Labels É Des Labels Ché in C Ar Dé I Pe a LABELS M N Labelsindépendants D L a Fr N

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Labels É Des Labels Ché in C Ar Dé I Pe a LABELS M N Labelsindépendants D L a Fr N Petit ➼ historique inizine sp m des labels é des labels ché in c ar dé i pe a LABELSindépendants m n d l a fr n . t 6 s -2 n 2 LABELS o 0 i t 1 c 8 e s . w w w THEY’RE POPDOING IT FOR THE POP KIDS! MODERNE MODERNE ➼ Top 8 Birdie The Orchids Tomorrow/Bowling I Never Learn 7’’ Wiaiwya Green 7’’ Quelques jours avant la première édition parisienne du Marché des Labels Comet Gain » britan- Woodpigeon Indépendants en 2016, cinq ans après son modèle londonien,indie l’un d’entre & Norman Blake Hefner Avenue Girls 7’’ : Brutish Birds 7’’ Breaking God’s Heart nous, de passage dans le bureau français d’un des labels « (20th anniversary Reissue) Darren Hayman niques les plus importants, avait été ainsi invité à venir y faire un tour Robert Rotifer Chants For Socialists ». Wiaiwya They Don’t Love You Pete Astor « Passe nous voir dans le Marais si tu es là ce weekend, on sera sans doute par Back Peter Cook 7’’ tous seuls à attendre sur notre stand, il n’y aura probablement personne Matthieu Grunfeld Le jour dit, contrairement aux prédictions les plus pessimistes, il y avait ➼ Officiellement actif depuis plus la confection de ces précieux un acte militant où se mêlent du monde, dont la plupart des futurs contributeurs de Section 26. Mais PNEde deux décennies, WIAIWYA est objets que demeurent les singles indissolublement parti-pris qu’est-ce que Section 26 d’ailleurs ? Un jeu de mots d’après le groupe toujours demeuré fidèle à une vinyle — l’essentiel du catalogue esthétique et revendication active anglais Section 25 pour qualifier les 26 pigistes qui ont choisi de quitter certaine tradition toute britannique du label leur est consacré — d’une autonomie absolue. Magic pour écrire sur www.section-26.fr ou dans des de l’indépendance pour laquelle doit toujours s’apparenter à Join the single club ! ó le magazine musical suppléments comme celui-ci. Nos rêves pop modernes les plus fous ont Frédéric été bercés par l’activisme des labels indépendants historiques, relayés Valion Full Time Hobby par un Bernard Lenoir à la radio ou par un Jean-Daniel Beauvallet gardien The Magnetic North RPUT/ 4AD Prospect of CroqMac du temple aux Inrockuptibles, tous les deux invités dans ces pages, avec - Ultra Vivid Scene Skelmersdale Vinyl comme premiers noms repérés Factory, Mute, Creation, Sub Pop ou bien Joy 1967-1990 FTH255 – 2016 Williams Franck Vergeade Sarah, des sésames étrangers parfois mythifiés, souvent désormais dispa CAD0005 – 1990 Opal Journaliste Warp RPUT24 – 2018 rus. Mais parmi les 60 labels, pour moitié étrangers pour moitié français, Domino Plaid 4AD Matthew E . White présents cette année à l’Espace des Blancs Manteaux nous avons retenu Double Figure Mexican Cocteau Twins LABELS Fresh Blood WARP84 – 2001 Summer Heaven Or Las Vegas deux fois 2 + 6 labels sur lesquels il y avait matière à s’exprimer : 4AD, WIG309 – 2015 Dungen CAD 0012 – 1990 Born Bad Domino, Full Time Hobby, Marathon, Mexican Summer, Rough Trade, Warp et Rough Trade Ta Det Lugnt La Femme KEM016 – 2005 Born Bad Wiaiwya d’une part, Born Bad, Cracki, Croque Macadam, Her Majesty’s Ship, The Smiths Psycho