Latin for Beginners
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Julius Caesar
Advisory Editor: Professor M. M. Willcock Julius Caesar THE CIVIL V/AR BOOKS I 8. II Edited with an Infroduction, Translation & Commentary by J. M. Carter {Qq t Aris & Phillips - Warminsten - England 153 COMMENTARY BOOK I 1.33 The capture of ltaly, Sicily and Sardinia 1-6 Caesar begins with the politícal moves made against him, and the tribunes who snpported him, in the first days of larunry. The aim is to show his chíef enemies a.s men who are unwilling to negotiate, contemptuons of the constitutíon, and actuated by discreditable personal motives. The clímax of this first section is the flight of the two tribunes from Rome on Jarunry 7th, but Caesar rounds it off wìth an account of the decßíons made hy the senate after they had gone, when hís enemies had a free lund to make the díspositions they wished. In spìte af hís supefficíally dispassionate tone, the presentation here is more consistenþ subjective and biased against his opponents thon anywhere else in the work. ' 1 L ...when Caesar's letter was delivered to the consuls: could Caesar have plunged thus, without introduction or explanation, into his narr¿tive? Modem editorial consensus (Fabre, Klotz, Oppermann, Trillitzsch) holds so, but there a¡e strong reasons for believing that at least several sentences have been lost from the start of the book: (a) the narative at the end of Bellum Gallicum I fails to join up properly with the beginning we have here, although Hirtius wrote it speciñcally to filI the gap between Caesar's two wodcs (8.G. -
PART I: HOMEWORK 1: GRAMMAR from the Book. 2: EXERCISES
1 Winter Semester 2015/2016 Handout 2 PART I: HOMEWORK 1: GRAMMAR from the book. To be prepared for the Lesson 2 you are expected: to read the following material from the book Unit 1: Pronunciation and accent in Latin, p. 1-2; Grammatical categories, p. 3-5; 2: EXERCISES 1. Read aloud: • vertebra, ante, palpebra, medulla, vēna, trachēa, venēnum (2) • sine, pilula, vitrum, inter, spīna, rīma, vīnum, salīva (3) • post, anodus, oleum, prostata, bōlus, prō, prōcessus, dolorōsus (4) • apud, gutta, glandula, uterus, ūrīna, rūptūra, nātūra (5) • aegrōtus, praemātūrus, lagoena, foetor, aër, dyspnoē, diploē, proerythroblastos, coenzymum (6) • felleus, balneum, āreola, aorta, interosseae, pleura, pӯogenēs, euryōpia (9) • celulla, cibus, caecum, cystis, costa, cutis, fasciculus, clāvicula, frāctūra (11) • coccӯgeus, occipitālis, ōscilococcinum, accessōrius, saccus, saccī, vaccīna (12) • caecum, caecī, bucca, buccae, verrūca, verrūcae, thōrācica, thōrācicae, saccus, saccī, coenzymum (13) • digitus, tībia, destillāta, hernia, tunica, audītus (15) • fūnctiō, articulātiō, vitium, īnsufficientia, sānātiō, ōstium, testium, mixtiō, combustiō (16) • aqua, liquor, quadrātus, lingua, sanguis, unguentum, unguis, unguium, inguinālis (17) • resistentia, incīsūra, spongiōsus, basis, crisis, nasālis, pulsus, morsus, mēnsis, plasma (18) • comissūra, prōcessus, scissus, accessōrius, ossa, ossium, hypoglōssus, tussis, pertussis (19) 2. Read aloud the nominative and genitive forms of the nouns. Write down the number of the declension; follow the example: ex: caput, -
Poetic Diction, Poetic Discourse and the Poetic Register
proceedings of the British Academy, 93.21-93 Poetic Diction, Poetic Discourse and the Poetic Register R. G. G. COLEMAN Summary. A number of distinctive characteristics can be iden- tified in the language used by Latin poets. To start with the lexicon, most of the words commonly cited as instances of poetic diction - ensis; fessus, meare, de, -que. -que etc. - are demonstrably archaic, having been displaced in the prose register. Archaic too are certain grammatical forms found in poetry - e.g. auldi, gen. pl. superum, agier, conticuere - and syntactic constructions like the use of simple cases for pre- I.positional phrases and of infinitives instead of the clausal structures of classical prose. Poets in all languages exploit the linguistic resources of past as well as present, but this facility is especially prominent