An American Trilogy Traditional Full Score Brass Band Arr

Total Page:16

File Type:pdf, Size:1020Kb

An American Trilogy Traditional Full Score Brass Band Arr Arrangement dedicated to Louis Martinus for the 20th anniversary of HAFABRA Music (1993 - 2013) Time - 4:00 As performed by Elvis Presley An American Trilogy Traditional Full Score Brass Band arr. Roland SMEETS Andante A q = 88 E Soprano Cornet # # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Solo Cornet 1 + 2 # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Solo Cornet 3 + 4 # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Repiano Cornet # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ # 2nd B Cornet # c Œ ∑ ∑ ∑ ∑ Œ b & œ- œ w w p 3rd B Cornet # b & # c Œ ∑ ∑ ∑ ∑ w- w w p B Flugelhorn # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ j E Solo Horn # # œ ˙ œ b # c œ œ œ œ ˙ œ œ œ œ ‰Œ ∑ ∑ ∑ ∑ ∑ & 3 J F # 1st E Horn ## c Œ ‰œ œ ˙ œ ‰Œ ∑ ∑ ∑ ∑ ∑ b & œ J F # 2nd E Horn ## Œ ‰. r œ j‰Œ ∑ ∑ ∑ ∑ ∑ b & c œ ˙ ˙ œ F 1st B Baritone ## w b & c Œ ∑ ∑ ∑ Œ œ- w w p 2nd B Baritone # b & # c Œ ∑ ∑ Œ w w w# w- œ- - - p 1st B Trombone # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2nd B Trombone # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ j C Bass Trombone ? c œ œ œ ˙ ˙ œ ‰Œ ∑ ∑ ∑ ∑ ∑ F 3 1st & 2nd - - ## - - - œ œ œ œ œ- - œ œ ˙ œ œ œ œ B Euphoniums & c Œ ∑ Œ œ ‰ œ- œ- œ- œ- œ œ ‰œœ œ œ œ œ b œ œ œ œ- ˙. J œ. œ F E Bass # # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Bass # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Timpani ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bells & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Susp. Cr. Cymb. / Low Tom c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Drum Set c Œ ∑ Œ‰œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ @J @ @ @ @ @ P Full recording available on : © 2013 - HAFABRA Music - Louis MARTINUS All rights reserved www.hafabramusic.com - [email protected] CD «Bright lights... city nights» 04 - 594 - 08 for all countries 4 B solo œ E Sop. Crnt. # # œ œ œ œ ˙ b & # ∑ ∑ œ œ ∑ ∑ ∑ ∑ F # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Solo Crnt. b # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Crnt. # b # ∑ ∑ ∑ ∑ & w w w- w # & # ∑ ∑ ∑ ∑ w ˙ ˙ w- w B Flg. # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 # # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ E