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hrvatski filmski ljetopis god. 17 (2011) broj 68, zima 2011. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u FIAF International Index to Film Periodicals, Web of Science (WoS) i u Arts and Humanities Citation Index (A&HCI) Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Jurica Starešinčić Tomislav Šakić (izvršni urednik / managing editor) Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici/Contributors: Ivana Jović (lektorski savjeti / proof-reading) Juraj Kukoč (kronika/chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije/bibliographies) Anka Ranić (UDK) Dizajn i priprema za tisak / Design and pre-press: Barbara Blasin Ovitak / Cover: Dubravko Mataković (Kill Bill - Krv do koljena, 2003 i Spiderman, 2004) Nakladnik/Publisher: Hrvatski filmski savez / Croatian Film Association Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa/Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 Tajnica redakcije: Vanja Hraste ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected], [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T. HR 2X Godište 17. (2011) izlazi uz potporu Ministarstva kulture Republike Hrvatske, Hrvat- skog audiovizualnog centra i Gradskog ureda za obrazovanje, kulturu i šport Grada Zagreba / Ovaj broj zaključen je 1. prosinca 2011. hrvatski filmski ljetopis SADRŽAJ 68, zima 2011. UVODNIK 5 Dobrodošlica stripu STRIP, ANIMACIJA, FILM 6 Dubravko Mataković / Stripovi o filmovima (priredio Jurica Starešinić) 22 Dijana Robaš / Mataković i Hollywood 25 Midhat Ajanović Ajan / Živa linija: strip i animacija kao kontekst za razumijevanje djela Nedeljka Dragića i Krešimira Zimonića 51 Vjeran Kovljanić / Akira Katsuhira Otoma: nekoliko bilješki o adaptaciji, arhitekturi i politici 60 Borivoj Dovniković Bordo / Surogat filmske baštine / Povodom izložbe i katalogaSurogat stvar- nosti – Pola stoljeća hrvatske animacije Marte Kiš i Karle Pudar, Hrvatsko društvo likovnih umjetnika, 9. lipnja – 9. srpnja 2011. 70 Josip Grozdanić / Magija nepokretnih slika / Povodom objavljivanja knjige Strip, deveta umjetnost Ranka Munitića IVO ŠKRABALO (1934–2011) 74 Ivo Škrabalo / Ogled iz kinonostalgije (zapisi i prisjećanja kinogledatelja sa 65 godina staža) (priredio Hrvoje Turković) 80 Janko Heidl / Povijest hrvatske kinematografije kao romansirana biografija 84 Juraj Kukoč / Lagana podbadanja Ive Škrabala (kratkometražni filmovi) 89 Nenad Polimac / Nakupac filmova – Ivo Škrabalo, savjetnik za repertoar 99 Bibliografija Ive Škrabala (Hrvoje Turković) 102 Filmografija Ive Škrabala (Juraj Kukoč) STUDIJE 104 Hrvoje Turković / Film kao znak i sudionik modernizacije LICA HRVATSKOGA FILMA 119 Tomislav Čegir / Odslik vesterna u hrvatskom filmu: Osuđeni Zorana Tadića SNIMATELJSKI PRILOZI 127 Krešimir Mikić / Portreti snimatelja (VII) – Charles Rosher i Karl Struss FESTIVALI I REVIJE 136 18. Tjedan češkog filma / Najdugovječnija međunarodna filmska smotra u Hrvatskoj, Vladimir Šeput 140 9. Zagreb Film Festival / Između trauma dana i mora noći, Stipe Radić NOVI FILMOVI 144 Kinorepertoar: Avanture Tintina, Toma Šimundža / Besa, Valentina Lisak / Elitna postrojba 2, Dragan Rubeša / Jane Eyre, Monika Bregović / Josef, Daniel Rafaelić / Koko i duhovi, Boško Picula / Kotlovina, Dragan Jurak / Le Havre, Tomislav Kurelec / Melankolija, Mima Simić / Pina, Maja Gregorović / Ponoć u Parizu, Višnja Pentić / Posljednji cirkus, Mario Slugan / The Show Must Go On, Tomislav Šakić / Troje, Petra Vukelić / U zaklon, Karla Lončar / Vožnja, Siniša Paić / Zaraza, Marijan Krivak / DVD: Život poslije života, Nikola Strašek NOVE KNJIGE 194 Tomislav Čegir / Zasluženi hvalospjev / Ante Peterlić, Filmska čitanka, Zagreb 2010. 196 Janko Heidl / Antologijski opus u fokusu / Branko Ištvančić, Poetski dokumentarizam Zo- rana Tadića, Osijek 2011. 