The Ithacan, 1967-03-02
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View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
2012-13 BOSTON CELTICS Media Guide
2012-13 BOSTON CELTICS SEASON SCHEDULE HOME AWAY NOVEMBER FEBRUARY Su MTWThFSa Su MTWThFSa OCT. 30 31 NOV. 1 2 3 1 2 MIA MIL WAS ORL MEM 8:00 7:30 7:00 7:30 7:30 4 5 6 7 8 9 10 3 4 5 6 7 8 9 WAS PHI MIL LAC MEM MEM TOR LAL MEM MEM 7:30 7:30 8:30 1:00 7:30 7:30 7:00 8:00 7:30 7:30 11 12 13 14 15 16 17 10 11 12 13 14 15 16 CHI UTA BRK TOR DEN CHA MEM CHI MEM MEM MEM 8:00 7:30 8:00 12:30 6:00 7:00 7:30 7:30 7:30 7:30 7:30 18 19 20 21 22 23 24 17 18 19 20 21 22 23 DET SAN OKC MEM MEM DEN LAL MEM PHO MEM 7:30 7:30 7:30 7:AL30L-STAR 7:30 9:00 10:30 7:30 9:00 7:30 25 26 27 28 29 30 24 25 26 27 28 ORL BRK POR POR UTA MEM MEM MEM 6:00 7:30 7:30 9:00 9:00 7:30 7:30 7:30 DECEMBER MARCH Su MTWThFSa Su MTWThFSa 1 1 2 MIL GSW MEM 8:30 7:30 7:30 2 3 4 5 6 7 8 3 4 5 6 7 8 9 MEM MEM MEM MIN MEM PHI PHI MEM MEM PHI IND MEM ATL MEM 7:30 7:30 7:30 7:30 7:30 7:00 7:30 7:30 7:30 7:00 7:00 7:30 7:30 7:30 9 10 11 12 13 14 15 10 11 12 13 14 15 16 MEM MEM MEM DAL MEM HOU SAN OKC MEM CHA TOR MEM MEM CHA 7:30 7:30 7:30 8:00 7:30 8:00 8:30 1:00 7:30 7:00 7:30 7:30 7:30 7:30 16 17 18 19 20 21 22 17 18 19 20 21 22 23 MEM MEM CHI CLE MEM MIL MEM MEM MIA MEM NOH MEM DAL MEM 7:30 7:30 8:00 7:30 7:30 7:30 7:30 7:30 8:00 7:30 8:00 7:30 8:30 8:00 23 24 25 26 27 28 29 24 25 26 27 28 29 30 MEM MEM BRK MEM LAC MEM GSW MEM MEM NYK CLE MEM ATL MEM 7:30 7:30 12:00 7:30 10:30 7:30 10:30 7:30 7:30 7:00 7:00 7:30 7:30 7:30 30 31 31 SAC MEM NYK 9:00 7:30 7:30 JANUARY APRIL Su MTWThFSa Su MTWThFSa 1 2 3 4 5 1 2 3 4 5 6 MEM MEM MEM IND ATL MIN MEM DET MEM CLE MEM 7:30 7:30 7:30 8:00 -
Division I Men's Basketball Records
DIVISION I MEN’S BASKETBALL RECORDS Individual Records 2 Team Records 5 All-Time Individual Leaders 10 Career Records 21 Top 10 Individual Scoring Leaders 30 Annual Individual Champions 38 Miscellaneous Player Information 44 All-Time Team Leaders 46 Annual Team Champions 60 Statistical Trends 70 All-Time Winningest Schools 72 Vacated and Forfeited Games 77 Winningest Schools by Decade 79 Winningest Schools Over Periods of Time 83 Winning Streaks 87 Rivalries 89 Associated Press (AP) Poll Records 92 Week-by-Week AP Polls 110 Week-by-Week Coaches Polls 162 Final Season Polls National Polls 216 INDIVIDUAL RECORDS Basketball records are confined to the “modern Points by one Player for era,” which began with the 1937-38 season, FIELD GOALS the first without the center jump after each goal all his Team’s Points in scored. Except for the school’s all-time won- lost record or coaches’ records, only statistics a Half Field Goals achieved while an institution was an active mem- 17—Brian Wardle, Marquette vs. DePaul, Feb. 16, 2000 (17-27 halftime score) Game ber of the NCAA are included in team or individual 41—Frank Selvy, Furman vs. Newberry, Feb. categories. Official weekly statistics rankings in Points in 30 Seconds or 13, 1954 (66 attempts) scoring and shooting began with the 1947-48 Season season; individual rebounds were added for the Less 522—Pete Maravich, LSU, 1970 (1,168 1950-51 season, although team rebounds were 10—Javi Gonzalez, NC State vs. Arizona, Dec. attempts) not added until 1954-55. Individual assists were 23, 2009 (in 24 seconds from 0:30 to 0:06 of Career kept in 1950-51 and 1951-52, and permanently 2nd half) 1,387—Pete Maravich, LSU, 1968-70 (3,166 added in 1983-84. -
Off Camera 0210.P65
