One Armed Scissor Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

At The Drive-In One Armed Scissor mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: One Armed Scissor Country: Europe Released: 2000 Style: Emo, Punk MP3 version RAR size: 1866 mb FLAC version RAR size: 1807 mb WMA version RAR size: 1577 mb Rating: 4.8 Votes: 353 Other Formats: MOD FLAC VQF AIFF AAC VOX DMF Tracklist 1 One Armed Scissor 3:46 Companies, etc. Phonographic Copyright (p) – Grand Royal Copyright (c) – Grand Royal Copyright (c) – Virgin Records America, Inc. Published By – Lopsided Published By – Airstation7 Published By – Dystopia Published By – Altachroma Recorded At – Indigo Ranch Studios Published By – Imposto Pressed By – EMI UK Credits A&R – Craig Aaronson Artwork [Art By] – Coro Layout – Bau-Da Design Lab Management [Navigator] – Blaze James Mastered By – Eddy Schreyer Mixed By – Andy Wallace Producer – Ross Robinson Written-By – At The Drive-In Notes From the forthcoming album 'Relationship Of Command'. Recorded at Indigo Ranch, Malibu, CA Promo use only-not for resale. Published by Lopsided, Air Station 7, Dystopia, Alto Chroma, Imposto, - SESAC 2000 - ℗2000 Grand Royal. ©2000 Virgin Records America Inc. ©2000 Grand Royal. Made in the EU. Barcode and Other Identifiers Matrix / Runout: VUSCDJ186 2 EMI UK Mastering SID Code: IFPI L041 Mould SID Code: IFPI 1482 Label Code: LC 03098 Rights Society: bel / BIEM Other versions Category Artist Title (Format) Label Category Country Year At The Drive- One Armed Scissor Grand Royal, GR091, none GR091, none US 2000 In (7", Single) Restart Records GR 091 CD, At The Drive- One Armed Scissor Grand Royal, GR 091 CD, UK 2000 GR091 CD In (CD, Single, Car) Grand Royal GR091 CD At The Drive- One Armed Scissor none Grand Royal none US 2000 In (CDr, Promo) At The Drive One Armed Scissor none Not On Label none 2000 In* (CDr) At The Drive- One Armed Scissor Grand Royal, GR091, none GR091, none US 2000 In (CD, Single, Car) Restart Records Related Music albums to One Armed Scissor by At The Drive- In Chilly & Leafy - Tuff Tripp Sparta - Threes Pryda - Rymd / Armed Shaggy Featuring Grand Puba - Why You Treat Me So Bad Baby Grand - Never Enough Various - Parental Advisory Explicit Content - Revolt At the Drive In - Relationship of Command Scissor Sisters - Excerpts From The Forthcoming Album Scissor Sisters.

Copy Link

Recommended publications

Entertainmentpage 19 Technique • Friday, October 19, 2007 • 19
ENTERTAINMENTpage 19 Technique • Friday, October 19, 2007 • 19 FLOUNDERING VOLLEY TECH HOSTS MODEL UN Tech’s women’s volleyball team lost Students from Southeastern high ENTERTAINMENT Tuesday to undefeated Clemson. Th eir schools came to attend the 9th annual Page 33 Page 11 Technique • Friday, October 19, 2007 record has dropped to 5-4. Model UN Conference. Fall gets cool with fun festivals Food festival serves it up Atlanta unmasks Echo By Hahnming Lee By Hahnming Lee & Jarrett Oakley Sports Editor Sports Editor/Contributing Writer Taste of Atlanta attracted thousands to sample some of Atlanta’s Th is past weekend saw the inaugural run of a new music festival best food this past weekend at Atlantic Station. Starting Oct. 13, based in Atlanta: the Echo Project, which aimed to inform and this special two-day event hosted several of the most popular promote ecologically friendly advice and knowledge about the and acclaimed restaurants in the area, giving them a chance human footprint that’s destroying the environment. to show oﬀ their food to the public. Stands were Some 15,000 green-conscious patrons showed set up on the sidewalks of Atlantic Station, with up to see 80-plus bands on this ﬁ rst of at least 10 chefs and waiters preparing signature dishes for annual music festival extravaganzas Oct. 12-14, people roaming the street. set on the beautiful 350-plus acres of Bouckaert Customers purchased entrance tickets and food Farm just 20 minutes south of Atlanta. coupons for the event that could be spent at vari- Along with a myriad of sponsors and vendors ous stands at their discretion.
