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Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
1 Syllabus for MA (Previous) Hindustani Music Vocal/Instrumental
Syllabus for M.A. (Previous) Hindustani Music Vocal/Instrumental (Sitar, Sarod, Guitar, Violin, Santoor) SEMESTER-I Core Course – 1 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Historical and Theoretical Study of Ragas 70 Marks A. Historical Study of the following Ragas from the period of Sangeet Ratnakar onwards to modern times i) Gaul/Gaud iv) Kanhada ii) Bhairav v) Malhar iii) Bilawal vi) Todi B. Development of Raga Classification system in Ancient, Medieval and Modern times. C. Study of the following Ragangas in the modern context:- Sarang, Malhar, Kanhada, Bhairav, Bilawal, Kalyan, Todi. D. Detailed and comparative study of the Ragas prescribed in Appendix – I Internal Assessment 30 marks Core Course – 2 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Music of the Asian Continent 70 Marks A. Study of the Music of the following - China, Arabia, Persia, South East Asia, with special reference to: i) Origin, development and historical background of Music ii) Musical scales iii) Important Musical Instruments B. A comparative study of the music systems mentioned above with Indian Music. Internal Assessment 30 marks Core Course – 3 Practical Credit - 8 Practical : 70 Internal Assessment : 30 Maximum Marks : 100 Stage Performance 70 marks Performance of half an hour’s duration before an audience in Ragas selected from the list of Ragas prescribed in Appendix – I Candidate may plan his/her performance in the following manner:- Classical Vocal Music i) Khyal - Bada & chota Khyal with elaborations for Vocal Music. Tarana is optional. Classical Instrumental Music ii) Alap, Jor, Jhala, Masitkhani and Razakhani Gat with eleaborations Semi Classical Music iii) A short piece of classical music /Thumri / Bhajan/ Dhun /a gat in a tala other than teentaal may also be presented. -
Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
CATEGORIZATION OF STRINGED INSTRUMENTS WITH MULTIFRACTAL DETRENDED FLUCTUATION ANALYSIS Archi Banerjee*, Shankha Sanyal, Tarit Guhathakurata, Ranjan Sengupta and Dipak Ghosh Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 *[email protected] * Corresponding Author ABSTRACT Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to their sounds which is evident from the human response data collected during our experiment. Some previous attempts to categorize several musical instruments using various linear analysis methods required a number of parameters to be determined. In this work, we attempted to categorize a number of string instruments according to their mode of playing using latest-state-of-the-art robust non-linear methods. For this, 30 second sound signals of 26 different string instruments from all over the world were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. From the variation of spectral width, we observed distinct clustering among the string instruments according to their mode of playing. Also there is an indication that similarity in the structural configuration of the instruments is playing a major role in the clustering of their spectral width. The observations and implications are discussed in detail. Keywords: String Instruments, Categorization, Fractal Analysis, MFDFA, Spectral Width INTRODUCTION Classification is one of the processes involved in audio content description. Audio signals can be classified according to miscellaneous criteria viz. speech, music, sound effects (or noises). -
Harmonic Progressions of Hindi Film Songs Based on North Indian Ragas
UNIVERSITI PUTRA MALAYSIA HARMONIC PROGRESSIONS OF HINDI FILM SONGS BASED ON NORTH INDIAN RAGAS WAJJAKKARA KANKANAMALAGE RUWIN RANGEETH DIAS FEM 2015 40 HARMONIC PROGRESSIONS OF HINDI FILM SONGS BASED ON NORTH INDIAN RAGAS UPM By WAJJAKKARA KANKANAMALAGE RUWIN RANGEETH DIAS COPYRIGHT Thesis Submitted to the School of Graduate Studies, Universiti Putra Malaysia, © in Fulfilment of the Requirements for the Degree of Doctor of Philosophy December 2015 All material contained within the thesis, including without limitation text, logos, icons, photographs and all other artwork, is copyright material of Universiti Putra Malaysia unless otherwise stated. Use may be made of any material