Tropical Berlin La Femme Meat is Murder BB051 – 2013 Psycho Tropical Berlin Microqlima, Midnight Special, Pan European et Requiem Pour Un Twister. ROUGH81 – 1985 BB051 – 2013 Mais nous aurions aussi voulu écrire sur les absents Bella Union, Captured Domino Tracks, Cherry Red, City Slang, Drag City, Heavenly, Matador, Secretly disquaires indépendants Palace Music Canadian avec Jagjaguwar et Dead Oceans, Slumberland et Sub Pop témoin 8 Ground Zero / Nationale 7 Viva Last Blues d’une autre époque, sans oublier plusieurs labels français de qualité. Une Balades Sonores 114 Rue du Faubourg Poissonnière, WIGLP21 – 1995 1 & 3 avenue Trudaine, 75009 Paris 75010 Paris prochaine fois si possible, pour peu que cette édition confirme les espoirs 09 83 20 84 42 / Lu: 14h-19h30 & Full Time Hobby 01.83.87.94.87 / Lu – Sa: 10h-20h Timber Timbre Ma – Sa : 11h30-19h30 initiés par les deux précédentes. De l’autre côté de la Manche, ce ne sont www.baladessonores.com Hot Dreams www.groundzero.fr pas moins de 400 labels qui participent… FTH189 - 2014 Born Bad Nicolas Plommée 11 Rue Saint Sabin, 75011 Paris Pop Culture Mexican Summer 09.53.07.84.58 / Lu – Sa: 10h-19h30 23 Rue Keller, 75011 Paris Ariel Pink : 14h-19h30 & www.bornbadrecords.net 01 43 55 34 68 / Lu Dedicated To Bobby Jameson POP : 11h30-19h30 Ma – Sa MEX240 - 2017 www.popcultureshop.fr ours Fargo Vinyl Shop RPUT/CroqMac Remerciements à Hélène Peruzzaro de l’Independant 20 Rue Chanzy, 75011 Paris section26, coordonné Le Souffle continu Marble Arch ➼ Un mini-zine instigué par Label Market et la SPPF. 09 53 79 64 12 / Ma – Sa: 11h-19h30 The Bloom of Division : Bernard Lenoir, 22 Rue Gerbier, 75011 Paris par Nicolas Plommée, mis en page par Pauline Nuñez. Salutations aux invités de ce numéro www.fargovinylshop.com RPUT11 – 2014 Avec la contribution rédactionnelle de Christophe JD Beauvallet, Franck Vergeade, Étienne Blanchot, 01 40 24 17 21 / Lu – Sa: 12h-20h Basterra, Alexandre Gimenez-Fauvety, Étienne Greib, Denis Quélard et Djawid Rawat. Gibert Joseph www.soufflecontinu.com Rough Trade Matthieu Grunfeld, Alex Mimikaki, Xavier Mazure, 34 boulevard Saint Michel,75006 Paris The Smiths Nicolas Plommée, Thomas Schwoerer. Et la précieuse Ce numéro gratuit sera distribué sur le Marché 01 44 41 88 55 / Lu – Sa: 10h-20h Le Silence de la rue The Queen Is Dead aide de la rédaction de section26 : Sylvain Collin, des Labels Indépendants, samedi 6 octobre 2018 www.gibert.com 39 rue Faidherbe, 75011 Paris ROUGH96 – 1986 Philippe Dumez, Guillaume Ferchaud, Tom Gagnaire, aux Halles des Blancs Manteaux, 48 rue Vieille 01 40 24 16 16 / Lu – Sa: 11h-19h30 Coralie Gardet, Arnaud Lefeuvre, Rosario Ligammari, du Temple, 75004 Paris et téléchargeable en ligne www.lesdisquairesdeparis. Warp Vincent Gallo Laurent Maréchal, Thibaut Morinière, Émilien Villeroy, sur www.section-26.fr com/vos-disquaires-2/ Victor Thimonier, Gérôme Guibert, Frédéric Valion. When le-silence-de-la-rue MODERNE WARP87 - 2001 Astre noir de l'élégance à la fois étherée et électrique pour qui a eu la malchance de Émilien Full Time Hobby Rough Trade ➼ Let’s Wrestle Born Bad grandir dans les 80’s, 4AD possedait à la fois les groupes les plus en vue (Cocteau Twins Villeroy Micachu & The Shapes Cheveu In the Court of the en tête de gondole) mais aussi une formidable charge