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Fordham Plaza Might Still Revive the Bronx
Slip-up Reveals Closed-Door Decision USG Redefines "Nominal Power" of Longer Term by Bob Ehalt December 16 CAB Calendar, which as possible. Duke said the statement which The current Veritas-dominated United didn't do it this way." stated: "The 'lame duck' USG will still explained that USG had decided to Student Government will make decisions After that last sentence, a bevy of maintain nominal powers in case an extend its term was written in two days. "sushs" descended on Lubell, and he on matters previously covered by them, as emergency regarding swift action occurs." well as on ones arising after the newly- Tom Maier, USG presidential candidate finally realized that his statements were elected USG comes into power According to Duke this means that the stated, "As soon as I net in office 1 intend to being recorded. Lubell then stated that he had "done it again," and proceeded (9 give Jerry Mclntyrc. USG President, pre USG elected in the spring of 1976 will sit in take this issue to the student government court and have the Veritas organization the correct spelling of his name, to insure sented this new interpretation of the at meetings with the USG to be elected this removed under the constitution. This is a proper attribution co-existence period, in which the lame spring. The old members would have real disgrace to the students. 1 intend to When questioned after the meeting duck and newly-elected USG will work no votes, but would serve in an advisory take office without Veritas." Lubell and Mclntyre defined the new rules together, after a USG meeting on Monday capacity. -
Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper. -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
Smooth Jazz Magazine February 06.Pdf
2 SmoothJazz Magazine Let the music take you . 31 28 14 F E AT U R E S 38 TRAVEL DESTINATION 14 ALEXANDER ZONJIC DETROIT the HOME of SUPERBOWL XL 28 SMOKEY ROBINSON LEGACY–Still Croonin’ 31 KEM Music For The Ages 42 38 ANITA BAKER In Depth With Anita 42 KEVIN TONEY Is Right on Time 59 18 23 52 D E PA R T M E N T S 7 JAZZ NOTES & BIRTHDAYS 12 ON STAGE LIFESYTYLE 18 - CAMERON SMITH 50 - GRAMMY PRELUDE and the nominees are... 50 23 STAR LOUNGE - STACY KEACH 27 CONCERT REVIEW - EARL KLUGH 52 RISING STAR - MIKE PHILLIPS 59 REMEMBERING... - SHIRLEY HORN 60 CD REVIEWS 62 RADIO LISTINGS 64 JAZZLE PUZZLE 65 CD RELEASES 66 CONCERT LISTINGS 70 TRAVEL PLANNER ™ Let the music take you . M A G A Z I N E VOLUME 2 ISSUE 1 January / February 2006 PUBLISHER/CEO Art Jackson RESEARCH DIRECTOR Doris Gee MARKETING DIRECTOR Mark Lawrence Burwell ART DIRECTOR Danielle Cheek COPY EDITORS Karly Pierre, Teresa Fowler CONTRIBUTING WRITERS Ahli Love PHILADELPHIA Amy Rogin LOS ANGELES Belinda Harris DETROIT Cheryl Boone VIRGINA BEACH Karly Pierre LOS ANGELES Jonathan Barrick LOS ANGELES M.L. Burwell LOS ANGELES S TAFF PH OTOG RA PH E R Ambrose CONTRIBUTING PHOTOGRAPHERS Amy Rogin, Diane Hadley, Joseph D. Williams, Mann ADVERTISING SALES David Facinelli Facinelli Media Sales 1400 E. Touhy Ave., Suite 260 Des Plaines, IL 60018 727-866-9647 Tel 727-866-9222 Fax [email protected] SmoothJazz Magazine Inc. office: 3748 Keystone Avenue, Suite #406 Los Angeles, CA 90034 tel: 310.558.4698 Fax: 952.487.4999 email: [email protected] www.smoothjazzmag.net Talk To SmoothJazz Magazine Inc. -
MUSIC Dvds for SALE Popular/Rock/Country
MUSIC DVDs FOR SALE See sale conditions on Page 5 Recorded Approx * Seller's recommendations listed in BOLD type or released elapsed DVD date minutes Popular/Rock/Country Abba In Concert: Live at Wembley Arena, London 1979 100 Al Martino Most Famous: Live in Edmonton, Canada 1976 50 Andrew Lloyd Webber Masterpiece (Collector's Edition): Live from Beijing - 2 DVD set 2001 180 Andy Williams: Live at The Royal Albert Hall - 2 DVD set 1978 100 Ann Murray: What A Wonderful World (studio audience performance) 2001 55 Barbara Dickson In Concert: Live at Royal Albert Hall 1987 55 Barbra Streisand One Night Only: Live at the Village Vanguard, New York 2009 90 Barbra Streisand: MusiCares tribute in Los Angeles 2011 60 Barbra Streisand Back To Brooklyn: Live at Barclays Centre, NYC (DVD & CD) 2012 140 Bee Gees: One Night Only (Deluxe Edition) Live in Las Vegas 1997 260 Billy Joel Live at Shea Stadium 2008 155 Bing Crosby In Concert (compilation footage) 2005 60 Bobby Darin Mack The Knife 2005 65 Bobby Darin Entertains - 1960s TV studio performances 2006 75 Bruce Springsteen & The E Street Band: Live in NYC (2 DVD set) 2000 180 Buddy Holly & The Crickets - tribute show & documentary 2005 60 Buddy Holly & The Crickets - The Definitive Story: 50th Anniversary Edition DVD 2009 125 Burt Bacharach & Dionne Warwick: Live in NYC 1996 60 Burt Bacharach A Life In Song: Live at Royal Festival Hall 2015 110 Carole King: Live in Tokyo 2008 90 Chet Atkins A Tribute (TV special) 1980 100 Chet Atkins A Life In Music (documentary) 2005 60 Cliff Richard The Countdown -