where, as in Latin, the genre traditions positively encouraged imitatio. Some of the syntactic character- istics are influenced wholly or partly by Greek, as are other ingredients of the poetic register. The classical quantitative metres, derived from Greek, dictated the rhythmic pattern of the Latin words. Greek loan words and especially proper names - Chaoniae, Corydon, Pyrrha, Tempe, Theseus, Zephym etc. -brought exotic tones to the aural texture, often enhanced by Greek case forms. They also brought an allusive richness to their contexts. However, the most impressive charac- teristics after the metre were not dependent on foreign intrusion: the creation of imagery, often as an essential feature of a poetic argument, and the tropes of semantic transfer - metaphor, metonymy, synecdoche - were frequently deployed through common words. In fact no words were too prosaic to appear in even the highest poetic contexts, always assuming their metricality. -
Subject Placement in the History of Latin
Catalan Journal of Linguistics 16, 2017 125-161 Subject Placement in the History of Latin Lieven Danckaert CNRS/Université de Lille 3 [email protected] Received: May 2, 2017 Accepted: July 17, 2017 Abstract The aim of this paper is to provide further support for one aspect of the analysis of Classical and Late Latin clause structure proposed in Danckaert (2017a), namely the diachrony of subject place- ment. According to the relevant proposal, one needs to distinguish an earlier grammar (‘Grammar A’, whose heyday is the period from ca. 200 BC until 200 AD), in which there is no A-movement for subjects, and a later grammar (‘Grammar B’, which is on the rise from ca. 50-100 AD, and fully productive from ca. 200 AD onwards), where subjects optionally move to the inflectional layer. Assuming the variationist acquisition model of language change developed in Yang (2000, 2002a,b), I present corpus evidence which confirms that it is only in the Late Latin period that TP-internal subjects fully establish themselves as a grammatical option. Keywords: Latin; language change; word order; subject placement; grammar competition Resum. La posició del subjecte en la historia del llatí L’objectiu d’aquest article és proporcionar un suport addicional a un aspecte de l’anàlisi de l’estructura oracional del llatí clàssic i llatí tardà proposada a Danckaert (2017a), a saber, la dia- cronia de la posició del subjecte. D’acord amb la proposta rellevant, cal distingir una gramàtica anterior (‘Gramàtica A’, l’apogeu de la qual és aproximadament el període comprès entre el 200aC i el 200dC), en què no hi ha moviment-A per als subjectes, i una gramàtica posterior (‘Gramàtica B’, que sorgeix aproximadament el 50-100dC, i esdevé totalment productiva a partir del 200dC en endavant), on els subjectes es mouen opcionalment a la capa flexional. -
Courses of Study in Foreign Languages for the High Schools of North Carolina
COURSES OF STUDY IN FOREIGN lAlTGUAGES Publication No. 188 COURSES OF STUDY IN FOREIGN LANGUAGES FOR THE HIGH SCHOOLS OF NORTH CAROLINA Issued by the State Superintendent) of Public Instruction Raleigh, North Carolina S of tl)e Onit3et0it^ of iQortI) Carolina Collection of iI2ortfi Catoliniana Cr ^"75. Xl&V. P Publication No. 188 COURSES OF STUDY IN FOREIGN LANGUAGES FOR THE HIGH SCHOOLS OF NORTH CAROLINA Issued by the State Superintendent of Public Instruction Raleigh, North Carolina L^ ——— — Table of Contents uATIN Page Introduction 7 The Four-Year Course Aims or Objectives 8 General Suggestions 9 Suggestions for Latin Teachers Regarding Training in Service 13 Scope of Work First Year 14 Second Year 17 Third Year ; 20 Fourth Year 23 •"RENCH Foreword 27 Minimum Requirements of Achievement in the Two-Year High School Course 27 Reasons for Studying French 27 Pronunciation 28 Dictation 29 First Year Grammar 29 Second Year Grammar 40 Reading 44 Realia 47 Jerman First Year Reasons for Studying German in the High School 49 Objectives 49 Methods of Obtaining the Objectives 50 Second Year Reasons for Studying 54 Objectives 54 Methods of Obtaining the Objectives 54 Suggestive Objective Tests 55 Suggested Materials 60 iPANISH Importance and Value of Spanish 62 A Two-Year Course 63 Division of Essentials 63 The First Year 63 The Second Year 66 Methods of Procedure 70 ro d PREFACE These courses of study in Foreign Languages are the result of the study, work and experience during the past two years of: 1. Teachers of Foreign Languages throughout the state. 2. Special State Committees on Foreign Languages. -
