Ca' Foscari Short Film Festival 7
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Sessões Recomendadas Para Crianças L São, Além Das INFANTIS: FUTURO ANIMADOR E ANIMATV
PETROBRAS apresenta k'FTUJWBM*OUFSOBDJPOBM EF"OJNB}{PEP#SBTJM 3JPEF+BOFJSP BEF+VMIP Centro Cultural Banco do Brasil Centro Cultural Correios Casa França-Brasil Oi Futuro Cinema Odeon-BR Unibanco Arteplex Botafogo 4P1BVMP EF+VMIPBnEF"HPTUP Memorial da América Latina Centro Cultural Banco do Brasil 1 ATENÇÃO: Anima Mundi informa que as sessões recomendadas para crianças L são, além das INFANTIS: FUTURO ANIMADOR e ANIMATV. 14 As demais sessões não são recomendadas para menores de 14 anos. RIO DE JANEIRO Locais De Exibição Obs: Pagam meia-entrada: maiores de 60 (sessenta) anos e crianças até 12 (doze) anos. Centro Cultural Casa França-Brasil Banco do Brasil (CCBB) Rua Visconde de Itaboraí, 78, Centro Rua Primeiro de Março, 66, Centro Informações: (21) 2332-5121 Informações: (21) 3808-2020 Horário de funcionamento: Horário de funcionamento: 10h às 21h Estúdio Aberto: Ter a Dom 13h às 19h, Ingresso: R$ 6,00 (meia entrada R$ 3,00) Entrada franca Sessões gratuitas: Infantis, AnimaTV e Futuro Animador, retirada de senhas somente no dia da sessão Unibanco Arteplex Botafogo com 1 hora de antecedência na bilheteria Praia de Botafogo, 316 Térreo, Botafogo Informações: (21) 2559-8750 Centro Cultural Correios Horário de funcionamento: 12h às 22h Rua Visconde de Itaboraí, 20, Centro Ingresso: R$ 6,00 (meia entrada: R$ 3,00), Informações: (21) 2253-1580 Vendas por dia, a partir da abertura da bilheteria Horário de funcionamento: 11h30 às 19h30 Oi Futuro Flamengo · Sala de Cinema Rua Dois de Dezembro, 63, Flamengo Entrada Franca, Classificação Livre, Informações: -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Apocalyptic Desire and Our Urban Imagination
Apocalyptic DESIRE AND OUR URBAN Imagination AmY murphY University of Southern California INTRODUCTION The trouble with our times is that the future is not what it used to be. Paul Valery For approximately the last three millennia, some portion of the world’s population has subscribed to the notion that the world as we know it is going to be destroyed by the wrath of nature, the will of God, or by human development itself. While many apoca- lyptic references relate back to conservative religious traditions, a great number in circulation today are being promoted by progres- sive secular entities. Eco-theorist scholar Greg Garrard writes that not only has the notion of the apocalypse been present since the beginning of Judeo-Christian time, but the apocalyptic trope has more recently “provided the green movement with some if its most Figure 1. Opening shot of Katsuhiro Otomo’s Akira (1988). striking successes,” in publications such as Rachel Carson’s Silent The apocalyptic trope has proven to be one of the most complic- Spring, Paul Ehrlich’s The Population Bomb and Al Gore’s An In- it, resilient, and powerful metaphors used throughout our history convenient Truth.1 to manipulate human behavior. On one side, it continues to be a central rhetorical element connecting a multitude of conservative As demonstrated by Pixar’s Hollywood feature Wall-e or Hayao Mi- agendas (religious, military, and industrial) to justify an assumed yazaki’s popular anime film Nausicaä of the Valley of the Wind, moral supremacy of one group over other humans as well as nature. -
Catálogo De Shortlatino ÍNDICE INDEX
European and Latin American short film market Catálogo de Shortlatino ÍNDICE INDEX Bienvenidos / Welcome .................................................... 3 Programa Shortlatino / Shortlatino program ............. 5 PAÍSES EUROPEOS / EUROPEAN COUNTRIES PAÍSES LATINOS / LATIN COUNTRIES Alemania / Germany ........................................................ 11 Argentina / Argentina .................................................. 299 Austria / Austria .............................................................. 40 Brasil / Brazil .................................................................. 303 Bélgica / Belgium ............................................................. 41 Chile / Chile ................................................................... 