,000 members. Along with NAfME, JOIN MEMBERSHIP WMEA is in a unique position to design professional development opportunities wmea.in specifically for Indian music educators, and provide information on advocacy which will advance music education in India. 01 TABLE OF CONTENTS Letter from the Executive Director Messages from the Executive Board Welcome to all of Messages from NAfME our new members! 2018 Conference Program WMEA continues to fb/wmeaindia Schedule build in strength Presenter Bios and we're thrilled to News from WMEA have you all to be a New Additions to WMEA part of it. -
The Compositional Language of Kenny Wheeler
THE COMPOSITIONAL LANGUAGE OF KENNY WHEELER by Paul Rushka Schulich School of Music McGill University, Montreal March 2014 A paper submitted to McGill University in partial fulfillment of the requirements of the degree of D.Mus. Performance Studies ©Paul Rushka 2014 2 ABSTRACT The roots of jazz composition are found in the canon ofthe Great American Songbook, which constitutes the majority of standard jazz repertoire and set the compositional models for jazz. Beginning in the 1960s, leading composers including Wayne Shorter and Herbie Hancock began stretching the boundaries set by this standard repertoire, with the goal of introducing new compositional elements in order to expand that model. Trumpeter, composer, and arranger Kenny Wheeler has been at the forefront of European jazz music since the late 1960s and his works exemplify a contemporary approach to jazz composition. This paper investigates six pieces from Wheeler's songbook and identifies the compositional elements of his language and how he has developed an original voice through the use and adaptation of these elements. In order to identify these traits, I analyzed the melodic, harmonic, structural and textural aspects of these works by studying both the scores and recordings. Each of the pieces I analyzed demonstrates qualities consistent with Wheeler's compositional style, such as the expansion oftonality through the use of mode mixture, non-functional harmonic progressions, melodic composition through intervallic sequence, use of metric changes within a song form, and structural variation. Finally, the demands of Wheeler's music on the performer are examined. 3 Resume La composition jazz est enracinee dans le Grand repertoire American de la chanson, ou "Great American Songbook", qui constitue la plus grande partie du repertoire standard de jazz, et en a defini les principes compositionnels. -
Zzcalifornia Aconservatory
a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015. -
2018 ITA Solo and Ensemble Competitions Preliminary Rounds Results
2018 ITA Solo and Ensemble Competitions Preliminary Rounds Results Emory Remington Trombone Choir Competition Winner: The Juilliard Trombone Choir Joseph Alessi, director First Runner-up: Hannover Trombone Class Jonas Bylund, director Second Runner-up: University of Texas Trombone Choir Nathaniel Brickens, director Honorable Mention: National University of Singapore's Yong Siew Toh Conservatory Trombone Choir Zachary Bond, director Judges: Christopher Davis, Northwestern University/Wheaton Conservatory Chris Houlding, Royal Birmingham Conservatoire/Folkwang University of the Arts, Essen Jeremy Wilson, Vanderbilt University ITA Quartet Competition Finalists: (in alphabetical order) Continental Quartet (Benjamin Allen, Scott Avant, Ethan Scholl, and Jeremiah Umholtz) University of North Texas; Steve Menard, teacher Hannover Trombone Quartet (Tolga Akman, Tine Bizajl, Marie Nøkleby Hanssen, and Larissa Henning) Hochschule für Musik, Theater, und Medien, Hannover; Jonas Bylund, teacher The eNq (Kenton Campbell, Aneesh Kumar, Jake Mezera, and Andre Prouty) Northwestern University; Christopher Davis, teacher First alternate: Gender Parity Statement (Nicole Hillis, Katie Kearney, Brett Kelly, and Samuel Patchett) San Francisco Conservatory of Music; Paul Welcomer, teacher Second alternate: 6.5tet (Brandon Bird, Charles Dieterle, Dillon MacIntyre, and James Seymour) Northwestern University; Douglas Wright, teacher Honorable Mention: The Boston Commoners (Austin Canon, Samuel George, Changwon Park, and Kyle Peck) New England Conservatory of Music