contained within the thesis for non-commercial purposes from the copyright holder. Commercial use of material may only be made with the express, prior, written permission of Universiti Putra Malaysia. Copyright © Universiti Putra Malaysia UPM COPYRIGHT © Abstract of thesis presented of the Senate of Universiti Putra Malaysia in fulfilment of the requirements for the degree of Doctor of Philosophy HARMONIC PROGRESSIONS OF HINDI FILM SONGS BASED ON NORTH INDIAN RAGAS By WAJJAKKARA KANKANAMALAGE RUWIN RANGEETH DIAS December 2015 Chair: Gisa Jähnichen, PhD Faculty: Human Ecology UPM Hindi film music directors have been composing raga based Hindi film songs applying harmonic progressions as experienced through various contacts with western music. This beginning of hybridization reached different levels in the past nine decades in which Hindi films were produced. Early Hindi film music used mostly musical genres of urban theatre traditions due to the fact that many musicians and music directors came to the early film music industry from urban theatre companies. -
Brevard Indian Classical Music Society Presents Sitar, Santoor & Tabla
brEVard iNdiaN ClaSSiCal MUSiC SoCiEty PrESENtS Sitar, SaNtoor & tabla Sponsored by BIMDA Event Chair: Subhash Rege, Mahesh Soni, Gladwyn Kurian SaNtoor Sitar tabla Nandkishor Muley Dr. Kanada Narahari Shankh Lahiri VENUE Brevard Hindu Mandir 1517 Avenida del Rio Melbourne, FL 32901 Date: Saturday, April 10th Program Starts: 4:30 pm Dinner: 7:45 pm MANDATORY Covid-19 Vaccination required to attend ... FREE to all Members PLEASE RSVP > BIMDA Email Invitation Brevard IndIan ClassICal MusIC soCIety Presents Nandkishor Muley SaNtoor Santur (Santoor) maestro Nandkishor Muley is considered the leading performer of this ancient, delicate instrument from the vibrant land of India. Nandkishor comes from a long lineage of musicians. Educated early in vocals and Tabla from his father Dattatraya and uncle Shrikant Muley. He is holding Masters degree in Indian music and Kathak dance from M.S. University of Baroda. Nandkishor had already received acclaim in India before entering study on the Santur with Pundit Shivkumar Sharma, which led to his current high esteem as a principal figure in Indian music. Nandkishor has been accredited with German Grammy Award, the famous ìSurmaniî award, the Excellence Art and Cultural Educator award from United Arts of Florida (USA), just to name a few. Nandkishor is widely travels different parts of world for his musical performances. His lectures and workshops on Indian Vocal & Instrumental classical music are highly educative to enrich learners & artists. He is an adjunct professor of Indian music and dance at Stetson University and University Of Central Florida (UCF) in Orlando. Florida. Brevard IndIan ClassICal MusIC soCIety Presents Dr. Kanada Narahari Sitar Dr Kanada Narahari (Kanada Raghava) was born in Manchikeri, a small village in western ghats, Karnataka, India to his illustrious parents, Vidvan Narahari Keshava Bhat and Sumangala Bhat. -
Light of Consciousness Magazine, 48 Light of Consciousness Autumn 2017Autumn 2017
by practicing poses like our animal friends: balancing like a Audio Reviews bear, rising like a cobra, soaring like an eagle, roaring like a lion, bending like a camel, swimming like a dolphin, hands SAHAJ ATMA: Mantras That Illuminate under toes like a gorilla, and more. The author encourages the Soul by Manish Vyas, 62 min, 2017; children to use yoga to calm down and feel strong. And most CD $17/MP3 $9, ManishVyas.com of all, “Remember to breathe, use only your nose, inhale and Manish Vyas is joined by a exhale, stay calm in each pose.” A recap of the poses as Lyla’s talented ensemble of some of India’s Yoga Flow, with detailed instructions, is given at the end. The finest musicians and vocalists on his latest best children’s hatha yoga book we’ve seen! Recommended recording, Sahaj Atma. These Sanskrit ages: 4-8. mantras are as old as time, and yet feel as fresh as a lotus blossom at sunrise. The mantras include Sahana Vavatu, Lokaha Samastaha, MINDFUL GAMES, Sharing Mindfulness Sahaj Atma, Vande Gurudev, Jaya Ambe, and Shanti Mantra. A and Meditation with Children, Teens and sublime atmosphere is created by the chanting of these heavenly Families by Susan Kaiser Greenland; mantras, imbued