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Numero53.Pdf
INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
TCU Daily Skiff Creases
SPORTS OPINION Junior linebacker Josh Goolcby has had In America lies under siege from within as the Bush administra- battle injuries to get on the field. Page 10 tion increases the restraints on civil liberties. Page 3 FEATURE Gallery staying 'Afloat' TCU DAILYh SKIFF Art in the Metroplex exhibits 36 juried works JL ^**^ ^^ In its 10()' year of service to Texas Christian Universityty chosen from over 500 entries from local artists at the University Gallery. Page 5 Vol. KM) • [»» je 9 • Fort Worth. Texas wu w.skiff.tcu.edu Thursday, September 12. 2002 Endowment down because of economic factors Two chairwomen set history, have TCU's endowment has shrunk has cut away about 15 percent of tuition and fees, interest off en- 15 percent since March 2000. TCU's endowment since March dowments and gifts from private Endowment Values (fiscal year end) donors. She said the university work to be done Since interest off the endow- 2000 and left the administration 1000 without many options for new in- can also ask departments to real- ment supplies a quarter of the „ 900 This is the first year the Faculty Senate and come. locate money. university's operating budget, S 800 Staff Assembly have been chaired by women the squeeze may pressure the Carol "Right now we are sensitive to moving it at the same time. from one pro % 700^ university to increase tuition and Campbell, the fad that families ore Joe- vice chan- gram to fund reallocate money from one aca- ing the same (financial) cellor of another. m S00 ■•"' BY AMY JOHNSON demic department to another. -
Vodafone Paredes De Coura 2017
DOSSIER DE IMPRENSA VODAFONE PAREDES DE COURA 2017 Vodafone Paredes de Coura Ritmos Edição 2017 Biblioteca Digital Vodafone Vozes da Escrita Vodafone Music Sessions Acções Vodafone Vodafone FM Fest Cool Down Palco Jazz Relva Sobe à Vila Cartaz 2017 Programação por Dias Biografias Contactos 2017 © RITMOS, LDA VODAFONE PAREDES DE COURA 2017 VODAFONE O Vodafone Paredes de Coura está de regresso às margens do Taboão para celebrar a 25.ª edição. paredes DE São 25 anos de história repletos de momentos inesquecíveis. Das atuações COURA memoráveis, ao reencontro entre amigos e ao convívio com a natureza, o festival cresceu e deu fama internacional à vila minhota, que é agora destino de férias de eleição para tantos que a visitam. O Vodafone Paredes de Coura, habitat natural da música, mudou a forma de a ouvir, e viver. Soube despertar tendências, arriscar sonoridades, descobrir novos talentos, consagrar grandes nomes. Uma caminhada de esforços e superações, de provas e de conquistas, de lutas e de vitórias. 25 anos depois, a música continua no centro das atenções de um festival de experiências únicas. A história da música em Portugal não seria a mesma sem o Festival Paredes de Coura. EDIÇÃO 2016 A 24.ª edição materializou o sonho sob a forma de quatro dias de música em comunhão com a natureza, numa celebração conjunta que levou perto de 100 mil pessoas à Praia Fluvial do Taboão. Depois do sucesso da edição de 2015, completamente esgotada, o Vodafone Paredes de Coura continuou a apostar nas melhorias na área do campismo e do anfiteatro natural, que viu o seu espaço ampliado, mas manteve a lotação, o que permitiu receber o público com um cuidado reforçado e proporcionar ainda mais conforto, condições de higiene e segurança. -
"Blessing for the Nations" in the Patriarchal Narratives
THE THFIIE OF "BLESSING FOR THE NATIONS" IN THE PATRIARCHAL NARRATIVES OF GENESIS A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Biblical Studies University of Sheffield Riang Chea CHEW October, 1982 x ACKNOWLEDGE1ETS To be able to complete the present study is in itself a reflection of the assistance I received. It is therefore with great pleasure I express my appreciation to Mr. David Clines, my supervisor and Reader of the Biblical Studies Department, for his perceptive guidance throughout the period of my research. His kind friendship, understanding, and sacrifice of time, all contributed greatly to the completion of this thesis. In additions I would also like to express my thanks to Drs. Philip Davies and David Gunn, both also of the Biblical Studies