DOCSLIB.ORG

2013 Annual Festival Concert Programs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2013 Annual Festival Concert Programs 1 Table of Contents 02 Philadelphia Youth Orchestra 2012-2013 05 PYO 73rd Annual Festival Concert 07 Louis Scaglione: Music Director & Conductor 11 Michelle Johnson: Soprano 13 Chrystal E. Williams: Mezzo Soprano 15 Mendelssohn Club of Philadelphia 21 PYO Festival Concert Program Notes 29 Section Leaders of the Philadelphia Youth Orchestra 30 Philadelphia Youth Orchestra Graduating Seniors 31 History of the Philadelphia Youth Orchestra 34 Master Class & Advanced Orchestral Training Program 35 Helen T. Carp Distinguished Service Award 36 Season Repertoire 2012–2013 38 Philadelphia Young Artists Orchestra 2012-2013 40 PYAO 18th Annual Festival Concert 41 Geoffrey McDonald: Director & Conductor 42 PYAO Festival Concert Program Notes 50 Section Leaders of the Philadelphia Young Artists Orchestra 52 Bravo Brass 2012-2013 54 Bravo Brass 10th Annual Festival Concert 55 Paul Bryan: Director & Conductor 56 Barry McCommon & Robert Skoniczin: Associate Conductors 58 Bravo Brass Faculty 60 PRYSM 2012-2013 62 PRYSM Young Artists 2012-2013 63 PRYSM 6th Annual Festival Concert 65 Gloria dePasquale: Director & Conductor 66 Jessica Bowman: Assistant Director & Conductor, PRYSM Young Artists 67 PRYSM Faculty 70 Tune Up Philly 2012-2013 72 Tune Up Philly 3rd Annual Festival Concert 73 Delia Raab-Snyder: Director 73 Paul Smith: Assistant Director & Conductor 74 Tune Up Philly Faculty 76 In Appreciation 2012-2013 86 Season Performance Schedule 2012-2013 87 Auditions 2013-2014 88 Open Rehearsals 2 3 Philadelphia Youth Orchestra • 2012–2013 Louis Scaglione Lawrence Weizhong Feng Clarinet/Bass Clarinet Music Director & Conductor Dagny Moll Barone Sean Bailey* Brian Monroe Moser Rachel Elizabeth Bates Violin I Anita Tenjarla Gareth Thomas Haynes Austin Haley Berman, Viola David Kim Concertmaster Justine Zhang Mike Congzhou Sha Michael Stanley* Helenmarie Vassiliou Chason Elliot Goldfinger Bassoon/Contra Bassoon Weijia Wang Beatrice Jane Ferreira Rebecca Gayle Krown* Jason Frederic Herrmann Joseph Burke Zachary Spector Daniel J. Kim Natalie Easton Loughran French Horn Jessica C. Schmidt Andrea Jin Ryan Michael Dinon Andrea Sylvia Biscoveanu Francco L. Yugga Sara Michelle Dornblaser* Timothy James Holland Bria Nicole Blackshear Gregory G. Greene Jingning Zhang Puneeth Guruprasad Derek Jacob Maseloff Alexis D. Meschter Violoncello Rafael DeJarnatt Schneider Patrick Fei Cameron Christopher Clarke* Trumpet Sophie Mae Fortunato Andres Eduardo Sanchez Manuel O. Jimenez Clare Sooyeon Choi Anne Catherine Lin Nathan Peter Korsen Asher Edward Wulfman Elizabeth Y. Lee Lucas Ty Ranieri* Daniel Joseph Angstadt Edward Pyun Di Yue Allan W. Wang Ariel W. Sotirescu Da Young Rachel Lim Jake Solomon Aronchick Trombone Asher Samuele Goldfinger Margaret Loughran Jeremy S. Cohen* Samuel W. Wang Andrew Ge Jeffrey Dennis Costello May Wang Michael Yuanxin Gu James B. Tobias Daniel H. Jang Double Bass Tuba Violin II Brittany Alyse Conrad* Jeffrey David Stewart Benjamin Warren Biffis* Christopher William Perron Carolyn Marie Tillstrom* Alexandra M. Zhang Patrick Paul Nugent Percussion Joo Hyun Lee Andrew Schwartz Peter Charles Hillinck Sean Alexander Bennett Troy Rudy Thomas Anthony Kolakowski Grace Lee Christopher J. Cute Gregory Martin LaRosa Bartholomew Frederick Shields Flute/Piccolo David W. Lu* Ethan Zhao Jodie Barasatian Harp Alberta Douglas Colin MacLaine Fadzen* Ruth Sophie Boyajian Michelle Cheng Jessica Emily Herrmann Helen Gerhold* Nathan H. Lowman Nicholas R. Ioffreda Piano/Celeste H.A. Isaac Linton James William Rose Elizabeth Carmen Morgan Christine Yeji Kim* Dennis Woo Oboe/English Horn Andrew Z. Guo Jonathan S. Cohen* Jeffrey