BE Aware of the Threefold Law with This Kind of Spell!
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Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson
Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson Introduction Sociologist Bryan R. Wilson once alleged that post-modern technology and secularisation are the allied forces of rationality and disenchantment that pose an immense threat to traditional religion.1 However, the flexibility of pastiche Neopagan belief systems like ‘Witchcraft’ have creativity, fantasy, and innovation at their core, allowing practitioners of Witchcraft to respond in a unique way to the post-modern age by integrating technology into their perception of the sacred. The phrase Deus ex Machina, the God out of the Machine, has gained a multiplicity of meanings in this context. For progressive Witches, the machine can both possess its own numen and act as a conduit for the spirit of the deities. It can also assist the practitioner in becoming one with the divine by enabling a transcendent and enlightening spiritual experience. Finally, in the theatrical sense, it could be argued that the concept of a magical machine is in fact the contrived dénouement that saves the seemingly despondent situation of a so-called ‘nature religion’ like Witchcraft in the techno-centric age. This paper explores the ways two movements within Witchcraft, ‘Technopaganism’ and ‘Technomysticism’, have incorporated man-made inventions into their spiritual practice. A study of how this is related to the worldview, operation of magic, social aspect and development of self within Witchcraft, uncovers some of the issues of longevity and profundity that this religion will face in the future. Witchcraft as a Religion The categorical heading ‘Neopagan’ functions as an umbrella that covers numerous reconstructed, revived, or invented religious movements, that have taken inspiration from indigenous, archaic, and esoteric traditions. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
The Lesser Banishing Ritual of the Pentagram (LBRP) Class with Jane Pierce ([email protected])
The Lesser Banishing Ritual of the Pentagram (LBRP) Class with Jane Pierce ([email protected]) Qabalistic Cross 1. Standing in the center, facing East draw a line from above your head to your forehead and vibrate “A TAH.” (T hou art) 2. Continue drawing the line down below your feet and vibrate “ MALKUTH .” ( the Kingdom ) 3. Touch your breastbone with your right hand drawing a line as you extend your arm and vibrate “ VEGEVURAH .” ( the Power ) 4. Touch your breastbone with your left hand drawing a line as you extend your arm and vibrate “ VEGEDULAH .” ( the Glory ) 5. Bring both together, fingers up, in front of your breastbone and vibrate “ LEOLAM, AMEN .” (f orever, Amen. ) Sealing the Circle 6. Go to East, draw pentagram, point to center and vibrate “ YUD HEH VEV HEH. ” 7. Begin drawing the circle, stop in the south, draw a pentagram, point to the center and vibrate “ ADONAI.” 8. Continue drawing the circle, stop in the west, draw a pentagram, point to the center and vibrate “ EHHEYEH. ” 9. Continue drawing the circle, stop in the north, draw a pentagram, point to the center and vibrate “ AHGELAH .” 10. Complete drawing the circle to the place you started in the East. Return to the center. Invoking the Archangels 11. Face East and vibrate “ Before me, RAPHAEL. ” (Visualize him carrying a Caduceus.) 12. Vibrate “B ehind me, GABRIEL .” (Visualize her carrying a chalice.) 13. Vibrate “O n my right, MICHAEL. ” (Visualize him carrying a flaming sword.) 14. Vibrate “O n my left, URIEL .” (Visualize her carrying a living branch.) 15. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
A Short Course in Scrying
A Short Course in Scrying Benjamin Rowe copyright 1997, 1998 Introduction This paper was written in response to requests by participants of the “enochian-l” and “Praxis” internet discussion groups; it first appeared as a series of posts on those groups in early 1997. The current version has been slightly rewritten to enhance the clarity of the presentation, and to include a small amount of additional material. The techniques described herein are adaptations of techniques I learned from two sources. The first of these is Mr. Brian D., who taught me the basic method many years ago. The second is Mr. Paul Solomon and his group, the Fellowship of the Inner Light, who had transformed that method into the foundation of their system of spiritual work. Special thanks also to the “secret chiefs” of the Fellowship, for their direct and effective contribution to my work at a critical point. Some debts can never be repaid; the best that can be done is to pass on what was given. ïL Chapter 1. Preliminary Considerations To begin, the reader should understand that scrying is as much a learned skill as is reading or ice-skating. Persistent practice is necessary to teach the nervous system how to do it, even where the person has some innate talent. And as with other learned skills, there is a learning curve. At first there will be a long period when you don't seem to be making any significant progress. Then things will suddenly fall together and your practice will improve markedly in a short period, before leveling off again at something close to your highest level of skill. -
The Androids Dream Pdf, Epub, Ebook
THE ANDROIDS DREAM PDF, EPUB, EBOOK John Scalzi | 396 pages | 30 Oct 2007 | St Martin's Press | 9780765348289 | English | New York, United States The Androids Dream PDF Book Burning Love. Worldwide sales of the tune, according to The Guiness Book of Recorded Sound , eventually exceeded 20 million copies. This site may earn affiliate commissions from the links on this page. It's hard to feel like you're missing out on software features you've never had the opportunity to use. Dream: I am lost or trapped Find out the usual meaning of dreams in which you are lost, trapped or feeling desperate. Though pop star Frankie Laine was the first to release it, Elvis began singing the song in concert during the early s and released it in More new Film reviews. Otis invited the team to watch Thornton rehearse in his garage-turned-studio. In the following pages, you'll find the stories behind some of Elvis' most celebrated tunes. It became Elvis' first million seller, just as Axton had predicted. According to some recent research, though, they will make fantastic prostitutes. Later a drummer was added -- a position eventually filled by D. Outlook cheat sheet. Elvis' parent publisher, Hill and Range, had acquired the song, and the demo was one from a stack that the hot new singer listened to during an RCA recording session in July He profited from his rowdy good-old-boy image when a vogue for things Southern hit Hollywood. The massive Google shift you probably haven't noticed. How does the brain transform reality into dreams? Nokia Android Tablets Polls. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Religion and the Return of Magic: Wicca As Esoteric Spirituality
RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of -
Witchy Woman” Janna Moll’S Presentation on Witchcraft Networking Zoom Meeting May 27, 2020
“Witchy Woman” Janna Moll’s presentation on Witchcraft Networking Zoom Meeting May 27, 2020 Witchcraft has been around as long as indigenous cultures and each have had practices to heal, honor life, and manifest outcomes. An early name for these practitioners is ‘Shaman’. Their practices have in more recent times been considered a tradition of ‘magick’. This magic results from intentional use of ceremony, rituals, and the casting of spells in witchcraft. The practice of magic with an affinity to nature usually occurs within a pagan tradition. Origins are believed to have been sorcerers in the ancient near East and Nile Valley before the advent of Christianity. Druids identified as Christians in the 18th century. Modern Druidry are pagans from the learned class of the Celts. Celtic religion is polytheistic (believing in many deities). Pagans are deeply aware of the natural world and see the divine in the ongoing cycle of life and death. They are eco-friendly. Wicca (considered a religion) is different from other forms of contemporary paganism, though they share influences. Wicca arose in the early 20th century and was taught and practiced through secret covens. Most Wiccan groups are duotheistic believing in the Horned God of fertility (male) and the Mother Goddess (female). Wicca is known as the religion of ‘witches’, a practice that celebrates the glory of nature. It is difficult to say whether Wicca is a new religion or an old one. Guiding Principles The Three-Fold Law or the Law of Return is the belief that what you put out into the world, both in action as well as your presence, comes back to you three-fold. -
Wymondham Ukulele Group Elvis & Buddy Holly Songbook