Department.. Dr. Davies supervised me and Dr. &unn kindly gave of his time to discuss part of my work, during Mr. CIines' sabbatical leave in 1980/81. A special word of thanks also goes to Mr. Ken Rawlins of Sheffield whom I burdened with the unenviable task of correcting my English. I, of course, remain responsible for all the unidiomatic use of English still present in the study. Without the financial support of the Langham Trust, the present course of studies waulci not have been started and completed. In this, the personal encouragement of the Rev. Dr. John Stott is especially acknowledged. In addition, a number of organisations and friends have also contributed to the cost of maintenance for my family over the past three years. Of these, special thanks go to the consistent support given by the Lee Foundation, Singapore, and the church of which I am a member, both in Singapore and in Sheffield. -
First Headliner Announced for Reading & Leeds Festival 2017 – a Uk Festival Exclusive
EMBARGOED UNTIL 7:45AM THURSDAY 1 DECEMBER 2016 PRESENTS 25TH – 27TH AUGUST 2017, BANK HOLIDAY WEEKEND FIRST HEADLINER ANNOUNCED FOR READING & LEEDS FESTIVAL 2017 – A UK FESTIVAL EXCLUSIVE MUSE MAJOR LAZER, BASTILLE, ARCHITECTS, TORY LANEZ, AT THE DRIVE-IN, GLASS ANIMALS, AGAINST THE CURRENT, ANDY C, DANNY BROWN AND WHILE SHE SLEEPS ALSO CONFIRMED HUNDREDS MORE TO BE ANNOUNCED FOR 2017 http://www.readingandleedsfestival.com Reading & Leeds Festivals announce Muse, in a UK festival exclusive, as the first headliners for next year’s festival, taking place 25-27 August 2017. Stadium rock royalty, Muse are one of the most influential and revered live bands of modern times. Led by the commanding presence of frontman Matt Bellamy, the trio have taken to the biggest stages around the world with their interstellar anthems for over 22 years, and their return to Reading & Leeds promises to be yet another landmark moment in their storied career. Muse commented: "We’re very excited to be playing Reading and Leeds again. More news about our plans for 2017 coming in the new year." Melvin Benn commented: “I’m thrilled to be able to announce Muse as the first headliner for Reading and Leeds 2017. Their incredible live show promises to be an unforgettable performance - we have so much more to announce and I can’t wait to reveal the rest of the line up.” Also confirmed for Reading & Leeds 2017 in a UK festival exclusive, are dancehall-rejuvenators Major Lazer. Diplo, Jillionaire and Walshy Fire have become the soundtrack of modern dance, claiming No.1 records, chart-dominating tracks such as ‘Lean On’ and ‘Cold Water’ as well as live shows packed with genre-mashing moments promising an unrivalled party atmosphere. -
Berkeley C.Pdf
Cardinal Classic XI Packet by Berkeley C Round 4 Tossups 1. He trudges Southern Street searching for a place where he may eat or rest, looking vainly for a job other than menial labor, feeling the "hate stare." (*) His effigy was hung from the center light on Main Street. Hate-filled people whispered that he had been a Negro all along. He is a white man who darkened the color of his skin. FTP, name this man, who retold these events and more in "Black Like Me." Answer: John Howard --Griffin 2. As a teenager he followed the political economy work of Smith and Ricardo, and in 1848 he published his Principles (*) of Political Economy. A disciple of Jeremy Bentham, he became a prominent proponent of utilitarianism. He also penned the treatise The Subjection of Women, manifesting his belief in women's rights. For ten points, name this English author of "On Liberty." Answer: John Stuart Mill 3. It is the complement to Norton's theorem, and states that a linear, (*) active, resistive network which contains independent voltage or current sources can be replaced by a single voltage source and a series resistance. FTP, what is this circuit analysis theorem, which greatly simplifies network analysis under various load conditions? Answer: Thevenin's theorem 4. On Dec 30th, 1853, Santa Anna made one of the biggest blunders of his political career. Because the Treaty of Guadalupe Hidalgo (*) left the western part of the U.S.-Mexico border disputed, and the United States wanted a southern railroad route to the Pacific, 29,640 square miles of land between the Gila River on the north and the current border were sold to the United States for 10 Million Dollars. -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No. -