Chang Christopher Daniel Dinon * Section Leader Allison Chiang Julie Anne Kress Winds, brass, percussion rotate seating. Maria Terese Dell’Orefice Tanavi Prabhu Abraham Isaac Smith 4 5 Philadelphia Youth Orchestra 73rd Annual Festival Concert Louis Scaglione • Conductor Michelle Johnson • Soprano Chrystal E. Williams • Mezzo Soprano Mendelssohn Club of Philadelphia Alan Harler • Artistic Director The Kimmel Center for the Performing Arts • Verizon Hall Sunday, June 2, 2013 • 7:30 p.m. PROGRAM Symphony No. 2, Resurrection Gustav Mahler I. Allegro maestoso II. Andante moderato III. In ruhig fließender Bewegung IV. Urlicht. Sehr feierlich, aber schlict V. Im Tempo des Scherzos Latecomers will not be seated until an appropriate time in the concert. The use of photographic and recording equipment is strictly prohibited. As a courtesy to the performers and fellow concert-goers, please silence all cell phones prior to the performance. 6 7 Louis Scaglione: President & Music Director Maestro Scaglione has taken the Philadelphia Youth Orchestra on several international concert tours, including The World Youth Music Forum in Moscow, Russia in 1998; Czech Republic and Italy in 2000; and China in 2002. In 2004, the Philadelphia Youth Orchestra per- formed in eastern and central Europe. In 2007, Maestro Scaglione conducted the Philadelphia Youth Orchestra during its tour of Brazil, where they performed to sold-out venues in São Paulo and Rio de Janeiro. Maestro Scaglione has also arranged musical collaborations for the orches- tras with such accomplished soloists Maestro Louis Scaglione is the President as William dePasquale, former Co- and Music Director of the Philadelphia Concertmaster of The Philadelphia Youth Orchestra organization and has Orchestra; Gloria dePasquale, cellist, The extensive experience as a musician, educa- Philadelphia Orchestra; Michael Ludwig, tor, conductor and administrator. He over- former Associate Concertmaster of The sees all of the organization’s programs and Philadelphia Orchestra; Ellen dePasquale, is principal conductor of the Philadelphia former Associate Concertmaster, The Youth Orchestra. Cleveland Orchestra; pianists David Pasbrig and Kenneth Drake; vocal soloists Laura Maestro Scaglione and PYO Heimes, Serena Benedetti, Phyllis Lewis- Through his leadership, Maestro Scaglione Hale, Richard Zuch, Todd Thomas, Brian has grown and transformed a youth Chu, Sandra Carney, James Longacre, Steven orchestra that was created in 1939 Brenfleck, and Monica Ziglar; leading jazz from an all-volunteer organization to a artists Regina Carter, Diane Monroe and nationally recognized, professionally man- John Blake, Jr.; and internationally renowned aged institution. His tenure with the soloists Sarah Chang (violinist), Susan Starr PYO organization began in 1997 when (pianist), Eric Owens (vocalist) and Sylvia Joseph Primavera, who served as PYO’s Thereza (pianist). Music Director for 51 years, appointed Maestro Scaglione as Conductor of PYO’s Philadelphia Young Artists Orchestra. In 1999, Maestro Scaglione was appointed Associate Conductor of the PYO organiza- tion and became the organization’s first Executive Director in 2001. In 2003, his title was changed to President and after Maestro Primavera retired in 2005, Maestro Scaglione became the PYO organization’s Music Director, President and CEO. 8 9 Louis Scaglione: President & Music Director Philanthropy Performing Arts Center; Trustee to the Philanthropy is paramount to Maestro Andalusia Foundation; Advisor to the Arts Scaglione. For the past 16 years, many Advisory Council of The Society for the performances from the Philadelphia Youth Performing Arts of the Media Theater; and Orchestra organization have helped raise on the Arts and Cultural Advisory Board, funds for charitable organizations such as Bensalem Township (Pa.). For many years, Reach Out and Read at The Children’s he has served as grant review panelist for Hospital of Philadelphia; MANNA the Pennsylvania Council on the Arts and (Metropolitan AIDS Neighborhood the Philadelphia Cultural Fund. Nutritional Alliance); the Voices for Children Additionally, Maestro Scaglione’s involve- Foundation; St. James School, Philadelphia; ment with the greater Philadelphia cultural and the Youth Work Foundation of The and social community includes services Union League of Philadelphia. as member of the Board of Director’s of Encore Series, Inc., The Philly Pops; Professional Affiliations, Appointments The Archbishop’s Cabinet, Archdioceses and Honors of Philadelphia; and Treasurer of Studio Because of his work with the PYO program, Incamminati. Most recent appointments also Maestro Scaglione was elected by his peers included Director of The Union League of in 2006 to serve as Chairman of the Youth Philadelphia; and Vice Chairman of Orchestra Division Board of the League The Youth Work Foundation of The Union of American Orchestras, and served on the League of Philadelphia. League’s Board of Directors concurrent with his chairmanship. Professional Studies Maestro Scaglione is Executive Vice Maestro Scaglione’s professional studies President & Chief Operating Officer of as a conductor have taken him to the Encore Series, Inc., the presenter of Oregon Bach Festival in Eugene, Oregon; The Philly Pops; a position he has held the Internationale Bachakademie and since July 2012. the Europäische Musikfest in Stuttgart, Germany; the Classical Music Seminar in Maestro Scaglione served as Artistic Eisenstadt, Austria; and master classes at the Director of the Choral Society of conservatory in Saint Petersburg, Russia. Montgomery County in residence at Montgomery County Community College Maestro Scaglione graduated with hon- from 2002 to 2012. From 2006 through ors from The University of Illinois with a 2010 he was Resident Music Director and Bachelor of Science in music education Conductor for the Luzerne Music Center and also holds a
Load more

Recommended publications
  • Deconstructing David Lang's the Anvil Chorus
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2014 Deconstructing David Lang's The Anvil Chorus Brandon M. Smith Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Smith, Brandon M., "Deconstructing David Lang's The Anvil Chorus" (2014). Theses and Dissertations. 113. https://csuepress.columbusstate.edu/theses_dissertations/113 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Deconstructing David Lang's The Anvil Chorus by Brandon Michael Smith A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Degree of Bachelor of Music in Music Education College of the Arts Columbus State University Thesis Advisor Committee Member Dr. Sean Powell Honors Committee Member J&^^ f Date [g^SjLS ' Dr. Susan Tomkiewicz Honors Program Director ^trkO^h^C^^ Date £&Q indy Ticknor 1 Usually, when a piece of music is taken out of context, that is, when it is learned and performed without studying the piece, the composer, the musical genre, or the historical significance, the understanding of it for the performer is narrow and limited and the performance is less than ideal. This leads to a substandard realization of the music. Contrarily, a musician should integrate research with the learning process as to enhance the comprehensive understanding of the piece, which ultimately results in a high level of performance. This idea is important for the complex and extensive musical repertoire of the twentieth and twenty-first centuries.
    [Show full text]
  • Season 2014-2015
    27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage.
    [Show full text]
  • 100Th Season Anniversary Celebration Gala Program At
    Friday Evening, May 5, 2000, at 7:30 Peoples’ Symphony Concerts 100th Season Celebration Gala This concert is dedicated with gratitude and affection to the many artists whose generosity and music-making has made PSC possible for its first 100 years ANTON WEBERN (1883-1945) Langsaner Satz for String Quartet (1905) Langsam, mit bewegtem Ausdruck HUGO WOLF (1860-1903) “Italian Serenade” in G Major for String Quartet (1892) Tokyo String Quartet Mikhail Kopelman, violin; Kikuei Ikeda, violin; Kazuhide Isomura, viola; Clive Greensmith, cello LUDWIG VAN BEETHOVEN (1770-1827) Trio for piano, violin and cello in B-flat Major Op. 11 (1798) Allegro con brio Adagio Allegretto con variazione The Kalichstein-Laredo-Robinson Trio Joseph Kalichstein, piano; Jamie Laredo, Violin; Sharon Robinson. cello GYORGY KURTAG (b. 1926) Officium breve in memoriam Andreae Szervánsky 1 Largo 2 Piú andante 3 Sostenuto, quasi giusto 4 Grave, moto sostenuto 5 Presto 6 Molto agitato 7 Sehr fliessend 8 Lento 9 Largo 10 Sehr fliessend 10a A Tempt 11 Sostenuto 12 Sostenuto, quasi guisto 13 Sostenuto, con slancio 14 Disperato, vivo 15 Larghetto Juilliard String Quartet Joel Smirnoff, violin; Ronald Copes, violin; Samuel Rhodes, viola; Joel Krosnick, cello GEORGE GERSHWIN (1898-1937) arr. PETER STOLTZMAN Porgy and Bess Suite (1935) It Ain’t Necessarily So Prayer Summertime Richard Stoltzman, clarinet and Peter Stoltzman, piano intermission MICHAEL DAUGHERTY (b. 1954) Used Car Salesman (2000) Ethos Percussion Group Trey Files, Eric Phinney, Michael Sgouros, Yousif Sheronick New York Premiere Commissined by Hancher Auditorium/The University of Iowa LEOS JANÁCEK (1854-1928) Mládi (Youth) Suite for Wind Instruments (1924) Allegro Andante sostenuto Vivace Allegro animato Musicians from Marlboro Tanya Dusevic Witek, flute; Rudolph Vrbsky, oboe; Anthony McGill, clarinet; Jo-Ann Sternberg, bass clarinet; Daniel Matsukawa, bassoon; David Jolley, horn ZOLTAN KODALY (1882-1967) String Quartet #2 in D minor, Op.
    [Show full text]
  • Music for Contrabass Clarinet
    MUSIC FOR CONTRABASS CLARINET First Edition August 2017 Sarah Watts 2 This catalogue of music written for and featuring contrabass clarinet is the product of a 2016 Teaching Award from the Royal Northern College of Music, UK. This PDF catalogue is freely available on my website - www.sarahkwatts.co.uk. It will be updated on a regular basis and any additions should be emailed to [email protected] My thanks go to RNCM for supporting this project, BK and Jessica Son at Silverstein works for help with designing the cover and Henri Selmer Paris, friends and colleagues for continued help and support with all of my work. Sarah Watts - July 2017 © Sarah Watts 2017 3 contents solo contrabass clarinet ................................................................... p5 contrabass clarinet + 1 ...................................................................... 9 contrabass clarinet + 2 ..................................................................... 11 contrabass clarinet + 3 .....................................................................13 contrabass clarinet + 4 .................................................................... 14 contrabass clarinet + 5 .................................................................... 15 contrabass clarinet + 6 or more contrabass ........................ 16 clarinet + electronics contrabass .............................................. 17 clarinet + orchestra/ensemble ................................................... 18 4 solo contrabass clarinet Andre, Mark Chrysakis, Thanos iv 7
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • BIOGRAPHIES Violin Faculty Justin Chou Is a Performer, Teacher And
    MASTER PLAYERS FESTIVAL: BIOGRAPHIES Violin faculty Justin Chou is a performer, teacher and concert producer. He has assisted and performed in productions such as the Master Players Concert Series, IVSO 60th anniversary, Asian Invasion recital series combining classical music and comedy, the 2012 TEDxUD event that streamed live across the Internet and personal projects like Violins4ward, which recently produced a concert titled “No Violence, Just Violins” to promote violence awareness and harmonious productivity. Chou’s current project, Verdant, is a spring classical series based in Wilmington, Delaware, that presents innovative concerts by growing music into daily life, combining classical performance with unlikely life passions. As an orchestral musician, he spent three years as concertmaster of the Illinois Valley Symphony, with duties that included solo performances with the orchestra. Chou also has performed in various orchestras in principal positions, including an international tour to Colombia with the University of Delaware Symphony Orchestra, and in the state of Wisconsin, with the University of Wisconsin Symphony Orchestra, the Lake Geneva Symphony Orchestra and the Beloit-Janesville Symphony. Chou received his master of music degree from UD under Prof. Xiang Gao, with a full assistantship, and his undergraduate degree from the University of Wisconsin, with Profs. Felicia Moye and Vartan Manoogian, where he received the esteemed Ivan Galamian Award. Chou also has received honorable mention in competitions like the Milwaukee Young Artist and Youth Symphony Orchestras competitions. Xiang Gao, MPF founding artistic director Recognized as one of the world's most successful performing artists of his generation from the People's Republic of China, Xiang Gao has solo performed for many world leaders and with more than 100 orchestras worldwide.
    [Show full text]
  • Atlanta Chamber Players, "Music of Norway"
    ATLANTA CHAMBER PLAYERS Music of Norway featuring Efe Baltacigil, cello David Coucheron and Helen Hwaya Kim, violins Julie Coucheron and Elizabeth Pridgen, piano Monday, March 6, 2017 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Eighty-ninth Concert of the 2016-17 Concert Season program JOHAN HALVORSEN (1864-1935) Concert Caprice on Norwegian Melodies David Coucheron and Helen Hwaya Kim, violins EDVARD GRIEG (1843-1907) Andante con moto in C minor for Piano Trio David Coucheron, violin Efe Baltacigil, cello Julie Coucheron, piano EDVARD GRIEG Violin Sonata No. 3 in C minor, Op. 45 Allegro molto ed appassionato Allegretto espressivo alla Romanza Allegro animato - Prestissimo David Coucheron, violin Julie Coucheron, piano INTERMISSION JOHAN HALVORSEN Passacaglia for Violin and Cello (after Handel) David Coucheron, violin Efe Baltacigil, cello EDVARD GRIEG Cello Sonata in A minor, Op. 36 Allegro agitato Andante molto tranquillo Allegro Efe Baltacigil, cello Elizabeth Pridgen, piano featured musician FE BALTACIGIL, Principal Cello of the Seattle Symphony since 2011, was previously Associate Principal Cello of The Philadelphia Orchestra. EThis season highlights include Brahms' Double Concerto with the Oslo Radio Symphony and Vivaldi's Double Concerto with the Seattle Symphony. Recent highlights include his Berlin Philharmonic debut under Sir Simon Rattle, performing Bottesini’s Duo Concertante with his brother Fora; performances of Tchaikovsky’s Variations on a Rococo Theme with the Bilkent & Seattle Symphonies; and Brahms’ Double Concerto with violinist Juliette Kang and the Curtis Symphony Orchestra. Baltacıgil performed a Brahms' Sextet with Itzhak Perlman, Midori, Yo-Yo Ma, Pinchas Zukerman and Jessica Thompson at Carnegie Hall, and has participated in Yo-Yo Ma’s Silk Road Project.
    [Show full text]
  • MUSIC for WIND INSTRUMENTS from the 18Th UNTIL the 21St CENTURY FLORICOR EDITIONS & DEUSS MUSIC DEUSS MUSIC CATALOGUE
    MUSIC FOR WIND INSTRUMENTS FROM THE 18th UNTIL THE 21st CENTURY FLORICOR EDITIONS & DEUSS MUSIC DEUSS MUSIC CATALOGUE Deuss Music & Floricor Editions Repertoire for Wind Instruments Solo – Chamber – Wind Orchestra 2020 INDEX 18th CENTURY ...................................................................................................................................................... 2 19th CENTURY ...................................................................................................................................................... 4 20th AND 21ST CENTURY ....................................................................................................................................... 6 SOLO (WITH ELECTRONICS) ................................................................................................................................. 6 DUOS TRIOS (WITH ELECTRONICS) ...................................................................................................................... 8 CHAMBER MUSIC (4-12 MUSICIANS) ................................................................................................................ 11 CONCERTOS ....................................................................................................................................................... 14 WIND ENSEMBLE/ORCHESTRA/BAND ............................................................................................................... 17 You can order your performance material by sending us an email: [email protected]
    [Show full text]
  • Pathetique Symphony New York Philharmonic/Bernstein Columbia
    Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No.
    [Show full text]
  • Everything Essential
    Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden.
    [Show full text]
  • 2018 Communication on Engagement (COE) Report
    Global Competitiveness Empowerment Forum 2018 Communication on Engagement (COE) Report www.g-cef.org © 2018 GCEF Global Competitiveness Empowerment Forum www.g-cef.org Table of Contents • Introduction of GCEF/ A Letter from Executive President (Page 3) • Sustainable Development Goals (Page 4) • Organization Status (Page 5) • Part 1. Human Rights and Labour Seminar/Event (Page 6) Education/Presentation (Page 6) Policy/Research (Page 6) • Part 2. Anti-corruption Seminar/Event (Page 7) Appointment/MoU (Page 14) Education/Presentation (Page 17) • Part 4. General CSR Seminar/Event (Page 18) Appointment/MoU (Page 19) Education/Presentation (Page 20) • Part 5. PR (Page 21) • Member Companies (Page 22) • Global Partners (Page 23) • Advertisement of GCEF (Page 24) © 2018 GCEF Global Competitiveness Empowerment Forum www.g-cef.org 2 Introduction of GCEF Global Competitiveness Empowerment Forum (GCEF) is a non-for-profit organization to promote Corporate Social Responsibility (CSR), Creating Shared Value (CSV), sustainability, and business integrity of public, private, and social enterprises. GCEF is specialized in research, education, seminar, policy analysis, multi-stakeholder dialog, and cross sector cooperation nurturing Collective Action. GCEF was established on November 20, 2008, and became registered as a non-for-profit organization under the Ministry of Trade, Industry & Energy (MOTIE) on February 28, 2011 in Seoul, Republic of Korea. A Letter from Executive President It is my great pleasure to introduce the 2nd COE Report of Global Competitiveness Empowerment Forum (GCEF) that covers its organization activities focusing on the human rights, labour, anti-corruption, and general CSR from the former part of 2016 to the former part of 2018.
    [Show full text]
  • Suffering and Social Conscience in the Passion Genre from JS Bach's
    Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Johann Jacob Van Niekerk A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Giselle Wyers, Chair Geoffrey Boers Shannon Dudley Program Authorized to Offer Degree: School of Music ©Copyright 2014 Johann Jacob Van Niekerk University of Washington Abstract Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach’s St. Matthew Passion (1727) to David Lang’s the little match girl passion (2007) Chair of the Supervisory Committee: Giselle Wyers Associate Professor of Choral Music and Voice The themes of suffering and social conscience permeate the history of the sung passion genre: composers have strived for centuries to depict Christ’s suffering and the injustice of his final days. During the past eighty years, the definition of the genre has expanded to include secular protagonists, veiled and not-so-veiled socio- political commentary and increased discussion of suffering and social conscience as socially relevant themes. This dissertation primarily investigates David Lang’s Pulitzer award winning the little match girl passion, premiered in 2007. David Lang’s setting of Danish author and poet Hans Christian Andersen’s “The Little Match Girl” interspersed with text from the chorales of Johann Sebastian Bach’s St. Matthew Passion (1727) has since been performed by several ensembles in the United States and abroad, where it has evoked emotionally visceral reactions from audiences and critics alike.
    [Show full text]