Backlash Duo Songlist
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1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
ABSTRACT Beck Boots: the Story of Cowboy Boots in the Texas
ABSTRACT Beck Boots: The Story of Cowboy Boots in the Texas Panhandle and Their Important Role in American Life Tye E. Barrett, M.A. Mentor: Douglas R. Ferdon Jr., Ph.D. Merton McLaughlin moved to the Texas Panhandle and began making cowboy boots in the spring of 1882. Since that time, cowboy boots have been a part of the Texas Panhandle’s, and America’s rich history. In 1921, twin brothers Earl and Bearl Beck purchased McLaughlin’s boot shop. The Beck family has been making cowboy boots in the Texas Panhandle ever since. This thesis seeks not only to present a history of Beck Boots and cowboy boots in the Texas Panhandle, but also suggests that the relationship between bootmakers, like Beck Boots, and the working cowboy has been the center of success to the business of bootmakers and cowboys alike. Because many, like the Beck family, have nurtured this relationship, cowboy boots have become a central theme and important icon in American life. Beck Boots: The Story of Cowboy Boots in the Texas Panhandle and Their Important Role in American Life by Tye E. Barrett, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon Jr., Ph.D., Chairperson ___________________________________ Barry G. Hankins, Ph.D. ___________________________________ Sara J. Stone, Ph.D. Accepted by the Graduate School May 2010 ___________________________________ J. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Megadeth Killing Is My Business... and Business Is Good! Mp3, Flac, Wma
Megadeth Killing Is My Business... And Business Is Good! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Killing Is My Business... And Business Is Good! Country: Japan Released: 1988 Style: Thrash, Speed Metal, Heavy Metal MP3 version RAR size: 1802 mb FLAC version RAR size: 1130 mb WMA version RAR size: 1392 mb Rating: 4.4 Votes: 527 Other Formats: FLAC DXD DMF AUD VOC MP1 RA Tracklist Hide Credits Last Rites / Loved To Deth 1 4:41 Soloist [Solo, 1st & 2nd] – Mustaine* Killing Is My Business... And Business Is Good! 2 3:07 Soloist [Solo] – Poland* The Skull Beneath The Skin 3 3:48 Soloist [Solo, 1st & 2nd] – Mustaine* Rattlehead 4 Soloist [Solo - 5th] – Mustaine*Soloist [Solo, 1st - 4th] – Poland*Timpani 3:43 [Tympani] – Gar Samuelson Chosen Ones 5 2:55 Soloist [Solo, 1st & 2nd] – Mustaine* Looking Down The Cross 6 5:02 Soloist [Solo - All] – Mustaine* Mechanix 7 4:25 Soloist [Solo] – Mustaine* These Boots 8 4:39 Written-By – Lee Hazlewood Bonus Tracks 9 Last Rites / Loved To Deth (Demo) 4:16 10 Mechanix (Demo) 3:59 11 The Skull Beneath The Skin (Demo) 3:11 Companies, etc. Phonographic Copyright (p) – Loud Records, LLC Copyright (c) – Loud Records, LLC Manufactured By – Sony Music Entertainment (Canada) Inc. Distributed By – Sony Music Entertainment (Canada) Inc. Recorded At – Indigo Ranch Studios Recorded At – Crystal Sound Mixed At – The Enterprise Remastered At – Precision Mastering Published By – Mustaine Music Published By – Theory Music Published By – Criterion Music Corp. Published By – EMI Blackwood Music Inc. Credits A&R, Management [Product] – John B. -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
RCA/Legacy Set to Release Elvis Presley - a Boy from Tupelo: the Complete 1953-1955 Recordings on Friday, July 28
RCA/Legacy Set to Release Elvis Presley - A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28 Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis' Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955 A Boy From Tupelo - The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen. Elvis Presley - A Boy From Tupelo: The Sun Masters To Be Released on 12" Vinyl Single Disc # # # # # Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley - A Boy From Tupelo - The Complete 1953-1955 Recordings on Friday, July 28. Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo - The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance--a newly discovered recording of "I Forgot To Remember To Forget" (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)--being officially released for the first time ever. A Boy From Tupelo – The Complete 1953-1955 Recordings includes--for the first time in one collection--every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates--"My Happiness"/"That's When Your Heartaches Begin" (recorded July 1953) and "I'll Never Stand in Your Way"/"It Wouldn't Be the Same (Without You)" (recorded January 4, 1954)--the four songs Elvis paid his own money to record before signing with Sun. -
Leon Kennington Song List