From Latin to Romance
From Latin to Romance: Computational Modeling of Syncretism Tyler Lau∗, Maria Polinsky†, and Jake Seaton† ∗Department of Linguistics, University of California at Berkeley, USA †Deparment of Linguistics, Harvard University, USA Overview Structure of the Connectionist Model Discussion • What factors in Late Latin led to the heavy reshaping of • With phonology, frequency,& human semantics /kanis/ ‘dog’ Corpus the nominal system? 454 Latin Vulgate nouns in 6 forms (3 cases 2 numbers) = 2724 total forms • Declensions IV & V fall out in every simulation Phonology Semantics # times each form introduced = log(freq(form))× relative freq(case & num combination) • What minimal information does a connectionist model In training, input of each token (phonology and semantics)× and expected output given to model • With case hierarchy added, final forms converge more a ... and hidden layer adjusts connection weights accordingly need to predict syncretism in the correct direction? k Phonology (396 nodes = 6 6 11) Human Semantics (8 nodes) • Genitive singular drops out completely [-human] × × Analogy driven by factors such as frequency, [-vd] [+C] ... [+vd] [-C] ... ... Each word maximally 6 syllables Nouns coded as: • Genitive plural hardly survives (only example in • Each syllable maximally 6 phonemes (CCVVCC) Male human: first 4 nodes activated Each phoneme coded for 11 features markedness, and morpheme length. (Kuryłowicz 1947, -1 1 ... 1 -1 ... ... 0 0 0 0 0 0 0 0 Female human: final 4 nodes activated history is oblique 3PL pronoun–Fr. leur, It. loro) Bybee 1985, Albright 2008) Non-human: 0 nodes activated • Forms remaining in ≥90% of simulations Hidden Layer (30 nodes): -am > -a F.SG ending in all Romance (> -e in Fr.) Learning takes place in the hidden layer (Goldsmith & O’Brien 1995) • • Changes in Romance have been attributed not only to .. -
Old French and Romanian Declensions from a Word and Paradigm Perspective and the Notion of “Default Syncretism”
OLD FRENCH AND ROMANIAN DECLENSIONS FROM A WORD AND PARADIGM PERSPECTIVE AND THE NOTION OF “DEFAULT SYNCRETISM” ALAIN KIHM1 Abstract. Old French and Romanian nominal inflections or declensions share the property of being apparently uncomplicated as their paradigms consist in only two forms at most: a base form and an inflected form. This outward simplicity, however, results from complex syncretisms. In Old French masculine nouns, the singular subject case and the plural object case are identically inflected, whereas the singular object and the plural subject cases are identical base forms; in Romanian feminine nouns, the singular genitive-dative and the two plural case forms are the same. Such syncretisms raise a descriptive and theoretical issue as they appear to be neither semantically motivated nor fully arbitrary. Drawing on the conceptual and formalizing resources of Word and Paradigm (WP) theory and Paradigm Function Morphology (PFM), the present essay attempts to solve the issue by assuming a third kind of syncretism that involves not the meaningful content of features, but their DEFAULT value. At the same time, it proposes a nearly full treatment of Old French and Romanian declensions in PFM terms. Keywords: case, default, declension, gender, number, paradigm, syncretism. 1. INTRODUCTION As is well-known, only Old French and Romanian among Romance languages kept something of the Latin rich nominal inflection for case and number or DECLENSION. The present study aims to provide a synchronic account of this phenomenon in a Word and Paradigm (WP) framework (Blevins 2006), using the formal apparatus of Paradigm Function Morphology (PFM – Stump 2001; Bonami, Stump to appear). -