Hrn. # # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ # # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 8 # w ˙ & # ˙ w- w ∑ ∑ ∑ ∑ B Barit. b # - & # w ˙- ∑ ∑ ∑ ∑ ˙- w- w - # œ- œ œ- œ- ˙ - ˙-. - ˙-. j & # ∑ ∑ ∑ Œ œ- œ- œ œ œ ‰ œ- B Trb. b F # - - # ∑ ∑ ∑ Œ œ œ œ #˙ ˙ ˙ w ˙ ˙ & - - œ- - - F - - C Bass Trb. ? œ- œ- - ˙- ˙. œ ˙-. œ- ∑ ∑ ∑ Œ w ˙- F B Euph. # . b # œ œ œ. ˙ œ j ‰Œ ∑ ∑ ∑ ∑ & J œ œ . œ œ œ œ ˙. ˙ œ E Bass # # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ one B Bass # w- b & # ∑ ∑ ∑ ∑ w w# w 8 - - - F Timp. ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bells & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ S.C. / L. Tom ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ . ^ ^ . ^ ^ . ^ ^ . ^ ^ Dr. Set œ. œ œ^ œœœœ œ œ^ œ œ. œ œ^ œœœœ œ œ^ œ œ. œ œ^ œ œ œœ œ œ^ œ œ. œ œ^ œ œ œœ œ œ^ œ œ œ œ œœ œ œ œ œ@ œ œ œ œœ œœœ œ œ@ œ œœœ œœ œ œ œ œ@ œ œœ œ œœ œœ œ œœ œ@ œ x x œ x x œ x x œ x x 8 @ @ @ @ Œ Œ Œ Œ 5 C E Sop. Crnt. # # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ # & # ∑ ∑ ∑ ∑ ∑ ∑ ‰ œ œ œ ˙ B Solo Crnt. b F # & # ∑ ∑ ∑ ∑ ∑ ∑ ‰ œ œ ˙ 16 œ F # & # ∑ ∑ ∑ ∑ ∑ ∑ Œ œ-- F B Crnt. # b & # ∑ ∑ ∑ ∑ ∑ w w P # & # ∑ ∑ ∑ ∑ ∑ w w P B Flg. # b & # ∑ ∑ ∑ ∑ ∑ ∑ Œ 16 œ-- F ### j & ∑ ∑ ∑ ˙. œ ˙. œ ‰ ∑ ∑ F E Hrn. # # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ # # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ 16 - - - ## ∑ ∑ ∑ ∑ Œ‰j œ œ œ ˙ œ ‰ Œ œ- & œ- 3 J B Barit. b F F # & # ∑ ∑ ∑ ∑ ∑ ∑ w P # - œ- - - - - # œ œ œ œ- œ- œ ‰ œ- œ œ œ j ‰ ∑ ∑ & J - - œ- œ ˙. ˙. œ B Trb. b # - - j # œ œ œn- œ œ œ ‰ œ j ‰ ∑ ∑ & - - œ- - œ- œ- œ- - œ- œ ˙. ˙. œ - C Bass Trb. ? ˙- œ œ- j œ- j ˙-. ‰ œ- œ- œ- œ- . ‰ ∑ ∑ w- ˙- œ j - - - B Euph. ## ∑ ∑ ∑ ∑ Œ‰ œ œ œ ˙ œ ‰ ∑ b & œ- 3 J F E Bass # # b & # ∑ ∑ ∑ ∑ ∑ w w Pall B Bass # j w b & # ˙. œ w ˙. œ ‰ 16 ˙ ˙- - - w - - w - - P Timp. ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bells & ∑ ∑ ∑ ∑ ∑ ∑ ∑ S.C. / L. Tom ∑ ∑ ∑ ∑ ∑ ∑ ∑ . ^ ^ . ^ ^ . ^ ^ . ^ ^ . ^ . ^ ^ . ^ ^ Dr. Set œ œ œ œœœ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ@ œ œ œ œ œ œ@ œ œ@ œ œ œ œ œ œ œ œ œ œ œ œ@ œ œ œ œ œ œ œ œ œ œ œ@ œ x œ x œ x x œ x x œ x œ x x œ x x 16 ‰ J Œ Œ Œ Œ 6 E Sop. Crnt. # # w w b & # ∑ ∑ ∑ ∑ ∑ F # - - œ ˙. # Œ‰œ- œ- œ- œ œ œœœ œœœ œ œ œ œ. œ œ. ˙ œ ∑ & J œ œ . œ œ œ œ ˙. B Solo Crnt. b # - - - - - œ œ ˙. & # Œ‰œœ œ œ œ œœœ œœ œ œ œ œ œ œ. œ ˙. œ ∑ 23 J œ œ œ œ œ ˙. ## w- w ∑ ∑ Œ œ œ œ œ œ & ˙ ˙ œ œ F B Crnt. # j b # ∑ ∑ ˙ ˙ ˙ œ. & œ œ ˙ ˙. œ ˙ œ F ## ∑ ∑ ˙ & œ œ ˙ w ˙. œ ˙ œ œ F B Flg. # b & # w w# ∑ ∑ ∑ ∑ 23 - ˙ ˙ # # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ E Hrn. # # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ # # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ 23 # w w & # w ∑ ∑ ∑ ∑ B Barit. b # ˙ ˙ ˙. & # ∑ ∑ ˙ w Œ ∑ F # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Trb. b # & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ C Bass Trb. ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ B Euph. # b & # ∑ ∑ ∑ ∑ ∑ ∑ ∑ # E Bass ## ∑ ∑ b & ˙ w w w w F B Bass # w w w b & # w w w ∑ 23 Timp. ? ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bells & ∑ ∑ ∑ ∑ ∑ ∑ ∑ S.C. / L. Tom ∑ ∑ ∑ ∑ ∑ ∑ ∑ . ^ . ^ . ^ ^ . ^ ^ . ^ ^ ^ ^ ^ > ^ ^ ^ > Dr. Set œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ@ œ œ œœ œœ œ œ œ œ@ œ œ œœ œœ œ œ œ œ@ œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ@ œ œj œ œ œ x œ x œ x x œ x x œ x x œ x œ œ œ x œ œ 23 Œ Œ Œ Œ Œ 7 D E E Sop. Crnt. # # ˙ ˙ œ œ ˙ œ œ w b & # ˙ ˙ ˙ ˙ ˙ w F ## j œ œ œ ˙ œ œ œ ˙ œ œ œ. œ œ j & ˙. œ œ œ œœ. 3 ‰œ J ‰ œ œ w ˙ œ ‰Œ B Solo Crnt. b F f ## j œ œ œ ˙ œ œ œ ˙ œ œ œ. œ œ j & ˙. œ œ œœ. 3 ‰œ J ‰ œ œ w ‰Œ 30 œ ˙ œ F f ˙ ˙ ## ˙ ˙ ˙ œ & ˙ ˙ œ œ œ œ œ w w F B Crnt. # b # w w ‰œœ œ œ. œ ‰ œ œ j‰Œ & ˙ ˙ œ œ J œ w ˙ œ f # œ œ œ. œ œ j & # ˙ ˙ w ˙ ‰œ J ‰ œ œ w ˙ œ ‰Œ ˙ ˙ f B Flg. ## j œ œ œ ˙ œ œ œ ˙ b & ˙. œ œ œœ. 3 œ œ ˙ œ œ 30 œ w w F F # # > > w> w > & # ∑ ∑ ∑ œ œ w w f E Hrn. # # b & # ∑ ∑ ∑ œ œ w w w w >f > > > # # & # ∑ ∑ ∑ w w 30 œ œ > w w >f > > œ # w w œ ˙ œ œ w & # ˙ ˙ ˙ w B Barit. b F F # >œ >œ w> w w> w & # ∑ ∑ ∑ f # >œ >œ w> w w> w & # ∑ ∑ ∑ B Trb. b f # > & # ∑ ∑ ∑ œ œ w w w w >f > > > > > C Bass Trb. ? ∑ ∑ ∑ œ œ w w w w >f B Euph. # >œ >œ w> w w> w b & # ∑ ∑ ∑ œ œ w w w w f E Bass # # > >. j j b # w w w ˙ œ œ œ j j œ œ ˙ œ. œœœ œ œ & œ ˙ œ. œ œœœ . >f v v v B Bass # j j œ. œ ˙ œ. œœœ^ œ^ œ^ b & # ∑ ∑ ∑ œ œ. œ ˙ œ. œ œœœ J J 30 œ > > >f j Timp. ? ∑ ∑ ∑ ∑ ∑ Œ‰ œ œ w œœœ œ œ >f > > Bells œ œ. œ œ j & ∑ ∑ ∑ ∑ ‰ œ œ J ‰ œ œ w ˙ œ ‰Œ Susp. Cr. Cymb. f w/ sticks S.C. / >x >x >x ∑ ∑ ∑ œ œ œ Œ ∑ ∑ œ œ œ œ œ œ œ œ L. Tom Low Tom f f ^ ^ ^ > ^ ^ ^ > ^ ^ ^ > ^ ^ j > > ^ ^ ^ > ^ ^ ^ > ^ ^ ^ > ^ ^ ^ Dr. Set œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ œ@œj œ œ œ œ@ œ œ œ œ œj œ œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ@ œ œj œ œ œ œ@ œ œ@ œ œ œ œ œœ œ x œ œ œ x œ œ œ x œ œ œ x œ œ œ x œ x œ x œ x œ x œ x œ x x œ œ œ 30 Œ Œ Œ ‰ J ‰ J ‰ J ‰ ‰ f 8 F œ œ. œ œ œ ˙ œ E Sop. Crnt. ### œ œ œ# . œ œ œ œ œ œ œ œ ˙ ˙ œ œ œ œ œ œ œ b & J J œ œ ˙ f œ . œ# ˙. œ œ œ œ œ ˙ ˙. œ ## œ œ ˙ ˙ ˙ ˙ œ œ œ œ œ œ ˙ ˙ ˙ ˙œ ˙ ˙ ˙. œ & œ œ œ ˙ B Solo Crnt. b f œ ˙ œ œ œ ˙ œ ## ‰ œ œ œ ‰ œ œ œ ˙ œ œ œ ˙ œ‰œ œ ˙ ˙ ˙. ˙ œ wœœ. ˙. & œ œ œ# œ œ# 3 ˙ ˙ ˙˙ 38 J ˙ f > > > > # w w# w ˙ œ ˙ œ & # J ‰ œ Œ ˙ ˙ w w f B Crnt. # w> w> w> >˙ œ b & # J ‰ œ ˙ Œ œ ˙ ˙ w w f # w> w> w> >˙ œ & # J ‰ œ ˙ Œ œ ˙ ˙ w w f B Flg. ## œ œ œ œ œ œ ˙ œ œ œ ˙ œ œ ˙ ˙ ˙ ˙. œ œ œœ. ˙. b & ‰ œ œ ‰ 3 ‰ ˙ 38 J f # # j # ‰ ‰ œ œ œ ˙ œ œ œ ˙ œ ‰ œ ˙ ˙ ˙ ˙.
Recommended publications
  • Leon Kennington Song List
    Leon Kennington Song List A Fool Such As I After the Loving Always on My Mind An American Trilogy Behind Closed Doors Big Boss Man Blue Christmas Blue Spanish Eyes Blue Suede Shoes Blue Velvet Blueberry Hill Bony Marony Bridge over Troubled Water Bring It on Home to Me Burning Love Bye Bye Love C.C. Rider Can’t Help Falling in Love with You Can’t Stop Loving You Chantilly Lace Color My World Danny Boy Don’t Be Cruel Down on the Boardwalk Dream Dream Lover Elivira Everything I Do is Wrong Evil Ways Fooled Around & Fell in Love Funny, Familiar Forgotten Georgia Goodnight Sweetheart Feelings Great Balls of Fire Green, Green Grass of Home Heartache Tonight (Tom Jones version) Hello Mary Lou Help Me Make It Through the High Heel Sneakers Night Hooked on a Feeling Hound Dog I Can’t Help Falling in Love Again I Can’t Stop Loving You I Feel Good I Got a Woman I Just Called to Say I Love You I Only Have Eyes for You I Saw Her Standing There If I’m So Lonesome I Could Cry It’s Now or Never (B.J. Thomas version) It’s Only Make Believe Jailhouse Rock Jingle Bell Rock Johnny B. Good Joy to the World Just a Dream Just the Way You Are Kansas City Keeper of the Stars (Van Morrison) Kind of a Drag Lady Will Power Land of a Thousand Dances Let It Be Me Little Queenie Little Sister Lonely Weekends Love Me Tender Lucille Mack the Knife Margaritaville Marie in the Name of His Latest Flame Matchbox Memories (Barbra Streisand) Midnight Hour Misty Mona Lisa Money Money Honey More Mountain of Love Mustang Sally My Girl My Way Now and Then There is a Fool Only
    [Show full text]
  • Elvis for Dummies‰
    spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley.