Wymondham Ukulele Group Elvis & Buddy Holly Songbook 2018 All Shook Up 2 Maybe Baby 16 Return To Sender 4 Teddy Bear 17 Peggy Sue 6 The Wonder Of You 18 Don’t Be Cruel 7 Wooden Heart 19 Rave On 9 Peggy Sue Got Married 20 Good Luck Charm 10 It’s Now or Never 12 Oh Boy 14 Love Me Tender 15 WUG Elvis and Buddy Holly Songbook All Shook Up Elvis Presley 1-2 1-2-3-4 Intro: G/// G/// G/// G// G Oh well I bless my soul what's wrong with me? G I'm itching like a man on a fuzzy tree. G My friends say I'm actin' as queer as a bug G STOP N/C I'm in love! I'm All Shook Up. C D7 G M m m m....m , yeah, yeah, yeah. G Oh well my hands are shaky and my knees are weak G I can't seem to stand on my own two feet G Who do you thank when you have such luck? G STOP N/C I'm in love! I'm All Shook Up. C D7 G G7 M m m m....m , yeah, yeah, yeah.. C Well please don't ask what's on my mind G I'm a little mixed up, but I'm feelin' fine C When I'm near that girl that I love the best D7 My heart beats so it scares me to death All Shook Up Page 1 of 2 WUG 30.08.18 WUG Elvis and Buddy Holly Songbook Page 2 of 20 G She touched my hand, what a chill I got, G Her lips are like a volcano that's hot G I'm proud to say that she's my buttercup, G STOP N/C I'm in love! I'm All Shook Up. -
Protection Magick – in Practice©
Protection magick – in practice© This text adds to the overview on Protection Magick by acting as a How To document. How to cast a circle is a vital bit of kit for all witches, whether they are beginners or not. When you’ve decided to cast a spell, the first thing is to protect yourself from any unwanted energies durng your ritual or incantation. You can smudge everything in site, but you can also cast a protective circle - and one of the easiest substances to use is salt – so, make a circle of salt around your tools and altar. • Stand in the circle with the tools you wish to use. • Relax – say, “the circle is open, but never broken and the Goddess is forever in my heart”. • Call upon the guardians: face in each direction and say, “Air – East, Spirits of the Air I call you Fire – South, Spirits of Fire I call you Water - West, Spirits of Water I call you Earth – North, Spirits of Earth I call you”. • Imagine a pillar of green light from the Earth up to your head, grounding you. • Say, “thank you – the circle is cast”. Then, you run whichever spell you want to do. When you’ve completed your spell, you’ll need to open the circle safely. • Face in each direction and say, “Earth – North, Spirits of Earth I thank you for your presence here today Water – West, Spirits of Water I thank you for your presence here today Fire – South, Spirits of Fire I thank you for your presence here today Air – East, Spirits of the Air I thank you for your presence here today.” • Imagine the pillar of green light returning to the earth • Give thanks to the Goddess – “AS ABOVE, SO BELOW, SO MOTE IT BE” © 2019 Written and revised by Gylden Community Library How to make a witch bottle = a traditional protective tool that has been around for many centuries as a protection against curses or malicious witchcraft. -
All Shook Up: the Shakespeare Connection
English/Language Arts Info Sheet All Shook Up: The Shakespeare Connection "Gosh, running away is so romantic, we’re just like Romeo and Juliet except we’re not dead." —Lorraine, from All Shook Up "The course of true love never did run smooth…" —- from A Midsummer Night’s Dream, by William Shakespeare Let yourself go! ike a play by Shakespeare seen Shakespeare’s day was going Lthrough a fun-house mirror, All through extreme changes. In Shook Up tips its hat to the Bard, Shakespeare Alive!, his book on especially his magical comedies the Elizabethan era, Joseph Papp such as Twelfth Night and A wrote, "Anxiety gripped individu- Midsummer Night’s Dream. Again als, families and the entire socie- and again, All Shook Up’s dialogue ty…The more things seemed to be refers to Shakespeare, whether it's teetering on the brink of chaos, the Lorraine's longing for the forbidden more Elizabethan society empha- love of Romeo and Juliet, Miss sized old concepts of order." In Sandra quoting Romeo’s, "O! I terms of marriage, that meant am fortune’s fool!" or Dennis establishing a hierarchy that winning Sandra’s heart with a looked a lot like the English Shakespearean sonnet. But beyond simple references monarchy: one ruler (the man) and his "subjects" (the or quotations, All Shook Up is inspired by the magical woman and children). But in plays such as A atmosphere of Shakespeare’s romantic comedies, the Midsummer Night’s Dream, As You Like It, and Twelfth idea of getting "letting yourself go" as Chad says, or Night, Shakespeare tests the idea of order by removing losing control in the midst of love.