Word Order V Ariation in Plautus1
Matjaž Babič UDK 801.82:811.124'02 Plautus University of Ljubljana WORD ORDER VARIATION IN PLAUTUS 1 Unlike some other language phenomena, word order is an unavoidable feature of an utterance. It can be observed in any language as it is always necessary to arrange words (provided the language in question discerns such meaningful entities) in some linear order. It is, however, much more difficult to explain it, since its function can not be fully established in advance. Even with fairly numerous indications of its role, it would be quite bold to attempt a comprehensive analysis of word order phenome na even in Plautus, let alone in Latin as a whole. A truly pragmatic approach cannot be based on a dichotomy of 'common'2 vs. 'exceptional', since the result would be limited to a set of more or less stringent rules and exceptions. A compromise between syntactic and pragmatic views of word order was partly reached by Daneš (1974). In keeping with accepted practice, this paper describes the positions of sentence constituents by means of the "schemata Greenbergiana" (Greenberg 1966). Since their appearance, they have met with no less criticism than praise, but they appear convenient and concise enough. One oftheir main advantages is that they avoid par tial description in terms of 'fronting' or 'tailing', which are applicable when dis cussing exceptions to rules, but are rather out of place when overall patterns are to be determined. In a language with the so-called free word order, principles of familiarity can be expected to play a significant role in the arrangement of constituents. -
Illinois Classical Studies
14 Is it Really the Accusative? A Century-Old Controversy Revisited PAUL A. GAENG The stages involved in the disintegration of the classical Latin system of declensions and its evolution during the centuries that preceded the "birth" of the Romance languages have been adequately outlined by leading Romanists of both past and present. The undisputed master of Romance linguistics in our century, Wilhelm Meyer-Liibke, summed up the opinion of his generation when he insisted on the Latin accusa- tive as being the Romance "Normalkasus," with due allowances for the Latin nominative as reflected, for instance, in the cas sujet of Old French and Old Provenfal and the plurals of Italian and Rumanian nounsJ Anchored in the Diezian theory of the Latin accusative as the progenitor of the Old French and Old Proven9al oblique case and the single case forms of the other Romance languages, Meyer-Liibke's view that, except for sporadic instances of nominative derivation, the Romance noun is, in essence, a survival of classical Latin accusative forms both in the singular and the plural has generally prevailed, despite an occasional voice offering convincing arguments to the con- trary. The first scholars on record to challenge this "accusative theory" were the Italians D'Ovidio and Ascoli. The former, the catalyst for the subsequent declensional combat waged by Ascoli and Meyer-Liibke, set out to show in his SuU'origine delVunica flessione del nome (1872), that the post-classical form servo comprised not a single case but the classi- cal nominative servus, dative/ablative servo, and accusative servum, in the singular, and that the plural servi represented classical nominative servi and the dative/ablative servis. -
ORNAMENTATION and SENTENCE-LENGTH in CICERO's NINTH PHILIPPIC Cameron Paterson a Thesis Submitted to Th
