Both Sides Prep for Dog Track Vote Next Week
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper. -
Iiuyt Mi Uuirmen SALE Municating)
VOLUME •, NUMBER 30 ■ ■ *&L 1 r 1 km | JH A JM- ■ H i Bt m ■ ;V H ■ ■ i i 2 Sagamore March It, 1177 Letter/ Lesson goes overlooked Dear Sagamorons and matter and his students. You could devote their time to Sagamoronees (writers and leave his classes feeling churning out the “acceptable” readers), you’ve actually learned material. We, the students, Although many think of something, rather than having could then send the university IUPUI as the “meat market of been force-fed the material. our $2,500—wait four the mid-west,” most of us are When not in class he is always years—and then present our here preparing to face the in his office preparing or selves for graduation world of reality, pursuing talking to one of his students. Precious fuel could be saved education. We wear a path He is also one of the few who by the students remaining at between library and allows his students to evaluate home, and our professors classroom, hoping finally to his abilities, a policy most could add a new word to their receive that piece of paper avoid, apparently fearing the vocabularies—security. GAME ROOM POOL TABLES certifying our intelligence. truth. I realize all too well that this But, like the man who can't His crime has been called letter will accomplish little: see the forest for the trees, we the mortal sin of the academic but like anyone with a bad PIN BALL MACHINES sometimes overlook the world. “Publish or perish” as feeling in their stomach, I felt lessons from which we could they say, and our sociology the need to vomit. -
Smooth Jazz Magazine February 06.Pdf
2 SmoothJazz Magazine Let the music take you . 31 28 14 F E AT U R E S 38 TRAVEL DESTINATION 14 ALEXANDER ZONJIC DETROIT the HOME of SUPERBOWL XL 28 SMOKEY ROBINSON LEGACY–Still Croonin’ 31 KEM Music For The Ages 42 38 ANITA BAKER In Depth With Anita 42 KEVIN TONEY Is Right on Time 59 18 23 52 D E PA R T M E N T S 7 JAZZ NOTES & BIRTHDAYS 12 ON STAGE LIFESYTYLE 18 - CAMERON SMITH 50 - GRAMMY PRELUDE and the nominees are... 50 23 STAR LOUNGE - STACY KEACH 27 CONCERT REVIEW - EARL KLUGH 52 RISING STAR - MIKE PHILLIPS 59 REMEMBERING... - SHIRLEY HORN 60 CD REVIEWS 62 RADIO LISTINGS 64 JAZZLE PUZZLE 65 CD RELEASES 66 CONCERT LISTINGS 70 TRAVEL PLANNER ™ Let the music take you . M A G A Z I N E VOLUME 2 ISSUE 1 January / February 2006 PUBLISHER/CEO Art Jackson RESEARCH DIRECTOR Doris Gee MARKETING DIRECTOR Mark Lawrence Burwell ART DIRECTOR Danielle Cheek COPY EDITORS Karly Pierre, Teresa Fowler CONTRIBUTING WRITERS Ahli Love PHILADELPHIA Amy Rogin LOS ANGELES Belinda Harris DETROIT Cheryl Boone VIRGINA BEACH Karly Pierre LOS ANGELES Jonathan Barrick LOS ANGELES M.L. Burwell LOS ANGELES S TAFF PH OTOG RA PH E R Ambrose CONTRIBUTING PHOTOGRAPHERS Amy Rogin, Diane Hadley, Joseph D. Williams, Mann ADVERTISING SALES David Facinelli Facinelli Media Sales 1400 E. Touhy Ave., Suite 260 Des Plaines, IL 60018 727-866-9647 Tel 727-866-9222 Fax [email protected] SmoothJazz Magazine Inc. office: 3748 Keystone Avenue, Suite #406 Los Angeles, CA 90034 tel: 310.558.4698 Fax: 952.487.4999 email: [email protected] www.smoothjazzmag.net Talk To SmoothJazz Magazine Inc. -
MUSIC Dvds for SALE Popular/Rock/Country