    [Show full text]
  • Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem
    TROUBLED ETHNICITIES IN AMERICAN POPULAR MUSIC FROM ELVIS PRESLEY TO EMINEM Stefan L. Brandt (University of Siegen, Germany / Harvard University) With the commodification of African American culture, Blackness has become an accessory that can be put on like burnt cork and hog fat: baggy pants, overpriced athletic shoes, corn rows or dread locks, gaudy jewelry, swiveling necks, snapping fingers, absent consonants.1 Introduction: Blackface, White Negritude, and Ethnic Identity On July 18, 1953, an 18-year old trucker named Elvis Presley decided to go to the Sun Record Company in Memphis and paid $3.98 to record a demo – a procedure that he repeated in January of 1954. It took another four months until Sun Records founder Sam Phillips, eager to capitalize upon the popularity of African American songs, accidentally discovered one of the tapes and took Presley under contract. Presley’s music, a combination of Rhythm & Blues, hillbilly, gospel, and boogie-woogie, dominated by an uptempo, backbeat-driven rhythm, was an instant success. Some forty years later, American popular music saw another successful ‘hybrid’ artist in the shape of Missouri-born white rapper Marshall Bruce Mathers III, better known as “Eminem” or “Slim Shady.” Like Elvis before him, Eminem cleverly took advantage of the appeal of a ‘black’ music style, in his case HipHop, integrating it into a mass-compatible crossover product. Eminem’s video clips are masterstrokes of ethnic marketing, deploying elements of ‘white trash’ imagery as well as of ‘black’ language and art. My essay is interested in those strategies of representation within American popular music that are designed to market what Harry J.
    [Show full text]
  • Echoes of the King – El Gamble El – King the of Echoes
    INNER COVER INNER Echoes Of The King – El Gamble LIMITED EDITION 1. Make Me Know It - Otis Blackwell 2. Good Luck Charm - Aaron Schroder/Wally Gold 3. It Feels So Right - Fred Wise/Ben Weisman 4. Are You Lonesome Tonight -Roy Turk/Lou Hardiman Echoes OfTheKing 5. A Fool Such As I - Trader 6. Girl Next Door Went A Walking - Thomas Wayne 7. His Latest Flame - Doc Pomus/Mort Shumam 8. Fool - Carl Sigman/James Last – El Gamble 9. Elvis Medley: Heart Break Hotel - Mae B. Axton/Tommy Durban/Elvis Presley Hound Dog - Jerry Lieber/Mike Stoller LIMITED EDITION All Shook Up - Otis Blackwell/Elvis Presley - Edwin Drake/Irvin Graham/Jimmy Shirl/Al Stillman LIMITED EDITION 10. I Believe 11. Early Morning Rain - Gordon Lightfoot 12. Bridge Over Troubled Waters - Paul Simon 13. Let It Be Me - Curtis/Delanoe/Becaud – ElGamble 14. Love Me - Jerry Lieber/Mike Stoller 15. Johnny B. Goode - Chuck Berry 16. If I Can Dream - Brown - Lange Martine Jr. Echoes Of The King 17. Way Down 18. Lead Me, Guide Me - Doris Akers 19. You Gave Me A Mountain - Marty Robins 20. An American Trilogy - Newbury Recorded At:- Dane Studios (Melbourne) Recording Engineer:- Alan “Hitman” Vidot Layout:- Jamie Coghill All inquiries in relation tho this CD or Artist : - Contact :- Event of Events Pty. Ltd. (within Australia) 1 300 732 863 (international) +613 9763-6600 © Event of Events Pty Ltd – 2005 UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING AND COPYING OF THIS RECORDING PROHIBITED BACK INSERT FRONT COVER.