[Show full text]
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
[Show full text]
Vodafone Paredes De Coura 2017
DOSSIER DE IMPRENSA VODAFONE PAREDES DE COURA 2017 Vodafone Paredes de Coura Ritmos Edição 2017 Biblioteca Digital Vodafone Vozes da Escrita Vodafone Music Sessions Acções Vodafone Vodafone FM Fest Cool Down Palco Jazz Relva Sobe à Vila Cartaz 2017 Programação por Dias Biografias Contactos 2017 © RITMOS, LDA VODAFONE PAREDES DE COURA 2017 VODAFONE O Vodafone Paredes de Coura está de regresso às margens do Taboão para celebrar a 25.ª edição. paredes DE São 25 anos de história repletos de momentos inesquecíveis. Das atuações COURA memoráveis, ao reencontro entre amigos e ao convívio com a natureza, o festival cresceu e deu fama internacional à vila minhota, que é agora destino de férias de eleição para tantos que a visitam. O Vodafone Paredes de Coura, habitat natural da música, mudou a forma de a ouvir, e viver. Soube despertar tendências, arriscar sonoridades, descobrir novos talentos, consagrar grandes nomes. Uma caminhada de esforços e superações, de provas e de conquistas, de lutas e de vitórias. 25 anos depois, a música continua no centro das atenções de um festival de experiências únicas. A história da música em Portugal não seria a mesma sem o Festival Paredes de Coura. EDIÇÃO 2016 A 24.ª edição materializou o sonho sob a forma de quatro dias de música em comunhão com a natureza, numa celebração conjunta que levou perto de 100 mil pessoas à Praia Fluvial do Taboão. Depois do sucesso da edição de 2015, completamente esgotada, o Vodafone Paredes de Coura continuou a apostar nas melhorias na área do campismo e do anfiteatro natural, que viu o seu espaço ampliado, mas manteve a lotação, o que permitiu receber o público com um cuidado reforçado e proporcionar ainda mais conforto, condições de higiene e segurança.
[Show full text]
"Blessing for the Nations" in the Patriarchal Narratives
THE THFIIE OF "BLESSING FOR THE NATIONS" IN THE PATRIARCHAL NARRATIVES OF GENESIS A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Biblical Studies University of Sheffield Riang Chea CHEW October, 1982 x ACKNOWLEDGE1ETS To be able to complete the present study is in itself a reflection of the assistance I received. It is therefore with great pleasure I express my appreciation to Mr. David Clines, my supervisor and Reader of the Biblical Studies Department, for his perceptive guidance throughout the period of my research. His kind friendship, understanding, and sacrifice of time, all contributed greatly to the completion of this thesis. In additions I would also like to express my thanks to Drs. Philip Davies and David Gunn, both also of the Biblical Studies Department.. Dr. Davies supervised me and Dr. &unn kindly gave of his time to discuss part of my work, during Mr. CIines' sabbatical leave in 1980/81. A special word of thanks also goes to Mr. Ken Rawlins of Sheffield whom I burdened with the unenviable task of correcting my English. I, of course, remain responsible for all the unidiomatic use of English still present in the study. Without the financial support of the Langham Trust, the present course of studies waulci not have been started and completed. In this, the personal encouragement of the Rev. Dr. John Stott is especially acknowledged. In addition, a number of organisations and friends have also contributed to the cost of maintenance for my family over the past three years. Of these, special thanks go to the consistent support given by the Lee Foundation, Singapore, and the church of which I am a member, both in Singapore and in Sheffield.
[Show full text]
Prospec Or Four Key Things to Look out for This Competition ENT
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 1-17-2012 The rP ospector, January 17, 2012 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, January 17, 2012" (2012). The Prospector. Paper 67. http://digitalcommons.utep.edu/prospector/67 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. The University of Texas at El Paso · January 17, 2012 theassayer of student opinion www.utepprospector.com Student design wins Orbit Gum prospec or Four key things to look out for this competition ENT. 9 semester SPORTS 13 CHEWING ON $5000 Welcome back Miners! WHAT TO WATCH FOR Students struggle with financial burden As debt mounts, grad school seems to be a distant option BY JASMINE AGUILERA consideration credit card, mortgage “It’s quite upsetting when I meet The Prospector or car payments or any other debt someone who gets everything paid when awarding financial aid. for but slacks off and doesn’t appre- According to the Project on Stu- “Last semester, we paid for my ciate it,” De Leon said. “There are dent Debt, two-thirds of college classes with my mom’s credit card,” plenty of other people that actually graduates take out student loans and De Leon said.