Both Sides Prep for Dog Track Vote Next Week
Property of the Watertown Historical Society watertownhistoricalsociety.orgZTimes Timely Coverage Of News In The Fasfesf Growing Community In Ufchf/e/d Counfy Vol. 82f No, 37 Subscription Price $8.00 Per Year PRICE 20 CENTS September 14, 1978 Both Sides Prep For Dog Track Vote Next Week The second public hearing on the proposed Colonial Park Ken- nel Club dog track will be conduc- Union Congregational ted by the Town Council on Tues- day, Sept. 19, two days before the Church Fair Sept 23 lively issue goes to public vote on Sept, 21, The Union Congregational Chairmen of the various ac- SOLO PERFORMERS for tonight'! (Thursday) Annual Band Church will hold its annual Fair tivities are: William Borowy, tag The hearing is set for the Parents Night at Heminway Park School toured South, Polk, and on Saturday, Sept. 23, from 10 sale; George Collier, set-up Watertown High auditorium, for Judson Schools on Tuesday to introdue prospective music students a.m. to 4 p.m., General Chair- crew; Laraine Landquist, fudge 8 p.m. to their instruments, while Gail A. Cunningham, elementay school man Norman M. Stephen said booth; Pam Vernovai, pop corn; Expected in the council's hands music director, briefly explained the school music program. More this week. Events will be held in Dorothy Moulton, fancy work; by Monday's regular meeting is information plus musical entertainment will be on hand tonight the church and on the grounds. Caroline Shaw, food table; the complete investigative report beginning at 7:30, Pictured with Miss Cunningham are her star An Auction is scheduled for Jackie Ramponi, white elephant; of Wackenhut Corp., the Florida performers, left to right: Ryan Coviello, alto saxophone; Jeffrey Friday, Sept. -
How the Three Little Pigs Came to Star in Independence Day
HOW THE THREE LITTLE PIGS CAME TO STAR IN INDEPENDENCE DAY The Relationship Between the European Fairy Tale and the American Disaster Movie by Roz Williams Ph.D. Thesis December 2015 How The Three Little Pigs Came to Star in Independence Day/Ph.D.Thesis !"#$%!&$! HOW THE THREE LITTLE PIGS CAME TO STAR IN INDEPENDENCE DAY by Roz Williams This thesis sets out to determine the relationship between European fairy tales and the American disaster movie genre. It examines how these fairy tales may have impacted on a fledgling film industry through its European creators. It does this by drawing on examples of mythology, folklore and fairy tale, anthropology, archaeology, psychology, political and social history, geopolitics and sociology. It also investigates film genre, story structure and the history of Hollywood and its creators; and is told in a personal narrative style with supporting anecdotal contributions to illustrate the effect of the disaster movie on the individual. The thesis exposes how the motifs of myth and fairy tale are prevalent in this genre of film, using case studies and analysing them against social anthropological paradigms to argue that European fairy tales have influenced American disaster movies. It demonstrates how geopolitical and sociological events have shaped the stories told in these films throughout the decades since the genre's inception at the birth of film, and the author posits that disaster movies will continue to be relevant not only to audiences and storytellers, but also to disaster relief agencies. In conclusion, the thesis argues that disaster movies are the fairy tales of our modern times and that they serve a purpose in telling the stories that explore our concerns and allay our fears. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Permalink https://escholarship.org/uc/item/8tt2s60p Author Blake, George Kaeser Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by George Kaeser Blake Committee in charge: Professor Timothy Cooley, Co-Chair Professor George Lipsitz, Co-Chair Professor Gaye Theresa Johnson Professor Dick Hebdige September 2017 The dissertation of George Kaeser Blake is approved. ____________________________________________ Dick Hebdige ____________________________________________ Gaye Theresa Johnson ____________________________________________ George Lipsitz, Committee Co-Chair ____________________________________________ Timothy Cooley, Committee Co-Chair September 2017 Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Copyright © 2017 by George Kaeser Blake iii ACKNOWLEDGEMENTS I would first like to thank my incredible committee: -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Page 1 of 163 Music