    [Show full text]
  • Staging Poetic Justice
    臺大文史哲學報 第六十五期 2006年11月 頁223~250 臺灣大學文學院 Staging Poetic Justice: Public Spectacle of Private Grief in the Musical Parade Wang, Pao-hsiang∗ Abstract This paper makes inquiries into the 1998 musical Parade by playwright Alfred Uhry and composer Jason Robert Brown, based on the historic case of Leo Frank, a Jewish industrialist from New York running a pencil factory in Atlanta and accused of murdering the 13-year-old girl Mary Phagan in 1913. How can the thorny case be represented with any fidelity on stage when all the facts have not come to light? What can a theatre researcher contribute to or comment on a controversial production of a reproduction of a historical incident that has never ceased to produce great furors over the past 90 years? In the absence of irrefutable legal evidence that could close the case and in the face of contending camps that claim justice on each side, the author will stay above the litigation fray and distance himself from any attempt to pass judgment on the innocence or guilt of people involved in the historic case. Rather, the paper first probes the context surrounding the case, including war, class, race, and to a lesser extent, sexuality by examining it from the perspective of historical legacy, such as the post-bellum South reeling from the repercussions of the Civil War defeat, the regional animosity between the highly industrialized North and New Industrial South, the class antagonism of management and labor in the pencil factory, the ethnic strife between blacks, whites, and Jews, and the conventional bias against the perceived sexual perversion of Jews and blacks.
    [Show full text]
  • Kidd Galahad Elvis Tribute Artist Set List Kidd Galahad Is an Elvis
    Kidd Galahad Elvis Tribute Artist Set List Kidd Galahad is an Elvis Tribute Artist with a vast set list, covering all eras of Elvis' music. Listed here is a small list we have compiled of the songs he performs. Please feel to choose your own set list for your event. All Shook Up Guitar Man (Let Me Be Your) Teddy Bear Always On My Mind Heartbreak Hotel Little Less Conversation An American Trilogy Heart Of Rome Little Sister And The Grass Won't Pay No Mind Hey Jude Life Are You Lonesome Tonight Hound Dog Love Letters Big Boots Hurt Love Me Big Boss Man If I Get Home On Christmas Day Love Me Tender Big Hunk O' Love I Can't Stop Loving You Mama Liked The Roses Blue Christmas I Got A Woman (Marie's The Name) His Latest Flame Bossa Nova Baby I Just Can't Help Believin' Mary In The Morning Bridge Over Troubled Water I Want You, I Need You, I Love You Maybellene Burning Love I'll Remember You Memories Can't Help Falling In Love Impossible Dream Moody Blue Don't I'm Leavin' Mr Songman Don't Be Cruel I'm So Lonely I Could Cry My Babe Don't Cry Daddy In The Ghetto My Baby Left Me Fever It's Impossible My Boy Fool It's Now Or Never My Way For The Good Times It's Easy For You Mystery Train For The Heart I've Lost You Next Step Is Love For Ol' Times Sake It's Your Baby, You Rock It! (Now & Then There's) A Fool Such As I GI Blues Jailhouse Rock Old MacDonald Girl Of My Best Friend Johnny B.
    [Show full text]
  • WDAM Radio's History of Elvis Presley
    Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley.
    [Show full text]
  • An American Trilogy Sheet Music
    An American Trilogy Sheet Music Download an american trilogy sheet music pdf now available in our library. We give you 6 pages partial preview of an american trilogy sheet music that you can try for free. This music notes has been read 3499 times and last read at 2021-09-30 22:24:44. In order to continue read the entire sheet music of an american trilogy you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Brass Band Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music An American Trilogy Satb An American Trilogy Satb sheet music has been read 3708 times. An american trilogy satb arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-10-01 17:53:16. [ Read More ] An American Trilogy Dixie Battle Hymn Of The Republic Hush Little Children An American Trilogy Dixie Battle Hymn Of The Republic Hush Little Children sheet music has been read 5072 times. An american trilogy dixie battle hymn of the republic hush little children arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 06:04:12. [ Read More ] An American Trilogy Elvis Vocal With Backing Vocals And Big Band Key Of C An American Trilogy Elvis Vocal With Backing Vocals And Big Band Key Of C sheet music has been read 3851 times. An american trilogy elvis vocal with backing vocals and big band key of c arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-30 23:40:42.
