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JULIA HOLTER (SOLO on GRAND PIANO) with SPECIAL GUEST TASHI WADA ANTZOKI ZAHARRA Azaroa 28 Noviembre 20:00 18 €

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JULIA HOLTER (SOLO on GRAND PIANO) with SPECIAL GUEST TASHI WADA ANTZOKI ZAHARRA Azaroa 28 Noviembre 20:00 18 € JULIA HOLTER (SOLO ON GRAND PIANO) WITH SPECIAL GUEST TASHI WADA ANTZOKI ZAHARRA Azaroa 28 Noviembre 20:00 18 € Julia Holter estatubatuarra azaroaren 28an izango da Antzoki Zaharrean, Julia Holter (solo on Grand Piano) with special guest Tashi Wada izeneko biraren barruan (27an Madriletik pasatuko da (Barceló antzokia, 981Heritage zikloaren barruan) eta 29an Bartzelonatik (BARTS aretoa, Bartzelonako Voll-Damm Nazioarteko Jazzaldiaren barruan). Holterrek gaur arte egin duen azken lana In the Same Room zuzenekoa da, aurtengo martxoan kaleratua. Birako bandarekin grabatu zuen, Londresko RAK Studios-en eta aurrez beste album batzuetan argitaratutako hamaika kanta birsortzen ditu han (salbuespen bakarra: Ekstasis, argitaratu gabea). Atzera begira jarrita, 2011ra jo behar lehen LPa aurkitzeko, Tragedy –baina 2007an EP bat zuen argitaratua, Eating the Stars–. Urtearen hondarrean agertu zen Tragedy, eta urrunetik zetorrela zirudien; soinu bikortsuz osatutako collage baten eta entzuleari atsedenik ematen ez zion giro baten bitartez hats hartzen zuten ahotsak zituela. Agerian geratu zen egileak jakin-mina zuela gotikotasunaz eta bere erakarmen popa produkzio abangoardiakoetatik iragazteaz, jolas-parkeetako ispilu-etxeak bezala dabiltzan horietatik. Bi zer horiek ugari zebiltzan orduan pop indiean. Baina bazegoen aldea, zeren eta Tragedy, era horretako diskoa izan arren, era horretako diskoak baino gehiago baitzen: soinua xehetasunez askoz beteagoa zuen, askoz erneago zebilen konposizio bakoitzaren premiez. Bere garaikide batzuetatik baino hurbilago (Zola Jesus edo Grouper, edo are, ahotsari ematen zaion garrantziagatik, Julianna Barwick baino hurbilago), 80ko hamarraldi erdiko zenbait izen 4AD zigilukoetatik, eta Laurie Anderson edo Meredith Monk-en tamainako emakume menturazaleetatik gertuago zebilen. Laurie Andersonen hurbileko ildo horretan ibili zen bigarren LPko pop esperimentala ere, Ekstasis, 2013ko martxoan agertua, eta are asmo handiagoak erakutsi zituen Loud City Song hirugarren LPan, zeina 2013ko abuztuan agertu baitzen. Gigik 1944an argitaratutako Colette liburuan, Frank O’Hararen poemetan eta Joni Mitchell-en albumetan inspiratua da Loud City Song, eta Holterrek Los Angeles hiriarekin dituen harremanak arakatzen zituen. Hiri hartantxe grabatu zuen 2012aren amaieran. Ondorengoa 2015eko irailean etorri zen, Have You in my Wilderness, bere ibilbideko entzunerrazena, zeinak oso kritika onak ekarri baitzizkion, eta haren ospea areagotu. Konposatzeko motibazioari buruz, egileak esan zuen Scott Walker-en Duchess kanta izan zela gakoa, “nolabait esanda, atzematen baitu ni maila zabalago batean egin nahian nenbilena: maite-kanta urre-kolore eta goxo horietakoak”. Azkenik, aipatu behar da Tashi Wada dela Holterren gonbidatu berezia bira honetan: Estatu Batuetako musikari esperimental bat, ohiko bidetik ez doazen arteetan espezializatua bera ere. Wadaren konposizioek egitura sinplea dute itxuraz, baina oso modu sotilean neurtutako afinazio-sistemak ezkutatu ohi dituzte, entzuleek hautematean efektu ustekabekoak sorrarazteko