Key Pro Date Duration Segment Title Age Morning Edition 07/03/2013 0
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Vut 20140303 – Big Bands
JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
Jazzweek with Airplay Data Powered by Jazzweek.Com • October 24, 2011 Volume 7, Number 46 • $7.95
JazzWeek with airplay data powered by jazzweek.com • October 24, 2011 Volume 7, Number 46 • $7.95 Jazz Album No. 1: Poncho Sanchez and Smooth Album No. 1: Dave Koz, Hello Terence Blanchard, Chano y Dizzy (Concord Tomorrow (Concord) Jazz) World Music No. 1: Bill Frisell & Vinicius Smooth Single No. 1: Rick Braun, “Time Cantuaria, Lagrinas Mexicanas (eOne) after Time” (Artistry/Mack Avenue) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays October 24 November 1 November 10 Odeon Pope (1938) Lou Donaldson (1926) Paul Bley (1932) October 25 Gabe Baltazar (1929) Houston Person (1934) Eddie Lang (1902) Roger Kellaway (1939) Andrew Cyrille (1939) Jimmy Heath (1926) Lee Ritenour (1952) Hubert Laws (1939) Robin Eubanks (1955) November 2 November 11 October 26 Bunny Berigan (1908) Hoagy Carmichael (1899) Charlie Barnet (1913) Herb Geller (1928) Gunther Schuller (1925) Wayne Marsh (1927) Phil Woods (1931) Ernestine Anderson (1928) Eddie Henderson (1940) Frank Kimbrough (1956) Marvin Hannibal Peterson (1948) October 27 November 3 November 12 George Wallington (1924) Billy Mitchell (1926) Buck Clayton (1911) Philip Catherine (1942) Henry Grimes (1935) Charlie Mariano (1923) John McPhee (1939) November 13 October 28 Azar -
Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber
Claudia Weber Claudia Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Claudia Weber pursued her doctoral studies both at Stock- holm University, Sweden and Justus-Liebig-Universität Giessen, Germany. She is now employed at Technische Universität Darmstadt, Germany where she works in higher education didactics. ISBN 978-91-7447-979-9 Department of English Doctoral Thesis in English at Stockholm University, Sweden 2014 Televisionization: Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber Televisionization Enactments of TV Experiences in Novels from 1970 to 2010 Claudia Weber © Claudia Weber, Stockholm University 2014 ISBN 978-91-7447-979-9 Printed in Sweden by Stockholm University Press, Stockholm 2014 Distributor: Department of English Abstract TV’s conquest of the American household in the period from the 1940s to the 1960s went hand in hand with critical discussions that revolved around the disastrous impact of television consumption on the viewer. To this day, watching television is connected with anxieties about the trivialization and banalization of society. At the same time, however, people appreciate it both as a source of information and entertainment. Television is therefore ‘both…and:’ entertainment and anxiety; distraction and allurement; compan- ionship and intrusion. When the role and position of television in culture is ambiguous, personal relations with, attitudes towards, and experiences of television are equally ambivalent, sometimes even contradictory, but the public and academic discourses on television tend to be partial. They focus on the negative impact of television consumption on the viewer, thereby neglecting whatever positive experiences one might associate with it. -
'The Assault on Mount B' by Rod Fee 1/129
‘The Assault on Mount B’ by Rod Fee 1/129 Rod Fee ID:0826790 ‘The Assault on Mount B: understanding the role of story in self-delusion in our personal histories.’ A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2015 Faculty: Applied Humanities School: Languages and Social Sciences Primary Supervisor: Dr Paul Mountfort Secondary Supervisor: Dr Maria O’Connor ‘The Assault on Mount B’ by Rod Fee 2/129 ATTESTATION OF AUTHORSHIP I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person (except where explicitly defined in the acknowledgements), nor material which to a substantial extent has been submitted for the award of any other degree or diploma of a university or other institution of higher learning. R H Fee ‘The Assault on Mount B’ by Rod Fee 3/129 ACKNOWLEDGEMENTS I acknowledge the assistance of: 1. My two supervisors Dr Paul Mountfort and Dr Maria O’Connor, and Associate Professor Mark Jackson mentor supervisor, all of AUT University ‘The Assault on Mount B’ by Rod Fee 4/129 INTELLECTUAL PROPERTY RIGHTS 1. All intellectual property including copyright, is retained by the candidate in the content of the candidate’s thesis. For the removal of doubt, publication by the candidate of this or any derivative work does not change the intellectual property rights of the candidate in relation to the thesis. 2. I confirm that my thesis does not contain plagiarised material or material for which the copyright or other intellectual property belongs to a third party. -
Learning from Delusions
