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The Soraya Joins Martha Graham Dance Company and Wild up for the June 19 World Premiere of a Digital Dance Creation
The Soraya Joins Martha Graham Dance Company and Wild Up for the June 19 World Premiere of a Digital Dance Creation Immediate Tragedy Inspired by Martha Graham’s lost solo from 1937, this reimagined version will feature 14 dancers and include new music composed by Wild Up’s Christopher Rountree (New York, NY), May 28, 2020—The ongoing collaboration by three major arts organizations— Martha Graham Dance Company, the Los Angeles-based Wild Up music collective, and The Soraya—will continue June 19 with the premiere of a digital dance inspired by archival remnants of Martha Graham’s Immediate Tragedy, a solo she created in 1937 in response to the Spanish Civil War. Graham created the solo in collaboration with composer Henry Cowell, but it was never filmed and has been considered lost for decades. Drawing on the common experience of today’s immediate tragedy – the global pandemic -- the 22 artists creating the project are collaborating from locations across the U.S. and Europe using a variety of technologies to coordinate movement, music, and digital design. The new digital Immediate Tragedy, commissioned by The Soraya, will premiere online Friday, June 19 at 4pm (Pacific)/7pm (EST) during Fridays at 4 on The Soraya Facebook page, and Saturday, June 20 at 11:30am/2:30pm at the Martha Matinee on the Graham Company’s YouTube Channel. In its new iteration, Immediate Tragedy will feature 14 dancers and 6 musicians each recorded from the safety of their homes. Martha Graham Dance Company’s Artistic Director Janet Eilber, in consultation with Rountree and The Soraya’s Executive Director, Thor Steingraber, suggested the long-distance creative process inspired by a cache of recently rediscovered materials—over 30 photos, musical notations, letters and reviews all relating to the 1937 solo. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
AMERICAN YACHTING ;-Rhg?>Y^O
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/americanyachtingOOsteprich THE AMERICAN SPORTSMAN'S LIBRARY EDITED BY CASPAR WHITNEY AMERICAN YACHTING ;-rhg?>y^o AMERICAN YACHTING BY W. p. STEPHENS Of TH£ UNfVERSITY Of NelD gork THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., Ltd. 1904 All rights reserved Copyright, 1904, By the MACMILLAN COMPANY. Set up, electrotyped, and published April, 1904. Norwood Press Smith Co, J. S. Gushing & Co. — Berwick & Norwood^ Mass.f U.S.A. INTRODUCTION In spite of the utilitarian tendencies of the present age, it is fortunately no longer necessary to argue in behalf of sport; even the busiest of busy Americans have at last learned the neces- sity for a certain amount of relaxation and rec- reation, and that the best way to these lies in the pursuit of some form of outdoor sport. While each has its stanch adherents, who pro- claim its superiority to all others, the sport of yachting can perhaps show as much to its credit as any. As a means to perfect physical development, one great point in all sports, it has the advantage of being followed outdoors in the bracing atmos- phere of the sea; and while it involves severe physical labor and at times actual hardships, it fits its devotees to withstand and enjoy both. In the matter of competition, the salt and savor of all sport, yachting opens a wide and varied field. In cruising there is a constant strife 219316 vi Introduction with the elements, and in racing there is the contest of brain and hand against those of equal adversaries. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Historic and Cultural Resources of the Sea Breeze Estates Site on City Island in T~E Bronx
v.~f I. "J,? ~ 'f.. I -,q~1 I I I I HISTORIC AND CULTURAL RESOURCES I OF THE SEA BREEZE ESTATES SITE I CITY ISLAND, THE BRONX I '\ I ( Prepared for: Konheim & Ketcham, Inc. Prepared by: I Joan H. Geismar, PhD. I I I I February 1989 I I 1-.------- I TABLE OF CONTENTS I I TEXT Section Page Number I A. Prehistory. ~ . .1 B. Historical Considerations •••••••••••••••• .2 I C. Landmark Considerations •••••••••••••••••••••••• • •• '"..... 5 I D. Conclusions '" '" '" . • • • ..."..... 5 Bibliography 6 I TABLE OF FIGURES I Number Following Page I 1. Location of Project Site ••••••••••• .........1 2. 1872 Beers Map .. ... ..... ... ...... ........... 4 I 3. 1893 Sanborn "Ma.p 4 I 4. 1935 Sanbord Ma.p 4 5. 1905 Topographical Survey of the Eastern Bronx •••••••••• 4 I 6. 