Leon Kennington Song List A Fool Such As I After the Loving Always on My Mind An American Trilogy Behind Closed Doors Big Boss Man Blue Christmas Blue Spanish Eyes Blue Suede Shoes Blue Velvet Blueberry Hill Bony Marony Bridge over Troubled Water Bring It on Home to Me Burning Love Bye Bye Love C.C. Rider Can’t Help Falling in Love with You Can’t Stop Loving You Chantilly Lace Color My World Danny Boy Don’t Be Cruel Down on the Boardwalk Dream Dream Lover Elivira Everything I Do is Wrong Evil Ways Fooled Around & Fell in Love Funny, Familiar Forgotten Georgia Goodnight Sweetheart Feelings Great Balls of Fire Green, Green Grass of Home Heartache Tonight (Tom Jones version) Hello Mary Lou Help Me Make It Through the High Heel Sneakers Night Hooked on a Feeling Hound Dog I Can’t Help Falling in Love Again I Can’t Stop Loving You I Feel Good I Got a Woman I Just Called to Say I Love You I Only Have Eyes for You I Saw Her Standing There If I’m So Lonesome I Could Cry It’s Now or Never (B.J. Thomas version) It’s Only Make Believe Jailhouse Rock Jingle Bell Rock Johnny B. Good Joy to the World Just a Dream Just the Way You Are Kansas City Keeper of the Stars (Van Morrison) Kind of a Drag Lady Will Power Land of a Thousand Dances Let It Be Me Little Queenie Little Sister Lonely Weekends Love Me Tender Lucille Mack the Knife Margaritaville Marie in the Name of His Latest Flame Matchbox Memories (Barbra Streisand) Midnight Hour Misty Mona Lisa Money Money Honey More Mountain of Love Mustang Sally My Girl My Way Now and Then There is a Fool Only -
The Tan and Cardinal January 10, 1928
Otterbein University Digital Commons @ Otterbein Tan & Cardinal 1917-2013 Historical Otterbein Journals 1-10-1928 The Tan and Cardinal January 10, 1928 Archives Follow this and additional works at: https://digitalcommons.otterbein.edu/tancardinal Part of the Higher Education Commons an att No. 13. ~DELBERGFLOORED INOHIO CONFERENCE LID-LIFTER TRoop1s CHAIRMAN ~ 1 GLEE CLUB SCHEDULE UPSTATETEAM PROVES OFVILLAGE COUNCIL ~ HEADS POLICE COURT I NEARING COMPLETION FISH FOR TAN BOYS Po,ition C . AND LOCAL COUNCIL Concerts To Begin About Middle Court arn~s Duties of Police of February. Easter Trip COUNT IS 53 TO 27 Justice. Dr. Snavely :===============~ Being Planned. Out on Technicality. Captain Buell, Barnes and Miley Dis- At the pre ent time the Otterbein play Some Fine Shooting Proiessor H W I departn:1 · • Troop, head of the 'ollege Glee Club and Banjo Orche - Ability. A.dllJ·• ent .of E conom1cs- and Bu mess. tra have their re pective program __ _ 1n1strat1o chairm n, was elected recently a fairly well in ha'l1d and expect to get aturday night Otterbein opened the lcrviliean of the vi·11 age council of We - "on the road'' about the middle of next Conference ba ketball season with a I ' succeedin D C Y. The . g r. hades Snave- month. Much new material has been game against the Heidelberg quintet. rics With~osition of council chief car introduced ~his year and extra prac- / The core wa SJ to 27. Heidelberg locatP 1. it the duties of judge of th tice are bemg hel-d for the rounding' got the 27. (No Ohio Conference I. -
BE Aware of the Threefold Law with This Kind of Spell!
Love Spells (BE aware of the threefold law with this kind of spell!) To obtain the love from a specific person At nighttime light a small fire in a cauldron or what ever you have available to contain the fire. Cut out a piece of paper that is 3 inches by 3 inches. Draw a heart on it and color it in with red. Write the name of the name of the person that you desire on the heart. While doing all this be thinking of this person being attracted to you and not being able to resist you! Think of his or her heart burning with desire for you just like the flames of the fire. Then kiss the name on the heart 3 times. Place the paper in the fire while saying these words 3 times. Do so with sincerity... "Fire come from below, bring me love that I do know, make my heart blaze and shine, to bring the love that will be mine!" Soon my love will come a day, three times strong and here to stay!" "SO MOTE IT BE!" Stay and meditate on the spell you just did, seeing it come true! After you are finished concentrating for a few minutes, extinguish the fire. Soon your love will come to you! Soulmate Dream Ritual Items: 3 almonds and 3 raisins - Milk - Honey Ritual: Put the almonds and raisins under your pillow. Before you go to bed, drink a cup of warm milk with a tsp. of honey then go to sleep. If you wonder if a certain person is your soulmate (“the” one) it will tell you in your dream. -
The Lowhills Song List October 2018
Country/Bluegrass Nobodies Business- Mississippi John Hurt Deep River Blues- Doc Watson Crawdad Hole- Doc Watson Swinging Doors- Merle Haggard Tonight the bottle let me down – Merle Haggard Sit here and drink- Merle Haggard There Stands the Glass- Web Pierce Gotta Get Drunk- Willie Nelson Good Hearted Woman- Willie Nelson/Waylon Jennings Cold Cold Heart- Hank Williams/ Norah Jones Honkytonk Blues- Hank Williams Lovesick Blues- Hank Williams Your Cheatin Heart- Hank Williams Why Don’t You Love Me- Hank Williams Caleb Meyer- Gillian Welch Deep Elem Blues- Levon Helm/ The Grateful Dead Walkin’ after midnight- Patsy Cline Crazy- Patsy Cline Cheatin Heart- Patsy Cline I’ll Be There (if you ever want me) Ray Price/ JJ Cale Call me the breeze- JJ Cale/ Lynrd Skynrd Hung it up- Junior Brown Loves gonna live here- Buck Owens Women I’ve never had- Hank Williams Jr Freeborn Man- Jimmy Martin Slew foot- Johnny Horton How Mountain Girls Can Love- The Stanley Brothers True life blues- Bill Monroe Blue Moon of Kentucky- Bill Monroe You can have her- Waylon Jennings Wurlitzer Prize- Waylon Jennings That’s alright Mama- Elivs Presley Hound Dog- Elvis Presley Tennessee Whiskey- George Jones Someone I used to know- George Jones and Tammy Winette Slowhand- Conway Twitty Take me back to Tulsa- Bob Wills Old Joe Clark -Trad Salt Creek (instrumental)-Trad All I can do is Dream- The Everly Brothers Clyde –JJ Kale Sleep with One Eye Open- Lester Flatt/ Dolly Parton You Aint Woman Enough –Loretta Lynn Jackson- Johnny Cash Folsom Prison- Johnny Cash Big River-Johnny