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Senior Recitals Recitals

4-13-2009

Senior Recital: Becoming a Broadway Baby

Felice Garcia University of Nevada, Las Vegas

Christopher Lash University of Nevada, Las Vegas

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Repository Citation Garcia, F., Lash, C. (2009). Senior Recital: Becoming a Broadway Baby. 1-1. Available at: https://digitalscholarship.unlv.edu/music_senior_recitals/22

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Presents

Becominga BroadwayBaby

FeliceGarcia

mezzo-soprano

Senior Recital

with

ChristopherLash, pi'ano

Monday,Apcll3, 2009 5:30pm Beam Music Center t.J Doc RandoRecitJ Hall - "' Program "'

An evening of music by

Felice would lil~eto give a special thanhs to Christopher Lash for his help in arranging the music lllvocat:ion and lnsttuctions to tl1e Audience for this performance. (2004) Sbe would also lil

Lovely A FunnyThing Happened on the Wayto theForum (1962)

No One Is Alone Intothe W~ (1987)

Some People Gyp:;,-y (1959) Becoming a Broadway Baby is one girl's journey to New Yorl<, Music by Jule Styne specifically, 42nd street. Veronica has dreamed her whole life Lyrics by Stephen Sondheim of moving to New Yorl< to be in a Broadway show. She moves to tbe big city rigbt out of bigh school with very little money in Sooner or Later Dick Tracy her pocl

Being Alive (1970)

Felice Garcia is a student a/Juline o,"J,a.-..This Per/a~·manceis offered in partial /u/fil/ment /or the requirements a/ the Bachelor a/ Arts in Recital Concentration.

I.

II Last month, Ste~henSondheim celebrated his 79tl' birthday and Sondheim wrote twenty-two songs for (1971) based on the during most of those years, he has been a crucial part of Ameri­ Ziegfeld Follies girls. The show is centered on age and memory can music. With Oscar Hammerstein as a mentor and father fig­ of !our characters: Ben, Phyllis, Buddy, and Sally. The story con­ ure, Sondheim grew up speahing a "lan~uageof opening numbers, tains recollections of two couples' lives when they performed with ensemble turns, and comedy routines." Stylistically, Sondheim the Follies. There is very little dialogue and the songs forward the is very precise wl1.en it comes to lyric writing, exact rhymes, proper action. "Could I Leave You?" is about a woman unb.appy with her punctuation, and flawless prosody.2 lmsbancl, and the dramatic lyrics are set to a waltz. On the other end of tl1.e spectrum is "Broadway Baby": a classic musical theatre was Sondheim' s first success as a lyricist in 1 9 57. song and one of Sondheim' s most recognizable songs. He teamed up with legendary composer Leonard Bernstein to create one of the most famous Broadway musicals of all time. Sondheim For (1987){ Sondheim wanted to write something claims that he modified his own style of writing to suit Bernstein's "fun and entertaining" and he chose to collaborate with James Lap­ m.usic. "Somewhere" was originally :eerformed oHstage by a soprano ine on this wl1.imsical musical. The story brings together many and contains an excerpt from Beethoven's 'Emperor' Piano Con­ cl1.aracters from different fairy tales lihe Cinderella, Little Red Riding certo. Hood, Rapunzel and more. Sondheim didn't want a "happily ever af­ ter" ending because l1.e felt that it "encouraged selfishness and social Cole Porter and Irving Berlin both turned down composing op­ responsibiliJx."3 Cinderella sings "No One Is Alone" to Red Riding porhmities for the story of . In 1959 Sondheim teamed up Hood. Sondl1.eim says the message of the song is "everything you do with Robbins and Laurents who also worhed on West Side Story. affects everyone else." The song "Some People" shows that Rose, the main character, has big dreams. The song also previews another one of the hits from "Sooner or Later" is from a 1990 movie, Dick Tracy, starring War­ the show "Everything's Coming Up Roses". The reviews for Gyp_sy ren Beatty. Sondheim won an Academy Award for the song, sung were all very positive and it would give Sondheim the credibility he by Madonna for the movie. The Frogs is one of Sondheim' s most needed to write both music and lyrics for future compositions. recent worl

Sondheim enjoyed collaborating with other visionaries. For exam­ ple, he and director producer Harold Prince first worl

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