The Wright Era: African American Fiction in Retrospect
The Wright Era: African American Fiction in Retrospect Werner Sollors Beginnings The study of African American literature is a child of the Enlightenment and of Quaker- inspired agitation against the slave trade and slavery.1 Launched under the now unfashionable term “Negro literature,” it was understood to be global and to have deep historical roots, for its discussions included writing and artistic expression of all times, in many languages, and from many known places on the globe. It had a political thrust, for listing and presenting examples of creativity served as a vindication of Negroes against racial prejudice, thus weakening justifications of slavery on the grounds of those preconceptions. Drawing on examples that Quakers and other opponents of the slave trade and slavery had presented, among them Michel Adanson, Anthony Benezet, Thomas Clarkson, James Ramsay, Granville Sharp, and William Wilberforce, as well as on extensive archival researches of his own, the Abbé Henri Grégoire (1750–1831)—who had also advocated the emancipation of Jews—put together a pioneering study that was explicitly intended to demolish the anti-Negro position of slavery sympathizers like Edward Long. De la littérature des Nègres, first published in Paris in 1808, appeared two years later in D. B. Warden’s English translation under the title An Enquiry Concerning the Intellectual and Moral Faculties, and Literature of Negroes; Followed with an Account of the Life and Works of Fifteen Negroes and Mulattoes, Distinguished in Science, Literature and the Arts. The book starts with a semantic discussion in which Grégoire gives preference to the term “Negro” (“Noir”) over “African,” because there are many non-blacks who live in Africa.
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