DIANE DONIAN PASKERIAN Class of 1989 Silver Circle Profile By: Kevin Wing “I was very excited about working with Frank Sinatra,” Paskerian recalls. “It was really a lot of fun When thumbing through the pages of Diane and exciting. His show included the Nelson Riddle Donian Paskerian’s professional portfolios and orchestra. At this time, Sinatra was going through a scrapbooks, one could say that her many years as a divorce with Ava Gardner, so he wasn’t in the television producer in Hollywood and the Bay Area happiest frame of mind. But, it was great to work were a colorfully unique tapestry of a life and career with a big star like him.” that only dreams are made of. Sinatra’s show ran for six months. But, when one For Paskerian, her tapestry was far from being door closed, another opened. And the next door for just a dream. She lived it, and as she has done with Paskerian was opened by none other than Liberace, anything she has ever been involved with in her life, who was starting a new variety series for ABC in the she gave it her all, and then some. late 1950s. Gil Rodin, the former producer of The Many may not know Paskerian’s name like they Bob Crosby Show on CBS, hired Paskerian. “He gave would a popular television news anchor’s, for in- me my big break,” she says. stance, or like the many world-renowned entertain- Liberace’s ABC variety show was a tremendously ers she worked for and became friends with wonderful experience for Paskerian. -
1968-May.Pdf
-.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
ADJS Decade Song Lists.Xlsx
The Top 200 Songs of the 1950s Rank Title Artist 1 Johnny B. Goode Chuck Berry 2 Jailhouse Rock Elvis Presley 3 Rock Around The Clock Bill Haley & His Comets 4 Tutti-Frutti Little Richard 5 Whole Lot of Shakin' Going On Jerry Lee Lewis 6 What'd I Say Ray Charles 7 Summertime Blues Eddie Cochran 8 Hound Dog Elvis Presley 9 Long Tall Sally Little Richard 10 That'll Be The Day Buddy Holly & the Crickets 11 Maybellene Chuck Berry 12 Bo Diddley Bo Diddley 13 Shake, Rattle And Roll Joe Turner 14 Blue Suede Shoes Carl Perkins 15 Don't Be Cruel Elvis Presley 16 Bye Bye Love Everly Brothers 17 Great Balls Of Fire Jerry Lee Lewis 18 Earth Angel Penguins 19 Why Do Fools Fall In Love Frankie Lymon & the Teenagers 20 Good Golly Miss Molly Little Richard 21 Be-Bop-A-Lula Gene Vincent & the Bluecaps 22 School Day Chuck Berry 23 Rock And Roll Music Chuck Berry 24 Peggy Sue Buddy Holly 25 Lawdy Miss Clawdy Lloyd Price 26 Lucille Little Richard 27 Roll Over Beethoven Chuck Berry 28 In The Still Of The Nite Five Satins 29 I Only Have Eyes For You Flamingos 30 For Your Precious Love Jerry Butler & the Impressions 31 Blueberry Hill Fats Domino 32 Please, Please, Please James Brown & the Famous Flames 33 Sh-Boom Chords 34 Money Honey Drifters featuring Clyde McPhatter 35 I Walk The Line Johnny Cash and the Tennessee Two 36 Fever Little Willie John 37 The Great Pretender Platters 38 Ain't It A Shame Fats Domino 39 That's All Right Elvis Presley with Scotty and Bill 40 Your Cheatin' Heart Hank Williams 41 Sweet Little Sixteen Chuck Berry 42 The Train Kept-A-Rollin -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
NYU Menls Basketball Records
NYU Men’s Basketball Records (Through 2011-12 Season) SINgle-gaME TEAM RECORDS most points scored in victory most field goals 122 vs. Syracuse (122-59), 12/15/1961 51 vs. Wagner, 1/8/1969 most points scored in defeat most free throws 101 vs. Union (105-101, 2OT), 1/8/1994 42 vs. Furman, 2/9/1956 101 vs. Staten Island (102-101, 2OT), 12/19/1987 101 vs. Seattle (102-101), 12/23/1952 most three-point field goals 17 vs. Brandeis, 2/14/1999 most points allowed in victory 110 vs. Brandeis (112-110, OT), 1/22/1993 most three-point field goal attempts 36 vs. Polytechnic, 2/1/1999 most points allowed in defeat 116 vs. Kean (116-78), 3/9/1989 fewest points scored in victory 11 vs. Wesleyan (11-10), 1/7/1909 fewest points scored in defeat 4 vs. Georgetown (23-4), 1/13/1913 fewest points allowed in victory 5 vs. Delaware (50-5), 2/12/1909 fewest points allowed in defeat 14 vs. Yale (14-12), 12/17/1910 most points, combined 222 vs. Brandeis (112-110 W, OT), 1/22/1993 1951-52 MEN’S BASKETBALL TEAM fewest points, combined 21 vs. Wesleyan (11-10 W), 1/7/1909 largest margin of victory 76 vs. Bard (St. Stephen’s) (82-6), 12/18/1908 largest margin of defeat 61 vs. Navy (74-13), 1/11/1913 most points scored, first half 65 vs. Pratt, 1/27/1995 most points scored, second half 67 vs. Wagner, 1/8/1969 most points allowed, first half Bobby Jared 58 vs.