pédagogique a posteriori avec Never Bum 4AD Wrestling Let’s RTRAD642 – 2012 le projet maison This Mortal Coil. Où le choix des reprises (Gene Clark, Big Star, Tim Pixies –Trompe le Monde BB058 – 2014 4AD FTH103 – 2009 par Buckley, Syd Barrett, Chris Bell) allait constituer un formidable jeu de piste pour faire CAD1014 – 1991 Warp RPUT/CroqMac Étienne de nous les mélomanes avertis que nous allions devenir. Le label anglais sut trouver Mexican Summer Danny Brown Corridor Greib de l’air et une nouvelle inspiration aux Amériques avec la découverte d’un nouveau Domino Connan Mockasin Atrocity Exhibition Owen Pallett – Heartland Supermercado continent sous le joug des Pixies (Throwing Muses, Ultra Vivid Scene), tout en gardant Forever Dolphin Love WARP276 – 2016 WIG252 – 2010 RPUT22 – 2017 une identité visuelle forte (Vaughn Oliver aka 23 enveloppe) et une base britannique MEX166 – 2010 avec Lush ou Pale Saints. Désormais basé aux USA, 4AD a su développer des artistes importants (The National, Blonde Redhead, Beirut, The Lemon Twigs, US Girls, Victor Deerhunter) et même s’il n’exerce plus qu’un rôle consultatif, son fondateur Ivo Watts Thimonier Full Time Hobby Rough Trade Born Bad Russel doit contempler avec sagesse et fierté le travail accompli. Malcolm Middleton Arthur Russell Alex Rossi 4AD A Brighter Beat Love Is Overtaking Me L’Ultima Canzone Cocteau Twins FTH033 – 2007 RTRAD481 – 2008 BB049 – 2013 Bauhaus saison et d’un album, le groupe Heaven or Las Vegas 4ADIn The Flat Field de Ian Masters fut le meilleur du CAD0012 – 1990 Mexican Summer Warp RPUT/CroqMac 1980/CAD13 monde en osant croiser la pop Vinyl Williams Part Time Born Ruffians En souillant Bowie, Roxy Music, indépendante de l’époque Opal Domino What Would You Say? Say It T. Rex et Black Sabbath dans une Mc Carthy, futurs Stereolab et un Cass McCombs RPUT24 – 2018 MEX080 – 2011 WARP194 – 2010 turgescence post punk relativement héritage impitoyable Joy Division. Catacombs WIG225 – 2009 élégante, Bauhaus inventa cette Réédition deluxe à venir, Christophe saloperie de rock dit « gothique ». chédeuvrablosu. Un disque toujours aussi terrifiant Basterra presque 40 ans plus tard. The Breeders Pod 4AD ➼ Des yeux pour voir — en Modern English The Birthday 1990/CAD0006 Playlist visuelle lisant donc — 8 petites ekphrasis After The Snow titre en Albertus comme une biographie Party-Junkyard Plutôt que de glorifier les sacro- brouillonnes et énigmatiques CAD 206 – 1982 en mode texte à propos de pochettes récentes trouvée dans un vide-grenier. Et devinez 1982/CAD210 saints Pixies, probablement le par Pauline Nuñez et mémorables. quoi ? C’est également signé Beatty. De Sonic Youth à Neubauten en groupe le plus surestimé de Domino passant par Jesus And Mary Chain, l’histoire du Rock, Hood 4AD Thompson et celle de Beggars Banquet RPUT la sauvagerie originelle initiée par ce qui n’enlève rien à ses The Cycle Of Days And Seasons US Girls des Stones, enfin la vraie. Triptides – Visitors Nick Cave, Tracy Pew, Mick Harvey qualités, dressons un monument WIGCD 61 – 1999 In A Poem Unlimited 2018/RPUT23 et Rowland S. Howard reste une à ce disque, le meilleur jamais 2018/4AD0046 Jeremy Perrodeau est hyper fan de la série tache indélébile sur l’histoire enregistré par Steve Albini.
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