Music Psychedelic Navigator 1 Acid Mother Guru Guru 1.Stonerrock Socks (10:49) 2.Bayangobi (20:24) 3.For Bunka-San (2:18) 4.Psychedelic Navigator (19:49) 5.Bo Diddley (8:41) IAO Chant from the Cosmic Inferno 2 Acid Mothers Temple 1.IAO Chant From The Cosmic Inferno (51:24) Nam Myo Ho Ren Ge Kyo 3 Acid Mothers Temple 1.Nam Myo Ho Ren Ge Kyo (1:05:15) Absolutely Freak Out (Zap Your Mind!) 4 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Star Child vs Third Bad Stone (3:49) 2.Supernal Infinite Space - Waikiki Easy Meat (19:09) 3.Grapefruit March - Virgin UFO – Let's Have A Ball - Pagan Nova (20:19) 4.Stone Stoner (16:32) 1.The Incipient Light Of The Echoes (12:15) 2.Magic Aum Rock - Mercurical Megatronic Meninx (7:39) 3.Children Of The Drab - Surfin' Paris Texas - Virgin UFO Feedback (24:35) 4.The Kiss That Took A Trip - Magic Aum Rock Again - Love Is Overborne - Fly High (19:25) Electric Heavyland 5 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Atomic Rotary Grinding God (15:43) 2.Loved And Confused (17:02) 3.Phantom Of Galactic Magnum (18:58) In C 6 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.In C (20:32) 2.In E (16:31) 3.In D (19:47) Page 1 of 163 Music Last Chance Disco 7 Acoustic Ladyland 1.Iggy (1:56) 9.Thing (2:39) 2.Om Konz (5:50) 10.Of You (4:39) 3.Deckchair (4:06) 11.Nico (4:42) 4.Remember (5:45) 5.Perfect Bitch (1:58) 6.Ludwig Van Ramone (4:38) 7.High Heel Blues (2:02) 8.Trial And Error (4:47) Last 8 Agitation Free 1.Soundpool (5:54) 2.Laila II (16:58) 3.Looping IV (22:43) Malesch 9 Agitation Free 1.You Play For -
The Significance of Music Education in the Primary Curriculum
The Significance of Music Education In the Primary Curriculum Mina Won School for International Training, Ireland, Spring 2009 Project Advisor: Muireann Conway, Learning Support & Resource Teacher, St. Oliver Plunkett National School, Malahide, Co. Dublin National Teacher Carysfort College of Education, 1st Place, Gold Medal I think music in itself is healing. It's an explosive expression of humanity. It's something we are all touched by. No matter what culture we're from, everyone loves music.1 -Billy Joel 1 “ThinkExist.com Quotations,” ThinkExist.com, 1999-2006, 19 April 2009 <http://thinkexist.com/quotation/i_think_music_in_itself_is_healing-it-s_an/199752.html> 2 Table of Contents Section I: Introduction………………………………………………………………….2 a. Why?: Factors that Influenced the Topic, 4 b. How?: Connections and Personal Sources, 5 c. What?: Opportunity to Experience & Understand Topic, 5 d. Downfalls?: Problems Encountered, 6 e. What was it like?: Image to Reflect My Experience, 6 f. Glossary, 8 Section II: Methodology………………………………………………………………11 a. Locating and Approaching Students/Teachers, 11 b. Interviewing, 13 c. Personal Response to the Interview Period, 16 d. Writing the Research Paper, 19 e. Outline: Personal Approach to the Strands, 21 i. Listening and Responding, 22 ii. Performing, 23 iii. Composing, 24 Section III: Main Body………………………………………………………………27 a. Background Information, 27 i. Why Music Education, 27 ii. How Music Education is Beneficial, 32 iii. What Music Education Can Achieve, 36 b. “Music in a Child-Centered Curriculum”, 40 c. Key Messages, 41 d. The Content of the Music Curriculum, 42 i. Listening and Responding, 44 ii. Performing, 68 iii. Composing, 76 Section IV: Conclusion……………………………………………………………….87 Bibliography…………………………………………………………………………..91 a. -
THE COWL True, Not True Because It's Here."
"It's here because it's THE COWL true, not true because it's here." Volume XXX - No. 6 Wednesday, March 2, 1977 Providence, R.I. 02918 8 Pages Mason Chosen To Fill Comm. on Adm. Post By Molly Hennessey Student Congress, reminded At its February 27 meeting, the Greenberg that Student Congress Student Congress defeated an must approve any amendments amendment to the Dillon Club to an organization's by-law or constitution, and heard of the constitution. After a brief debate appointment of Fred Mason to on the need for a club president the Committee on Ad• with final decision making ministration. power, the amendment was The Dillon Club amendment defeated by 25 opposed, 6 for and would have limited the authority 8 abstentions. of its president, stated that three In other business, Steve San- of the five executive board ford, former president of the members constitutes a quorum Student Congress, announced the of the board. In addition, the publication of a pamphlet which amendment would have required will describe the nature and that at least three of the five functions of the organizations board members would have to which make up the Student approve all appointments and Congress. Two committee formations. The pamphlet will also provide Mason, a junior resident a break down of the $ 60 student student, was appointed to the activity fee. Approximately 5000 Scenes central College adminstrative copies will be printed at a cost of position, after interviews with ten $300. nominees. Mason succeeds senior The Board of Governors sub• John Houlihan, who will end his mitted for approval an amend• Above, (l-r) Mike tenure with the committee in the ment which stated that can• Monea, Donna Chevalier, near future.