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository BEAUTY’S HEARTBEAT: ORNAMENTATION AND SENTENCE-LENGTH IN CICERO’S NINTH PHILIPPIC Cameron Paterson A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Clas- sics. Chapel Hill 2008 Approved by: Cecil Wooten James Rives Werner Riess ©2008 Cameron Paterson ALL RIGHTS RESERVED ii ABSTRACT Cameron Paterson: Beauty’s Heartbeat: Ornamentation and Sentence-Length in Cicero’s Ninth Philippic (Under the direction of Cecil Wooten) To persuade the senators that he is speaking sincerely, to please their ears with proportioned and balanced sentences, to impress them with praises of Sulpicius, whose virtues he wants memorialized by a statue, to impress them with criticisms not only of Antony, whose bold- ness he wants branded by that statue, but also with criticisms of their insistence to send Sul- picius on the embassy and ultimately to die, to make them understand clearly what he is say- ing, Cicero uses a combination of styles in the Ninth Philippic. I wed Hermogenes’ theory of types with close analyses of sentence structure to describe Cicero’s “Making” in a way that avoids the problems with recent efforts, marriages on the rocks. My study is a happy mar- riage: the variety of ornamentation in Cicero’s late-style shines out, epideictic speeches of different time periods dance together in new ways and relations of style to content interlock. -
Fabulae Ab Urbe Condita
Fabulae Ab Urbe Condita Latin Text with Facing Vocabulary and Commentary 2nd Edition Geoffrey Steadman Fabulae Ab Urbe Condita Latin Text with Facing Vocabulary and Commentary 2nd edition © 2017 by Geoffrey Steadman All rights reserved. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. The author has made an online version of this work available (via email) under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. The terms of the license can be accessed at creativecommons.org. Accordingly, you are free to copy, alter, and distribute this work freely under the following conditions: (1) You must attribute the work to the author (but not in any way that suggests that the author endorses your alterations to the work). (2) You may not use this work for commercial purposes. (3) If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license as this one. ISBN-13: 978-0-9913860-2-4 Published by Geoffrey Steadman Cover Design: David Steadman Fonts: Times New Roman [email protected] Table of Contents Pages Introduction to Fabulae Ab Urbe Condita……………………………..…………...v-vi How to Use This Commentary………………………………………………………vii Running Core Vocabulary List…………………………………………………..viii-xv Abbreviations…………………………………………………………….………….xvi Nouns, Pronouns, and Adjectives…………………………………………….....130-31 Verb Synopses…………………………………………….………………….....132-39 Subjunctives…………………………………………….…………………..............140 Alphabetized Core Vocabulary List…………………………………………….141-48 Facilies Ab Urbe Condita Part I 1. -
On Latin Nominal Inflection: the Form-Function Relationship
Published in: Morphology vol. 23 (2013) no. 2, p. 179-200. On Latin nominal inflection: the form-function relationship Bernd Wiese Abstract The present paper provides a new approach to the form-function relation in Latin declension. First, inflections are discussed from a functional point of view with special consideration to questions of syncretism. A case hierarchy is justified for Latin that conforms to general observations on case systems. The analysis leads to a markedness scale that provides a ranking of case-number-combinations from un- marked to most marked. Systematic syncretism always applies to contiguous sections of the case-number-scale (‘syncretism fields’). Second, inflections are analysed from a formal point of view taking into account partial identities and differences among noun endings. Theme vowels being factored out, endings are classified on the basis of their make-up, e.g., as sigmatic endings; as containing desinential (non-thematic) vowels; as containing long vowels; and so on. The analysis leads to a view of endings as involving more basic elements or ‘markers’. Endings of the various declensions instantiate a small number of types, and these can be put into a ranked order (a for- mal scale) that applies transparadigmatically. Third, the relationship between the in- dependently substantiated functional and formal hierarchies is examined. In any de- clension, the form-function-relationship is established by aligning the relevant formal and functional scales (or ‘sequences’). Some types of endings are in one-to-one cor- respondence with bundles of morphosyntactic properties as they should be according to a classical morphemic approach, but others are not.