    [Show full text]
  • An American Trilogy Traditional Full Score Wind Band Arr
    Arrangement dedicated to Louis Martinus for the 20th anniversary of HAFABRA Music (1993 - 2013) Time - 4:00 As performed by Elvis Presley An American Trilogy Traditional Full Score Wind Band arr. Roland SMEETS Andante A q = 88 Piccolo & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 1st Flute & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2nd Flute & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 1st & 2nd Oboes & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bassoon ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ E Clarinet # # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 1st B Clarinet ## c Œ ∑ ∑ ∑ ∑ Œ b & œ- œ w w p 2nd B Clarinet # b & # c Œ ∑ ∑ ∑ ∑ w- w w p # 3rd B Clarinet # c Œ ∑ ∑ ∑ Œ b & w œ- w w p B Bass Clarinet # b & # c Œ ∑ ∑ Œ w w w# w- œ- - - p 1st & 2nd # # E Alto Saxophones & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ b B Tenor Saxophone # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ E Baritone Saxophone # # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 1st B Trumpet # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2nd B Trumpet # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 3rd B Trumpet # b & # c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 3 j 1st F Horn # œ ˙ œ & c œ œ œ œ ˙ œ œ œ œ J ‰Œ ∑ ∑ ∑ ∑ ∑ F # 2nd F Horn c Œ ‰ ˙ œ‰Œ ∑ ∑ ∑ ∑ ∑ & œ œ œ J F # 3rd F Horn c Œ ‰. r œ j‰Œ ∑ ∑ ∑ ∑ ∑ & œ ˙ ˙ œ F 1st C Trombone ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2nd C Trombone ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ j 3rd C Trombone ? c œ œ œ ˙ ˙ œ ‰Œ ∑ ∑ ∑ ∑ ∑ F 3 1st & 2nd - - - - - - - œ- œ- œ - - œ œ ˙ œ œ œ œ ? œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ C Euphoniums c Œ ∑ Œ œ œ œ œ- ˙. ‰ J œ. œ ‰ F C Bass ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Timpani ? c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Bells & c Œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Susp.
    [Show full text]
  • Elvis Presley
    http://www.guitars101.com/forums/sitemap/f-148-p-5.html Elvis Presley - Elvis At The Movies (2008) Senha/Clave/Pass: sharedmp3.net Disco 1 01.Love Me Tender (Love Me Tender) 02.Loving You (Loving You) 03.Jailhouse Rock (Jailhouse Rock) 04.Treat Me Nice (Jailhouse Rock) 05.Hard Headed Woman (King Creole) 06.King Creole (King Creole) 07.G.I. Blues (G.I. Blues) 08.Frankfort Special (G.I. Blues) 09.Flaming Star (Flaming Star) 10.Lonely Man (Wild In The Country) 11.Can't Help Falling In Love (Blue Hawaii) 12.Blue Hawaii (Blue Hawaii) 13.Rock-A-Hula Baby (Blue Hawaii) 14.Follow That Dream (Follow That Dream) 15.King Of The Whole Wide World (Kid Galahad) 16.Return To Sender (Girls! Girls! Girls!) 17.One Broken Heart For Sale (It Happened At The World's Fair) 18.They Remind Me Too Much Of You (It Happened At The World's Fair) 19.Bossa Nova Baby (Fun In Acapulco) 20.Viva Las Vegas (Viva Las Vegas) http://rapidshare.de/files/48758245/Elvis_At_The_Movies_CD_1.rar.html http://hotfile.com/dl/14677194/06dd357/Elvis_Presley-Elvis_At_The_Movies-2CD-2007-SAW.rar.html http://www.mediafire.com/download.php?nuwtlqe92kz http://rapidshare.com/files/38084667/elvis_presley_- _elvis_at_the_movies_2007_2_cd__sharedmp3.net_.part1.rar Disco 2 01.What'd I Say (Viva Las Vegas) 02.Kissin' Cousins (Kissin' Cousins) 03.Little Egypt (Roustabout) 04.Do The Clam (Girl Happy) 05.(Such An) Easy Question (Tickle Me) 06.I'm Yours (Tickle Me) 07.Shake That Tambourine (Harum Scarum) 08.Frankie And Johnny (Frankie And Johnny) 09.This Is My Heaven (Paradise, Hawaiian Style) 10.All