OPINION Brian Martin nce or twice a year, I receive a call or Learning email from some- O one claiming to be under intensive tar- geted surveillance by the govern- from Delusions ment. They contact me because there’s a lot of material on my website about whistleblowing, and some about surveillance. I know governments carry out massive sur- veillance operations, for example collecting all sorts of electronic With others, the delusion is more ers, it just doesn’t make sense: there communications. However, these obvious, for example when they say is no obvious reason for them to be callers believe they have been spe- that a television program contains a an ongoing target of personalized cially selected as surveillance tar- message specifically designed and surveillance and harassment. gets, and sometimes for electronic inserted to affect their minds. or chemical bombardment too. My friend Steve Wright used The Truman Show Delusion One caller said he had written to work for the Omega Founda- With this background, I noticed a a political novel — unpublished — tion in Britain, which studies the book entitled Suspicious Minds. On and therefore the government was technology of repression, includ- the book jacket is the teaser “The monitoring his calls and following ing technologies for surveillance Truman Show delusion and other his every movement. He was very and electronic assault. He told me strange beliefs.” convincing. I suggested that he the Foundation would regularly The Truman Show is the name obtain evidence of the surveillance, hear from people who believed they of a film presenting the fictional but he always had some excuse, so were being electronically harassed. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Gabe Baltazar Stan Kenton Presents Gabe Baltazar Mp3, Flac, Wma
Gabe Baltazar Stan Kenton Presents Gabe Baltazar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stan Kenton Presents Gabe Baltazar Country: US Released: 1979 Style: Cool Jazz MP3 version RAR size: 1812 mb FLAC version RAR size: 1980 mb WMA version RAR size: 1870 mb Rating: 4.3 Votes: 544 Other Formats: XM AIFF APE WMA VOC MMF MP4 Tracklist Hide Credits When Johnny Comes Marching Home A1 3:35 Arranged By – Don MenzaWritten-By – Traditional What's New A2 5:56 Arranged By – Bill HolmanComposed By – Haggart*, Burke* Gabe A3 4:00 Composed By, Arranged By – Angel Peña* A Time For Love A4 Arranged By – Angel Peña*Arranged By [Strings] – Chuck HooverComposed By – Mandel*, 5:03 Webster* Take The A Train B1 Arranged By – Don MenzaComposed By – Billy StrayhornSoloist – Bob Cooper, Conte 4:22 Condoli* Love Song B2 6:40 Composed By, Arranged By – Don Menza Spanish Boots B3 6:45 Composed By, Arranged By – Don Menza Companies, etc. Copyright (c) – Creative World Records Phonographic Copyright (p) – Creative World Records Recorded At – Capitol Studios Published By – Warner Bros. Music Published By – Tempo Music Published By – Rondon Music Credits Bass – Chuck Domonico* Cello – Igor Horoshevsky, Ray Kelley Contractor – Hy Lesnick Drums – Earl Palmer, John Guerin, Steve Schaeffer Engineer – Hugh Davies French Horn – Art Maebe, George Price, Richard Perissi, Vince DeRosa* Graphics – Lexington Avenue West Guitar – Tommy Tedesco Harp – Dorothy Remsen Liner Notes – Stan Kenton Mastered By – Dave Ellsworth Percussion – Dale Anderson Photography -
A CULTURAL HISTORY of MADNESS - Bloomsbury
A CULTURAL HISTORY OF MADNESS - Bloomsbury GENERAL EDITORS Jonathan Sadowsky, Case Western Reserve University, USA Chiara Thumiger, Kiel University, Germany AIMS & SCOPE Madness has strikingly ambiguous images in human history. All human societies seem to have a concept of madness, yet those concepts show extraordinary variance. Madness is widely seen, across time and cultures, as a medical problem, yet it often gestures towards other domains, including the religious, the moral, and the artistic. Madness impinges on the most personal and private sphere of human experience: how we understand the world, express ourselves about it, and share our mental, emotional and sensorial life with others. At the same time, madness is a public concern, often seeming to demand public response, at least by the immediate community, and often by the state. Madness is usually to some extent a disability, something that compromises functioning, yet is often also seen as a source of brilliance and inspiration. Madness is, virtually by definition, characterized by anomalous behavior, affect, and beliefs in any given context, and yet—partly because of this, and partly in spite of it— madness can be the most telling index of what a given society regards as normal or idealises as paradigm of functionality and health. In the ancient world, for example, reference to madness was used to qualify extraordinary characters, as in the famous case of the ‘melancholic’ as gifted individual, or of mania as associated to divine or poetic inspiration; unique experiences (religious, especially initiatory, but also creative and emotional); socio- political status (e.g., guilt deemed worthy of severe punishment, pollution); illness and bodily disturbance. -
The Legacy of S Ta N K E N to N
THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS The Legacy of S TA N K ENTON Washington, D.C. “The Musical Ambassadors of the Army” he Jazz Ambassadors is the Concerts, school assemblies, clinics, T United States Army’s premier music festivals, and radio and televi- touring jazz orchestra. As a component sion appearances are all part of the Jazz of The United States Army Field Band Ambassadors’ yearly schedule. of Washington, D.C., this internation- Many of the members are also com- ally acclaimed organization travels thou- posers and arrangers whose writing helps sands of miles each year to present jazz, create the band’s unique sound. Concert America’s national treasure, to enthusi- repertoire includes big band swing, be- astic audiences throughout the world. bop, contemporary jazz, popular tunes, The band has performed in all fifty and dixieland. states, Canada, Mexico, Europe, Ja- Whether performing in the United pan, and India. Notable performances States or representing our country over- include appearances at the Montreux, seas, the band entertains audiences of all Brussels, North Sea, Toronto, and New- ages and backgrounds by presenting the port jazz festivals. American art form, jazz. The Legacy of Stan Kenton About this recording The Jazz Ambassadors of The United States Army Field Band presents the first in a series of recordings honoring the lives and music of individuals who have made significant contri- butions to big band jazz. Designed primarily as educational resources, these record- ings are a means for young musicians to know and appreciate the best of the music and musicians of previous generations, and to understand the stylistic developments leading to today’s litera- ture in ensemble music. -
California Elects Newsom
Wednesday, Volume 151 11.7.2018 No. 34 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY California elects Newsom By Viccnte Vera speech in Los Angeles. “This STAFF WRITER is not just a state of resistance, this is a state of results.” California voters Newsom, the current elected Gavin lieutenant governor, ran a This election in every way, shape or form is Newsom as the campaign focused heavily next Governor of on education and criminal California’s moment. This is not just a state of California on Tuesday. justice reform, as well as resistance, this is a state of results. “This election in every continuing the legislative way, shape or form is legacy of his soon-to-be Gavin Newsom California’s moment,” said predecessor, Governor Jerry California governor-elect Governor-elect Gavin Brown. Newsom in his “We have had 3 million 10-minute net new jobs in California gathered more than $58 Chemical engineering victory since Governor Jerry Brown million over the course of junior Emma Wittry said she took the oath of office,” his campaign, tripling the feels neutral about the results Newsom said at a Oct. 30 amount raised by John Cox. of the governor’s race, but is breakfast hosted by former As lieutenant governor, proud of the journey she went San Francisco Mayor Willie Newsom introduced sports through to cast her vote. Brown. reform policies in the “I was registered to vote in Newsom first announced University of California San Benito County, so I had his candidacy for governor system that gave student- my dad pick me up to take almost four years ago. -
JULIA HOLTER (USA) «Have You in My Wilderness» (Domino Records, Release: 25.09.2015)
JULIA HOLTER (USA) «Have You In My Wilderness» (Domino Records, Release: 25.09.2015) „Have You In My Wilderness‟ is Julia Holter‟s most intimate album yet, a collection of radiant ballads. Her follow-up to 2013‟s widely celebrated „Loud City Song‟ explores love, trust, and power in human relationships. While love songs are familiar fodder in pop music, Holter manages to stay fascinatingly oblique and enigmatic on her new album. “This record is pretty haunted, in a way,” Holter says. “There‟s always this lurking feeling that things may not be what they seem.” Holter is well known for weaving literary references into her dreamy, atmospheric music. Her 2011 full- length debut, Tragedy, was based on an ancient Greek play by Euripides; Ekstasis pulled in quotes from Virginia Woolf, Frank O’Hara, and other literary titans; Loud City Song took its inspiration from Gigi, the 1944 French novella by Colette and the whimsical 1958 musical that followed. For Have You in My Wilderness, Holter reached inward for inspiration. “I started writing a bunch of songs from my heart—warm, dark, and raw—with less emphasis on theatrical ideas and without an overall narrative, like I’ve sometimes used in the past,” she says. “All of these songs would come out of me while playing the piano very intuitively and quickly, without any planned concept. Many of the lyrics are stream-of-consciousness and surreal. Sometimes I would be surprised by the imagery that came out. Sometimes it was obvious, because of what I was feeling at the time.