MUSIC DVDs FOR SALE See sale conditions on Page 5 Recorded Approx * Seller's recommendations listed in BOLD type or released elapsed DVD date minutes Popular/Rock/Country Abba In Concert: Live at Wembley Arena, London 1979 100 Al Martino Most Famous: Live in Edmonton, Canada 1976 50 Andrew Lloyd Webber Masterpiece (Collector's Edition): Live from Beijing - 2 DVD set 2001 180 Andy Williams: Live at The Royal Albert Hall - 2 DVD set 1978 100 Ann Murray: What A Wonderful World (studio audience performance) 2001 55 Barbara Dickson In Concert: Live at Royal Albert Hall 1987 55 Barbra Streisand One Night Only: Live at the Village Vanguard, New York 2009 90 Barbra Streisand: MusiCares tribute in Los Angeles 2011 60 Barbra Streisand Back To Brooklyn: Live at Barclays Centre, NYC (DVD & CD) 2012 140 Bee Gees: One Night Only (Deluxe Edition) Live in Las Vegas 1997 260 Billy Joel Live at Shea Stadium 2008 155 Bing Crosby In Concert (compilation footage) 2005 60 Bobby Darin Mack The Knife 2005 65 Bobby Darin Entertains - 1960s TV studio performances 2006 75 Bruce Springsteen & The E Street Band: Live in NYC (2 DVD set) 2000 180 Buddy Holly & The Crickets - tribute show & documentary 2005 60 Buddy Holly & The Crickets - The Definitive Story: 50th Anniversary Edition DVD 2009 125 Burt Bacharach & Dionne Warwick: Live in NYC 1996 60 Burt Bacharach A Life In Song: Live at Royal Festival Hall 2015 110 Carole King: Live in Tokyo 2008 90 Chet Atkins A Tribute (TV special) 1980 100 Chet Atkins A Life In Music (documentary) 2005 60 Cliff Richard The Countdown -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Permalink https://escholarship.org/uc/item/8tt2s60p Author Blake, George Kaeser Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by George Kaeser Blake Committee in charge: Professor Timothy Cooley, Co-Chair Professor George Lipsitz, Co-Chair Professor Gaye Theresa Johnson Professor Dick Hebdige September 2017 The dissertation of George Kaeser Blake is approved. ____________________________________________ Dick Hebdige ____________________________________________ Gaye Theresa Johnson ____________________________________________ George Lipsitz, Committee Co-Chair ____________________________________________ Timothy Cooley, Committee Co-Chair September 2017 Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Copyright © 2017 by George Kaeser Blake iii ACKNOWLEDGEMENTS I would first like to thank my incredible committee: -
Page 1 of 163 Music
Music Psychedelic Navigator 1 Acid Mother Guru Guru 1.Stonerrock Socks (10:49) 2.Bayangobi (20:24) 3.For Bunka-San (2:18) 4.Psychedelic Navigator (19:49) 5.Bo Diddley (8:41) IAO Chant from the Cosmic Inferno 2 Acid Mothers Temple 1.IAO Chant From The Cosmic Inferno (51:24) Nam Myo Ho Ren Ge Kyo 3 Acid Mothers Temple 1.Nam Myo Ho Ren Ge Kyo (1:05:15) Absolutely Freak Out (Zap Your Mind!) 4 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Star Child vs Third Bad Stone (3:49) 2.Supernal Infinite Space - Waikiki Easy Meat (19:09) 3.Grapefruit March - Virgin UFO – Let's Have A Ball - Pagan Nova (20:19) 4.Stone Stoner (16:32) 1.The Incipient Light Of The Echoes (12:15) 2.Magic Aum Rock - Mercurical Megatronic Meninx (7:39) 3.Children Of The Drab - Surfin' Paris Texas - Virgin UFO Feedback (24:35) 4.The Kiss That Took A Trip - Magic Aum Rock Again - Love Is Overborne - Fly High (19:25) Electric Heavyland 5 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.Atomic Rotary Grinding God (15:43) 2.Loved And Confused (17:02) 3.Phantom Of Galactic Magnum (18:58) In C 6 Acid Mothers Temple & The Melting Paraiso U.F.O. 1.In C (20:32) 2.In E (16:31) 3.In D (19:47) Page 1 of 163 Music Last Chance Disco 7 Acoustic Ladyland 1.Iggy (1:56) 9.Thing (2:39) 2.Om Konz (5:50) 10.Of You (4:39) 3.Deckchair (4:06) 11.Nico (4:42) 4.Remember (5:45) 5.Perfect Bitch (1:58) 6.Ludwig Van Ramone (4:38) 7.High Heel Blues (2:02) 8.Trial And Error (4:47) Last 8 Agitation Free 1.Soundpool (5:54) 2.Laila II (16:58) 3.Looping IV (22:43) Malesch 9 Agitation Free 1.You Play For -
The Significance of Music Education in the Primary Curriculum