1763, A. Colden Survey.................... •••••••••• 5 I 7. 1987 New York City Tax Map................ •••••••••• 5 I I· I I I I "I Historic and Cultural Resources of the Sea Breeze Estates Site on City Island in t~e Bronx I Prepared for Konhe~ and Ketcham, Inc. By Joan H. Geismar, PhD. I February 1989 A preliminary documentary research was undertaken to assess I historical significance and archaeological poten~ial of the Sea Breeze Estates Site (see Figure 1, Location of Project Site). This assessment relied mainly on maps, printed sources, and, to a lesser degree, informal interviews with residents. In addition, I the archaeological office of the New York State MUseum was contacted to determine the number and whereabouts of any relevant prehistoric sites. And finally, the New York City Landmarks I Preservation Commission was consulted regarding the island's landmarked properties. -
November 2007 One Dollar
Second Class Permit Paid at Bronx, N.Y. USPS 114-590 Volume 36 Number 9 November 2007 One Dollar BRIDGE PLANS UNDER WAY By BARBARA DOLENSEK Original City Island Bridge. Rendering of proposed bridge looking north. At the October meeting of the City Is- the David Carll shipyard, then on Pilot Street. land Civic Association, the Department of The tower of the new bridge, which will be on Transportation (DOT) presented its plans to the Pelham Bay Park side, would, however, the community for the construction of a new be at least 150 feet high. (The original bridge bridge and the demolition of the existing proposed by DOT was over 450 feet high but bridge. This presentation was the same as that this was lowered at the request of the com- given to Community Board 10 on Sept. 27, munity.) 2007. The new bridge will be constructed on The DOT representatives fi rst reviewed the same site as the present bridge, which the history of the current bridge, which was means that a temporary bridge will be built completed in 1901 with seven spans and six to the west. This will have two 11-foot travel piers in the water, two 11-foot traffi c lanes, lanes, one 10-foot fi re lane in the middle and one fi re lane and two 6-foot sidewalks. a 5-foot, 7-inch sidewalk on each side. The Rendering of proposed bridge looking west. In April 1998, an in-depth inspection bridge will allow for marine traffi c, with two of the bridge was conducted as part of the channels open during the summer. -
Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper. -
Who Is Buried at Flint Hill Cemetery
Sorted by Surname Flint Hill Cemetery Burials - As of September 10, 2012 Page 1 of 35 If DOB ≥ 100 Yrs., Then Date is Shown (If Known) If DOD ≥ 25 Yrs., Then Date is Shown (If Known) Birth Death Section Lot Site Last Name First Name Birth Date Death Date Sex Year Year D 118 2 Abell Annie Watts 4/8/1978 Female 1932 1978 D 156 2 Aceto Louis J Male 1926 1994 C 043 4 Adams Allie B. 7/13/1890 11/1/1971 Female 1890 1971 B 001 2 Adams George W. 10/8/1912 Male 1912 1998 B 001 1 Adams Lucille M. Wyant 9/2/1912 12/9/1985 Female 1912 1985 D 175 3 Adams Melissa Breanna Female 1980 2003 C 043 5 Adams Truman B. Male 1888 1927 D 065 4 Albrecht Cyril E. 5/16/1902 2/4/1972 Male 1902 1972 C 046 6 Albrecht Edward W. Male 1864 1928 D 089 4 Albrecht Eugene E. Male 1931 1988 C 046 4 Albrecht Lydia E. 1/6/1891 10/4/1987 Female 1891 1987 C 046 5 Albrecht Margaret F. Female 1872 1934 D 065 3 Albrecht Marjorie A. 11/6/1906 10/11/1975 Female 1906 1975 D 089 3 Albrecht Omajeanne Female 1929 1998 D 145 3 Aldrich Jewel S. 6/17/1909 Female 1909 1995 D 145 4 Aldrich Lester F. 30 May 1891 4/19/1979 Male 1891 1979 D 151 2 Alexander Alexandria S. 1 Mar 1893 6/15/1979 Female 1893 1979 C 083 1 Alexander Jean H. -
Iiuyt Mi Uuirmen SALE Municating)
VOLUME •, NUMBER 30 ■ ■ *&L 1 r 1 km | JH A JM- ■ H i Bt m ■ ;V H ■ ■ i i 2 Sagamore March It, 1177 Letter/ Lesson goes overlooked Dear Sagamorons and matter and his students. You could devote their time to Sagamoronees (writers and leave his classes feeling churning out the “acceptable” readers), you’ve actually learned material. We, the students, Although many think of something, rather than having could then send the university IUPUI as the “meat market of been force-fed the material. our $2,500—wait four the mid-west,” most of us are When not in class he is always years—and then present our here preparing to face the in his office preparing or selves for graduation world of reality, pursuing talking to one of his students. Precious fuel could be saved