with the sounds of the sitar, bansuri-flute, Paperback, 5x8, 202 pp, $16.95; Shambhala violin, harmonium, tanpura, swarmandal, santoor and guitar. Publications 2016, Shambhala.com. These mantras bestow peace and purity, creating a perfect Spiritual Cinema When children and teens atmosphere for meditation, yoga, healing, and deep relaxation. focus on the present moment, they learn to sense impressions as clues UMA by Mercedes Bahleda and Ferenz Kallos, to stop and listen before speaking 87 min, 2017; CD $17/MP3 $9, Neither Wolf Nor Dog Beatriz At Dinner and acting, and thus become less WhiteSwanRecords.com Screenplay by Kent Nerburn and Steven Lewis Simpson, Directed by Miguel Arteta, Written by Mike White, reactive and more receptive to what Mercedes is a professional Directed by Steven Lewis Simpson. -
Number of Ph.D.S Awarded Per Teacher During the Last Five Years
Number of Ph.D.s awarded per teacher during the last five years Year of registratio Year of Name of the Name of the n of the award of PhD scholar Department Name of the guide/s Title of the thesis scholar PhD Prof. Suneera Himanchal pradesh ki sangeet jivi jatiyan itihaas vartaman istithi tatha bhavishya Om Sharma Music Kasliwal ek aadhyayan 2009 2013 Prof. Suneera Kolkata main Nirmit sarikayukta tantri vadyo ka vashistya evam vadya nirmatao Manish Mamgai Music Kasliwal ka yogdan 2009 2014 Prof. Suneera Ragdari Sangeet Main Prayukt hone vale panjab ke paramparagat Vadya va unke Pawan Kumar Music Kasliwal pramukh Kalakar Ek aadhyayan 2009 2013 Prof. Suneera Aadhyunik Yug main nirmit pramukh prayogatmak swar Vadya Uttar Bharatiya Jasbeer Music Kasliwal Shashtriya Sangeet ke Vishesh Sandarbh Main 2012 2016 Prof. Suneera Life and Works of Naushad a Study and use of His Classical music in hindi films Radha Tyagi Music Kasliwal 1937 2005 2011 2016 Prof. Suneera Shashtriya sangeet ke vikas main sameelano ki bhoomika Delhi prant ke vishesh Sukhpreet Singh Music Kasliwal sandarbh main 2011 2015 Prof. Suneera Aadhunik Yug Main Swarlipi paddhati ke badalte Swaroop ek Vishleshanatmak Neha Sharma Music Kasliwal Aadhyayan 2012 2016 Prof. Suneera Pandit Vishnu Digambar Paluskar Evam Sansthagat sangeet shikshan prampara ek Bharat Bhushan Music Kasliwal vishleshanatmak aadhyayan 2012 2016 Prof. Suneera Ragdari Sangeet Main Pandit Vishnu Digambar Paluskar Dwara Bhakti Rachnao ka Vineet Goswami Music Kasliwal Prayog Aadhyayan Evam Abhilekhan 2012 2016 Prof. Anupam Madhyakal se vartaman samay tak sitar vvadan ke paramparagat bolo main Anuja Jha Music Mahajan parivartan evam parivardhan 2011 2015 Prof. -
Polytram Changes Budget Import Mart Booms Scorpions Cover by FRED GOODMAN Ment of Odds and Ends from Around That His Firm Does Have American the World
SM 14011 MMNIFIN BBO 9GREENLYMONT00 MARP6 NEWSPAPER MONTY GREENLY C3 10 37410 ELM UC Y LONG PEACH CA 90807 A B°Ilboard Publication The Internatior Newsweekly Of Music & Home Entertainment May 5, 1984 $3 (U.S.) AFTER RACK COMPLAINT DESPITE LABELS' EFFORTS Polytram Changes Budget Import Mart Booms Scorpions Cover By FRED GOODMAN ment of odds and ends from around that his firm does have American the world. customers, but that it counsels NEW YORK complaint from That attitude is apparently not -A NEW YORK -The U.S. market caution. a key rack account has led Mercury/ shared by Handleman or some of its "It's a large market," says one for imported budget, cutout and "We want to keep the U.S. compa- PolyGram to market two different customers. Mario DeFilippo, vice wholesaler who carries both domestic overstock albums is thriving. Despite nies happy," he says. "The customer covers of the Scorpions' top 10 album president of purchasing for the rack- and imported budget titles. "It basi- the efforts of the Recording Industry doesn't want to go out on a limb. But "Love At First Sting." . jobber, says that objections to album cally exists because the American Assn. of America, CBS Records and there is a whole midprice range we According to the label, Wal -Mart, cover art as well as lyrics are "a com- market is loaded with crap and the other American manufacturers to sti- supply that is not available in Ameri- a 670 -store discount chain racked by mon complaint from our customers." dual stuff is cheaper. -
Iiuyt Mi Uuirmen SALE Municating)