The Significance of Music Education In the Primary Curriculum Mina Won School for International Training, Ireland, Spring 2009 Project Advisor: Muireann Conway, Learning Support & Resource Teacher, St. Oliver Plunkett National School, Malahide, Co. Dublin National Teacher Carysfort College of Education, 1st Place, Gold Medal I think music in itself is healing. It's an explosive expression of humanity. It's something we are all touched by. No matter what culture we're from, everyone loves music.1 -Billy Joel 1 “ThinkExist.com Quotations,” ThinkExist.com, 1999-2006, 19 April 2009 <http://thinkexist.com/quotation/i_think_music_in_itself_is_healing-it-s_an/199752.html> 2 Table of Contents Section I: Introduction………………………………………………………………….2 a. Why?: Factors that Influenced the Topic, 4 b. How?: Connections and Personal Sources, 5 c. What?: Opportunity to Experience & Understand Topic, 5 d. Downfalls?: Problems Encountered, 6 e. What was it like?: Image to Reflect My Experience, 6 f. Glossary, 8 Section II: Methodology………………………………………………………………11 a. Locating and Approaching Students/Teachers, 11 b. Interviewing, 13 c. Personal Response to the Interview Period, 16 d. Writing the Research Paper, 19 e. Outline: Personal Approach to the Strands, 21 i. Listening and Responding, 22 ii. Performing, 23 iii. Composing, 24 Section III: Main Body………………………………………………………………27 a. Background Information, 27 i. Why Music Education, 27 ii. How Music Education is Beneficial, 32 iii. What Music Education Can Achieve, 36 b. “Music in a Child-Centered Curriculum”, 40 c. Key Messages, 41 d. The Content of the Music Curriculum, 42 i. Listening and Responding, 44 ii. Performing, 68 iii. Composing, 76 Section IV: Conclusion……………………………………………………………….87 Bibliography…………………………………………………………………………..91 a. -
Deutsche Nationalbibliografie 2014 T 06
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 06 Stand: 18. Juni 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT06_2014-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
The Fighting Spirit of Hip Hop: an Alternative Ghetto Experience
THE FIGHTING SPIRIT OF HIP HOP: AN ALTERNATIVE GHETTO EXPERIENCE By SUSAN HALL HULL B.A., University of British Columbia, 1984 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES Anthropology and Sociology We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1988 (£) Susan Hall Hull, 1988 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. „ , Anthropology and Sociology Department of v BJ The University of British Columbia, Vancouver, Canada Date October 1988 DE-6 (2/88) ii ABSTRACT This study investigates the expressive youth movement hip hop, a predominately black male subculture defined through participation in the competitive activities of graffiti writing, rapping and breakdancing. The general objective is to determine what is being communicated through these expressive forms, to whom, how, and finally to suggest why it is being communicated. The extent to which the encoded messages are consistent with reports of the subculture's goals is then discussed. It is asserted that hip hop operates as an alternative identity management and problem-solving mechanism within the black American ghetto. -
The Art of Anna Funnekotter P.3
free APRIL 2011 p.26 & 27 April’s Events p.7 First Edition Reading Series p.11 The Art of Anna Funnekotter p.3 Local Flavour p.16 Miss Mills’ Début PO Box 1391 Almonte ON K0A 1A0 Phone: (613) 256–5081 Editor: Kris Riendeau [email protected] Who’s Reading theHumm Who’s Reading Layout and Design: Rob Riendeau [email protected] Advertising and Here’s an interesting coincidence: back in 2009, within Promotions: two months of each other, we received these two photos of diff erent people reading theHumm at the Kris Riendeau same location in Havana, Cuba. Here’s what our readers Phone: (613) 256–5081 Editor, had to say. [email protected] Shocking events in Japan have preoccupied the news report- (above) Wendy Whitaker writes: I was off with my family ing for all of us. It’s as if the most frightening movie special and two other area families for a week in Cuba and so Assistant Editor: eff ects have come to life. Coming weeks and months will only we took a copy to read in front of Hemingway’s favourite Rona Fraser deepen this huge disaster. pub. I thought you would like to see it. In the shot are [email protected] We are the fi rst Buddhist group to make a home in rural Chris, Elizabeth, Isabella and Kathryn Whitaker; Tonio, Eastern Ontario, with members in Lanark, Renfrew and Ot- Vickie, Carmen, Sebastion, and Leo Powell-Sadick; and theHumm is a monthly arts, en- Readers Write Readers tawa. Th ese events have struck our small congregation par- Agnes, Taylor, Sky,and Aaron Spriggs Jackle. -