309 Bulgaria / Bulgaria ......................................................... 49 Colombia / Colombia ...................................................... 311 Dinamarca / Denmark .................................................... 50 Costa Rica / Costa Rica ................................................ 315 Eslovenia / Slovenia ........................................................ 51 Cuba / Cuba ..................................................................... 316 España / Spain ................................................................. 52 México / Mexico ............................................................... 317 Estonia / Estonia ........................................................... 168 Perú / Peru .................................................................... -
Tidligere Vindere 1975-2012
I dette dokument kan du finde tidligere vindere af Odense Internationale Film Festival. Derudover kan du se, hvem der var jury det pågældende år samt læse en kort beskrivelse af de enkelte festivaler. Følg hyperlinksene herunder for at komme frem til det ønskede år: 1975, 1977, 1979, 1981, 1983, 1985, 1987, 1989, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012 Hvis du har spørgsmål, er du altid velkommen til at kontakte os på telefon 6551 2837 eller på mail [email protected] 1975, 27. juli – 4. august I 1975 afholdes festivalen for første gang under navnet Den Internationale Eventyrfestival. Festivalen kunne præsentere 58 udvalgte film fra 20 forskellige lande. Filmene blev vist i Palace Biografen. Juryen bestod af: - Jan Lenica, Polen - Thorbjørn Egner, Norge - Georg Poulsen, Danmark - Niels Oxenvad, Danmark - Ebbe Larsen, Danmark 1.pris - Guldpris THE THREE COMPANIONS af Jan Karpas, Tjekkoslovakiet THE LEGEND OF POUL BUNYAN af Sam Weiss, USA 2.pris - Sølvpris THE LITTLE MATCH GIRL af Kazuhiko Watanabe, Japan Vinderfilm THE FROG PRINCE af Jim Henson, USA THE SHADOW af Jørgen Vestergaard, Danmark THE SWINEHERD af Gene Deitch, Danmark ARROW TO THE SUN af Gerald McDermott, USA BLACK OR WHITE af Waclaw Wajser, Polen Personlige priser Thorbjørn Egner: THE BAG OF APPLES af Vladimir Bordzilovskij, U.S.S.R. Speciel Jurypris: THE SERIES OF CARTOONS af Raoul Servais, Belgien 1977, 31. juli - 7. august Den 2. Internationale Eventyrfestival bød på 68 film fra 18 forskellige lande. Filmene blev vist i Palads Teatret, Bio Centret, Folketeatret Grand og Bio Vollsmose. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
The Iafor Journal of Media, Communication & Film
the iafor journal of media, communication & film Volume 3 – Issue 1 – Spring 2016 Editor: James Rowlins ISSN: 2187-0667 The IAFOR Journal of Media, Communication & Film Volume 3 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum IAFOR Journal of Media, Communication & Film Editor: James Rowlins, Singapore University of Technology and Design, Singapore Associate Editor: Celia Lam, University of Notre Dame Australia, Australia Assistant Editor: Anna Krivoruchko, Singapore University of Technology and Design, Singapore Advisory Editor: Jecheol Park, National University of Singapore, Singapore Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-0667 Online: JOMCF.iafor.org Cover photograph: Harajuku, James Rowlins IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 Edited by James Rowlins Table of Contents Notes on Contributors 1 Introduction 3 Editor, James Rowlins Interview with Martin Wood: A Filmmaker’s Journey into Research 5 Questions by James Rowlins Theorizing Subjectivity and Community Through Film 15 Jakub Morawski Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers 22 Zoran Lee Pecic On Using Machinima as “Found” in Animation Production 36 Jifeng Huang A Story in the Making: Storytelling in the Digital Marketing of 53 Independent Films Nico Meissner Film Festivals and Cinematic Events Bridging the Gap between the Individual 63 and the Community: Cinema and Social Function in Conflict Resolution Elisa Costa Villaverde Semiotic Approach to Media Language 77 Michael Ejstrup and Bjarne le Fevre Jakobsen Revitalising Indigenous Resistance and Dissent through Online Media 90 Elizabeth Burrows IAFOR Journal of Media, Communicaion & Film Volume 3 – Issue 1 – Spring 2016 Notes on Contributors Dr. -