A Charts, So Could Have Been Released in the May Push Singles Back up the Chart Or Keep Them Around for Longer, Nevertheless the Chart Is a UK, Or Imported Here
Real Chart Page 1 such as the 78! Since the emergence of downloads the AA single has become a problem, since CHART LOG - A each track can sometimes be released as a separate download. However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or Symbol Explanations as soon as known. s j Top Ten Hit Number One hit. For the above reasons many remixed songs are listed as re-entries, however if the title is altered ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to reflect the remix it will be listed as would a new song by the act. This does not apply to Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not have records still in the chart and the sales of the mix would be added to the track in the chart. This made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been released in the may push singles back up the chart or keep them around for longer, nevertheless the chart is a UK, or imported here. sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. -
Dancing on the Corpse's Ashes
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2011-01-01 "Dancing On The orC pse's Ashes": Analyzing The Emotional Use Of Music And Genre By At The Drive In And How It Communicates Border Identity Crystal A. Robert-Segura University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons Recommended Citation Robert-Segura, Crystal A., ""Dancing On The orC pse's Ashes": Analyzing The motE ional Use Of Music And Genre By At The Drive In And How It Communicates Border Identity" (2011). Open Access Theses & Dissertations. 2572. https://digitalcommons.utep.edu/open_etd/2572 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. “DANCING ON THE CORPSE’S ASHES”: ANALYZING THE EMOTIONAL USE OF MUSIC AND GENRE BY AT THE DRIVE IN AND HOW IT COMMUNICATES BORDER IDENTITY CRYSTAL A. ROBERT-SEGURA DEPARTMENT OF COMMUNICATION APPROVED: __________________________________________ Richard D. Pineda, Ph.D., Chair __________________________________________ Stacey Sowards, Ph.D __________________________________________ Dennis Bixler-!"#$%&', Ph.D. __________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School( Copyright © by Crystal Robert-Segura 2011 “DANCING ON THE CORPSE’S ASHES”: ANALYZING THE EMOTIONAL USE OF MUSIC AND GENRE BY AT THE DRIVE IN AND HOW IT COMMUNICATES BORDER IDENTITY. By CRYSTAL A. ROBERT-SEGURA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2011 ACKNOWLEDGEMENTS First and foremost I would like to thank my thesis advisor, Dr. -
Students Protest Lack of Art Classes
Eastern Illinois University The Keep September 2002 9-6-2002 Daily Eastern News: September 06, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 06, 2002" (2002). September. 4. http://thekeep.eiu.edu/den_2002_sep/4 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. September 6, 2002 N “Tell the truth FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 10 THEDAILYEASTERNNEWS.COM Family ties run deep Cross country teams form a family-like bond. Page 8 SECTION A Athletic director Students protest McDuffie gets 11 percent raise lack of art classes Melissa Nielsen By Scott Miller move, Hencken said, giving him CAMPUS EDITOR ADMINISTRATION EDITOR the sole decision to give McDuffie a raise. Instead of sitting in a print shop Eastern Director of Athletics “The president makes all the class yesterday with no working Rich McDuffie is remaining at decisions,” he said of the decision equipment and no assignments to Eastern this year after receiving a to increase McDuffie’s salary. work on, a group of art students two-year contract extension worth “The vice presidents give recom- thought their class time might be an extra $11,000 per year from mendations, but the president better spent in the president’s interim President Lou Hencken, makes the final decision.” office. despite the budget difficulties pre- On the position move from the Five advanced art students, venting many raises around cam- student affair’s office to the presi- organized by Jennifer Price, a jun- pus.