198 Janko Heidl / Snimanje filma kao život / Michael Ventura, Cassavetes, s engleskog preveo Igor Miošić, Zagreb 2011. DODACI 201 Kronika / Filmografija kinorepertoara / Bibliografija filmskih publikacija / English summaries / O suradnicima / Upute suradnicima hrvatski filmski ljetopis CONTENTS 68, Winter 2011 EDITORIAL 5 Comics are welcome COMICS, ANIMATION, FILM 6 Dubravko Mataković / Comics on films 22 Dijana Robaš / Dubravko Mataković and Hollywood 25 Midhat Ajanović Ajan / A vivid connection: comics and animation as a context for understan- ding the work of Nedeljko Dragić and Krešimir Zimonić 51 Vjeran Kovljanić / Akira by Katsuhiro Otomo: a few notes on adaptation, architecture and policy 60 Borivoj Dovniković Bordo / Film heritage surrogate / On the occasion of the exhibition and the exhibition catalogue Surrogate of Reality –A Half Century of Croatian Animation by Marta Kiš and Karla Pudar, HDLU, June 9 – July 9, 2011 70 Josip Grozdanić / The magic of non-moving images: on the occasion of the publication of the book Comic Books, Ninth Art by Ranko Munitić IVO ŠKRABALO (1934–2011) 74 Ivo Škrabalo / A note from cinema nostalgia (notes and recollections of cinema goers with 65 years' experience) 80 Janko Heidl / The history of Croatian cinema as a romanced biography 84 Juraj Kukoč / / Ivo Škrabalo’s light goading (his short films) 89 Nenad Polimac / Film buyer – Ivo Škrabalo, cinema programme adviser 99 Ivo Škrabalo's bibliography (Hrvoje Turković) 102 Ivo Škrabalo's filmography (Juraj Kukoč) FILM STUDIES 104 Hrvoje Turković / Film as a sign and partner to modernisation FACES OF CROATIAN CINEMA 119 Tomislav Čegir / Traces of western in Croatian cinema: Osuđeni by Zoran Tadić STUDIES IN CINEMATOGRAPHY 127 Krešimir Mikić / Portrait of a cinematographer (VII) – Charles Rosher and Karl Struss FESTIVALS 136 18th Czech Film Festival / The longest-lived international film showcase in Croatia, Vladimir Šeput 140 9th Zagreb Film Festival / Between traumas experienced during the day and nightmares, Stipe Radić NEW FILMS 144 Theatres: The Adventures of Tintin, Toma Šimundža / Besa, Valentina Lisak / Tropa de elite 2, Dragan Rubeša / Jane Eyre, Monika Bregović / Josef, Daniel Rafaelić / Koko i duhovi, Boško Picula / Kotlovina, Dragan Jurak / Le Havre, Tomislav Kurelec / Melancholia, Mima Simić / Pina, Maja Gregorović / Midnight in Paris, Višnja Pentić / Balada triste de trompeta, Mario Slugan / The Show Must Go On, Tomislav Šakić / Drei, Petra Vukelić / Take Shelter, Karla Lončar / Contagion, Marijan Krivak / Drive, Siniša Paić / DVD: Hereafter, Nikola Strašek NEW BOOKS 194 Tomislav Čegir / A deserved praise / Ante Peterlić, Filmska čitanka, Zagreb 2010 196 Janko Heidl / Anthological opus in focus / Branko Ištvančić, Poetski dokumentarizam Zora- na Tadića, Osijek 2011 198 Janko Heidl / Film shooting as a form of life / Michael Ventura, Cassavetes, Zagreb 2011 APPENDICES 201 Chronicle / Films at theatres / English summaries / Contributors to this issue / Instructions for contributors UVODNIK Dobrodošlica stripu Pred Vama je novi, 68. broj Hrvatskoga filmskog ljetopisa, posljednji u 2011. godini koju svakako nećemo pamtiti po dobru što se financija i redovitosti izlaženja tiče, budući da smo bili prisiljeni objaviti jedan dvobroj. Nisu nas dotukle ni poratne godine, ali krizna godina i rezanje proračuna za kulturu umalo jest. No stoga je filmska hrvatska 2011. vidjela tiskanu pojavu još jednog časopisa, Filmonauta, koji stvaraju skoro isključivo kritičari naj- mlađe generacije (riječ je već o naraštaju rođenom u drugoj polovici 1980-ih), a i na našim stranicama pojavio se niz novih, mladih imena, pa tako i u ovome broju. Osim redovitih rubrika, noseći tematski blok 68. broja posvećujemo odnosu stripa i fil- ma, s posebnim naglaskom, dakako, na animaciju koja se kao medij nalazi na križištu stripa i filma. Povod za detaljniji pogled na međuovisnost ovih dvaju ili triju medija bio je sve veći broj adaptacija stripova na kinoplatnima, a posebnost ovoga broja svakako su cjeloviti stri- povi Dubravka Matakovića u kojima taj kultni strip-autor nudi svoj karakteristično grotes- kni pogled na hitove iz hrvatskih kina, dok je popratnu bilješku napisala mlada suradnica Diana Robaš. Još jedan novi suradnik, Vjeran Kovljanić, na primjeru kultnog stripa i ani- miranog filma Akira analizira sličnosti i razlike umjetničkog efekta koji ista priča polučuje kao film i kao strip, dok doajen hrvatske animacije, Borivoj Dovniković Bordo, kao svjedok razvoja umjetničkog animiranog filma u Zagrebu od početaka do danas, polemički ispravlja mnoge pogreške koje su okruživale izložbu Surogat stvarnosti – Pola stoljeća hrvatske anima- cije; ako ništa drugo, ovaj tekst – poslan u našu redakciju kao pismo – podsjeća koliko je važno pri svakom pisanju o estetskom fenomenu, bio to film ili što drugo, uvijek poznavati i proučavati kontekst, izvorne tekstove, gledati i gledati filmove... Midhat Ajanović nastav- lja svoju
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    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
  • Komparacija Knjige I Filma Atlas Oblaka

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