Courts-Metrages
COURTS-METRAGES vieux dessins animés libres de droits (Popeye, Tom et Jerry, Superman…) : https://archive.org/details/animationandcartoons page d’accueil (adultes et enfants (films libres de droit) : https://www.apar.tv/cinema/700-films-rares-et-gratuits-disponibles-ici-et-maintenant/ page d’accueil : https://films-pour-enfants.com/tous-les-films-pour-enfants.html page d’accueil : https://creapills.com/courts-metrages-animation-compilation-20200322 SELECTION Un film pour les passionnés de cyclisme et les nostalgiques des premiers Tours de France. L'histoire n'est pas sans rappeler la réelle mésaventure du coureur cycliste français Eugène Christophe pendant la descente du col du Tourmalet du Tour de France 1913. Eugène Christophe cassa la fourche de son vélo et marcha 14 kilomètres avant de trouver une forge pour effectuer seul la réparation, comme l'imposait le règlement du Tour. Les longues moustaches du héros sont aussi à l'image d'Eugène Christophe, surnommé "le Vieux Gaulois". (7minutes , comique) https://films-pour-enfants.com/fiches-pedagogiques/14.html pickpocket Une course-poursuite rocambolesque. (1minute 27) https://films-pour-enfants.com/fiches-pedagogiques/korobushka.html salles gosses (1 minutes 30) Oui, les rapaces sont des oiseaux prédateurs et carnivores ! Un film comique et un dénouement surprenant pour expliquer aux enfants l'expression "être à bout de nerfs". https://films-pour-enfants.com/fiches-pedagogiques/sales-gosses.html i am dyslexic (6 minutes 20) Une montagne de livres ! Une très belle métaphore de la dyslexie et des difficultés que doivent surmonter les enfants dyslexiques. https://films-pour-enfants.com/fiches-pedagogiques/i-am-dyslexic.html d'une rare crudité et si les plantes avaient des sentiments (7 minutes 45) Un film étrange et poétique, et si les plantes avaient des sentiments. -
JALETOVA VENERA Stereoskopska 3D Animirana Skulptura
UNIVERZITET UMETNOSTI U BEOGRADU Interdisciplinarne studije Digitalna umetnost Doktorski umetnički projekat: JALETOVA VENERA Stereoskopska 3D animirana skulptura autor: mr Igor Kekeljević mentor: mr Rastko Ćirić, redovni profesor Beograd, januar 2016. SAŽETAK Kratkometražni animirani film Jaletova Venera je inspirisan skulpturama Ljubodraga Jankovića Jaleta, našeg poznatog slikara starije generacije (rođ. 1932) i profesora Fakulteta primenjenih umetnosti Univerziteta umetnosti u Beogradu. Od pedesetih godina prošlog veka bavi se crtežom, slikarstvom, grafikom i skulpturom. Jaletove skulpture prikazuju figure žena. Figure imaju čudesan šarm, dostojanstvenost i lepotu, u formi koja nije realistična, već redukovana na skup skladno komponovanih oblina i prostornih masa. Način stilizacije i jednostavnost formi ostvaruju utisak neočekivane monumentalnosti za dela manjih dimenzija. Na njima je vidljivo bogatstvo raznih stilskih uticaja, koji kao da obuhvataju celokupno iskustvo čovečanstva u predstavljanju ženskog tela u skulpturi, od paleolita, preko arhajske skulpture, renesanse, Pikasa, Mura, narodne umetnosti, a sve složeno u jedan autentičan autorski rukopis. U projektu Jaletova Venera, skulpture navedenog autora su prenesene u medij 3D animacije, sa ciljem da se potpunije razume ova oblikovna metoda animacije, ali i da se istraži odnos skulpture i 3D grafike, i uporede njihove sličnosti, razlike i uticaji. Teorijskoistraživački rad u ovom projektu se zasniva, pre svega, na proučavanju literature i analizi primera. Osnovni teorijski -
ASIFA 50 on 50” (Aka “ASIFA 51 on 51”) – the Contest
“ASIFA 50 on 50” (aka “ASIFA 51 on 51”) – the contest th inspired by the 50 anniversary of International Animated Film Association (Association Internationale du Film d’Animation – ASIFA) This year, a significant group of artists, producers, festival directors, animation critics and viewers can th celebrate the 50 anniversary of the creation of the International Animated Film Association (Association Internationale du Film d’Animation – ASIFA), an organization founded by Norman Mc Laren and other exceptional creators in order to unite animation artists from all around the world. th The head of the Association chose 2010 to be the year in which the 50 anniversary is