[Show full text]
First Headliner Announced for Reading & Leeds Festival 2017 – a Uk Festival Exclusive
EMBARGOED UNTIL 7:45AM THURSDAY 1 DECEMBER 2016 PRESENTS 25TH – 27TH AUGUST 2017, BANK HOLIDAY WEEKEND FIRST HEADLINER ANNOUNCED FOR READING & LEEDS FESTIVAL 2017 – A UK FESTIVAL EXCLUSIVE MUSE MAJOR LAZER, BASTILLE, ARCHITECTS, TORY LANEZ, AT THE DRIVE-IN, GLASS ANIMALS, AGAINST THE CURRENT, ANDY C, DANNY BROWN AND WHILE SHE SLEEPS ALSO CONFIRMED HUNDREDS MORE TO BE ANNOUNCED FOR 2017 http://www.readingandleedsfestival.com Reading & Leeds Festivals announce Muse, in a UK festival exclusive, as the first headliners for next year’s festival, taking place 25-27 August 2017. Stadium rock royalty, Muse are one of the most influential and revered live bands of modern times. Led by the commanding presence of frontman Matt Bellamy, the trio have taken to the biggest stages around the world with their interstellar anthems for over 22 years, and their return to Reading & Leeds promises to be yet another landmark moment in their storied career. Muse commented: "We’re very excited to be playing Reading and Leeds again. More news about our plans for 2017 coming in the new year." Melvin Benn commented: “I’m thrilled to be able to announce Muse as the first headliner for Reading and Leeds 2017. Their incredible live show promises to be an unforgettable performance - we have so much more to announce and I can’t wait to reveal the rest of the line up.” Also confirmed for Reading & Leeds 2017 in a UK festival exclusive, are dancehall-rejuvenators Major Lazer. Diplo, Jillionaire and Walshy Fire have become the soundtrack of modern dance, claiming No.1 records, chart-dominating tracks such as ‘Lean On’ and ‘Cold Water’ as well as live shows packed with genre-mashing moments promising an unrivalled party atmosphere.
[Show full text]
Berkeley C.Pdf
Cardinal Classic XI Packet by Berkeley C Round 4 Tossups 1. He trudges Southern Street searching for a place where he may eat or rest, looking vainly for a job other than menial labor, feeling the "hate stare." (*) His effigy was hung from the center light on Main Street. Hate-filled people whispered that he had been a Negro all along. He is a white man who darkened the color of his skin. FTP, name this man, who retold these events and more in "Black Like Me." Answer: John Howard --Griffin 2. As a teenager he followed the political economy work of Smith and Ricardo, and in 1848 he published his Principles (*) of Political Economy. A disciple of Jeremy Bentham, he became a prominent proponent of utilitarianism. He also penned the treatise The Subjection of Women, manifesting his belief in women's rights. For ten points, name this English author of "On Liberty." Answer: John Stuart Mill 3. It is the complement to Norton's theorem, and states that a linear, (*) active, resistive network which contains independent voltage or current sources can be replaced by a single voltage source and a series resistance. FTP, what is this circuit analysis theorem, which greatly simplifies network analysis under various load conditions? Answer: Thevenin's theorem 4. On Dec 30th, 1853, Santa Anna made one of the biggest blunders of his political career. Because the Treaty of Guadalupe Hidalgo (*) left the western part of the U.S.-Mexico border disputed, and the United States wanted a southern railroad route to the Pacific, 29,640 square miles of land between the Gila River on the north and the current border were sold to the United States for 10 Million Dollars.
[Show full text]
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
[Show full text]
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No.