education. We wear a path He is also one of the few who by the students remaining at between library and allows his students to evaluate home, and our professors classroom, hoping finally to his abilities, a policy most could add a new word to their receive that piece of paper avoid, apparently fearing the vocabularies—security. GAME ROOM POOL TABLES certifying our intelligence. truth. I realize all too well that this But, like the man who can't His crime has been called letter will accomplish little: see the forest for the trees, we the mortal sin of the academic but like anyone with a bad PIN BALL MACHINES sometimes overlook the world. “Publish or perish” as feeling in their stomach, I felt lessons from which we could they say, and our sociology the need to vomit. -
African- American Experience in the Civil War, 1861-1865 at 150 Years: Some Selected Websites
African- American experience in the Civil War, 1861-1865 At 150 Years: Some Selected Websites African American Civil War Memorial & Museum (African American Civil War Freedom Foundation and Museum [Washington, DC]) http://www.afroamcivilwar.org/ Contains pull-down menus under 4 basic tabs: Our Story, Programs, Resources, and Events. Includes a historical material in a variety of media, on a variety of topics, press releases, genealogical links, Civil War sites of particular interest, and information on reenactors. The Civil War (U.S. Library of Congress. American Memory. African American Odyssey. Exhibit) http://memory.loc.gov/ammem/aaohtml/exhibit/aopart4.html Includes a narrative with period documents and illustrations, including an Introduction, Overview, Object List, and Search [engine]. The online exhibit is organized in two parts, each with its clickable segments. Part 1 includes: “Contrabands of War”, Emancipation Proclamation, Soldiers and Missionaries. Part 2 includes: Fighting for Freedom and Behold the Shackles Fall. There are also links to exhibits on earlier and later periods. History of African Americans in the Civil War (U.S. Department of the Interior. National Park Service. Civil War History: What Have We Learned? Civil War Soldiers and Sailors System) http://www.itd.nps.gov/cwss/history/aa_history.htm In addition to a brief general overview, across the top, one may click and search under: Soldiers, Sailors, Regiments, Prisoners, Cemeteries, Battles, Medals, Parks. In an inset box for African American History, one may click on general categories: In the Civil War, Military History, Parks – Civil War, Medal of Honor Recipients, Sailors Project. Teaching with Documents: The Fight for Equal Rights: Black Soldiers in the Civil War, 1861-1865, by Budge Weidman [U.S. -
Dossier De Prensa
Dossier de Prensa NOS PRIMAVERA SOUND EDICIÓN 2016 CARTEL 2016 PARQUE DA CIDADE ORGANIZACIÓN Y COLABORADORES ENTRADAS Y PUNTOS DE VENTA EDICIÓN 2012 EDICIÓN 2013 EDICIÓN 2014 EDICIÓN 2015 CONTACTOS BIOGRAFÍAS 2 NOS PRIMAVERA SOUND NOS Primavera Sound es el homólogo portugués del festival Primavera Sound que se celebra en Barcelona desde hace 15 años. La ciudad de Oporto acogerá por quinto año consecutivo la edición lusa, que se celebrará entre el 9 y el 11 de junio en el Parque da Cidade. El cartel de NOS Primavera Sound contará con una amplia selección de artistas internacionales, así como una significativa representación de artistas de la escena musical portuguesa. La línea artística sigue las mismas directrices que el de Barcelona, que se distingue por la variedad de estilos y por su apuesta por nuevos valores, destacando tanto la escena musical local como a artistas con largas y respetadas carreras. Tras consolidar su éxito en la quinta edición, NOS Primavera Sound se ha convertido en parada obligatoria dentro del circuito de festivales del la Europa. La excelente localización geográ ca de Oporto, lo bien comunicada que está con el resto de Europa y la distinción del festival dentro del panorama musical portugués contribuyen al crecimiento de la ciudad, a su proyección como capital cultural y a su dinamización internacional como destino turístico. 3 EDICIÓN 2016 NOS Primavera Sound acaba de dar a conocer el cartel completo de su quinta edición. Tras anunciar la presencia del dúo francés Air, autores de notables discos como “Moon Safari o la BSO de “Las Virgenes Suicidas”, el festival revela los nombres que, entre el 9 y el 11 de junio, pasarán por el emblemático Parque da Cidade de Oporto. -
Dominican Republic Jazz Festival @ 20
NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin