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52, 2018 30 Lei/11 €, 14 USD Artæ + Societate/Arts + Society

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52, 2018 30 Lei/11 €, 14 USD Artæ + Societate/Arts + Society w artæ + societate/arts + society #52, 2018 30 lei/11 €, 14 USD Aspirafliile celor care ar vrea sæ izoleze arta de lumea socialæ sînt asemænætoare cu cele ale porumbelului lui Kant ce-øi imagina cæ, odatæ scæpat de forfla de frecare a aerului, ar putea zbura cu mult mai liber. Dacæ is toria ultimilor cincizeci de ani ai artei ne învaflæ ceva, atunci cu siguranflæ cæ ea ne spune cæ o artæ detaøatæ de lumea socialæ e liberæ sæ meargæ unde vrea, numai cæ nu are unde sæ meargæ. (Victor Burgin) The aspirations of those who would isolate art from the social world are analogous to those of Kant’s dove which dreamed of how much freer its flight could be if only were released from the resistance of the air. If we are to learn any lesson from the history of the past fifty years of art, it is surely that an art unattached to the social world is free to go anywhere but that it has nowhere to go. (Victor Burgin) Philipp Krikunov, Global Warming, 2018, Action, Goreliy Volcano, pp. 70–76, courtesy of the artist On the cover: Raluca Popa, 2018, courtesy and photo credit: the artist & Dennis Schoenberg arhiva: semnificaflia imposibilului 5 Afrofuturismul 2.0 øi miøcarea artelor negre speculative (BSAM). # hungarofuturism 86 „Acesta e un ræzboi cultural de partizani pe mai multe fronturi“ the meaning of the impossible Însemnæri despre un manifest – în anul ungaro futurismului. Interviu cu Orsolya Bajusz øi Márió Z. Nemes AFROFUTURISM 2.0 & THE BLACK SPECULATIVE ARTS MOVEMENT: NOTES ON A MANIFESTO realizat de Reynaldo Anderson “THIS IS CULTURAL PARTISAN WAR ON MANY FRONTS” – IN THE YEAR OF HUNGAROFUTURISM: An Interview with Orsolya Bajusz and Márió Z. Nemes 12 Anul panterei Realized by THE YEAR OF THE PANTHER Kata Dóra Kiss & Bettina Simon Reynaldo Anderson 95 Manifest 16 Rasæ øi roboticæ MANIFESTO RACE AND ROBOTICS Zsolt Miklósvölgyi, Márió Z. Nemes Louis Chude-Sokei 100 fiærani în atmosferæ øi pe cîmpul cultural 22 Manifest pentru un afrofuturism mundan PEASANTS IN ATMOSPHERE AND ON THE CULTURAL FIELD THE MUNDANE AFROFUTURIST MANIFESTO Orsolya Bajusz Martine Syms insert 102 Nemere Kerezsi: Y 25 Locuitorii adîncurilor. Drexciya øi cel de-al treilea spafliu sonic DEEP SEA DWELLERS: DREXCIYA AND THE SONIC THIRD SPACE + Simone Weil: însemnare despre suprimarea generalæ 105 Însemnare despre suprimarea generalæ a partidelor politice Nettrice R. Gaskins a partidelor politice NOTE SUR LA SUPPRESSION GÉNÉRALE DES PARTIS POLITIQUES + Simone Weil: on the abolition of all political parties Simone Weil galerie 32 Raluca Popa: Swimming Lessons, Eye Test 111 Simone Weil: dezvræjiri færæ transcenderi 33 A învæfla sæ înofli în Marea Neagræ SIMONE WEIL: DISENCHANTMENTS WITHOUT TRANSCENDENCE LEARNING HOW TO SWIM IN THE BLACK SEA Ovidiu fiichindeleanu # dreptul la trecere, dreptul de a ræmîne 57 Lista 114 Notæ despre relevanfla actualæ a „Însemnærii despre suprimarea generalæ right of passage, right of staying THE LIST UNITED for Intercultural Action a partidelor politice“ NOTE ON THE ACTUAL RELEVANCE OF “ON THE ABOLITION OF ALL POLITICAL PARTIES“ 58 Despre munca