xedez. La estadounidense Julia Holter visitará el Teatro Principal el 28 en noviembre, con un tour que ha bautizado como Julia Holter (solo on Grand Piano) with special guest Tashi Wada, y que pasará por Madrid el día 27 (Teatro Barceló, dentro del ciclo 981Heritage) y el 29 en Barcelona (sala BARTS, dentro del Voll-Damm Festival Internacional de Jazz de Barcelona). Cabe recordar que el último trabajo de Holter hasta la fecha es el directo In The Same Room, que salió en marzo de este año. Fue grabado con su banda de gira en los londinenses RAK Studios y recrea once temas ya publicadas en álbumes previos (salvo Ekstasis, que no está representado). Echando la vista hacia atrás, hay que remontarse hasta 2011 para llegar hasta su primer LP, Tragedy -aunque en 2007 había publicado el EP Eating The Stars-. Aparecido a finales de aquel año, Tragedy es un trabajo que parecía llegar de lejos, con voces que respiraban a través de un collage de sonidos granulados y una atmósfera que no daba tregua al oyente. En él se manifiestaba que su autora sentía curiosidad por lo gótico y por filtrar su gancho pop a través de producciones vanguardistas, de esas que funcionan como las casas de espejos de los parques de atracciones. Dos argumentos que abundaban entonces en el pop indie. Pero la diferencia es que Tragedy, a pesar de ser uno-de-esos-discos, era más que KOMUNIKAZIOA COMUNICACIÓN Erregina Erregeordea, 8 - 20003 Donostia / San Sebastián T. (0034) 943 481 161 E. [email protected] www.donostiakultura.eus uno-de-esos-discos: su sonido se presentaba mucho más detallista, andaba más atento a las necesidades de cada composición. Más que acercarla a contemporáneos como Zola Jesus o Grouper (o incluso, por la importancia de la voz en su obra, a Julianna Barwick), casi que la arrimó a nombres del sello 4AD de mediados de los 80, y a féminas aventureras del calado de Laurie Anderson o Meredith Monk. En esa onda cercana a Laurie Anderson se mantuvo el pop experimental de su segundo LP, Ekstasis, aparecido en marzo de 2013, onda que fue llevada todavía a terrenos más ambiciosos en Loud City Song, su tercer larga duración, publicado en agosto de 2013. Inspirado en el libro Colette que en 1944 publicó Gigi, en los poemas de Frank O'Hara y en álbumes de Joni Mitchell, Loud City Song exploraba la relación de Holter con la ciudad de Los Ángeles, en la que fue grabado a finales de 2012. Su sucesor llegó en septiembre de 2015, Have You In My Wilderness, el más accesible de su carrera, cosechando críticas muy positivas que elevaron el prestigio de Julia. Sobre la motivación para componerlo, su autora declaró que la canción de Scott Walker Duchess había sido clave para ello,"de alguna manera captura lo que yo estaba intentando hacer en un nivel más amplio: este grupo de doradas y cálidas canciones de amor". Finalmente, mencionar que Tashi Wada, el invitado especial de Holter en esta gira, es un músico experimental estadounidense, también especializado en artes indisciplinares. Sus composiciones suelen utilizar estructuras de apariencia sencilla, pero que esconden sistemas de afinación que han sido sutilmente calibrados para generar inesperados efectos de percepción. KOMUNIKAZIOA COMUNICACIÓN Erregina Erregeordea, 8 - 20003 Donostia / San Sebastián T. (0034) 943 481 161 E. [email protected] www.donostiakultura.eus.
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