[Show full text]
Dancing on the Corpse's Ashes
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2011-01-01 "Dancing On The orC pse's Ashes": Analyzing The Emotional Use Of Music And Genre By At The Drive In And How It Communicates Border Identity Crystal A. Robert-Segura University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons Recommended Citation Robert-Segura, Crystal A., ""Dancing On The orC pse's Ashes": Analyzing The motE ional Use Of Music And Genre By At The Drive In And How It Communicates Border Identity" (2011). Open Access Theses & Dissertations. 2572. https://digitalcommons.utep.edu/open_etd/2572 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. “DANCING ON THE CORPSE’S ASHES”: ANALYZING THE EMOTIONAL USE OF MUSIC AND GENRE BY AT THE DRIVE IN AND HOW IT COMMUNICATES BORDER IDENTITY CRYSTAL A. ROBERT-SEGURA DEPARTMENT OF COMMUNICATION APPROVED: __________________________________________ Richard D. Pineda, Ph.D., Chair __________________________________________ Stacey Sowards, Ph.D __________________________________________ Dennis Bixler-!"#$%&', Ph.D. __________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School( Copyright © by Crystal Robert-Segura 2011 “DANCING ON THE CORPSE’S ASHES”: ANALYZING THE EMOTIONAL USE OF MUSIC AND GENRE BY AT THE DRIVE IN AND HOW IT COMMUNICATES BORDER IDENTITY. By CRYSTAL A. ROBERT-SEGURA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2011 ACKNOWLEDGEMENTS First and foremost I would like to thank my thesis advisor, Dr.
[Show full text]
Breaking out Building Heart Evacuated
Proudly serving the college community since 1973 The Richard Stockton College of New Jersey Monday, December 4,2000 Volume 59 Number 10 Winning Academic Stockton's Breaking Out building heart evacuated Dan Grote The Argo At approximately 1:15 on Thursday, life in the academic buildings was inter- rupted by the sound of a fire alarm bell. The building was evacuated slowly as a confused Stockton populace walked outside. The police arrived and inspect- ed what was summed up by one officer Photo by Shaun Reilly on the scene as a smoking elevator Shannon Keelan and the rest of the men's and women's b-ball teams officially motor. "Nothing serious," the officer open big blue at the Osprey Madness Pep Rally last week. said. Despite the nature of the evacua- Lee Pickell tion, no fire personnel arrived on the The Argo scene. The mood was festive, the crowd was When the alarm sounded, students in loud, and it wasn't even a party in Housing upper G-Wing spent about two minutes I. The large, square behemoth of a building trying to figure out what to make of the known as Big Blue or The Osprey Nest ringing bell sounding off in the hallway, finally opened November 21 for a basket- until Student Development staff Photo by Shaun Reilly ball doubleheader against archrival Rowan informed the student workers that they Rich Coghan wins the judges votes by singing to University. needed to exit the building. One student Laura Laconte at Mr. Stockton Sweetheart. Mouse pads and foam fipgers were on hand was overheard saying, "It among the free trinkets given to the specta- sounds like the kind of fire alarm bell James Kummel tors.
[Show full text]
SYSTEMS ARCHITECTURE and EVALUATION Edited by Michael
OCTOBER 1981 LIDS-R-1157 SYSTEMS ARCHITECTURE AND EVALUATION Edited By Michael Athans Wilbur B. Davenport, Jr. Elizabeth R. Ducot Robert R. Tenney Proceedings of the Fourth MIT/ONR Workshop on Distributed Information and Decision Systems Motivated by Command-Control-Communications (C 3) Problems Volume II June 15 - June 26, 1981 San Diego, California ONR Contract No. N00014-77-C-0532 PREFACE This volume is one of a series of four reports containing contri- butions from the speakers at the fourth MIT/ONR Workshop on Distributed Information and Decision Systems Motivated by Command-Control-Communication (C3 ) Problems. Held from June 15 through June 26, 1981 in San Diego, California, the Workshop was supported by the Office of Naval Research under contract ONR/N00014-77-C-0532 with MIT. The purpose of this annual Workshop is to encourage informal inter- actions between university, government, and industry researchers on basic issues in future military command and control problems. It is felt that the inherent complexity of the C 3 system requires novel and imaginative thinking, theoretical advances and the development of new basic methodol- ogies in order to arrive at realistic, reliable and cost-effective de- signs for future C3 systems. Toward these objectives, the speakers, in presenting current and future needs and work in progress, addressed the following broad topics: 1) Surveillance and Target Tracking 2) Systems Architecture and Evaluation 3) Communication, Data Bases & Decision Support 4) C 3 Theory In addition to the Workshop speakers and participants, we would like to thank Dr. Stuart Brodsky of the Office of Naval Research, and Ms.
[Show full text]