    [Show full text]
  • Music List (PDF)
    Artist Title disc# 311 Down 475 702 Where My Girls At? 503 20 fingers short dick man 482 2pac changes 491 2Pac California Love 152 2Pac How Do You Want It 152 3 Doors Down Here Without You 452 3 Doors Down Kryptonite 201 3 doors down loser 280 3 Doors Down when I'm gone 218 3 Doors Down Be Like That 224 38 Special Hold On Loosely 163 3lw No more (baby I'm a do right) 402 4 Non Blondes What's Up 106 50 Cent Disco Inferno 510 50 cent & nate dogg 21 questions 483 50 cent & nate dogg in da club 483 5th Dimension, The aquarius/let the sunshine in 91 5th Dimension, The One Less Bell To Answer 93 69 Boyz Tootsee Roll 205 98 Degrees Because Of You 156 98 Degrees Because Of You (Dance Remix) 362 98 degrees Give me just one Night 383 98 Degrees Hardest Thing, the 162 98 Degrees I Do 162 98 Degrees My Everything 201 98 Degrees Why (Are We Still Friends) 233 A3 Woke Up This Morning 149 Aaliyah Are You That Somebody? 156 aaliyah Try again 401 Aaliyah I Care 4 U 227 Abba Dancing Queen 102 ABBA FERNANDO 73 ABBA Waterloo 147 ABC Be Near Me 444 ABC When Smokey Sings 444 ABDUL, PAULA Blowing Kisses In The Wind 446 ABDUL, PAULA Rush Rush 446 ABDUL, PAULA STRAIGHT UP 27 ABDUL, PAULA Vibeology 444 AC/DC Back In Black 161 AC/DC Hells Bells 161 AC/DC Highway To Hell 295 AC/DC Stiff Upper Lip 295 AC/DC Whole Lotta Rosie 295 AC/dc You shook me all night long 108 Ace Of Base Beautiful Life 8 Ace of Base Don't Turn Around 154 Ace Of Base Sign, The 206 AD LIBS BOY FROM NEW YORK CITY, THE 49 adam ant goody two shoes 108 ADAMS, BRYAN (EVERYTHING I DO) I DO IT FOR YOU
    [Show full text]
  • Pop and Rock Music Handout.1.22.15
    Educational Uses of Classic Pop and Rock Music Equip, Inspire, Excite, Achieve, and Go! with popular music Presented by Jim Tinter ([email protected]) I. Three Chord Bliss — I IV V Chords. Letters in ( ) represent the key of the song. A. Lots to choose from: “Green Onions” (F) - Booker T & The MG’s, “Pride and Joy” (Eb) - Stevie Ray Vaughn, “Lucille” (C# or C, it varies. Probably a tape speed issue) - Little Richard, “Bama Lama Bama Loo” (F) - Little Richard, “Barbara Ann” (F#) - Beach Boys, “The Twist” (E) - Chubby Checker, “Peppermint Twist” (C) - Joey D and the Starliters, “At the Hop” (Ab) - Danny and the Juniors, “Hound Dog” (C) - Elvis Presley, “Hard Headed Woman” (C) - Elvis, “Too Much” (Ab) - Elvis, “I Feel Good” (D) - James Brown, “Johnny B. Goode” (Bb) - Chuck Berry. B. Movement activity to “Green Onions,” by Booker T and the MG’s. (Could be done with any of the tunes listed above. 1. Movement Level 1 (individual): I — pat legs; IV — clap; V — snap w/hands over head. Simultaneous imitation (leader faces students and students imitate exactly, at the same time). a) Extension 1 — Say “one, four and five” on beat 1 of each chord. b) Extension 2 — Sing the root pitch of each chord. Use “I, IV, V” or solfege (do, fa, so). 2. Movement level 2 (preparation for partner activity): I — pat, clap; IV — patty cake (clap/pretend to clap partner’s hands, both at the same time (clap, partner, clap, partner). V — snap over head. a) Extension 1 — Alternate hands on IV chord patty cake (clap, right, clap, left).
    [Show full text]