celebrated. As people responsible for the International Etiuda&Anima Film Festival, which is the oldest Polish festival devoted to film education and international animation, we have decided to hold a competition together with ASIFA Poland. The international contest called “ASIFA 50 on 50” focuses on creating a list of 50 best animated shorts created during the 50 years that the Association has been active. The idea was welcomed by the ASIFA and honorary Patronage was provided by the Association President, Mr Nelson Shin from Korea, and Mr Raoul Servais from Belgium, the Honorary President of the celebration. The story is worth remembering. In the 1984, the ASIFA Hollywood decided to celebrate the Los Angeles Olympics together with the American Academy of Motion Picture Arts and Sciences and conducted the famous “Champions of Animation” poll. The idea first occurred to the late Fini Littlejohn, an ASIFA Hollywood member, designer and illustrator working for the Disney Studios. -
Varga Zoltán
Kurzus kódjai: BBN-FLM-241:25 BMA-FLMD-111:15 BMA-FLMD-211:29 Kurzus címe: Az animációs film tendenciái Tanár neve: Varga Zoltán Kurzus időpontja, helye: Péntek,15:30-17:00, 34-es terem Kurzus típusa: Előadás Kurzus leírása: A kurzus célja a bevezetés az animációs filmmel kapcsolatos fogalmak és jelenségek vizsgálatába. Az animációs film meghatározási lehetőségeinek térképezését és történetének felvázolását követően olyan jellegzetességek vizsgálatára helyeződik a hangsúly, mint az animációs film sajátos vizualitása és hanghasználatának különleges konvenciói; az animációs film és az elbeszélésmódok összekapcsolódása; valamint animáció és műfajiság kérdésköre. A félév az alábbi módon tagolódik; a témák több órát fed(het)nek le: 1. Az animációs film meghatározásának lehetőségei és problémái 2. Az animációs film történetének vázlata 3. Az animációs film és a vizualitás 4. Az animációs film és a hang 5. Az animációs film és az elbeszélés 6. Az animációs film és a műfajiság: burleszk, horror és musical az animációban Kurzus teljesítésének követelményei: Írásbeli vizsga: az óra anyaga + a kötelező filmek ismerete Kötelező filmek: Tex Avery: Dumb-Hounded; Red Hot Riding Hood; King Size Canary; Bad Luck Blackie Paul Berry: The Sandman Walerian Borowczyk – Jan Lenica: Dom/Ház/House Walerian Borowczyk: Renaissance; Les Yeux des Anges/Game of Angels/Angyaljáték Konstantin Bronzit: Switchcraft Tim Burton: Vincent Émile Cohl: Fantasmagorie Walt Disney: Steamboat Willie; The Old Mill Disney – John Kahrs: Paperman Piotr Dumala: Sciany/Walls Oskar Fischinger: -
Seite 1 Director Name Director First Name Original Title Production Year Festival Year Format Signature Abd Elsaid Daoud Waseyat
Director Name Director First Name Original Title Production Year Festival Year Format Signature Abd Elsaid Daoud Waseyat Ragol Hakiem 1976 1978 16 mm 647 Abdysaparov Ernest Taranci 1995 1997 35 mm 1103 Abke Daniela Go to Shanghai 1999 1999 35 mm 1139 Abrahamson Leonard 3 Joes 1991 1992 16 mm 1009 Abreitskreis gegen die Berufsverbote Verfassungsfeinde 1976 1976 DVD #76-A-0581-dvd Abreitskreis gegen die Berufsverbote Verfassungsfeinde 1976 1976 HD Cam SR #76-X-0581-hdp Ader Jean Pierre Je demain 1981 1982 35 mm 764 Agosti Silvano Brescia '74 1974 1975 16 mm 568 Ahtila Eija-Liisa Tänään 1997 1998 35 mm 1104 Aidt Lene Arbejderkvinder i Grönland 1975 1975 16 mm 571 Akinci Bülent Die letzten Bilder 1998 1999 35 mm 1146 Alarcon Sebastian La Primera Pagina 1973 1974 35 mm 515 Albert Sándor Hurok 1968 1969 35 mm 283 Aliew M. Istorija odnogo probega 1986 1987 35 mm 885 Alkabetz Gil Yankale 1995 1996 35 mm 5043 Alvarez Carlos Colombia 70 1970 1971 16 mm 357 Alvarez Carlos Los Hijos del Subdesarrollo 1975 1976 16 mm 598 Alvarez Carlos Que es la democracia? 1971 1972 16 mm 447 Alvarez Santiago LBJ 1968 1969 35 mm 288 Aly Hossam Tholasayat Rafah 1982 1983 35 mm 780 Amano Tengai Twilights 1994 1995 16 mm 1061 Amaral Tata Queremos as ondas do ar! 1986 1988 35 mm 895 Amiralay Omar An Thawra 1978 1980 DVD #80-A-0702-dvd Amiralay Omar An Thawra 1978 1980 Digi-Beta #80-X-0702-dbp Amiralay Omar An Thawra 1978 1980 35 mm 702 Ammer Alexander Über Giesing 1991 1992 16 mm 1017 Amor Nagazi Sueur 1986 1988 S-8 907 Anand Shashi Man vs.