Process Work, Music, and Magic
PROCESS WORK, MUSIC, AND MAGIC: USING PROCESS WORK TECHNIQUES IN CONJUNCTION WITH MUSIC THERAPY TECHNIQUES TO ELICIT, UNFOLD AND INTEGRATE SECONDARY AND TERTIARY MATERIAL by Pat Woodall 2010 Final project submitted in partial fulfillment of the requirements for Diploma and Master’s of Arts Degree in Process Work from The Process Work Institute Portland, Or. 2 ACKNOWLEDGEMENTS There are many people to whom I owe a great deal in the creation of this project. My husband, Doug, supported me throughout. He listened, discussed challenges with me, helped with typing, and was the man behind the video camera during the four classes. His adult education skills were invaluable. I want to thank my student committee members for their support and for urging me forward throughout the process. Special thanks to Stan Tomandl who was my project advisor and witnessed firsthand my ups and downs and offered me support and good advise. I am also grateful to Arnold and Amy Mindell whose concepts, books, and classes were the backbone of this whole research endeavor. Amy granted me a phone interview in which we discussed how she combines Process Work and music, and Lane Arye similarly spoke with me by phone about his use of Process Work and music. Both interviews inspired me to see what I could discover by joining the two paradigms together. My Guided Imagery and Music teacher and trainer, Linda Kaiser, was instrumental in helping me see the beauty and efficacy of using music as a therapeutic tool. Helen Bonny, the founder of Guided Imagery and Music, although dead for several years, inspired me through her book. -
Music, Imagery, and Affect Suggests the Appropriateness of Combining All Three Elements in an Exploratory Study of These Two Cultures
Lj. IN Karlyi Johnson Hank ( II f I I I I I Ic I.', II I II III( III 1,11,1 II'\ I .1 1 I •I III II C:) MUSIC, IMAGERY AND AFFECT: A CROSS-CULTURAL EXPLORATION OF RESPONSES TO CHINESE AND WESTERN CLASSICAL MUSIC A dissertation submitted to the Institute for Clinical Social Work in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Clinical Social Work by KARLYN JOHNSON HANKS June 26, 1988 Copyright 1988 by KARLYN JOHNSON HANKS ALL RIGHTS RESERVED THE CALIFORNIA INSTITUTE FOR CLINICAL SOCIAL WORK We hereby approve the dissertation MUSIC, IMAGERY AND AFFECT: A CROSS-CULTURAL EXPLORATION OF RESPONSES TO CHINESE AND WESTERN CLASSICAL MUSIC by Karlyn Johnson Hanks candidate for the degree of Doctor of Philosophy in Clinical Social Work Doctoral Committee Gareth S. Hill Ph.D. _ Chair Date Judith Schiller D.S.W. 33' Committee Member Date Lindy Li Mark Ph.D. Z_ External Member óat# MUSIC, IMAGERY AND AFFECT: A CROSS-CULTURAL EXPLORATION OF RESPONSES TO CHINESE AND WESTERN CLASSICAL MUSIC by Karlyn Johnson Hanks Abstract This is a cross-cultural phenomenological study of imagery and affect produced by subjects listening to Western and Chinese classical music while in a deeply relaxed state. The purpose was to explore the essential structure of the subjects' responses to selected music with especial reference to the discovery of responses which would transcend the personal and cultural level and thus be representative of the archetypal level. The tape of music developed for the study consists of eleven carefully selected and programmed selections of Chinese and Western classical music.