pe nava SAR Aquarius. Interviu cu Dragoø Nicolae realizat de Adrian Costache WORKING ON SAR AQUARIUS: An Interview with Dragoø Nicolae Realized by Raluca Voinea & Dana Andrei 115 Decizia împotriva Capitalului DECISION AGAINST CAPITAL 62 Cînd dai vina pe salvatori. Criminalizarea solidaritæflii, tehnici de descurajare Alexandru Polgár BLAMING THE RESCUERS: Criminalising Solidarity, Re-enforcing Deterrence Forensic Oceanography verso: Dušan I. Bjelic´: Freud în Balcani øi teoria criticæ 125 Imigranflii – noii Balcani verso: Dušan I. Bjelic´: Critical Theory and Freud in the Balkans IMMIGRANTS AS THE NEW BALKANS # e prea departe de Moscova ca sæ ajungi acolo 70 Despre fabrica de radiouri Vega, înstræinare øi autoderiziune siberianæ. Anna Smolak Dušan I. Bjelic´ it is too far from Moscow to go there în dialog cu Piotr Jerebflov, curator al Centrului de Arte Vizuale din Novosibirsk 134 Sînt Balcanii inconøtientul Europei? ON RADIO FACTORY VEGA, ESTRANGEMENT AND SIBERIAN SELF-MOCKERY IS THE BALKANS THE UNCONSCIOUS OF EUROPE? Anna Smolak in Conversation with Pjotr Zherebtsov, Curator at Novosibirsk City Centre for Visual Arts Dušan I. Bjelic´ 77 Am înghiflit lupul. Aøa supraviefluim. Raluca Voinea în dialog cu Anna Smolak despre un proiect care nu a putut avea loc 137 Cucerirea lui Freud øi fantasmagoria orientalistæ a Balcanilor I SWALLOWED THIS WOLF. THIS IS HOW WE SURVIVE. FREUD’S CONQUEST AND THE BALKANS’ ORIENTALIST PHANTASMAGORIA Raluca Voinea in Conversation with Anna Smolak about a Project That Could Not Happen Dušan I. Bjelic´ arhiva: semnificaflia imposibilului IDEA artæ + societate/IDEA arts + society Cluj, #52, 2018/Cluj, Romania, issue #52, 2018 Afrofuturismul 2.0 øi miøcarea artelor negre speculative Text publicat iniflial ca „Afrofuturism 2.0 & The Black Speculative Arts Movement: Notes on a (BSAM). Însemnæri despre un manifest Manifesto“, Obsidian: Literature & Arts in the Editatæ de/Edited by: African Diaspora, vol. 42, nr. 1–2, 2016, p. IDEA Design & Print Cluj øi Fundaflia IDEA Reynaldo Anderson Calea Turzii 160–162, 400495 Cluj 230–238. Tel.: 0748211124 www.ideamagazine.ro În ultimul deceniu, o miøcare în germene care examineazæ suprapunerile dintre rasæ, artæ, øtiinflæ øi de sign e-mail: [email protected] a început sæ se agite øi sæ creascæ pe dedesubt. Afrofuturismul e numele actual al unui corp sistematic de Redactori/Editors: gîndire speculativæ neagræ ce a apærut în anii 1990 ca ræspuns dat postmodernitæflii øi a înflorit într-o miøca- DANA ANDREI ADRIAN COSTACHE re globalæ în ultimii cinci ani. Deøi gîndirea speculativæ neagræ contemporanæ îøi are rædæcinile în nexul din- SZILÁRD MIKLÓS CIPRIAN MUREØAN tre rasismul øtiinflific, tehnologie øi lupta africanæ pentru autodeterminare øi expresie creativæ din secolul al TIMOTEI NÆDÆØAN – redactor-øef/editor-in-chief XIX-lea, în prezent ea a atins maturitatea, devenind un fenomen global. Afrofuturismul 2.0 e atît începu- ALEXANDRU POLGÁR OVIDIU fiICHINDELEANU tul unei miøcæri de îndepærtare, cît øi un ræspuns dat perspectivei eurocentrice a formulei afrofuturiste din RALUCA VOINEA secolul al XX-lea, care se întreba dacæ istoria popoarelor africane, în special în America de Nord, a fost Asistenflæ redacflionalæ/Editorial assistant øtearsæ în mod intenflionat. Spus mai simplu: universitarii, artiøtii øi activiøtii negri în cæutarea viitorului nu îøi GEORGE STATE revendicæ doar dreptul de a-øi spune propriile istorii, ci øi pe cel de a critica narafliunile clasei digerati1 1. „Digerati“: neologism recent din limba engle - Colaboratori permanenfli/Peers: europene/americane despre alteritæflile culturale, trecut, prezent øi viitor, contestîndu-le autoritatea pre- zæ, semnificînd categoria socialæ a elitei medii- MARIUS BABIAS lor digitalizate, a celor cu înalte cunoøtinfle sau AMI BARAK supusæ, de unici interprefli ai vieflilor øi viitorurilor negre. Kodwo Eshun afirmæ: „Afrofuturismul poate fi carac- AUREL CODOBAN fluenflæ în domeniul calculatoarelor, reflelelor DAN PERJOVSCHI terizat drept un program pentru recuperarea istoriilor acelor contraviitoruri create într-un secol ostil proiecfliilor sociale, comunitæflilor øi conflinuturilor online. G. M. TAMÁS afrodiasporice, precum øi un spafliu în care poate fi întreprinsæ munca criticæ de confecflionare a ustensile- (N. tr.) 2 Design: lor apte pentru intervenflii în sistemul politic actual“. Un exemplu reprezentativ pentru cîteva abordæri din 2. Kodwo Eshun, „Further Considerations on TIMOTEI NÆDÆØAN cadrul acestui val de afrofuturism e urmætoarea formulare strategicæ: „Afrofuturismul e un proiect critic ce Afrofuturism“, CR: The New Centennial Re view, vol. 3, nr. 2, 2003, p. 288. Asistent design/Assistant designer: are misiunea de a pune bazele unei umanitæfli care nu mai e legatæ de idealurile universalismului alb ale 3 LENKE JANITSEK Iluminismului, teoriei critice, øtiinflei øi tehnologiei“. Mai recent, conform lui Anderson øi Jones: „Expresii- 3. J. Griffith Rollefson, „The ‘Robot Voodoo Corector/Proof reading: Power’ Thesis: Afrofuturism and Anti-Anti- VIRGIL LEON le contemporane ale afrofuturismului apar în acele domenii ale metafizicii, filosofiei speculative, religiei, arte- lor vizuale, performance, artei øi filosofiei øtiinflei sau tehnologiei care pot fi descrise ca «2.0», respectiv ca Essentialism from Sun Ra to Kool Keith“, Black Website: replici date aparifliei mediilor sociale øi celorlalte progrese tehnologice înregistrate de la mijlocul ultimului Music Research Journal, vol. 28, nr. 1, 2008, p. CIPRIAN MUREØAN 91. Vezi øi Esther L. Jones, Medicine and Ethics Revistæ finanflatæ cu sprijinul/This issue has been published with support from: deceniu“.4 În plus, autorii definesc Afrofuturismul 2.0 astfel: „Tehnogeneza identitæflii negre de la începu- Foundation for Arts Initiatives. in Black Women’s Speculative Fiction, Palgrave tul secolului al XXI-lea reflectæ contraistorii, hacking øi/sau aproprierea influenflei programelor de reflea, a Macmillan, 2015, øi Reiland Rabaka, Africana logicii bazelor de date, analiticile culturii, remixarea profundæ, neuroøtiinflele, augmentæri øi optimizæri, fluidi - Critical Theory: Reconstructing the Black Radi- tatea genului, posibilitatea postumanæ, sfera speculativæ cu aplicaflii transdisciplinare devenind o importantæ cal Tradition, from W.E.B. Du Bois and C.L.R. miøcare diasporicæ panafricanæ, tehnoculturalæ“.5 James to Frantz Fanon and Amilcar Cabral, Le - xington Books, 2010. Prin urmare, propulsafli de noi energii øi reflecflii, membrii acestei miøcæri speculative negre au intrat
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