VOLUME •, NUMBER 30 ■ ■ *&L 1 r 1 km | JH A JM- ■ H i Bt m ■ ;V H ■ ■ i i 2 Sagamore March It, 1177 Letter/ Lesson goes overlooked Dear Sagamorons and matter and his students. You could devote their time to Sagamoronees (writers and leave his classes feeling churning out the “acceptable” readers), you’ve actually learned material. We, the students, Although many think of something, rather than having could then send the university IUPUI as the “meat market of been force-fed the material. our $2,500—wait four the mid-west,” most of us are When not in class he is always years—and then present our here preparing to face the in his office preparing or selves for graduation world of reality, pursuing talking to one of his students. Precious fuel could be saved education. We wear a path He is also one of the few who by the students remaining at between library and allows his students to evaluate home, and our professors classroom, hoping finally to his abilities, a policy most could add a new word to their receive that piece of paper avoid, apparently fearing the vocabularies—security. GAME ROOM POOL TABLES certifying our intelligence. truth. I realize all too well that this But, like the man who can't His crime has been called letter will accomplish little: see the forest for the trees, we the mortal sin of the academic but like anyone with a bad PIN BALL MACHINES sometimes overlook the world. “Publish or perish” as feeling in their stomach, I felt lessons from which we could they say, and our sociology the need to vomit. -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Visva-Bharati, Sangit-Bhavana Department of Rabindra Sangit, Dance & Drama CURRICULUM for UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM
Visva-Bharati, Sangit-Bhavana Department of Rabindra Sangit, Dance & Drama CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM COURSE CODE: DURATION: 3 COURSE CODE SIX SEMESTER BMS YEARS NO: 41 Sl.No Course Semester Credit Marks Full Marks . 1. Core Course - CC 14 Courses I-IV 14X6=84 14X75 1050 08 Courses Practical 06 Courses Theoretical 2. Discipline Specific Elective - DSE 04 Courses V-VI 4X6=24 4X75 300 03 Courses Practical 01 Courses Theoretical 3. Generic Elective Course – GEC 04 Course I-IV 4X6=24 4X75 300 03 Courses Practical 01 Courses Theoretical 4. Skill Enhancement Compulsory Course – SECC III-IV 2X2=4 2X25 50 02 Courses Theoretical 5. Ability Enhancement Compulsory Course – AECC I-II 2X2=4 2X25 50 02 Courses Theoretical 6. Tagore Studies - TS (Foundation Course) I-II 4X2=8 2X50 100 02 Courses Theoretical Total Courses 28 Semester IV Credits 148 Marks 1850 Page 1 of 109 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) COURSE AND MARKS DISTRIBUTION STRUCTURE CC DSE GEC SECC AEC TS SEM C TOTA PRA THE PRA THE PRA THE THE THE THE L C O C O C O O O O I 75 75 - - 75 - - 25 50 300 II 75 75 - - 75 - - 25 50 300 III 150 75 - - 75 - 25 - - 325 IV 150 75 - - - 75 25 - - 325 V 75 75 150 - - - - - - 300 VI 75 75 75 75 - - - - - 300 TOTA 600 450 225 75 225 75 50 50 100 1850 L Page 2 of 109 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) OUTLINE OF THE COURSE STRUCTURE COURSE COURSE TYPE CREDITS MARKS HOURS PER CODE WEEK SEMESTER-I CC-1 PRACTICAL 6 75 12 CC-2 THEORETICAL 6 75 6 GEC-1 PRACTICAL 6 75 12 AECC-1 THEORETICAL 2 25 2 TS-1 THEORETICAL -
Transcription and Analysis of Ravi Shankar's Morning Love For
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura Bethany Padgett Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Padgett, Bethany, "Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura" (2013). LSU Doctoral Dissertations. 511. https://digitalcommons.lsu.edu/gradschool_dissertations/511 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANSCRIPTION AND ANALYSIS OF RAVI SHANKAR’S MORNING LOVE FOR WESTERN FLUTE, SITAR, TABLA AND TANPURA A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Bethany Padgett B.M., Western Michigan University, 2007 M.M., Illinois State University, 2010 August 2013 ACKNOWLEDGEMENTS I am entirely indebted to many individuals who have encouraged my musical endeavors and research and made this project and my degree possible. I would first and foremost like to thank Dr. Katherine Kemler, professor of flute at Louisiana State University. She has been more than I could have ever hoped for in an advisor and mentor for the past three years.